The Eyeshot Podcast on Street & Documentary Photography

Epizody

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  Paul Trevor: Fifty Years of Analogue Street Photography 17.07.2026 22min

  British photographer Paul Trevor has spent more than fifty years photographing public life, most of it in East London, and now reopens his black-and-white archive as a book that plays. In this Eyeshot 50mm interview, British street and documentary photographer Paul Trevor talks with Lucrezia Bonarota about a life spent photographing public life. Largely self-taught, he came to photography through cinema and co-founded the Exit Photography Group in 1973, learning alongside other photographers who had no school but each other. He speaks about street photography as learning about loss, the shots that haunt you because you missed them, the generosity of the street, and the discipline of the analogue years: the darkroom, the contact sheets, the slow burn. His new limited-edition book with Eyeshot, Riffs, returns to his archive from the 1970s and 1980s and pairs images from different times and places until new meaning appears through rhythm and surprise.
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  Alex Kornhuber: Documentary Photography in Perù 10.07.2026 53min

  Documentary photographer Alex Kornhuber has spent more than twenty years photographing Peru, its people, land, labour and migration, and the question of who we really are. In this interview, Peruvian-German documentary photographer Alex Kornhuber talks about a life spent photographing Peru. Born to a German father and a Peruvian mother, Alex has always felt he belongs everywhere and nowhere, a feeling that lets him enter realities different from his own. Over two decades he moved past the tourist mask of Peru toward its hidden, more difficult places: mining towns like La Rinconada at 5,400 meters, the extraction economy that shapes entire families, and the land that makes its people resilient and creative. He speaks candidly about the ethics of consent, stealing a shot and negotiating with the people in it, the emotions that get in the way of editing, and what he keeps from masters like Koudelka, Robert Frank and Cartier-Bresson.
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  Mark Davidson on Street Photography: Stop Shooting for Instagram 03.07.2026 47min

  In this episode of Eyeshot 50mm, Australian street photographer Mark Davidson talks about street photography beyond Instagram, visual performance, clichés, and the pressure to make images that simply “work” online. Together, we discuss his late start in photography, his relationship with Melbourne, the use of flash as a way to capture tension and unease, the ethics of photographing strangers, and why failure, patience, and long-term projects are essential to building meaningful work.Eyeshot 50mm is our interview series dedicated to street and documentary photography: raw, direct conversations with photographers who turn the streets into visual stories. Subscribe to Eyeshot, explore our books and discover more interviews with contemporary street and documentary photographers.
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  How To See: Five Photographers on What Photography Is For 26.06.2026 8min

  Five Eyeshot photographers on what photography is for now: gear and humility, fame and the unique eye, ethics, survival, and why they keep looking."How to See: Best of Eyeshot Q2" brings together the five photographers of this season's Eyeshot release, Margarita Mavromichalis (Street Weather), Markus Andersen (The Grey Hours), Paul Russell (The Secret Lives of Humans), Federico Rios (White Line), and Adriana Zehbrauskas (Alma), in a single thematic conversation about contemporary photography. From street photography and documentary photography to ethics, authorship, visual storytelling, gear obsession, personal work, dignity, survival, memory, and the act of looking, this episode is a slow and human conversation about what still gives a photograph meaning in a world saturated with images.Not five interviews, but one story told through five different eyes. Discover the Q2 Eyeshot Collection and pre-order the books before June 30.
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  Richard Sandler: What Street Photography Has Lost Today 19.06.2026 58min

  Richard Sandler joins Eyeshot 50mm for a raw conversation on New York street photography, film, flash, eye contact, documentary filmmaking, and what it means to photograph the unrehearsed human face. One of the defining street photographers of late 20th-century New York, Sandler reflects on photographing the city in the 1980s, working with Leica cameras and flash, learning from Gary Winogrand, dealing with risk, rejection, the technique of two pictures in one frame, the same technique he once taught a young Bruce Gilden, and the presence of the photographer in the frame. He speaks about why he never wanted to be invisible, why eye contact can reveal something deeply human, and why the best photographs often ask more questions than they answer. Direct, funny and uncompromising, a portrait of a photographer who never stopped questioning what he was looking at.
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  Ed Kashi: A Life in Photojournalism 16.06.2026 1h 43min

