Unibrow Radio

Episoder

• 
  UR-08: Robin F. Williams Loves that Nitty-Gritty American Stuff 09.08.2026 48min

  Sometimes the best podcasts are the most unexpected ones, and that is what happened in our conversation with the acclaimed painter, Robin F. Williams. What began as an interview for our Issue 03 that will be out in the fall, coinciding with Williams' solo presentation with PPOW Gallery for Frieze London in October, turned into a wide-ranging conversation about serendipity, a bit of magic, a bit of cultural critique, and the solar system aligning over the skies of Columbus, Ohio in 2024. We took a journey... Williams is Ohio-born but now been based in New York for two decades, whose work often explores what they call the “low-brow, nitty-gritty, American stuff” of horror films, social media and pop-culture, but also through the influence of the past masters and European classics. In quite a rewarding experience, Williams felt a shift in their practice after a return home and the 2024 museum survey, “We've Been Expecting You” at the Columbus Museum of Art in Ohio, where the solar system aligned, literally and figuratively, and a bit of serendipity has brought new energy to the direction of the paintings…At the moment, Williams is in the final stages of completing Act Natural, a new body of work for PPOW that looks at how we confront AI and technology in our lives, and the dichotomies and contradictions in our 21st century human experience. So please, like, subscribe to Unibrow Radio, and enjoy this conversation with Evan Pricco and Robin F. Williams.
• 
  UR-07: A Ghost in the Gallery 10.07.2026 50min

  The main reason I think I love art so much is because it's full of mystery. I've long had a soft spot for the unusual. Somewhere between Are You Afraid of the Dark? and Lemony Snicket’s A Series of Unfortunate Events, I realized my fascination with the unexplained, and I’ve been chasing that feeling ever since. It was only a matter of time before that curiosity led me to the art world. After all, every great mystery leaves clues. So does every great work of art.Art rewards those willing to think like a detective. Understanding a work of art means leaning into that mystery, and following its scent down a long trail of clues, symbols, and intentions. Why are certain objects illuminated while others recede into darkness? What’s the difference between an open palm and a closed fist? Why does one figure meet your gaze while another looks away? It all means something, if you’re willing to look closely enough.Of course, when I learned about Jane! at Cantor Arts Center at Stanford University, I had to speak with its curator. Jane! explores the enigmatic life, and even more mysterious death, of Jane Stanford, founder and matriarch of Stanford University. An advocate of the arts, a collector of oddities, a spiritualist, and the steward of the Cantor, Jane was a remarkably complex woman of the Gilded Age. After surviving one apparent poisoning attempt, Jane died just weeks later under circumstances that remain as mysterious today as they were in 1905. Perhaps it's no wonder that her final resting place lies in a mausoleum just steps from the museum she built. What may be even more mysterious are the numerous staff and students who claim to have seen a woman eerily similar to her portrait wandering Stanford's grounds.On this episode of Unibrow Radio, I speak with Patrick R. Crowley, Associate Curator of European Art at the Cantor, about why it's time for everyone to know Jane, (and her ghost,) a little better. No Ouija board needed. –– Shaquille HeathJane! Life, Vision, and Legacy of Jane Stanford is on view at the Cantor Arts Center at Stanford University through May 18, 2028.
• 
  UR-06: Saša Bogojev on CAN and the Future of Art Fairs 24.06.2026 1t 4min

  I don't remember the year I met Saša Bogojev, but I know that he and I both were finding our way in the world of contemporary art through a small passageway that was emerging in a tunnel called Street Art. I think he and I both saw that there was a camaraderie, a friendship, a bond in that scene that was applicable to a greater contemporary art world, a language of access that could be used in describing a greater art lexicon and language. So here we are, nearly 15 years later, and Bogojev has gone from Juxtapoz contributing editor to become a leading writer, curator and organizer of a wave of emerging art that is both international and vital to the health of the overall art market. And, for the last half-decade, Bogojev, The Unibrow’s regular contributor and an editor-at-large, has been a curator and creative artistic director of the CAN Art Fair in Ibiza (and this year, Madrid). This is what I wanted to talk to him about; how the future of the art fair as an entity and the position that CAN has taken over the course of 5 years. We also talk about the increased pressure on the art world, the expectations, the bigger audiences, the draws, the incredible talent we see internationally and the language that we use to historically place it in the world-at-large. We also talk about some of the subjects he loves to write about, how his passion for the arts shows up in his writing, and those little avenues you can find yourself walking down that end up in bigger conversations about arts and culture.
• 
  UR-05: 30 Years of Fredericks & Freiser Gallery 14.05.2026 49min

