ROLL THE CREDITS

Jaksot

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  Film Editor: John Axelrad 04.09.2026 1t 18min

  On this episode of Roll The Credits, Christina sits down with film editor John Axelrad.John shares the path that led him to editing — from studying film production at USC and initially thinking he wanted to direct, to discovering that the editing room was where he truly belonged.They talk about what an editor actually does, why John considers editing the final rewrite of a film, and why only about a third of the job is pure craft, with the rest requiring psychology, diplomacy, and an ability to navigate directors, producers, studios, and the many personalities involved in making a movie.John also breaks down the process of shaping a film from the first day of production through the director’s cut, including how editors build performances, find pacing and rhythm down to individual frames, know when a scene needs to go, and learn to let the footage dictate what the story ultimately wants to become.They also dive into his work on Crazy Heart, Ad Astra, and The End of Oak Street, from finding subtle moments that helped shape Jeff Bridges’ Oscar-winning performance to spending months constructing Ad Astra’s lunar rover chase and navigating the unusual visual language of The End of Oak Street.John also reflects on working across genres, collaborating with first-time directors, the value of audience screenings, what separates good editors from great ones, and the chance encounter at 17 years old that ultimately changed the course of his life and led him to filmmaking.Darils credits include:THE END OF OAK STREET (2026)SPACEMAN (2024)CHEVALIER (2022)ANTEBELLUM (2020)AD ASTRA (2019)PAPILLON (2017) THE LOST CITY OF Z (2016)KRAMPUS (2015)MILES AHEAD (2015) BEFORE WE GO (2014) SOMETHING BORROWED (2011) THE SWITCH (2010)CRAZY HEART (2009) BOOGEYMAN (2005)…and many more.Follow John and his work below:
https://www.imdb.com/name/nm0006777/
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  Executive Producer: Daril Fannin 28.08.2026 1t 21min

  On this episode of Roll The Credits, Christina sits down with producer, writer, and entrepreneur, Daril Fannin.Daril shares the unlikely path that led him to filmmaking — from growing up in a strict religious community where movies were off-limits, to discovering The Matrix at 17, spending nine years as a combat medic, and eventually moving to Los Angeles to pursue screenwriting.They talk about selling a television series to Netflix with the support of Matt Damon, what an executive producer actually does in film versus television, and the advice Matt gave Daril that helped shape his career.Daril also breaks down the business of independent film, including how he evaluates projects as investments, what filmmakers should understand about budgets, distribution, minimum guarantees, theatrical and streaming windows, and why getting a movie made is only part of the equation.They also dive into his experience investing in and executive producing Undertone, its eventual deal with A24, the thinking behind Kino Studios and ScreenKey, and why Daril believes the next decade could be an especially exciting one for independent filmmakers.Darils credits include:UNDERTONE (2025)#AMFAD (2024)MVP (2022)GREEN BERET'S GUIDE TO SURVIVING THE APOCALYPSE (2022)ADOPTED (2021)…and many more.Follow Daril and his work below:
https://www.imdb.com/name/nm7050977/https://www.instagram.com/darilfannin/?hl=en
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  Music Composer: Stephen Rennicks 21.08.2026 1t 42min

  On this episode of Roll The Credits, Christina sits down with composer Stephen Rennicks, whose work includes Normal People, Room, The Quiet Girl, Frank, and Conversations with Friends.Stephen shares how he became an “accidental film composer,” why he still thinks of himself as a filmmaker first, and the philosophy that has shaped his work: if you’re listening to the music instead of watching the scene, something may have gone wrong.They talk about his decades-long creative partnership with director Lenny Abrahamson, finding the sound of Normal People, composing around silence and intimacy, and why great scoring is often less about writing a beautiful piece of music than solving the emotional problem of a scene.Stephen also opens up about creativity, collaboration, taking feedback, resisting the urge to impress, and why some of his best ideas arrive when he’s supposed to be doing something else.A conversation about music, filmmaking, vulnerability, and learning when to stay out of the way.Stephen's credits include:WHITETAIL (2025) FRAN THE MAN (2025) ALICE & JACK (2023-2024)CONVERSATIONS WITH FRIENDS (2022)THE QUIET GIRL (2022) NORMAL PEOPLE (2020) THE LITTLE STRANGER (2018)REBELLION (2016) ROOM (2015)FRANK (2014)…and many more.Follow Stephen and his work below:
https://www.imdb.com/name/nm0719673/
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  SFX Supervisor: Gareth Wingrove 14.08.2026 46min