  In this episode we sit down with acclaimed photojournalist Ed Kashi of VII Photo Agency to explore his 45 years journey through documentary photography, visual activism, and the art of “candid intimacy" in over 100 countries. Known for his deep commitment to social issues, Ed reflects on the ethical responsibilities of the photographer, the emotional power of the still image, and the evolution of his visual language. We dive into his sold-out book with Eyeshot, “Visual Riffs”—a limited edition book now available for pre-order. Ed discusses how photography becomes a form of therapy, storytelling, and resistance, and shares insights into his creative process, from personal obsessions to field experiences across the globe.
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  Robin Schimko: Street Photography, YouTube & the Algorithm Problem 12.06.2026 1h 1min

  Robin Schimko, also known as The Real Sir Robin, joins Eyeshot 50mm for a direct conversation on street photography, YouTube, algorithms, AI, flash, gear culture, and what happens when social media starts shaping the way photographers see. In this episode, Robin reflects on the difference between being a street photographer and playing the YouTube game, questioning how algorithms reward repetition, imitation, silhouettes, POV videos, gear obsession, and easily consumable images. He also discusses why good street photography is not about perfection, why AI may push photography toward a dangerous idea of the “perfect image,” and why the real value of the medium still lies in instinct, presence, failure, and visual identity.He talks about a decade with the same Leica Q and 28mm lens, gear as costume, photographing around the shock at Thailand's Vegetarian Festival, the biggest beginner mistake he sees in workshops, what it takes to make a living without diluting the work, and why in the age of AI a flawed real photograph matters more than a perfect generated one.
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  Chuck Patch: Analogue Street Photography, Winogrand & the Decisive Moment 09.06.2026 59min

  In this episode, American street photographer Chuck Patch reflects on a lifetime of image-making, from his first camera and darkroom experiences to his years working with museums, archives, and photographic collections. The conversation moves through his influences, including Garry Winogrand, Walker Evans, Vivian Maier, Joel Meyerowitz, and Henri Cartier-Bresson, while opening a deeper discussion on what makes a street photograph last over time. Patch speaks about the beauty of mundane subjects, the limits of perfect composition, the shift from black and white to color photography, and why authenticity in photography has changed across generations. He also reflects on the role of Flickr and online photography communities, the fear of criticism, the value of amateur photography, and the difference between the traditional “decisive moment” and a more emotional, social, and narrative understanding of street photography. This is a conversation about street photography as attention, memory, community, intuition, and emotional connection.
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  Sandra Cattaneo Adorno: Why Street Photography Is Not About the Street 05.06.2026 48min

  Sandra Cattaneo Adorno joins Eyeshot 50mm to discuss street photography, memory, Brazil, abstraction, light, and the freedom of starting photography later in life. In this episode, Sandra reflects on how the street can become more than a place to document reality. Through color, reflections, bodies, gestures, gold, silver and fragments of everyday life, her work transforms ordinary moments into something poetic, personal and dreamlike. From Rio de Janeiro to New York, she shares how photography changed the way she sees the world and why street photography can move beyond the decisive moment.
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  Dave Jordano: The Secrets of a Documentary Photographer 02.06.2026 1h 9min