  When Jessica Fredericks and Andrew Freiser founded Fredericks & Freiser Gallery in 1996, the art world was a different place. New York was a different place! What surviving as a gallery meant back then has changed drastically in some respects, but the core principles remain: show what you believe it, and do it with honesty and care. The parts that have changed, indeed, are art fairs, social media, a more savvy artist and more informed collector. But Jessica and Andrew, through a program of showing estate, middle career and young, emerging artists that create what they call "psychological figuration," have weathered multiple storms and the highs and lows of the art market to have one of the most consistent programs in New York. And that is important, as they know they often give an artist their long-sought-after "first New York solo show." That, to this day, will always be a milestone. We sat down with Jessica and Andrew the week of the Independent Art Fair, one of two big art weeks in New York during the year, just after they opened a solo show with Maria Calandra a few nights before. This is the type of schedule we wanted to know about. What makes a gallery work? What makes them interested, three decades into their careers as dealers? What are the ups? The downs? What has changed? Is New York still the epicenter of Art? In this conversation, we talk about the early years of the gallery and how to establish a program that lasts 30 years. From being one of the first galleries in Chelsea, to the blessing of John Wesley and being one of the first galleries to show Jenna Gribbon, they have many stories to tell over 3 decades. That is no small feat in the gallery world, and the advice and direction both Jessica and Andrew have taken and given over the years offers an insight for all galleries starting up today.
• 
  UR-04: Robert Montgomery and the Poetry in Empty Palaces 08.05.2026 53min

  Many think of the past in smells, sounds, joys and fears. Recently, I sat down with Robert Montgomery on a stage during the Nuart Aberdeen festival, to try and put words to memories, to think about how language can be an asset for describing our past. Montgomery is a poet, installation artist, conceptual artist, public artist, thinking about language as a way to intervene into our lives and bring a spiritual and personal experience to our public arenas. He is a like a street poet in the 21 century sense. Robert’s work was a highlight of the year’s festival, an 11-meter long sculpture placed in the empty pool of the Bon Accord Baths in the center of Aberdeen. This isn’t the first time Robert’s work, in this context, a collaborative poem, has been placed in long-forgotten spaces. His words become an echo of the past, and bring places and spaces back to life. The work is also about immigration, about community, about sharing life's experiences with others and making others feel welcome. In an era of anti-immigrant politics and the rise of right wing ideology, the new work felt like a counter-argument, a powerful and peaceful resistance: a light poem in the deep end, where fear is replaced by courage and love. In this conversation between Robert and myself, The Unibrow’s Evan Pricco, we connect the dots of Robert’s work and why, as a poet, he found somewhat of a mutual respect and admiration working in public space. The energy of a street art practice connected with Robert. It also connected with Nuart’s founder, Martyn Reed, who has long curated his festival to place unsanctioned art into the context of poetic interventionism. For the 2026 festival, curated under the idea of “Poetry in the Streets,” it was a natural connection to bring Robert back to Scotland. Recorded live at Nuart Aberdeen, at the Lemon Tree, Aberdeen, Scotland, April 2026. Like our recent conversations on the radio channel, we apologize in advance that some of the audio may have a discrepancy in volume due to the live nature of the show. We also have questions from the audience in attendance at the end of the interview, and we thank everyone who participated. And we thank Nuart Aberdeen for their continued support of The Unibrow.
• 
  UR Fiction-03: Eirinie Carson and a Reading from "Bloodfire, Baby" 23.04.2026 25min

  Welcome to Unibrow Radio Fiction, a new series where the editors of The Unibrow speak to authors, share selected readings, and begin to think about the art being fiction and narrative writing. Today's guest coincides with Issue 02, with an excerpt and interview with Eirinie Carson and her new novel, Bloodfire, Baby. The book is being hailed by critics and honored for its honesty and daring story. It is Carson's first novel after her memoir, The Dead Are Gods. Shaquille Heath interviews Carson about creating the characters and the story behind the making of the book. The book is "a maternal gothic tale of new motherhood and the torment of a centuries-old haunting," and as you will hear in this conversation with Carson, comes from her own life experience as a new mother and the stories that began to take shape on the page as she experienced her own postpartum reality. Bloodfire, Baby is currently available via Penguin Books. Audio excerpted with permission of Penguin Random House Audio from BLOODFIRE, BABY by Eirinie Carson, excerpt read by Emana Rachelle. Eirinie Carson ℗ 2026 Penguin Random House, LLC. All rights reserved.
• 
  UR-02: Shepard Fairey on Creating Modular Frequencies 09.04.2026 1t 18min

