New Books in Communications

Jaksot

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  Samantha Barbas, "Hate Speech: The Legal and Cultural History of an American Dilemma" (U California Press, 2026) 15.09.2026 34min

  The United States has no hate speech laws; hate speech is generally considered to be free speech under the First Amendment. In Hate Speech: The Legal and Cultural History of an American Dilemma (U California Press, 2026), acclaimed legal historian Samantha Barbas chronicles the country’s legal and cultural battles over the regulation of hate speech in the last hundred years. Charting the historical context for current debates, she ultimately argues that, however emotionally appealing they may seem, hate speech laws undermine civil rights and democracy.The American policy on hate speech evolved from influences such as the civil rights movement, which contended that the most effective way to combat hate speech wasn’t through proposed laws. Rather than imposing restrictions, the US has developed an array of mechanisms other than law, including counterspeech and public education, that have been relatively effective at dealing with hate speakers and hate groups. Though not perfect, our method of addressing hate is less dangerous than government censorship and less likely to be weaponized against the powerless. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
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  Jennifer Hoewe, "Enjoyment Is Breaking News: How We Became Less Informed and More Divided (and How to Fix It)" (MIT Press, 2026) 13.09.2026 54min

  Why we crave enjoyment from news, how our news use divides us, and what we can do to create better news and more informed citizens. TikTok. Short-form reels. Late-night TV monologues. Podcasts. The way news is delivered has changed dramatically and so has the way we consume it. Now, we no longer look to the news just to learn and be informed; we expect enjoyment as well. In Enjoyment Is Breaking News: How We Became Less Informed and More Divided (and How to Fix It) (MIT Press, 2026), Jennifer Hoewe (Purdue University) explains how and why this shift toward news enjoyment occurred and what we can do to address the information crisis we now face. Evidence shows that enjoyment-driven decisions are leaving us less informed—despite what we might expect—because they lead us to ignore other news that matters. This book explains why we don’t always select the best sources of news, how we respond to the news sources we do select, and how that information impacts our political knowledge and decisions. Hoewe also offers solutions for how to improve news creation and news use moving forward. Specifically, she shows how news consumers can escape their “self-righteous” consumption cycles; how news and social media companies can play a role in curbing our automatic amplification of enjoyable news; and how we can all do better when it comes to the information we seek and share. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
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  Debarati Sanyal, "Arts of the Border: Fugitive Bodies at Europe’s Edges" (Fordham, 2025) 12.09.2026 45min

  Arts of the Border: Fugitive Bodies at Europe’s Edges (Fordham, 2025) investigates the consequences of unfolding catastrophes across the world and the displacement they continue to produce. Through recent narratives and media representations of the refugee “crisis” at Europe’s edges, it tells a new story about those on the move, the technologies unleashed on them at borders, the racialized and colonial histories that inform these technologies, and the artistry with which migrants and allies bear witness to displacement. The book reorients us toward the creativity and movement of migrants themselves– their “arts of the border”—as well as toward the political force of the arts that represent them, whether in literature, documentary film, or art installations. Sanyal proposes kino-aesthetics as a framework for capture and fugitivity at borders. From kino—to set in motion—and aesthetics— relating to sensory perception—kino-aesthetics conveys the force of bodies in motion and the image in its circulation. The book examines the simultaneity of capture and escape at thresholds of illegalization, from airport detention zones to Calais’s “jungle” and the Euro-African border at Ceuta and Melilla. What emerges throughout these case studies is a portrayal of border violence in its racial and colonial forms as well as an archive of refusal, fugitivity, and un-bordered imagining. Guest Debarati Sanyal is Professor of French, Director of the Center for Interdisciplinary Critical Inquiry, and currently holds the Zaffaroni Family Chair of Undergraduate Education. Affiliated with the Designated Emphasis in Critical Theory, the Berkeley Interdisciplinary Migration Initiative, the Center for Race and Gender, and the Institute of European Studies, her teaching and research interests span 19th -21st-century French and Francophone literature, memory studies, aesthetics and bio/necropolitics, critical human rights and refugee studies. She is a recipient of the UC Berkeley Distinguished Teaching Award (2012) and a Guggenheim Fellowship (2021-2022). She is currently co-PI on the Mellon-funded A Counter-Imaginary in Authoritarian Times (2024-2027). Besides Arts of the Border, Dr. Sanyal has authored Memory and Complicity: Migrations of Holocaust Remembrance (Fordham, 2015), translated into French as Mémoire et Complicité: Au Prisme de la Shoah (PUV, 2019); and The Violence of Modernity: Baudelaire, Irony and the Politics of Form (Johns Hopkins, 2006). She has guest-edited “Time and Politics in Contemporary Critique: Entanglements and Aftermaths” (Critical Times, 2018), ha also co-edited, with Éric Fassin, Demos Anxiety: Genealogies, Rhetorics, and Politics of Great Replacement (forthcoming in Patterns of Prejudice); with Damon Young and Mario Telò, Proximities: Reading with Judith Butler (Representations 2022), and, with Michael Rothberg and Max Silverman, Noeuds de mémoire: Multidirectional Memory in Postwar French and Francophone Culture (Yale French Studies 118-119). Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean. Their monograph Posthumanist Ecology in Global French Surrealism is forthcoming in 2027 from Northwestern University Press. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
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  Emeka Umejei, "China in African Media: Between Influence Operations and Decolonization" (Bloomsbury, 2026) 12.09.2026 45min