  In this episode, we sit down with acclaimed documentary photographer Dave Jordano. Dave Jordano did not come to documentary photography through the street. He came through still life, three decades of commercial work in Chicago with an 8x10 camera, planning every detail, controlling every light. When he returned to personal work around 2000, he brought that patience with him: the tripod, the long study, the frame decided before the shutter. He is, by his own account, the opposite of a street photographer. In this episode of Eyeshot 50mm he talks about treating the world as a still life, about why he refused to photograph Detroit as a fashionable ruin when "people still live here", about consent as a slow method built on conversation and returned prints, and about the one rule that held a fifty-year life together: love what you do, and treat it as a gift, not as work.
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  Paulie B: More empathy, more time. Less gear, less POV 29.05.2026 32min

  n this episode of Eyeshot 50mm, Paulie B discusses street photography, shooting strangers, ethics, New York, Walkie Talkie, visual clichés, and why he is not trying to be Daniel Arnold.Paulie B is a photographer, filmmaker, and creator of Walkie Talkie, the YouTube series that has opened up the process of street photography to a wider community. In this conversation, he reflects on what it means to photograph in public today: when to approach, when to disappear, how to deal with confrontation, and why being a street photographer requires more than one way of seeing.From the pressure of photographing New York to the responsibility of making images of strangers, from social media comparison to the clichés of contemporary street photography, this episode is a direct and honest conversation about process, fear, ethics, community, and the future of street photography.
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  Melissa O’Shaughnessy: Meyerowitz, Diane Arbus & Women in Street Photography 26.05.2026 1h 12min

  In this episode, Melissa O’Shaughnessy shares her journey from darkroom to digital, from shyness to confidence, and from family snapshots to internationally acclaimed street photography. Known for her vibrant color and human-centered compositions, Melissa reflects on building her philosophy on photography, and what it means to find your voice on the street. As the cover artist of Eyeshot’s sold-out limited edition all-women issue “No Man’s Land: Women Reclaiming the Streets”, Melissa dives into the challenges and strengths of photographing as a woman in a historically male-dominated genre. In this in-depth interview, we talk about identity, ethics, color vs. black and white, the influence of Joel Meyerowitz, and how one photograph can hold an entire story.
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  Richard K. Hernandez: A Deep Conversation on AI and the Future of Photography 22.05.2026 1h 39min

  In this episode of Eyeshot 50mm, Richard Koci Hernandez reflects on photography, AI, Instagram, visual journalism, and what it means to make images in a world already overflowing with them. A photographer, visual storyteller, educator, and one of the most influential voices in contemporary image-making, Hernandez moves through the major shifts that shaped his career: film photojournalism, the digital transition, multimedia journalism, mobile photography, Instagram, and now AI-assisted visual culture. Rather than treating new tools as threats, he argues that photographers must understand them before they can criticize, reject, or use them with clarity.The conversation explores photography’s unstable relationship with truth, the future of photojournalism, the role of transparency, the limits of AI-generated imagery, and why this may be one of the most important moments for a new generation of visual journalists and image-makers.
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  David Gibson: Street Photography, Gender Representation & Storytelling 19.05.2026 1h 17min

  David Gibson, celebrated street photographer and member of the UP Photographers collective, joins us for the second episode of “50mm.” Explore how street photography has evolved, learn abstract photography tips, and discover powerful insights on photography techniques, gender in photography, and more. In this in-depth interview, Gibson explains how instinct and technique guide the quest for iconic images, how technology and the internet reshaped photography’s journey, and why a supportive photography community fosters mutual inspiration. He also discusses writing, visual storytelling, and the art of observation, offering reflections on the impact of AI on the future of photography. Whether you’re looking for photography advice as a hobbyist or seeking new perspectives as a professional, this conversation delivers valuable lessons and creative inspiration for everyone.
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  Seamus Murphy: The Uncomfortable Work of Documentary Photography 15.05.2026 1h 19min