  In this episode of Roll the Credits, Christina sits down with Special Effects Supervisor Gareth Wingrove to explore the craft behind some of cinema’s most memorable practical effects.Gareth shares how growing up on film sets led him into special effects and takes us inside a department responsible for everything from explosions, car chases, rain, snow, and fire to the subtle atmospheric effects audiences rarely notice.He breaks down the engineering behind some of his biggest sequences, including the collapsing rooftop pool in The Amateur, rigging Troy to burn for Christopher Nolan’s The Odyssey, the spinning prison sequence in Guardians of the Galaxy, explosive action in Avengers: Infinity War and F9, and the practical work behind films like Mission: Impossible, Inception, and The Phantom of the Opera.The conversation also explores what it takes to safely execute large-scale practical effects, why directors like Christopher Nolan continue to prioritize in-camera filmmaking, and why Gareth believes the best special effects are often the ones audiences never realize are there.Gareth’s credits include:THE ODYSSEY (2026)THE AMATEUR (2025)BRIDGET JONES: MAD ABOUT THE BOY (2025)AVENGERS: ENDGAME (2019)AVENGERS: INFINITY WAR (2018)F9: THE FAST SAGA (2021)GUARDIANS OF THE GALAXY (2014)INCEPTION (2010)THE PHANTOM OF THE OPERA (2004)MISSION: IMPOSSIBLE (1996)…and many more.Follow Gareth and his work below:
IMDb: https://www.imdb.com/name/nm0003514/
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  Foley Artist: Shelley Roden 07.08.2026 54min

  In this episode of Roll the Credits, Christina sits down with Foley Artist Shelley Roden of Skywalker Sound to explore one of filmmaking’s most invisible and emotionally powerful art forms.Shelley shares how childhood favorites like The Dark Crystal, The NeverEnding Story, The Muppets, and Tom and Jerry first awakened her imagination, and how an unexpected sound assignment at Ithaca College ultimately changed the direction of her career.She takes us inside the Foley stage, where artists perform and invent thousands of sounds every day — from footsteps and fabric movements to spaceship slides, weapon grabs, and the tactile details that make an imagined world feel real. Shelley also breaks down how she developed distinct footsteps for the emotions in Inside Out 2, recreated the reverse bear trap sounds for Saw, and approaches everything from Marvel weapons to animated plastic toys as a physical and emotional performance.The conversation also explores the collaboration between Foley artists, mixers, editors, sound supervisors, designers, composers, and filmmakers and why the most effective Foley is often the sound audiences never consciously notice.Shelley reflects on her 30-year career, the creative community at Skywalker Sound, the importance of staying present, and the advice that continues to guide her: no one else will ever create exactly the way you do, so bring your full self to the work.Shelley's credits include:
TOY STORY 5 (2026) HOPPERS (2026)AVATAR: FIRE AND ASH (2025) F1: THE MOVIE (2025) ANDOR (2022-2025) DESPICABLE ME 4 (2024) INSIDE OUT 2 ( 2024) GUARDIANS OF THE GALAXY VOL. 3 (2023) THE MANDALORIAN (2023) ENCANTO (2021) TENET (2020) BLACK PANTHER (2018)And so many more... Follow Shelley and her work below:
IMDb: https://www.imdb.com/name/nm0809950/
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  Makeup & Hair Designer: Rebecca Buratto 24.07.2026 52min