  Shepard Fairey is one of the most famous artists in the world, and if you think about it, there aren't many artists who are famous in their lifetimes. In times' past, artists didn't get to live with their fame, their notoriety, the praise and scrutiny that comes with making art seen by man. We are living in a different era, art has sometimes permeated into popular culture and consciousness, and Fairey's' Obey Giant and Obama imagery are the rare instances where art becomes mega Pop Art, the kind found on tee shirts and on refrigerator magnets. Fairey is a street artist, fine artist, designer, clothing brand owner, DJ, printmaker, father, husband and revered muralist. He makes art in the moment for a number of social justice causes, and creates studio work that is meticulous and bold and innovative. As we say in the introduction to Episode 02 of Unibrow Radio, for over 35 years, Fairey has been actively pursuing a balance between image and message, creating and exploring the symbiosis of how to make works where politics, music, poster design, skate culture can all exist in a single work. What he is often asking, is how an image can, in itself, be an active work of the past, present and future.Recorded live at Fairey’s gallery, Subliminal Projects, during the run of his new show, MODULAR FREQUENCY, the artist talks about how he uses his own history in his work, the constant battle between reactive work and experimentation, finding ways to rest, and the many layers of influences that he’s drawn on to help develop his aesthetic. He constantly mentions he stands on the shoulders of those who came before him, and he hopes he has blazed a path for others to stand on his… 
• 
  UR-01: Christopher Anderson and the Future of Photojournalism 03.04.2026 1t 18min

  Christopher Anderson is an award-winning photographer and contributor to The New York Times Magazine and The New Yorker, as well as the Photographer in Residence at New York Magazine from 2011-2014. A member of Magnum Photos from 2005 to 2023, Anderson is the author of nine monographs, including the 2026 collection Index, out in the Spring 2026 through Stanley Barker. Originally know for his work as a war correspondent, his photographs depicting the journey of 44 Haitian immigrants attempting to sail to America on a hand-made, wooden boat were awarded the Robert Capa Gold Medal.Recently, his name became widely known for his work for Vanity Fair in covering the Trump Administration. On the occasion of that shoot and his revealing his portraits of Jeffrey Epstein that had never been published, and on the publishing of his newest monograph, The Unibrow sat down with Anderson from his studio in Paris and caught up with the photographer in this wide-ranging conversation. This episode was hosted by Evan Pricco, with introduction by Kim Stephens, and music by Aesop Rock.
• 
  167: Nathan Bell 18.06.2025 1t 2min

  When Nathan Bell announced his latest solo show was to be called "Conversations with Inanimate Objects" and it would showcase a series of what he called "guidance paintings," I was hooked. I've known Nathan for years but mostly as a designer. So being able to speak to him in this context, inside the gallery These Days in downtown LA as the show was coming to a close, was a refreshing moment to have with someone you know and the other side of their brain. In this conversation of The Unibrow's Radio Juxtapoz podcast, I speak with Nathan about the journey of these works, from Finland to Mexico and back to Los Angeles, to his latest project in China and exactly what a guidance painting is. We may mention the Detroit Tigers and Timothée Chalamet... the latter by accident, we swear. Subscribe to the Radio Juxtapoz podcast on Spotify and on Apple Podcasts. The Unibrow's Radio Juxtapoz podcast⁠ is hosted by Juxtapoz editor, ⁠⁠⁠⁠Evan Pricco⁠⁠⁠⁠. Episode 167 was recorded in Los Angeles on June 4th, 2025. Music by Aesop Rock for The Unibrow
• 
  166: Salomón Huerta 13.06.2025 1t 6min