  At its core, China in African Media: Between Influence Operations and Decolonization (Bloomsbury, 2026) is a book about power, journalism, geopolitical influence, and knowledge production in China–Africa relations. It examines how the People’s Republic of China has moved beyond simply establishing Chinese media organizations such as Xinhua and CGTN in Africa toward a much more dispersed system of engagement. Conceptualizing these engagements collectively as a multimodal or mixed-media ecology of influence, Umejei highlights China’s ability to reach African audiences directly through Chinese media, indirectly through African news organizations, institutionally through partnerships, professionally through the journalists it trains, and infrastructurally through technologies implemented by Chinese firms. Underlying the book is a strong normative concern about the implications of this expansion of Chinese media engagement for Africa’s democracy, leadership, developmental aspirations, and decolonization. In this regard, Umejei addresses the question: Is the emerging South–South media relationship helping to decolonize African journalism by weakening Western dominance, or is China principally replacing Western influence with a new form of Chinese influence? The book draws on semi-structured interviews with journalists across fourteen African countries, content analysis, policy documents, and publicly available materials. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
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  Violaine Roussel, "Data-Driven Hollywood: The New Data Professionals in the Age of Streaming" (Princeton UP, 2026) 07.09.2026 1t 12min

  In Hollywood today, thousands of data specialists work for streaming video platforms, playing a role not just in distribution and marketing but also in decisions about content and production. In Data-Driven Hollywood: The New Data Professionals in the Age of Streaming (Princeton UP, 2026), Violaine Roussel examines the emergence of this new category of professionals at the heart of the Hollywood dream factory. Roussel shows how the rise of data and algorithm specialists has transformed organizations and rearranged power relationships within them. Drawing on extensive interviews and in situ observations, she describes the ways that technical “data work” carried out by professionals at streaming platforms including Netflix, Amazon Prime Video, and Disney+ has had a significant effect on creative decisions.Rather than fetishizing data and algorithmic models, Roussel explores the practices of the professionals who shape them, manipulate them, and give them power. She examines the relationships of these workers with traditional producers, describing legitimacy struggles and the eventual stabilization of new professional arrangements. Roussel’s account of the ways that data specialists deploy algorithmic models to reinvent their industry’s approach to content, artists, and the market—the first in-depth sociological study of the rise of this new profession—reveals the new forms of power and knowledge at play in today’s Hollywood. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
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  Autumn Lorimer Linford, "Extra! Extra! A History of America's Girl Newsies" (U Nebraska Press, 2026) 05.09.2026 34min

  American pop culture loves newsies. The children who bawled out headlines and sold newspapers on city streets in the late nineteenth and early twentieth centuries have been depicted countless times in movies, Broadway shows, books, music, and more, but somehow it’s only ever the stories of newsboys that are told. Scholarly literature too has focused mostly on boy newsies. Yet for nearly as long as there were newspapers in the United States, there were also newsgirls. Girl newsies were photographed, interviewed, studied, argued over, and eventually absorbed into the collective “newsboys” and forgotten. Extra! Extra! A History of America's Girl Newsies (U Nebraska Press, 2026) by Dr. Autumn Lorimer Linford offers a corrective, demonstrating the importance of newsgirls as early news workers and as symbols of child labor and gender reform efforts. Sometimes younger than ten years old and from impoverished families, girl newsies were already vulnerable to exploitation from the newspaper publishing industry, which relied heavily on child labor during the “golden age” of journalism. However, the newsgirls of this period contributed much to news labor, and they were important to the discussions concerning childhood, child labor reform, and women’s changing societal roles. Properly integrating newsgirls into the history of newsies dismantles archetypes and enables a deeper understanding of child news labor. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
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  Done in a Day with the Vietnam War: Elisa Tamarkin (JP) 03.09.2026 39min