  Seamus Murphy joins Eyeshot 50mm to discuss documentary photography, war, Afghanistan, Ireland, PJ Harvey, and why images should challenge us rather than comfort us. A raw conversation on photojournalism, long-term work, ethics, memory, and the difficult responsibility of looking. In this episode, Murphy reflects on a life shaped by photography: from leaving Ireland and finding his voice through the camera, to working across conflict zones, returning again and again to Afghanistan, and resisting the narrow labels of “war photographer” or “documentary photographer.” The conversation moves through photojournalism, personal projects, visual freedom, and the tension between information, emotion, and form.
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  Bill Shapiro: Life Magazine, Photo Editing & The Future of Photography 12.05.2026 1h 42min

  Former LIFE Magazine Editor-in-Chief, Bill Shapiro, shares rare behind-the-scenes stories from the golden era of photojournalism to today’s digital challenges. From curating iconic covers to navigating ethical dilemmas, Shapiro offers an insider’s view on editing, storytelling, and what makes a photograph truly unforgettable. In this episode, we explore his philosophy on empathy in photography, how to surprise a juror, and the delicate balance between history and the present in visual storytelling. Whether you’re a photographer, editor, or photography lover, this conversation will inspire and challenge your perspective.
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  David Campany: Street Photography Is Not Really About the Street 08.05.2026 1h 15min

  David Campany, creative director of the International Center of Photography in New York, writer, curator and theorist, joins Eyeshot 50mm to discuss street photography, documentary photography, photobooks, interpretation, and why photographs are better at suggesting than explaining the world. In this conversation, Campany reflects on the limits of the photographic image, the difference between looking and understanding, and the role of writing, captions, sequencing, and context in documentary photography. From the idea that street photography is not really about “the street” to the tension between ambiguity and over-explanation, this episode opens up some of the most important questions around contemporary photography today.
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  Phil Penman: From Paparazzi to Street Photography 05.05.2026 1h 4min

  Phil Penman sits down with Eyeshot 50mm to talk about street photography, photojournalism, paparazzi culture, and building a 30-year career in New York City. From 9/11 to celebrity chaos, from ethics to AI, this is a raw conversation about what it really takes to survive as a professional photographer. In this episode, Phil reflects on growing up with a news photographer father, working as chief photographer for newspapers, surviving the high-pressure world of paparazzi photography, and eventually returning to personal street work in NYC. We discuss speed, instinct, consent, privacy, social media algorithms, AI, technical perfection vs emotion, and why real photography still matters.
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  Adriana Zehbrauskas: Photojournalism, AI, and the End of Trust 01.05.2026 1h 19min

  A Brazilian documentary photographer working across Latin America and beyond, Adriana Zehbrauskas from the VII Foundation joins Eyeshot 50mm to discuss documentary photography, photojournalism, ethics, trust, AI, migration, Mexico, and her new Eyeshot book “Alma”. In this conversation, she reflects on what it means to photograph real life without staging, manipulation, or excuses.In this episode, we talk about the discipline of newspaper work, why “we do not publish excuses,” the obsession with gear, women in photojournalism, the responsibility of photographing vulnerable communities, and why trust has become even more fragile in the age of AI-generated images. Adriana is also the author of “Alma”, a limited-edition photobook published by Eyeshot, rooted in Mexico and shaped by attention, dignity, and social reality.
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  Federico Rios Escobar: Why the War on Drugs Has Failed 28.04.2026 1h 5min

  Colombian photojournalist and Pulitzer finalist Federico Rios Escobar joins Eyeshot 50mm to discuss documentary photography, the war on drugs, and his new monograph “White Line”. In this Eyeshot 50mm interview, Colombian photojournalist Federico Rios Escobar refuses the aura of the unique photographer. Best known for his five-year coverage of the Darien Gap for the New York Times, finalist for the Pulitzer Prize, Rios calls himself "one more photographer". He thinks of photography as a pizza, his work as one slice of a wider conversation that takes shape only when many voices look at the same situation. We talk about documenting three sides of the same Colombian conflict, the army's, the farmer's, the rebel group's, on three consecutive days. He discusses Leica primes, manual focus as slow practice, and documentary photography as a jam session.