  We kick off Season 20 of The Unibrow's Radio Juxtapoz podcast with a conversation with Mexican-American, Los Angeles-based painter, Salomón Huerta. What started as scheduling a conversation with Huerta around the opening of his solo show Stillness, which opened at Harper's in NYC in the spring, and he and I wanting to catch up after Huerta lost his home in Altadena in the fires that ravaged Southern California in January 2025 became another conversation about fires in LA County: just as we click confirmation on our time to meet up, ICE raids throughout LA had put the city into shock, sparking mass protests, National Guard and Marines being brought to the streets to heighten tensions and has left the Mexican-American community in fear. Not only did Huerta want to talk about the current climate here but his own personal story of being an immigrant to America. Born in Tijuana, Mexico in 1965, his story is one of a meteoric rise in the fine art world (shows at Gagosian in 2001 just as he left UCLA) to soul-searching after his initial success to now creating some of the most personal works to date. There is so much of Huerta's story I didn't know, so on this episode of the podcast, I speak with him about the creation of his famed "back of head" portraits, the genesis of the gun paintings and how he began to develop the pool and home works he is know for now. And, of course, we talk about LA, how his community is rattled and what that means for him in the future. From a wild story of John Baldessari's sort-of critique of his MFA work, to an upcoming show at Marc Selwyn Fine Art, this is an honest must-listen. —Evan PriccoThe Unibrow's Radio Juxtapoz podcast⁠ is hosted by Juxtapoz editor, ⁠⁠⁠Evan Pricco⁠⁠⁠. Episode 166 was recorded in Los Angeles on June 11th, 2025. Music by Aesop Rock for The Unibrow
• 
  165: Dan Nadel, author of "Crumb: A Cartoonist's Life" 21.05.2025 1t 27min

  Author and curator Dan Nadel is a hero of mine and a bit of a renaissance man. He was the publisher of the brilliant and influential PictureBox for decades and was a champion of much of what Juxtapoz was founded on but took it to a whole new level of intricate historical research and creating a voice of record for so many artists who time wasn't given them a needle to etch their name in the vinyl, so to speak. We are talking comic book legends, graphic novelists, outsider artists who might have created some of the most recognizable art of the 20th century that the history books hadn't given the full retrospective for. And Dan was going to do it. This year in paricular, Dan is busy. From publishing his newest book, Crumb: A Cartoonist's Life on the career and life of the controversial figura that is Robert Crumb, to co-curator for Sixties Surreal, a rethinking survey the art history of the 1960s at the Whitney Museum of American Art (opening September 24, 2025) and Curator-at-Large for Geroge Lucas' new Lucas Museum of Narrative Art, we had a lot to catch up on The Unibrow's Radio Juxtapoz podcast. We talk about undergrround comic's new resurgence into contemporary art, the making of the Crumb biography and the incredibly pivotal moment of KAWS' collection show at the Drawing Center in 2024.But more than that, I got to speak with someone I admire on his dedication to print, to words, to creating narratives in a world that needs to understand it's visual history. —Evan PriccoThe Unibrow's Radio Juxtapoz podcast⁠ is hosted by Juxtapoz editor, ⁠⁠⁠Evan Pricco⁠⁠⁠. Episode 165 was recorded in Los Angeles and Brooklyn on May 14th, 2025.
• 
  164: Shyama Golden 14.05.2025 1t 6min

  "'Too Bad, So Sad, Maybe Next Birth' was a phrase my parents would say whenever something was out of my control and didn’t go exactly according to plan," Shyama Golden wrote on the subject of her new solo show of the same name for PM/AM in London. "It feels to me like a short phrase that embodies the entire human struggle, like Sisyphus pushing the boulder up the hill." The Los Angeles-based painter has created a universe where reincarnation, generational trauma and suffering (and a sense of humor to cope with it), Sri Lankan folktales and a personal journey through time and the soul's journey through eras. Golden told me she wanted to create a works that spoke of "past lives because this framework challenges the idea of an essential self, a fixed history, and linear progress." And so she is creating her own story, not the next birth, but this birth. In this conversation from The Unibrow's Radio Juxtapoz podcast, I spoke with Shyama in LA just before her trip to London, just after her husband, Paul Trillo, showed me an incredible AI-generated film he created with her that will premiere in short form at the PM/AM show but will continue to be worked as a longer work in the future. The show is like a journey through our collective creative output: traditional painting, wood masks co-created with craftsmen in Sri Lanka that harken to centuries past as well as a short film utilizing AI. It's work for the ages, literally.The Unibrow's Radio Juxtapoz podcast⁠ is hosted by Juxtapoz editor, ⁠⁠⁠Evan Pricco⁠⁠⁠. Episode 164 was recorded in Los Angeles on May 2, 2025. Music by Aesop Rock for The Unibrow.  
• 
  163: Corita Kent's Legacy with Nellie Scott 08.05.2025 53min