  Elisa Tamarkin, an English prof of high repute (Anglophilia and Apropos of Something: A History of Irrelevance and Relevance) at UC Berkeley, joins RTB to discuss Done in a Day: Telex from the Fall of Saigon. It is an extended reflection on the last day of the Vietnam War, set against the imminent disappearance of war coverage in the nation’s city newspapers, and framed through her own stepfather's experience covering the war. Tamarkin anatomizes curious forms of self-delusion that flourished in the American Me generation and traces the subtle trajectory that stretching from the journalistic autonomy of the mid-century to the "embedded reporters" of the US war in Iraq to today's implacable governmental hostility to truthful reportage. Back in the 1960's Hannah Arendt and others warned that bubbles of non-information and delusive self-deceit got propagated within the corridors of power and out in the larger public realm. Now cloudy misinformation is the property of a near-ubiquitous social media realm whose corrosive effect (the power to unthink) is far less circumscribed. Mentioned Hannah Arendt, "Lying in Politics" (subject of an earlier RTB episode) and "Home To Roost". Frank Kermode Sense of an Ending (1967). The philosopher John Pollock published a book called Knowledge and Justification in 1975. Jamie Cohen-Cole The Open Mind Ernest Becker, The Denial of Death (1973). Ursula Le Guin The Lathe of Heaven 1971 (Elisa also mentions John's book on Le Guin). R. A. Lafferty, The Fall of Rome (1971). Thomas Harris, I'm OK, You're OK (1967). Recallable Books: Adam Phillips, On Giving Up. Graham Greene, The Quiet American (1955). Read the transcript of the episode here. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
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  Michael Diniscia and Ellyn M Toscano eds. "Civility Unbound: Contesting a Democratic Value" (NYU Press, 2026) 03.09.2026 58min

  The idea of civility goes back to classical Rome and the ways in which citizens engaged one another within the republic. The term itself is often used in a number of different ways, reflecting expected behavior, particularly in public spaces, and as a mechanism to manage human interaction. But civility and the use of this idea often shape hierarchical relationships within society and within politics and may define who is to be included within the polis and who may be excluded. Thus, the conversations that led to the new book, Civility Unbound: Contesting a Democratic Value, interrogated the idea of civility in many of its facets and did not necessarily settle on a simple definition or means of implementing civility within contemporary society. Michael DiNiscia, Director of Research and Strategic Initiatives at New York University’s Brademas Center, and Ellyn Toscano, Director of the Hawthorndon Foundation, edited this valuable exploration of the idea of civility within democracy. In so doing, they brought together academics, politicians and former politicians, activists, artists, and individuals from the foundation world to discuss this controversial idea of civility, unpacking the term, the way it is used, and how society may consider civility within the realm of politics and public life. I had the pleasure of discussing Civility Unbound with Michael DiNiscia and Hussein Rashid, one of the contributing authors. Our conversation covered the content of the book, tracing the sections that include philosophy and political theory, democratic institutions and politics, social justice and protest, media engagement, and lessons from arts and culture. The chapters are fascinating and accessible. As a reader, you feel as though you are part of the ongoing conversation with the various authors, since the chapters are in dialogue with each other and with the reader, without coming to a consensus on the role and capacity of civility within democratic society but with many paths to consider. The impetus for this book, and for focusing on the idea of civility, grew out of the events of January 6, 2021, and an overarching question about whether the United States could return to a state of civility in our politics, after we had witnessed the violent insurrection that attempted to stymie the constitutional process of tallying Electoral College votes. Civility Unbound: Contesting a Democratic Value brings many voices together to, in a way, respond to this violence, this incivility that had been demonstrated by a group of American citizens. The various contributing authors to Civility Unbound take up the theory and practice of civility, trying to determine what it actually means and the rules around civility and political engagement. Across the chapters we find that there is a paradox around civility, around who is asked to “remain civil” and who gets to define what civility means. Civility may well reside within power relationships and dynamics, with rules applied to some groups or individuals and not to others. Invoking civility may well surface inequalities and the unequal places and footing of those engaging in politics and society. This is particularly important to consider in context of American democracy, and the unequal distribution of power and state violence inherent in the American state. Civility Unbound: Contesting a Democratic Value prompts the reader to consider how democratic engagement works and how we are to participate in attempts at self-rule. We discussed the First America podcast during the conversation. Here is a link to the podcast website: First America Podcast Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe Volume I: The Infinity Saga (University Press of Kansas, 2022), and of The Politics of the Marvel Cinematic Universe Volume II: Into the Multiverse (University Press of Kansas, 2025) as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
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  Karin Barber, "Much Matter in a Penny Paper: Early Yoruba Print Culture in Lagos, 1910–1930" (Ohio UP, 2026) 31.08.2026 47min