  In this episode, Christina sits down with makeup and hair designer Rebecca Buratto.Rebecca grew up in Adelaide, Australia planning to become a sound engineer. Then she watched Lord of the Rings (specifically the Orcs) and decided she wanted to make people look ugly for a living instead. She studied media makeup, landed her first TV job on a bizarre Australian comedy about Hitler's dinosaur army, and eventually met two young filmmakers named Danny and Michael Philippou. She spent the early part of her career making low-budget YouTube videos with them in their dad's backyard. Then came Talk to Me. Then Bring Her Back. Then Leviticus.Across the conversation, she shares what it takes to design horror looks that live or die on the details, the two-day-shoot naked slimy hellscape sequence from Talk to Me that made it into the final cut for 0.2 seconds, why Jonah Wren Phillips has been part of her career since he was nine years old, and the one piece of advice she gives every aspiring makeup artist.Rebecca's credits include:TREASURE & DIRT (2026)MORTAL KOMBAT II (206)SEND HELP (2026) BRING HER BACK (2025)THE FOX (2025)TOGETHER (2025) TALK TO ME (2022)CARNIFEX (2022) THE STRANGER (2022)And many more…Follow Rebecca and her work below:IMDb: https://www.imdb.com/name/nm4091557/?ref_=nv_sr_srsg_0_tt_0_nm_8_in_0_q_rebecca%20buratInstagram: https://www.instagram.com/becburatto_makeupartist/?hl=en
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  Writer, Director, Minion: Pierre Coffin 17.07.2026 1t 2min

  In this episode, Christina sits down with Pierre Coffin — the filmmaker who has directed or co-directed every film in the Despicable Me and Minions franchises, and voices every single Minion.Pierre grew up moving across Asia — the son of a French diplomat and the celebrated Indonesian novelist Nh. Dini. His childhood spanned Cambodia, Japan, and eventually a suburb of Paris. His father forbade television, so Pierre spent his time drawing, reading, and listening to music. He studied animation at Gobelins in Paris, then joined Illumination Entertainment where he and Chris Renaud built a story about a supervillain and his little yellow henchmen. Fifteen years later, that story has become one of the most commercially successful animated franchises in history — grossing over $5 billion worldwide.Across the conversation, he shares how he built Minionese out of the languages he grew up around, what it's actually like to voice thousands of characters while directing them at the same time, why every Despicable Me film was supposed to be his last, and what changed on Minions and Monsters that pulled him back in.Pierre's credits include:
MINIONS AND MONSTERS (2026)DESPICABLE ME 4 (2024)MINIONS: THE RISE OF GRU (2022)DESPICABLE ME 3 (2017)MINIONS (2015)DESPICABLE ME 2 (2013)DESPICABLE ME (2010)And many more... Follow Pierre and his work below:
Imdb: https://www.imdb.com/name/nm1853544/
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  Still Photographer: Lou Bopp 10.07.2026 1t 2min

  In this episode, Christina sits down with still photographer Lou Bopp.Lou never went to photography school. He grew up in St. Louis obsessed with the Magnum photographers (Elliott Erwitt, Sebastião Salgado, James Nachtwey) but didn't think he could do it professionally. That changed when he happened to be visiting a friend in Germany the week the Berlin Wall came down. He stepped through a hole in the wall, put one foot in East Berlin and the other in West Berlin, and shot straight down the middle. He sold the photo to the AP for $100. It funded another week of travel through Europe and started his career.Three decades later, Lou was the still photographer at the center of the Academy Award-winning documentary All the Empty Rooms — a film that traveled the country photographing the bedrooms of children lost to school shootings, in homes their parents hadn't touched since.Across the conversation, he shares the year of unanswered phone calls that landed him a Sports Illustrated internship, what it takes to be "slippery" as a still photographer on a film set, why he's been photographing his daughter every day for 17 years, and how one detail in a child's bedroom in Parkland reminded him of the Berlin Wall photo that started it all.Lou's credits include:
ALL THE EMPTY ROOMS (2025)A DIFFERENT BREED (2025)HAPPENING (2017)MOONSHINE AND MOJO HANDS (2014-2015) WE JUKE UP IN HERE (2012)And many more... Follow Lou and his work below:
Website: https://loubopp.comInstagram: https://www.instagram.com/loubopp/?hl=enYou can also learn more about Oscar-winning film All the Empty Rooms and how you can help take action here: https://www.alltheemptyrooms.com
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  Lead Sculptor: Alexander Sherrod 03.07.2026 1t 23min