  The first thing I said to Nellie Scott, Executive Director of the Corita Art Center in downtown Los Angeles that preserves and promotes Corita Kent’s art, teaching, and passion for social justice, was that I wish we didn't need to do this. I wish Corita Kent's work had already done its work, that the world was free of oppression, racism, inequality, chaos and fear. Maybe Nellie and I could just talk about love and a butterfly, the upcoming showing of Kent's work at Andrew Kreps and kaufmann repetto in NYC this month. But the times they are a'changing and oh how they stay the same. The new Corita Art Center opened in March and since, Pope Francis has passed, the structure of democracy in America has been bent to a near breaking point and art has an act of protest and social awareness is struggling to find its footing. So, it's time for Corita Kent once again. In this conversation on the Radio Juxtapoz podcast produced by the Unibrow, Nellie Scott speaks of the founding of the Center in 1997 and its association with the Immaculate Heart Community, how Corita Kent went from entering the religious order Immaculate Heart of Mary at age 18, to championing civil rights, anti-war activism, and peace, through her unique aesthetic of printmaking. She left the order in 1968 and moved to Boston, where she continued to make work. Her art, and her life, was devoted to finding a deep understanding of the human experience, through teaching and creating. Corita left behind a great legacy that continues to reverberate - at the time of her death in 1986, Corita had created almost 800 serigraph editions and thousands of watercolours, alongside public and private commissions. From Boston to Los Angeles, Corita’s life is a truly inspired story. The Unibrow's Radio Juxtapoz podcast⁠ is hosted by Juxtapoz editor, ⁠⁠⁠Evan Pricco⁠⁠⁠. Episode 163 was recorded at the Corita Art Center in Los Angeles in late April 2025. Original music by Aesop Rock for Radio Juxtapoz
• 
  162: Adele Renault 30.04.2025 47min

  Adele Renault's studio is an old converted Korean church in Los Angeles. It's a large, fascinating old building just down the road from some of the biggest gallery names in the world like Zwirner, but here, there is a quiet hum of the 10 freeway and a massive painting area that could almost be an old cinema in terms of scale. Here, the Belgian-born artist is far from the rural countryside she grew up in and now in the thick of the concrete landmass that is the sprawl of LA. And here, in these conditions, she is making paintings so precise and photorealistic, so airtight, that she is almost leaning into something abstract. They are stunning and a major moment for the artist as she is set to open her solo show, Things I Can't Unsee, at Good Mother Gallery. It's the perfect title to a show, and in particular, to the practice she has of documenting her travels via bicycle, running or in a car across LA. Made over the span of 12 months, through a tumultuous time in LA's history, the works are an ode to the city and the constant conversation between nature and cement. In this conversation on the Radio Juxtapoz podcast, presenting by The Unibrow, Renault talks to Evan Pricco about her growing from graffiti and street work into this new direction, from pigeons to now urban landscapes, how being afforded time is a gift every artist needs and how close to abstraction these works can get up close. ⁠Subscribe to the Radio Juxtapoz podcast on Spotify and on Apple Podcasts. The Unibrow's Radio Juxtapoz podcast⁠ is hosted by Juxtapoz editor, ⁠⁠⁠Evan Pricco⁠⁠⁠. Episode 162 was recorded in Los Angeles in late April 2025. Studio photo by Pysa (@Pysainhiding)
• 
  161: Katie Merz 22.04.2025 58min