  Much Matter in a Penny Paper: Early Yoruba Print Culture in Lagos,1910-1930 (Ohio UP, 2026) is a survey of the history and development of Yoruba print culture in Lagos, Nigeria, from the 19th to the early 20th century. The book details the emergence of the Yoruba language press, its themes, and its distinction from the English-language press. The influence of both missionary and secular presses on religion and morality as well as the socio-economic and political lives of the Nigerian people are also emphasised. The book relates the impact of the development of other machines, including transportation technologies like trains, trucks, and bicycles on the dissemination of printed materials across the regions. In terms of methodology, the book combines history and ethnography approaches to tell the story of the Yoruba printing culture in Lagos between 1910-1930. Alluding to Robert Campbell's installation of the first printing press in 1862, which led to the publication of the Anglo-African newspaper, the book narrates how the focus shifted from English-only publications to include Yoruba language content in the early 20th century, with books about Yoruba towns and poetry becoming popular. While the title of the book is rooted in the Yoruba proverb, “Oro po ninu iwe kobo”, reflecting the richness and diversity of content in early Yoruba newspapers, the book is testament to Professor Karin Barber’s motivation entrenched in her fascination with Yoruba language creativity including oral praise poetry, popular theater, and verbal arts, and her discovery of Yoruba oriki in colonial-era publications.  Mariam Olugbodi is a university teacher and a writer, she is the author of the monograph titled: “Stylistic Features in the 2011 and 2012 Final Matches Commentaries in the UEFA Champions League”, published by Grin Verlag. Mariam’s greatest dream is seeing a world where knowledge is accessible to all. She does this through her volunteering roles on open knowledge platforms as a host and an editor. As part of her effort to maintain inclusion and diversity in knowledge transmission, she volunteers as a teacher in crises contexts. Learn more and connect with Mariam through her social links @ LinkedIn | ORCID | and Meta Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
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  John Trafton, "Los Angeles and Film: A Cultural History of 20th-Century Hollywood" (Bloomsbury, 2026) 31.08.2026 56min

  It is impossible to talk about the City of Angels without talking about its movie business. The history of American cinema is so intertwined with Los Angeles that the term “Hollywood” is used interchangeably with “American film” worldwide. From the early 20th-century migration of film pioneers from the East Coast to the emergence of local subcultures and global genres, John Trafton traces how the city has been imagined by insiders and outsiders alike in Los Angeles and Film: A Cultural History of 20th-Century Hollywood (Bloomsbury, 2026). Key case studies include the L.A. Rebellion School, disaster cinema, and the intersections of independent cinema with the music scene and VHS culture. The book culminates in an exploration of Los Angeles neorealist cinema—a form that centers marginalized voices and challenges the myth of Hollywood glamour. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
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  Corrado Neri, "Taiwanese Horror Cinema in the 21st Century: Spectral Narratives and Screen Culture" (Anthem Press, 2026) 30.08.2026 28min