  In this episode, Christina sits down with lead sculptor Alexander Sherrod.Alex grew up in New Orleans obsessed with Ghostbusters. As a kid, he'd stuff Play-Doh figures with fireworks and film them blowing up. After Hurricane Katrina, he moved home and got a job at Mardi Gras World, where he was sculpting floats within months. A decade later, a cold call landed him his first film gig — Barry Jenkins' The Underground Railroad.Across the conversation, he shares his process, why the melted Hawkins Lab rooftop on Stranger Things was his personal favorite build, what it took to sculpt a full crashed Corsair fighter plane for Devotion, and the 75,000 pounds of styrofoam his team recycled on a single season of Stranger Things.Alexander's credits include:
STRANGER THINGS (2025)ORIGIN (2023)GUARDIANS OF THE GALAXY (2023)DEVOTION (2022) THE MENU (2022)SECRET HEADQUARTERS (2022)THE UNDERGROUND RAILROAD (2021)EMPORER (2020)And many more... Follow Alexander and his work below:
IMDb: https://www.imdb.com/name/nm11654497/Instagram: https://www.instagram.com/alexsherrod/
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  Storyboard Artist: James Doh 26.06.2026 56min

  In this episode, Christina sits down with storyboard artist James Doh.James originally studied automotive design before two of his professors, both concept artists, pulled him into the film industry. His first job was at the legendary main title company Imaginary Forces, where he worked on David Fincher's Seven. He's since spent three decades storyboarding for directors including David Fincher, Antoine Fuqua, Justin Lin, James Wan, Nicolas Winding Refn, and David S. Goyer — across horror, sci-fi, action, and drama.He shares his process, the dam-driving stunt in Fast X that started as a simple beat sheet, how Warner Bros built an entire house on a soundstage for The Conjuring 2, and what it took to re-storyboard Furious 7 after Paul Walker's passing.James' credits include:
MICHAEL (2026) PLAY DIRTY (2025)THE KILLER (2024)AQUAMAN AND THE LOST KINGDOM (2023) FOUNDATION (2021-2023)FAST X (2023)THE CONJURING 2 (2016) FURIOUS 7 (2015) THIS IS 40 (2012)DRIVE (2011)FANTASTIC FOUR (2007) LIVE FREE OR DIE HARD (2007)And many more... Follow James and his work below:
IMDb: https://www.imdb.com/name/nm2568535/
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  Stop Motion Animator: Sarah de Gaudemar 19.06.2026 53min

  In this episode, Christina sits down with stop motion animator Sarah de Gaudemar.Sarah grew up in the Midwest, where the entertainment industry felt impossibly far away. She found stop motion in college and broke into the industry on MTV's Celebrity Deathmatch in the mid-90s. She's since animated for some of the most iconic stop motion features and series of the past three decades, including Coraline, Anomalisa, and Wendell & Wild, and now runs her own studio creating animation for clients like Disney, Kaiser Permanente, and hotels.com.Across the conversation, she shares her process, why handmade craft still has a soul that AI can't replicate, and the moment during COVID when her own kids became her animation reference.Sarah's credits include:
KEVIN (2026) SPONGEBOB SQUAREPANTS (2009-2024) WENDELL & WILD (2022)
RON'S GONE WRONG (2021)
SANTA INC. (2021)
THE LEGO BATMAN MOVIE (2017)
ANOMALISA (2015)
CORALINE (2009)
ROBOT CHICKEN (2005–2014)
GARY & MIKE (2001)
CELEBRITY DEATHMATCH (1998–2002)And many more... Follow Sarah and her work below:
IMDb: https://www.imdb.com/name/nm1447284/
Instagram: https://www.instagram.com/sarah_de_gaudemar/?hl=en
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  Production Designer: Fiona Crombie 12.06.2026 53min