  “No hierarchies are implied.” If you need to know anything about Katie Merz, start with that. The Brooklyn-born and bred artist has been playing on the streets both metaphorically and recently literally, for most of her life. Hierarchies would have got in the way if she let them. Art was all around, or perhaps better stated, it could be all around. For Merz, improvising was the goal, and the ever-evolving canvas that is her home borough gave her the imagination and the thoughtfulness to read and react to the world around her that has now blossomed into a public art career that is also extended into fine art and commercial projects. And this is where we found her. It was serendipity that at the time we were meeting up with Katie in her Brooklyn studio, she was finalizing her long-awaited collaboration with Simplehuman. The Southern California-brand is famous for their, well, beautifully simple trash can designs and home goods, but there was something rather ideal about pairing an artist to create a design for cans. Ideas come and go in the studio, projects can get thrown away but the function of an artist is to take the everyday object and turn it into art. For Katie, this is in her DNA. On this episode of The Unibrow's Radio Juxtapoz podcast, we speak with Katie about the collaboration with Simplehuman but also how she involves spontaneous play into her work, how much growing up with the romantic history of NYC plays into who she is and the process of storytelling with lines. The Unibrow's Radio Juxtapoz podcast⁠ is hosted by Juxtapoz editor, ⁠⁠⁠Evan Pricco⁠⁠⁠. Episode 161 was recorded in Los Angeles and Brooklyn on April 21, 2025. This episode was made possible by Simplehuman and their upcoming capsule collection with Katie Merz. 
• 
  160: David Altmejd 08.04.2025 55min

  The serpent has been around for a quite some time. It's biblical stature as the representation of the temptation of the devil to Eve in the Garden of Eden has often been part of Western thought, but the asp was a powerful symbol in ancient Egyptian culture, representing "divine authority of the pharaohs." The serpent has been a protector and mischievous creature, chaotic and a form of order. And this is where we find Montreal-born, LA-based sculpture artist David Altmejd, on the border of chaos and order, restraint and rawness, realism and fantasy. We are in the underworld but also inverting the hierarchy of the world above it all in one.I spoke with David on the occasion of his solo show, The Serpent, at White Cube Gallery in NYC, a show exploring a theme he had wanted to challenge himself for years and one that brought out a whole new direction and subconscious expression that he plans to explore in future shows and works. On a sunny April morning, I visited David's now almost-empty-but-in-the-process-of-new-ideas studio in Echo Park and found that this was just the time to get the story of where he is at in 2025. David digs himself into quite a personal world when he is making a show, and he told me he is often unprepared or able to speak of his work until it leaves his studio. So here we are. On this episode of The Uniborw's Radio Juxtapoz podcast, we speak with David Altmejd about feline energy, biology, physical space, the beauty of a sculpture that is almost always in motion, and what The Serpent means to him. ⁠Subscribe to the Radio Juxtapoz podcast! The Unibrow's Radio Juxtapoz podcast⁠ is hosted by Juxtapoz editor, ⁠⁠⁠Evan Pricco⁠⁠⁠. Episode 160 was recorded in Los Angeles on April 7, 2025.This episode of Radio Juxtapoz is brought to you by the generous support of the ⁠⁠⁠Artemizia Foundation⁠⁠,⁠ a world class museum of contemporary, graffiti and street art in Bisbee, Arizona.
• 
  159: Noelia Towers 30.03.2025 1t 4min

  Barcelona-born Noelia Towers has been painting a form deconstructing power structures for years now, but it seems like over the last few years her subject matter has received a heightened attention. And importance. Not like a typical activist painter, Noelia is placing herself right in the center of both a personal biography and a universal appeal for action against patriarchy and a prevailing mood across the world of a new form of masculine power structures. I wrote a few months back, "She plays with ideas of myth, both personal and universal, using imagery that creates a feeling of familiarity but abstracted to make you rethink your expectation of memory," and this holds up even more after our conversation. On this episode of the Unibrow's Radio Juxtapoz podcast, Noelia talks to me about her move to Chicago, the traumas she carries with her in her practice today and how her recent show, An Account of Preceding Events at de boer, Los Angeles came quickly and was one of her best experiences in the studio in years. The Unibrow's Radio Juxtapoz podcast⁠ is hosted by Juxtapoz editor, ⁠⁠⁠Evan Pricco⁠⁠⁠. Episode 159 was recorded in New York and Chicago on March 26, 2025.This episode of Radio Juxtapoz is brought to you by the generous support of the ⁠⁠Artemizia Foundation⁠,⁠ a world class museum of contemporary, graffiti and street art in Bisbee, Arizona.
• 
  158: Mark Whalen 23.03.2025 46min

  Mark Whalen has been with us for almost 20 years, from the streets of Sydney, Australia to a new life of a sculpture studio in Los Angeles. Now it is time we are with him: after losing his home in the Altadena fire of January 2025, I got in touch with Mark about a visit to The Unibrow's Radio Juxtapoz, but also to catch up on an immersive, darkly humorous series of works he was creating. It felt like the right time. In this conversation on the podcast, we find the inspiration behind the world Whalen has created, the stream of consciousness and deeply investigative construction of the sculptures, the materials, the fun, the pain, and how losing his home will inevitably transform the power of the work. Subscribe to the Radio Juxtapoz podcast! The Unibrow's Radio Juxtapoz podcast⁠ is hosted by Juxtapoz editor, ⁠⁠⁠Evan Pricco⁠⁠⁠. Episode 158 was recorded in Los Angeles on March 14, 2025. This episode of Radio Juxtapoz is brought to you by the generous support of the ⁠Artemizia Foundation,⁠ a world class museum of contemporary, graffiti and street art in Bisbee, Arizona.
• 
  157: Daniel Gibson 16.03.2025 52min

  Daniel Gibson is a painter of the California landscape, a visualizer of a certain kind of desert oasis dreamt of in a surreal dream as opposed to a place you have been. But to be honest, I wasn't aware of this fantastical world of desert sun, flora and fauna in Gibson's work; I just wanted it all to be real. I don't think that is important; what is important is that Gibson is capturing an essence of fantasy and freedom, a rural and desert basins, the Imperial Valley of Southeast California. This is where Daniel grew up, and though he has lived in San Diego and now Los Angeles for years, he takes this childhood daydream of his surroundings with him in some of the most beautifully phantasmagorical paintings being made today. Gibson's path to a fine art career took many twists and turns, from ArtCenter to graphic design, street posters to working at Levi's. He found himself in the studio of Mary Weatherford, another artist of color bursts and abstractions, where he learned the details of a career artists and the blueprint for dedication. The pandemic allowed him more time in the studio, and when the world was shut away, Gibson developed a body of work that has seen the galleries of Almine Rech, Nazarian / Curcio and new show just about to open at Marquez Art Projects (MAP) in Miami. In this conversation on The Unibrow's Radio Juxtapoz podcast, Gibson speaks to Juxtapoz editor Evan Pricco about a semi-retirement set for 2025 (aka, a break from shows to develop new work), growing up near the California-Mexico border, being self-taught at painting, the emotional parts of paintings and what he learned from Weatherford's practice. The Unibrow's Radio Juxtapoz podcast is hosted by Juxtapoz editor, ⁠⁠⁠Evan Pricco⁠⁠⁠. Episode 157 was recorded in Los Angeles on March 11, 2025. This episode of Radio Juxtapoz is brought to you by the generous support of the Artemizia Foundation, a world class museum of contemporary, graffiti and street art in Bisbee, Arizona.
• 
  156: Nehemiah Cisneros 08.03.2025 1t 1min

  There have been many iterations of the man we know as Nehemiah Cisneros, but right now, in the most moment, he is most himself. If you know Nehemiah, he is a thoughtful, insightful and evolving figure in art who is a filmmaker in a painters' body. We met him as AUGOR, the graffiti writer who took over Los Angles in the late aughts with billboards and walls that were just as influenced by comics, video games and low brow art as it was the history of lettering and monikers. He was fresh air in a scene that was already full of major creative forces: SABER, REVOK, RETNA and the MSK crew members. Cisneros was the young buck making a name, with LA in his blood and something theatric in his vision. Across a few art schools, going through addiction and his own "trouble" that we mention in this podcast, Cisneros found a new voice in the art departments of Santa Monica City College, Kansas City Art Institute and then an MFA at UCLA. What that voice does is create a vision of his youth in Los Angeles and the aesthetic of a city of narratives, literally in its DNA. Cisneros, even now with a body of work on its way to Josh Lilley in London, has taken a life of influence from film, arcades, city streets, low brow and fine art into a beautiful and often overwhelmingly dense series of paintings. In this conversation on The Unibrow's Radio Juxtapoz podcast, Evan Pricco and Cisneros talk about life after an MFA, his time working in the arts and studying painting, how Mark Ryden influenced his early years and how now he is looking to Theodore Gericault, Max Ernst, gamer culture and Black Exploitation films for his new works. Off the the "goon cave"... Radio Juxtapoz' Unibrow podcast is hosted by Juxtapoz editor, ⁠⁠⁠Evan Pricco⁠⁠⁠. Episode 156 was recorded in Los Angeles on March 5, 2025 Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