  Taiwanese cinema is internationally celebrated for the auteurs of the Taiwan New Cinema. Yet over the past fifteen years, ghosts, demons, curses and haunted screens have become increasingly prominent, turning horror from a marginal genre into an important strand of Taiwan’s popular cinema. Professor Corrado Neri’s new book, Taiwanese Horror Cinema in the 21st Century: Spectral Narratives and Screen Culture (Anthem Press, 2026), explores this transformation. Neri argues that Taiwanese horror has reached a new stage of maturity: it is now an established industrial category, has diversified across genres and media, and has developed a sophisticated capacity to address Taiwan’s social, historical and technological anxieties. The book also launches the new short book series, ‘Anthem Impact in Asian Media, Cinema and Communications’. In this podcast conversation, Dr Ming-yeh Rawnsley talks with Professor Neri about what Taiwanese horror can tell us about Taiwan itself. Their discussion moves from ghosts and folklore to democracy, historical memory, digital culture and changing understandings of identity. Themes include: Why horror? – how a once-marginal genre became an important part of Taiwanese cinema. Taiwan as a ‘Ghost Nation’ – why ghosts offer powerful ways of thinking about Taiwan’s contested history and identity. Horror, democracy and historical memory – how liberalisation opened new possibilities for confronting difficult histories, notably the White Terror in Detention. Religion, folklore and the supernatural – how beliefs, rituals and local legends provide filmmakers with distinctive cultural resources. Digital ghosts – how smartphones, social media, gaming and screen culture have transformed haunting. Gender, sexuality and queer horror – how films such as Marry My Dead Body use supernatural conventions to explore changing social identities. Taiwan within Asian horror cinema – how Taiwanese filmmakers engage with regional traditions while developing recognisably local forms. One of the book’s most compelling arguments is that the supernatural provides a productive language for exploring Taiwan’s relationship with its past and present. Detention transforms the political violence of the White Terror into a spectral landscape of memory, guilt and historical reckoning. The Tag-Along, The Rope Curse and Incantation bring folklore and ritual into contact with cameras, smartphones and social media. Taiwanese horror is also transmedial. Detention moved from video game to feature film, television series and novel; The Bridge Curse and Incantation have extended into gaming, while The Tag-Along has expanded into webtoon and virtual reality. Horror thus forms part of a wider creative ecosystem in which cinema intersects with digital media, popular culture and Taiwan’s cultural-content industries. Taiwanese horror therefore deserves attention beyond horror enthusiasts or film specialists. These films frighten, surprise and sometimes make audiences laugh, but their ghosts also carry history. They negotiate memories of authoritarianism and democratisation, questions of gender and sexuality, and move between temples, cinemas, video games and smartphone screens. The ghosts haunting contemporary Taiwanese cinema are rarely just ghosts. They offer another way of asking questions about Taiwan: how the past survives in the present, how identities are continually remade, and how a rapidly changing society chooses to remember—and imagine—itself. Dr Ming-yeh T. Rawnsley is a Research Associate at the Centre of Taiwan Studies, SOAS University of London, and a host for the New Books Network. She is also a co-editor (with Professor Gary Rawnsley) of the short book series, ‘Anthem Impact in Asian Media, Cinema and Communications’. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
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  Steven Herman: Behind the White House Curtain 30.08.2026 39min

  Steven Herman spent 1990-2006 in Japan, most of those years with Voice of America. He served as South East Asia Bureau Chief as well as North East Asia Bureau Chief for the Korean Peninsula & Japan. Over his 16 years living in Japan he covered the Kobe Earthquake as well as the 2011 Tohoku Earthquake-tsunami-nuclear disaster, which he said was "covering three disasters at the same time.” He also recounts his more recent days as a White House Foreign Correspondent, especially his time as a traveling pool reporter. You'll learn what it's like to fly on Air Force One, why he got banned (twice) from X by Elon Musk, that "Presidential M&M's" are a thing, and his best advice for those wanting to write a book about their experiences in a foreign country. Finally, he gives a concise account of what happened to VOA in the Trump Administration, his role as a whistle-blower, and tells us why DOGE shut them down. Herman retired from VOA in mid 2025 and now teaches journalism. In this latter discussion, he reveals how he blew the biggest scoop ever in his journalism career. Herman is currently the executive director of the Jordan Center for Journalism Advocacy & Innovation in the School of Journalism & New Media at the University of Mississippi. Some of Herman's favorite books on Japan are: Notes in Japan, by Alfred Parsons (1896) No Surrender: My 30-year War the autobiography of Noda Hiro (1974, transl. Charles S. Terry) The Warrior's Camera: The Cinema of Akira Kurosawa (Princeton Univ. Press, 1991) You can find Steve Herman on social media at: Mastadon, Blue Sky, Threads, Substack, LinkedIn and Instagram The Books on Asia Podcast is co-produced with Plum Rain Press. Subscribe to the BOA podcast from your favorite podcast service. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
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  Michelle A. Amazeen, "Content Confusion: News Media, Native Advertising, and Policy in an Era of Disinformation" (MIT Press, 2025) 27.08.2026 28min