  In this episode, Christina sits down with Oscar-nominated production designer Fiona Crombie.Fiona trained as a theatre designer in Sydney, spent ten years in Australian theatre, then crossed into film through her longtime collaborator Justin Kurzel — first on commercials and music videos, then on his debut feature, The Snowtown Murders. She's since designed films for directors including Yorgos Lanthimos, Jane Campion, Craig Gillespie, Ari Aster, Bong Joon Ho, and Chloé Zhao.Across the conversation, she shares her process, her philosophy on collaboration with auteur directors, and the piece of advice from a cinematographer that changed her trajectory.Fiona's credits include:HAMNET (2025) MICKEY 17 (2025) BEAU IS AFRAID (2023) CRUELLA (2021) THE KING (2019) THE FAVOURITE (2018) MARY MAGDALENE (2018)UNA (2016)MACBETH (2015) SON OF A GUN (2014)TOP OF THE LAKE S1 (2013) DEAD EUROPE (2012) SNOWTOWN (2011) Follow Fiona and her work below:IMDb: https://www.imdb.com/name/nm2356249/Instagram: https://www.instagram.com/fiona_crombie_/?hl=en
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  Costume Designer: Blair James 05.06.2026 51min

  In this episode, Christina sits down with costume designer Blair James.Blair never planned to be a costume designer. She was an acting student dressing a college musical because the production couldn't afford one. The costumes won her a national award. A few years of LA celebrity styling later, she got the call to costume design Obsession — her first feature.She walks us through it all: blind-pitching the entire wardrobe to director Curry Barker the first time they met, why Bear's first look had to feel "really ugly to look at, and really nice to look at," running over a character's clothes in her gravel driveway to age them, and what it feels like to be the entire wardrobe department on a $750K horror film.Blair's credits include:INVERTIGO (2027) OBSESSION (2026)FALL 2: DEADPOINT (2026) SHATTERED (2025) THE PLEDGE (2024)BROKEN BRANCHES (2025)COZUMO ROOT (2025)THE CALLING (2023)And many more…Follow Blair and her work below:IMDb: https://www.imdb.com/name/nm10692673/Instagram: https://www.instagram.com/blair_james/Website: https://www.blair-james.com
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  Gaffer: Julian White 29.05.2026 1t 10min

  In this episode, Christina sits down with gaffer Julian White.Julian started out as a painter. Thirty years later, he's lit films for Werner Herzog, Ridley Scott, Robert Eggers, and John M. Chu — including The Martian, Crazy Rich Asians, and Rescue Dawn.He walks us through it all: three months of chaos in Thailand with Werner Herzog on Rescue Dawn, what it's like to light fire-only sets for Robert Eggers, Ridley Scott's "tinsel on a fan" trick on The Martian, and why he believes filmmaking (like cooking) should be done by intuition. Julian's credits include:WERWULF (2026)THE MIDNIGHT SKY (2020) ARTEMIS FOWL (2020) CRAZY RICH ASIANS (2018)MURDER ON THE ORIENT EXPRESS (2017)GAME OF THRONES (2016) THE MARTIAN (2015) CINDARELLA (2015) LOCKE (2013) OFFENDER (2012)CONTROL (2007)RESCUE DAWN (2006)And many more…Follow Julian and his work below:IMDb: https://www.imdb.com/name/nm0925030/Instagram: https://www.instagram.com/bloodandlight66/?hl=en
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  Concept Artist: Brandon Oldenburg 15.05.2026 1t 15min

  In this episode, Christina sits down with Oscar-winning filmmaker and concept artist Brandon Oldenburg.After watching Raiders of the Lost Ark in third grade, Brandon went home, bought a used Super 8, and started making movies. Decades later, he co-founded Reel FX in 1995, Moonbot Studios in 2009, and Flight School in 2017 — picking up an Academy Award along the way for The Fantastic Flying Books of Mr. Morris Lessmore, an Emmy for the Chipotle short The Scarecrow, and credits across some of the most beloved animated films of the past two decades.He walks us through it all: the cosmic sign that pushed him out of Hollywood, what conceptual design really is, why two-dimensional animation is having a moment again, and the David Needham advice that defined every major pivot of his career — if you're ever going to bet on anything, bet on yourself.Brandon’s credits include:LOST OLLIE (2022)RISE OF THE GUARDIANS (2012)THE FANTASTIC FLYING BOOKS OF MR. MORRIS LESSMORE (2011)THE SCARECROW (2013)SPY KIDS 2: THE ISLAND OF LOST DREAMS (2002)PIXEL PERFECT (2004)HALLOWEENTOWN II: KALABAR'S REVENGE (2001)TAKING FLIGHT (2015)MANIFEST 99 (2017)And many more…Follow Brandon and his work below:IMDb: https://www.imdb.com/name/nm1099141/?ref_=fn_t_1Instagram: https://www.instagram.com/deptofwonderbrandon/Website: https://weareinbetween.com
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  Scenic Painter: Rut Villamagna 08.05.2026 56min

  In this episode, Christina sits down with scenic painter Rut Villamagna to explore the meticulous craft behind some of cinema's most iconic creatures, props, and worlds.After getting her start on Guillermo del Toro's Pan's Labyrinth in Madrid and later relocating to London, Rut has spent two decades transforming raw materials into believable reality — sculpting chrome for Star Wars, painting marble for Gladiator II, and most recently leading the paint work on Rocky, the alien co-star of Project Hail Mary that's captured audiences worldwide.She breaks down what it takes to bring a non-existent creature to life, why the team built seven or eight Rockies, and how she uses color theory to make a stone-like alien feel cute and alive instead of aggressive. Rut also opens up about the role of failure in a creative career, what it means to work for hands-on directors like del Toro, Wes Anderson, and Tim Burton, and how AI and 3D printing are reshaping the practical effects industry.Rut's credits include:PROJECT HAIL MARY (2026) MICKEY 17 (2025) THE FLASH (2023) THE BATMAN (2022) TOM & JERRY (2021) STAR WARS: EPISODE IX - THE RISE OF SKYWALKER (2019) FANTASTIC BEASTS: THE CRIMES OF GRINDELWALD (2018) ROGUE ONE: A STAR WARS STORY (2016) MISS PEREGRINE’S HOME FOR PECULIAR CHILDREN ( 2016) WARCRAFT (2016) DRACULA UNTOLD (2014) FRANKENWEENIE (2012)PAN'S LABYRINTH (2006) And many more…
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  Graphic Coordinator: Bob Joyce 01.05.2026 37min

  In this episode, Christina sits down with large-format printing expert Bob Joyce of Underground Visuals to unpack the invisible craft behind some of the most iconic sets in television.With decades in the industry and credits spanning from Saturday Night Live to Late Night with Seth Meyers and The Kelly Clarkson Show, Bob shares what it really means to work in high-speed, large-scale production.He breaks down how he approaches every file that comes through the shop, what it takes to execute massive designs at scale, and how his work acts as the final step between concept and reality. From last-minute fixes hours before rehearsal to entire sets that may never even make it to air, Bob offers a rare, behind-the-scenes look at the pace and precision required to keep live production moving.Bob’s credits include:SATURDAY NIGHT LIVEHAPPY GILMORE 2THE TONIGHT SHOW WITH JIMMY FALLONLATE NIGHT WITH SETH MEYERSAMERICAN SPORTS STORYTHE KELLY CLARKSON SHOWSPRINGSTEEN ON BROADWAYTEEN MOM ELSBET And many more…
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  Script Supervisor: Steve Gehrke 24.04.2026 1t 6min