  We often blame social media for the rampant problem of disinformation, but the truth is that mainstream news media is often equally at fault. Not only do news outlets disguise paid content to look like online news articles, a practice called “native advertising,” but new research suggests that this form of advertising even influences the real journalism that appears next to it—both perceptions of the journalism as well as its actual substance. In Content Confusion: News Media, Native Advertising, and Policy in an Era of Disinformation (MIT Press, 2025), Michelle Amazeen explores the origins and evolution of this mainstream media practice, how it affects audiences and the industry, and what the implications are for an accurately informed democracy. For policy makers, in particular, the book highlights the longstanding principles from governmental regulation as well as industry professional codes that serve to support clear identification of the provenance of content, an issue that will no doubt intensify with the release of generative artificial intelligence in the wild. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
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  How to Write a Book Proposal and Make Your Manuscript Work with Laura Portwood-Stacer 26.08.2026 26min

  Are you a scholar sitting on a manuscript that you think could be a book — but you have no idea where to start? In this episode of The Publishing Playbook, host Sarah Russo sits down with Laura Portwood-Stacer, founder of Manuscript Works and author of two books about academic publishing: “The Book Proposal Book” and “Make Your Manuscript Work.” Laura shares what pulled her out of academia and into editorial consulting, and why “publish or perish” no longer guarantees the payoff it once promised. She breaks down the essential elements of a strong academic book proposal, the real differences between the types of publishers out there, and why authors and editors are on the same team more often than they realize. Laura also dishes on whether academic authors actually need a literary agent, and how generative AI is reshaping trust in publishing. Plus: what it was really like competing on “Jeopardy!” For more information on Laura’s work, please visit Manuscript Works. Books mentioned in this episode: “The Book Proposal Book” by Laura Portwood-Stacer “Make Your Manuscript Work” by Laura Portwood-Stacer “Trans Technologies” by Oliver Haimson (both Laura and the Page One team worked with Oliver on his book) “The Seven Wonders of the Ancient World” by Bettany Hughes Key Moments 00:00 – “That’s Not the Answer” 😤Laura names the fantasy that finishing a book will magically change your life, and why that unrealistic expectation sets writers up for disappointment. 03:25 – “Publish or Perish” Isn't So Simple Anymore 📚Laura explains why the old academic career formula has broken down: you can do everything right and still lose the job, the promotion, or the department. 07:12 - The Anatomy of a Strong Book Proposal 📝Laura walks through exactly what publishers are looking for, breaking down the unspoken checklist most scholars never see. 10:40 – “You’re on the Same Team” 🤝Laura pushes back on the idea that authors and editors are adversaries, arguing most writers misunderstand just how aligned they actually are with their publisher. 16:37 - Trade, Academic Trade, or Monograph? 🎯Sarah and Laura unpack the three buckets publishers sort academic books into, and why so many authors overestimate how “trade” their book really is. 20:33 - Do You Actually Need an Agent? 🙋Laura levels with authors chasing representation: most scholars publishing with university or academic presses don’t need one at all. 21:13 - AI Has Made Everyone a “Paranoid Reader” 🤖Laura gets candid about how generative AI is eroding trust between editors and authors — and why she resents having become an accidental AI expert. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
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  Seth C. Lewis, Rodrigo Zamith, and Tomás Dodds, "Journalism in the Age of AI: From Acceleration to Reimagination" (Polity, 2027) 23.08.2026 1t 5min