  In this episode, Christina sits down with legendary script supervisor Steve Gehrke to unpack the invisible craft that holds films together.With over 40 years in the industry and credits spanning from Memento to The Dark Knight, Tenet, and Euphoria, Steve shares what it really means to be a script supervisor — and why he considers himself a filmmaker first.He breaks down how he approaches a script, what it takes to protect story and continuity on set, and how his role acts as the “safety net” for directors, actors, and every department involved. From navigating the complexity of Tenet to collaborating with directors like Christopher Nolan and Ryan Coogler, Steve offers a rare, behind-the-scenes look at how great films are actually made.The conversation also explores:– Why script supervision is something you “fall into”– The balance between speaking up and knowing when not to– What makes certain directors elevate everyone around them– His old-school commitment to pencil and paper in a digital world– And why, even after decades in the industry, every day on set still feels like a scavenger huntSteve’s credits include:SINNERS (2025)OPPENHEIMER (2023)BARBIE (2023)TENET (2020) MINDHUNTER (2019)YELLOWSTONE (2018)DUNKIRK (2017) WHY HIM? (2017)INTERSTELLAR (2014)THE MAZE RUNNER (2014) INCEPTION (2010) 17 AGAIN (2009)THE DARK KNIGHT (2008)MEMENTO (2000) And many more…Follow Steve and his work below:IMDb: https://www.imdb.com/name/nm0311826/
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  Prop Maker: Steve Deahl 10.04.2026 1t 57min

  In this episode, we sit down with prop maker and model maker Steve Deahl to explore the craft, philosophy, and collaboration behind building the physical worlds we see on screen.Steve shares how his path into film began through model making and commercials, and breaks down what a prop maker actually does on set. From creating objects that don’t exist and translating drawings into tangible pieces, to collaborating with art departments and understanding how props support story, this conversation offers a thoughtful look at the artistry and logistics behind physical filmmaking.Beyond the craft, this episode explores the deeper philosophy of making — from intuition and adaptability to letting go of your work once it enters the world, and the importance of kindness and collaboration in an ever-evolving industry.Steve’s credits include:GLADIATOR II (2024) AQUAMAN II (2024)BARBIE (2023)BATMAN: THE DARK KNIGHT (2008)CHARLIE AND THE CHOCOLATE FACTORY (2005) DIE ANOTHER DAY (2002) HARRY POTTER AND THE SORCERER’S STONE (2000)THE MUMMY RETURNS (2001)LOST IN SPACE (1999)And many more…Follow Steve and his work below:IMDb: https://www.imdb.com/name/nm0212614/Website: https://stevedeahl.weebly.com
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  Intimacy Coordinator: Chala Hunter 03.04.2026 47min

  In this episode, we sit down with intimacy coordinator Chala Hunter to explore the craft, care, and collaboration behind filming intimate scenes for screen.Chala shares how her path into film and television and breaks down what an intimacy coordinator actually does on set. From advocating for performers and navigating boundaries to shaping choreography, closed set protocols, and emotional continuity, this conversation offers a thoughtful look at the artistry and logistics behind intimate storytelling in film and TV.Chala’s credits include:HEATED RIVALRY (2025)I USED TO BE FUNNY (2023) BAND LADIES (2020) And many more…Follow Chala and her work below:IMDb: https://www.imdb.com/name/nm7207020/Instagram: https://www.instagram.com/chala_hunter/