  What if AI’s biggest impact on journalism isn’t replacing journalists, but forcing us to rethink what journalism is for? In this episode, Joanne Kuai speaks with Seth C. Lewis, Rodrigo Zamith, and Tomás Dodds, authors of Journalism in the Age of AI: From Acceleration to Reimagination (Polity, 2027). For decades, journalism has been caught on a “hamster wheel” of acceleration: producing more stories, for more platforms, with fewer resources. AI promises even greater efficiency, but is doing more with less really what journalism needs? Lewis, Zamith, and Dodds argue that the current AI moment offers something more consequential: an opportunity to reimagine journalism itself. The conversation explores what remains distinctly human about journalism when machines can increasingly perform creative and cognitive tasks; how dependence on AI companies and digital infrastructure is reshaping media power; what AI means for journalism education and human judgement; and whether journalism can harness these technologies in ways that strengthen, rather than erode, its democratic purpose. The conversation also raises a more fundamental question: is preserving journalism as an institution the goal, or should we rethink how society meets its information needs altogether? Journalism in the Age of AI is available open access. Learn more and access the book here. About the authors Seth C. Lewis is the inaugural Elcan Jefferson Scholars Foundation Distinguished Professor of Artificial Intelligence and Media Studies at the University of Virginia. Previously, he was the founding holder of the Shirley Papé Chair in Emerging Media and Director of Journalism at the University of Oregon. In his research, Lewis examines the social implications of emerging technologies and their consequences for news and public life. Rodrigo Zamith is an Associate Professor and former Chair of the Journalism Department at the University of Massachusetts Amherst. His research and teaching interests lie at the intersection of journalism and technology, with a focus on understanding the social implications of emerging technologies for how news is produced, distributed, and consumed. He is a recipient of UMass’ Distinguished Teaching Award. Tomás Dodds is an Assistant Professor in Journalism and Mass Communication at the University of Wisconsin-Madison and the Director of its Public Tech Media Lab. His research examines the evolving relationship between journalism and technology, with a focus on how journalists and media organizations can develop open-source tools and artificial intelligence systems that serve the public interest. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
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  Ryan Engley, "Seriality: Media and the Psychic Form of Everyday Life" (Bloomsbury, 2026) 23.08.2026 1t 19min

  This material and theoretical history of seriality shows it to be the dominant form of culture since its inception within 19th-century print culture, as both a media structure and a psychic one. The serial is everywhere. Commonly identified by the segmented release structure of an ongoing narrative—from installments of Victorian novels to TV episodes to comic books—seriality names the spread of installment-based storytelling across a range of media. However, Ryan Engley argues that seriality is not only a narrative structure but also a psychic structure. Seriality—in its dependence on gaps, delay, and constraint—names the fundamental trauma of contemporary life: that there exists an intrinsic relation between self and other, a relation that is often difficult to see and difficult to bear. Through formal readings of media texts alongside Freudian and Lacanian psychoanalysis, the dialectical method of G.W.F. Hegel, and Jean-Paul Sartre's existentialism, Seriality: Media and the Psychic Form of Everyday Life (Bloomsbury, 2026) shifts the focus of seriality studies. In so doing, Engley presents a rebuttal to the common refrain that our lives, like contemporary media, have become endlessly fragmented. Rather, Engley finds, we have become radically—serially—connected. Ryan Engley is Assistant Professor of Media Studies at Pomona College, USA, where he teaches and researches the intersection of psychoanalytic theory and media studies. Along with Todd McGowan, Engley co-hosts the podcast Why Theory, which brings Continental philosophy and psychoanalytic theory together to examine contemporary phenomena. Helena Vissing, PsyD, SEP, PMH-C is a Licensed Psychologist practicing in California and Associate Professor at California Institute of Integral Studies. She can be reached at [email protected]. She is the author of Somatic Maternal Healing: Psychodynamic and Somatic Treatment of Trauma in the Perinatal Period (Routledge, 2023). Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
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  Jeff Jarvis, "Hot Type: The Magnificent Machine that Gave Birth to Mass Media and Drove Mark Twain Mad" (Bloomsbury, 2026) 20.08.2026 56min

  Hot Type: The Magnificent Machine that Gave Birth to Mass Media and Drove Mark Twain Mad (Bloomsbury, 2026) is the epic story of the magnificent 19th-century machine that rendered Gutenberg's movable type obsolete and opened the portal to the long century of mass media. The Linotype mechanized the 400-year-old process of setting type one laborious letter at a time, and thus ignited an explosion of newspaper, book, and magazine empires.This is a tale populated with wondrous characters: tragic inventors, malign media moguls, hand-typesetters called the Swifts who turned their craft into a spectator sport, and authors and journalists who chronicled the turmoil of their time, their every word molded into metal type by what some viewed as a thinking machine. This revolution in media technology helped to propel Mark Twain into literary celebrity, but it also cost him his fortune – as well as his sense of humor and optimism.The era of the Linotype was a bridge between Twain's Gilded Age with its tycoons of steam, steel, and wire and today's Gilded Age with its barons of bits and AI. Its history provides an opportunity to reflect on how technology changes culture just as new technologies – the internet and artificial intelligence –manufacture their endless streams of words today. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
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  Vincent Haddad, "Next Time on Dragon Ball: Playing with a Manga and Anime Franchise" (U Minnesota Press, 2026) 18.08.2026 57min

  Since its debut in 1984, Dragon Ball has become one of the most popular, influential, and lucrative media franchises in the world. In Next Time on Dragon Ball: Playing with a Manga and Anime Franchise (U Minnesota Press, 2026), Dr. Vincent Haddad investigates how the franchise has maintained huge global demand despite its formulaic plotlines. Examining its exhaustive repetition of storytelling forms across comics, TV series, games, and merchandise, Haddad argues that the convergence of play, fandom, and narrative made Dragon Ball an unlikely success—and a harbinger of broader shifts in the media landscape of franchises from the 1980s to the present. Dr. Haddad conceives of Dragon Ball as a “franchise toy,” a corporate media property that is constantly remixed by its fans in ways that its owners resist but also ultimately embrace: appropriation is essential to the franchise’s popularity. Over the past forty years, Dr. Haddad argues, Dragon Ball’s deployment of familiar tropes, cultural references, and narrative forms—from classical Chinese stories and the films of Bruce Lee and Jackie Chan to American franchises like Superman and Star Wars—has invited unique transcultural play. Through diverse examples of how fans use its characters as “playthings,” Dr. Haddad shows how Dragon Ball travels across international networked fandoms, highlighting the queer, gendered, and racialized dimensions of this play. Parsing the dynamics of “sites of conflict” between authorized media and fan content, Next Time on Dragon Ball illuminates how fan engagement across the Americas changes the parameters of what a manga and anime franchise is and can be. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
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  Karen M'Closkey and Keith VanDerSys eds., "Media Matters in Landscape Architecture" (Applied Research & Design, 2025) 16.08.2026 48min

  Media Matters in Landscape Architecture (Applied Research & Design, 2025) goes behind the scenes to consider how media technologies that have emerged in recent decades are shaping the practices of artists, designers, engineers, and scientists. The media infrastructure of climate science and Earth remote sensing, coupled with the increased availability of spatial information and modeling software, provides the context for many of the chapters in that the media and methods employed are designed to capture phenomena that are not directly visible to human perception, and where there is a high degree of uncertainty or changeability due to dynamic material conditions. Co-editors Karen M'Closkey and Keith VanDerSys bring together authors from a wide range of disciplines—landscape architecture, media studies, science and technology studies, history of science, engineering, ecology, and architecture—to examine how the creation and use of data, images, and models act as the mediums through which a particular understanding of “environment” or “landscape” arises. This framing of environmental media emphasizes the relationships among various design media and the specific material and social environments within which they operate. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
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  Linda Williams and eds. Christine Gledhill et al., "Melodrama As Provocateur" (Duke UP, 2026) 14.08.2026 1t 8min

  The centerpiece of Melodrama as Provocateur (Duke UP, 2026) is an essay by Linda Williams (1946–2025). Williams was Professor of Film Studies and Rhetoric at the University of California, Berkeley. Her highly influential work reframed some of cinema’s most neglected or denigrated genres from a feminist perspective, including documentary, pornography, horror, and melodrama. Melodrama is the focus of what would become Williams’s final project. In the last few years of her life, she was working on a project that traced melodrama’s divergent fortunes in France and the US—and argued for its enduring relevance in contemporary life and culture. Williams's work on this project was curtailed when she suffered a stroke, the complications of which led to her death in 2025. In the wake of her passing, some of her friends, collaborators, and admirers joined together to make a book that honors and memorializes her. Not only sharing Williams’s unfinished work with the world, Melodrama as Provocateur also expands on that work through a series of essays by scholars working in melodrama studies across time, place, and media. For New Books in Film, Alix Beeston sits down with the three editors of Melodrama as Provocateur: Christine Gledhill, an esteemed scholar of film and feminism who is presently a Visiting Professor of Cinema Studies at the University of Leeds; Laura Horak, Professor of Film Studies at Carleton University; and Elisabeth R. Anker, Professor of American Studies and Political Science and Director of Film Studies at the George Washington University. Celebrating the model of incisive and generous research, teaching, mentorship, and collaboration Williams provided, the editors of Melodrama as Provocateur discuss the unique shape of a scholarly book generated in response to a colleague’s unfinished labor. They also take up some of Williams's provocations, including the political possibilities of melodrama in contemporary culture—from Trumpian discourse to trans cinema and beyond—and explore the kinds of labor, thought, and feeling necessary for studying melodrama as a form that moves or provokes us. Like their book, a work forged in grief and loss, Gledhill, Horak, and Anker's conversation casts film and media scholarship as an act of collectivity and love: a bid for a better kind of world. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications