Backwards Beats Podcast

Epizode

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  Pavement - Crooked Rain, Crooked Rain (#434) 18.08.2026 1h 53min

  Welcome to Episode 86 of the Backwards Beats Podcast! Hosts Carl and Dan dive deep into Pavement’s landmark 1994 sophomore album, Crooked Rain, Crooked Rain. Rated #434 on Rolling Stone's 500 Greatest Albums of All Time list, this record is the quintessential slacker-rock masterpiece of the '90s. From the pristine indie-pop hooks of "Cut Your Hair" to the dissonant, loose charm of "Stop Breathin," Carl and Dan break down the album's dual identity, debating whether the band is truly a group of apathetic slackers or secret musical geniuses. They also share their final verdicts on the album's place in history, chat about what’s currently in their ears, and preview next week's record. Music References Purple Rain by prince dump truck Helmut Gary Young black flag circle jerks Mark Ibold Bob Nostasovic sublime blue album by Weaser Weaser Rivers Cuomo Rick Ocasic Flea Jeff Ament Stone Temple Pilots David Bowie scar tissue by Red Hot Chili Peppers Red Hot Chili Peppers Cut the cake by average white band average white band smashing pumpkins Jimmy Chamberlain Sham dinosaur Jr. Linda Ronstadt queens of the Stone Age Walk Me Home by Pink Pink Pomplamoose Alice in Chains Take five by Dave Brubeck Dave Brubeck Soul Asylum the Velvet Underground Lou Reed Billy Squire wilco Bryce Goggen red hot chili peppers Radiohead butthole surfers Frankie Valley the way you make me feel by Michael Jackson Michael Jackson blame on the boogie by Jackson's Jackson's Soulive Corey Glover Reggie Watts joyful girl by Dave Matthews Dave Matthews Krunbin The Doctrine of Love by Jalen Nganda Jalen Nganda Silksonic chunky by Bruno Mars Bruno Mars Liam Bridges Michael Kiwinaka the dip St. Paul and the Broken Bones Join us next week as we endulge in all that is Sound of Silver by LCD Sound System.
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  Pet Shop Boys - Actually (#435) 11.08.2026 1h 57min

  In this episode of the Backwards Beats Podcast, hosts Carl and Dan dive deep into the 435th album on Rolling Stone’s top 500 list: Pet Shop Boys’ sophomore album, Actually (1987). What follows is an entertaining, technical, and highly opinionated debate on the merits of 80s synth-pop. Carl brings heavy critiques against the duo’s flat dynamic range, mechanical loop production, and Neil Tennant’s deadpan vocal delivery. Dan, on the other hand, finds charm in their understated vulnerability, clever harmonic modulations, and deep-cut storytelling. Despite their clashing viewpoints on the front half, both hosts find themselves pleasantly surprised by the cinematic arrangements of the album's back half—featuring legendary collaborations with Ennio Morricone, Dusty Springfield, and Angelo Badalamenti. Key Points The Vocal & Production Debate: Carl and Dan face off over Neil Tennant's signature deadpan vocals. While Carl finds the delivery flat and lacking breath support, Dan defends it as an intentional stylistic choice that perfectly serves the duo's themes of apathy and social critique. They also discuss the stark differences between the thin 1987 original mix and the much-needed low-end boost of the 2018 remaster. Music References Crazy train by Ozzy Osbourne Nick Lowe Neil Tennant Chris Lowe Smashmouth Bobby O Orlando Steven Hague Diplo Julian Mendelssohn Daft Punk is playing at my house by LCD sound system LCD sound system James Discovery by Daft Punk around the world by Daft Punk Daft Punk Animals by Pink Floyd Pink Floyd we like it here by snarky puppy snarky puppy always on my mind by Willie Nelson Willie Nelson always on my mind by Brenda Lee Brenda Lee Chris Stapleson Warner Williams always on my mind by Wayne Carson Wayne Carson always on my mind by Johnny Christopher Johnny Christopher always on my mind by Mark James Mark James What have I done to deserve this by Dusty Springfield Son of a preacher man by Dusty Springfield Dusty Springfield Al Green BTS John Legend Janelle Monet hot to go by chappel roan chappel roan Odelay by Beck Beck Maroon Five ACDC Jan Hommer chemical brothers fatboy Slim L.T.J. Bookham black holes and revelations by muse Madness by muse city of delusion by muse Knights of Cydonia by muse muse Lonely Island Freddie Mercury MGMT Barbara Streisand Tina Turner walking on sunshine by Katrina and the waves Katrina and the waves INXS shopping by Barenaked ladies Barenaked ladies the clash Mikey Free the Ecstacy of Gold by Ennio Morricone Ennio Morricone Angela Badalamenti Julie Cruise Crazy On You by Hart Hart wild world by Steven Steven Tied Away of Mystery by Capital Cities Safe and Sound by Capital Cities Capital Cities heartbeat city by cars Drive by cars cars Frank Moody Love Stinks by The J. Giles Band The J. Giles Band Peter Wolf pavement Enzlo Alice Cooper Blueberry Hill by Fats Domino Fats Domino Floyd Dixon wagon wheel by Old Crow Medicine Show Old Crow Medicine Show I will survive by Gloria Gaynor Gloria Gaynor ABBA Killing me softly by Roberta Flack Roberta Flack Join us next week when we dive into the slacker genre with Crooked Rain by pavement
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  2Pac - All Eyez On Me (#436) 04.08.2026 1h 53min

  Welcome back to the Backwards Beats Podcast! After a month-long Northeast hiatus filled with $43 roadside lobster rolls, Carl and Dan are back in the studio. In Episode 436, the guys tackle Tupac Shakur's monumental, diamond-selling 1996 double album, All Eyez on Me. Rather than wading track-by-track through all 2 hours and 12 minutes of this 27-track epic, Carl and Dan build their ultimate 12-song "Dream Album" (plus one mandatory "Gimme" track) out of the collection. Along the way, they explore Tupac's activist roots in the Black Panther movement, his brilliant but paranoid persona, and the tragic sequence of events leading up to his untimely death. They also break down the record's legendary sample histories, debate the highest highs and lowest lows, and close things out with some stellar music recommendations. Key Points The Dream Album Formula: Rather than reviewing all 27 tracks, the hosts filter the double disc down to a tight, 12-song tracklist, revealing a surprising amount of consensus with eight matching songs between them. The "California Love" Remix Tragedy: A passionate breakdown of why the original radio cut of California Love (built on Joe Cocker's "Woman to Woman" riff) is an S-tier masterpiece, while the album's sluggish remix feels like an absolute disaster. Poetry vs. Paranoia: An examination of Tupac's complex dual nature—his brilliant storytelling and clever internal rhyming structure contrasted against the paranoia and aggressive posturing that defined his final months. What's in Your Ears: The guys share what they've been listening to lately, featuring Vulfpeck's incredible live Montreal performance (with Lewis Cato stepping in), The Bird and the Bee's Hall & Oates cover project, the Chick Corea Trio, and the Chemical Brothers' ultimate coding EP, Loops of Fury. This episode also features a contribution from Christine Kahn with Skin Vehicles (Dex Hannon) and their song "I Know Your Scars". You can learn more about them on Christian's Website or buy their song on Band Camp. Music References Sinéad O'Connor Howlin' Wolf Muddy Waters Phil Spector Miranda Lambert The White Album by The Beatles The Beatles The Wall by Pink Floyd Pink Floyd Digital Underground Jada Pinkett Woman to Woman by Joe Cocker Joe Cocker Snoop Dogg Nate Dogg Mos Def Talib Kweli Black Star Big Boi André 3000 Outkast Katy Perry Regulate by Warren G Warren G Yaki Kadafi Outlawz Tha Dogg Pound Dr. Dre Ice Cube The Roots Eminem Natasha Walker CPO Boss Hogg KC & JoJo Drake DMX Let's Get Together by Al Green Al Green Rhythm of the Night by DeBarge A Dream by DeBarge DeBarge No Diggity by Blackstreet Don't Leave Me by Blackstreet Blackstreet Danny Boy Kanye West Richie Rich Usher Gorillaz SZA Kendrick Lamar Daughter by Pearl Jam Pearl Jam 777-9311 by The Time The Time Morris Day Darling Nikki by Prince Prince Parliament Average White Band Johnny J Big Syke Chali 2na Jurassic 5 Michael McCary Boyz II Men Maceo Parker Fred Wesley and the Horny Horns James Brown Richard Pryor Vitamin C Brandy by The O'Jays The O'Jays Frankie Teardrop by Suicide Suicide Good Mood by Adam Levine Adam Levine Sugar by Maroon 5 Maroon 5 Sherry by Frankie Valli Frankie Valli I Ain't Worried by OneRepublic OneRepublic Back Pocket by Vulfpeck Dean Town by Vulfpeck Animal Spirits by Vulfpeck Vulfpeck Charles Jones Louis Cato Jacob Collier Interpreting the Masters Volume 1: A Tribute to Daryl Hall and John Oates by The Bird and the Bee The Bird and the Bee Nataly Dawn I Can't Go for That (No Can Do) by Hall & Oates Maneater by Hall & Oates Rich Girl by Hall & Oates Sara Smile by Hall & Oates Hall & Oates Trilogy 2 by Chick Corea Trio Chick Corea Trio Brian Blade Christian McBride Return to Forever John McLaughlin Loops of Fury by The Chemical Brothers Hey Boy Hey Girl by The Chemical Brothers The Chemical Brothers West End Girls by Pet Shop Boys Join us next week when we discuss, Actually by Pet Shop Boys.
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  Gorillaz - Demon Days (#437) 28.07.2026 1h 44min

  In Episode 83 of Backwards Beats, hosts Dan and Carl dive into Gorillaz’s acclaimed 2005 release, Demon Days, which comes in at No. 437 on Rolling Stone Magazine's 500 Greatest Albums of All Time list. The hosts unpack the album's rich, layered production crafted by Damon Albarn and Danger Mouse, as well as its iconic roster of collaborators including MF Doom, De La Soul, Dennis Hopper, Booty Brown, and Neneh Cherry. Beyond the technical production, the discussion explores the project's conceptual lore, its underlying themes of environmental collapse, industrialization, and societal apathy, and how Albarn shed his personal ego to fully embrace his cartoon persona, 2D. Key Points Production & Listening Experience: The hosts analyze the album’s introverted vs. extroverted nature, noting that while some tracks can easily blend into the background, a high-fidelity or high-volume listen reveals incredible texture, deep sub-bass, and nuanced woodwind/orchestral layering. Damon Albarn’s Ego Shift: The discussion covers how Demon Days marked a turning point where Albarn fully stepped behind his virtual avatar 2D, casting aside his British alternative rock ego to lean into the concept of a cartoon band created alongside artist Jamie Hewlett. Next Week's Album: The hosts tease their upcoming double-album review of 2Pac’s classic 1996 release, All Eyez on Me. Music Referenced Damon Albarn Del the Funky Homosapien Deltron 3030 by Deltron 3030 Parklife by Blur Bernard Herrmann The Pharcyde Dennis Hopper MF Doom De La Soul Danger Mouse Gone Daddy Gone by Gnarls Barkley Crazy by Gnarls Barkley CeeLo Green Stadium Arcadium by Red Hot Chili Peppers Let It Be by The Beatles Katy Perry Tupac Shakur Neneh Cherry The Slits Sun Ra Foster the People Booty Brown Crazy in Love by Jay-Z Hihache by Lafayette Afro Rock Band J Dilla Jurassic 5 Chali 2na Mos Def Talib Kweli Black Star A Tribe Called Quest Three 6 Mafia Morgan Nicholls M83 Something About Us by Daft Punk Melodrama by Lorde Ike Turner Lil Jon Martina Topley-Bird Simon Tong Shaun Ryder Blurred Lines by Robin Thicke Basement Jaxx Lady Gaga Madonna Lenny Kravitz Jim James My Morning Jacket The Beach Boys London Community Gospel Choir Scary Monsters (and Super Creeps) by David Bowie Young Americans by David Bowie Fashion by David Bowie Young Americans by David Bowie Fame by David Bowie Maddie Ashman Angine De Poitrine Home Is by Jacob Collier Michael Mayo The Wow Signal by Muse Knights of Cydonia by Muse Join us Next week for the epic, All Eyez on Me by 2Pac.
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  Blur - Parklife (#438) 21.07.2026 1h 48min

  In this episode, Carl and Dan turn their attention to "Parklife" by Blur (1994), ranked at 438 on Rolling Stone's 500 Greatest Albums of All Time list. The hosts, dive into this album that serves as a cornerstone of the 90s Britpop movement. Throughout the review, they explore the band's shift from debt-ridden alternative rock to chart-topping success, their satirical take on British culture, and the album's unexpected musical diversity. Key Points Musical Style & Influences: The album is noted for its experimental production and wide array of influences, including The Kinks, The Beatles, XTC, David Bowie, and Talking Heads. The hosts highlight the album's use of varied instrumentation, such as organs, harpsichords, and woodwinds, which adds a unique texture to the tracks. Satirical Storytelling: Blur draws inspiration from satirical observations of British working-middle class life. Songs like "Parklife" and "Tracy Jacks" are discussed as character sketches that utilize witty, observational songwriting. This episode also features the song Realign by Som Som an independant artist from Roterdam, Netherlands. Check them out, buy their music or stream them on any streaming platform. Music Referenced Black Hole Sun by Soundgarden Eight Days a Week by The Beatles Small Faces XTC Ziggy Stardust by David Bowie Talking Heads The Smiths (What's the Story) Morning Glory? by Oasis Wonderwall by Oasis The Kinks Men at Work The Bad Touch by Bloodhound Gang The Clash INXS They Might Be Giants Barenaked Ladies The Beach Boys Blood Sugar Sex Magik by Red Hot Chili Peppers Breaking the Girl by Red Hot Chili Peppers Thriller by Michael Jackson Beat It by Michael Jackson The Point! by Harry Nilsson Phil Daniels Black Flag Fugazi Dead Kennedys Sham 69 (Don't Fear) The Reaper by Blue Öyster Cult The Doors Time of the Season by The Zombies The Piper at the Gates of Dawn by Pink Floyd Scarecrow by Pink Floyd The Madcap Laughs by Syd Barrett Emerson, Lake & Palmer Butthole Surfers J Dilla MF DOOM Laura Nyro New Order Pet Shop Boys Stereolab Coldplay Gary Numan Love Shack by The B-52's Rock Lobster by The B-52's Primus R.E.M. Surrender by Cheap Trick DARE by Gorillaz Boyz II Men Cans Bad Bunny Buttered Baby Come Back by Ocean Alley Dirty Loops The Doobie Brothers Chapter 1 by SAULT Inflo CeeLo Green Beck Join us next week when we continue our Damon Albarn journey with Demon Days by Gorillaz.
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  James Brown - Sex Machine (Live) (#439) 14.07.2026 1h 56min

  Get on up! This week, Dan and Carl dive into James Brown’s monumental 1970 double album, Sex Machine (Live). Sitting high on Rolling Stone's 500 Greatest Albums list, this record is a legendary, high-energy masterclass in the evolution of funk. The guys break down the album’s unique hybrid structure—from the "live" studio tracks on Sides 1 and 2 (complete with hand-mixed fake crowd noise) to the raw, sweat-soaked energy recorded live in Augusta, Georgia on Sides 3 and 4. They dissect James Brown’s unmatched bandleader instincts, the incredible precision of a teenage Bootsy Collins on bass, Clyde Stubblefield’s mind-blowing drum pockets, and how this exact record basically served as the DNA for the golden era of hip-hop sampling. Key Points The "Live" Illusion: We pull back the curtain on the album's first half, exploring the production decisions to sweeten tight studio recordings with artificial crowd noise and heavy reverb. The Master of the Groove: An in-depth appreciation of the rhythm section—specifically Bootsy Collins' foundational, melodic basslines and Clyde Stubblefield’s legendary, intricate 16th-note drum patterns. The Blueprint for Hip-Hop: How this record became a goldmine for producers, with practically every track on the tracklist being sampled by the likes of A Tribe Called Quest, Ice Cube, and beyond. The "Licking Stick" Tangent: Dan shares a ridiculous, legendary IT workplace story involving his own custom-made "licking stick" (aka the office "Widow Maker"). Separating the Art from the Artist: A candid, real-talk discussion about James Brown's deeply volatile personal life, legal troubles, and domestic abuse, contrasted against his undisputed genius as a musical innovator. Music Referenced In the Summertime by Mungo Jerry Move On Up by Curtis Mayfield Chicago Frank Zappa Prince David Byrne Bootsy Collins James Jamerson Rocco Prestia Business Time by Flight of the Conchords Luther Vandross A Tribe Called Quest Footsteps in the Dark by The Isley Brothers Shout by The Isley Brothers Who's That Lady by The Isley Brothers Sissy Strut by The Meters Spinning Wheel by Blood, Sweat & Tears If I Ruled the World by Leslie Bricusse Aretha Franklin Otis Redding Buddy Rich Steely Dan Jacob Collier The Ronettes Michael Jackson Please Please Please by Sabrina Carpenter Espresso by Sabrina Carpenter Little Richard Chinese Wall by Philip Bailey Easy Lover by Philip Bailey Reasons by Earth, Wind & Fire Easy Lover by Phil Collins Reminiscing by Little River Band Isn't She Lovely by Stevie Wonder Higher Ground by Stevie Wonder Song 2 by Blur Damon Albarn Rubber Soul by The Beatles Funk Overload by Maceo Parker Everybody Wants to Rule the World by Tears for Fears Join us next week when we cover, Parklife by Blur.
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  Loretta Lynn - Coal Miner's Daughter (#440) 07.07.2026 1h 28min

  Welcome to the Season 4 premiere of the Backwards Beats Podcast! Hosts Carl and Dan kick off the season by diving into album number 440 on Rolling Stone’s 500 Greatest Albums of All Time list: Loretta Lynn's 1971 classic, Coal Miner's Daughter. Clocking in at just under 30 minutes across 11 songs, this landmark release delivers straight-down-the-middle traditional country fare backed by an elite Nashville session crew. Carl and Dan break down the album’s technical production—from the brilliant engineering of plate reverbs and pre-delays to the stark, hard-panned stereo mixing of the era—while tracking the dramatic thematic arc of small-town pride, marital betrayal, and revenge. Key Points Elite Instrumentation: The record features stellar backing work from Lynn's "wrecking crew," including legendary background harmonies from The Jordanaires, Hargus "Pig" Robbins on piano, and standout pedal steel work. The Mechanics of Plate Reverb: Dan breaks down the iconic live-tracking environment at Bradley’s Barn, detailing how engineers utilized a 600-pound EMT 140 plate reverb and tape-head pre-delay to keep Loretta's vocals incredibly present yet deeply spacious. What’s In Your Ears?: Carl: Highly recommends Spinning Plums, a Japanese progressive rock band blending minimalism, shoe-gaze vocals, and clean Fender Jazzmaster tones. Dan: Shares his immersion in a Japanese experimental/drone project (The Gerogerigegege lineup featuring Kenji Hino) while taking a mental break from his intensive work composing a supernatural horror film score. Music References Linda Ronstadt King Gizzard and the Lizard Wizard Crystal Gale Tammy Wynette Miranda Lambert Jason Isbel Hello Darlin by Conway, Twitty Conway, Twitty rhinstone cowboy by Glenn Campbell Glenn Campbell Elvira by Oak Ridge boys Oak Ridge boys Cheryl Crow Lorraine Allen Christophe Ray Price Peggy Sue Pig Robbins Amory Van Halen Spinning Plums Sungazer Shita Susha Kenji Hino Join us next week when we jump into the epic Sex Machine by James Brown.
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  Hallelujah - Leonard Cohen 03.07.2026 19min

  In this solo Sidetrax episode, Dan pulls back the curtain on the brutal, agonizing ten-year journey behind one of the most famous songs in human history: Leonard Cohen’s "Hallelujah." We trace its roots from Cohen’s deep personal and professional collapse in the late 1970s following his disastrous collaboration with Phil Spector and the painful end of his relationship with Suzanne. Beyond the history, this episode goes deep into the music itself. Dan breaks down the actual song structure, explores the ancient myth of King David's lyre, and analyzes the specific musical harmony to see if we can finally decode what Cohen meant by "the secret chord."  
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  Carl's Cover of Season 3 23.06.2026 17min

  It's that time again! Carl rolled the 20 sided die and pulled none other than David Bowie's Album Scary Monsters (And Super Creeps). What song will he choose to butcher this time? Listen to find out this on this weeks Sidetrack episode!
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  Civil Disobedience - Songs to Revolt to pt. 2 16.06.2026 41min

  Music is a powerful method of communication. In our second installment of Civil Disobedience, we cover Social Satire and Environmental Protest songs. From Woody Guthrie to Buffalo Springfield, the Temptations to the Pixies. There's something for everyone! Name a podcast that will cover Marvin Gaye and Metallica in the same episode! Also check out part 1 from earlier this year!
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  Jane's Addiction - Nothing's Shocking (Convince Me!) 09.06.2026 1h 17min

  Nothing's Shocking by Jane's Addiction is a landmark album in alternative music. At one point this album existed on Rolling Stone Magazine's 500 Greatest Albums Of All Time list, but not any more. Will Dan convince Carl that this album is worthy of his time. Is Dan biased by his history with this album or does it simply ROCK! This episode also includes the track Boogie Through Outer Space by FUJANk.
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  Turn The Radio Off - Reel Big Fish (Convince Me!) 02.06.2026 1h 25min

  In this Sidetracks episode of Backwards Beats, Carl tries to convince Dan that Reel Big Fish was not just a fad in the 90's but a staple of Ska music and successor of both punk and reggae.  
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  Boston - LIVE @ Atwaters 26.05.2026 1h 17min

  This week, we are coming to you LIVE from a packed room at Atwater’s in Catonsville, MD! Recorded in front of a live audience, this episode dives headfirst into an album omission that leaves us absolutely floorboards-level shocked. We’re covering Boston's 1976 self-titled debut album. Here’s the absolute kicker: it is completely omitted from the Rolling Stone 500 Greatest Albums list. How does one of the most flawless, massive-selling, and sonic-shifting debut records in rock history get left off the canon entirely? Dan and Carl get the story straight, breaking down the massive gap between the "five-man rock band" myth on the back cover and the mad-scientist reality of a guy tinkering away in a Massachusetts basement. Plus, we pull some brave audience members right out of the crowd and onto the microphones to help us read two completely unhinged live parody advertisements.   The Ultimate Basement Tape: How a Polaroid engineer with an MIT degree used his day-job salary to build a DIY tracking lab and record almost every single instrument himself. The Great Studio Smoke Screen: The absurd corporate fake-out where producer John Boylan shipped a dummy band to LA just to keep label executives from realizing Tom Scholz was cutting the final masters in his basement. The Snake Through the Window: Moving a million-dollar sound from a Watertown basement to a 24-track tape via a cable slung through a basement window. A Perfect Side A / Side B: Why every single one of these eight tracks is still a structural anchor for classic rock radio fifty years later. The List Snub: We air out our grievances. In a musical landscape being overtaken by punk and disco, Boston saved mainstream guitar rock with an album that cost just $28,000 to make. Why does the rock establishment still treat it like "corporate rock" instead of a DIY masterpiece? Audience Participation: We bring Atwater's crowd members up to the stage to read our latest late-night television parody ads with zero prior rehearsal.
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  Britney Spears - Blackout (#441) 19.05.2026 1h 23min

  Carl and Dan dive into the 2007 "comeback" album that shifted the landscape of pop production but left our hosts feeling colder than a "hot as ice" synth line. Recorded during one of the most publicized and turbulent periods of Britney’s personal life, Blackout is often cited by critics as a pioneering masterclass in dark electro-pop. However, the team questions its placement on the Rolling Stone Top 500 list, critiquing its sterile production, lack of vocal dynamics, and the "Xanax-infused" energy that permeates the tracks. From the iconic "It's Britney, bitch" opener to the deep-cut fan favorites, the guys peel back the layers of vocal fry and saw-wave synths to see if there's any heart left in the machine. Key Points The "Comeback": A look back at the tabloid-heavy era of 2007, the infamous VMA performance, and how Britney's personal turmoil influenced the "minimalist and dry" production style of the album.   Production Over Persona: The hosts discuss the shift toward producer-driven pop, comparing the work of Danja and Bloodshy & Avant to the more successful industrial-pop sounds of Justin Timberlake and Timbaland.   Season 3 Wrap-Up: Celebrating the end of the season and their successful live show, plus a preview of the upcoming "Sidetrax" break featuring album assignments like Real Big Fish and Jane’s Addiction.   In Your Ears: Carl highlights the "low-brow" grunge-surf energy of Viagra Boys, while Dan finds his groove again with the melodic drumming of Benny Greb. Music References future sex love sounds by Justin Timberlake   sexyback by Justin Timberlake   christine agulara   rung hustling   max martin   my prerogative by bobby brown   bobby brown   Madonna   Janet Jackson   justin bieber   scary pockets   Neptunes   Timberland   lady Gaga   Charlie XCX   the weekend   Nelly fertado   blue Monday by orgy   orgy   Tyler the creator   Jimmy Cliff   boys to men   Fergie   will i am   prince   the clutch   Bruno Mars   bury a friend by Billie Eilish   Billie Eilish   happy together by the turtles   the turtles   Thundercat   hear my dear by Marvin Gaye   Marvin Gaye   Boston by Boston   Boston   turn the radio off by real big fish   real big fish   nothing shocking by James addiction   James addiction   Dave Navarro   one hot minute by chili peppers   blood sugar sex magic by chili peppers   chili peppers   sports by Viagra boys   Viagra boys   moving parts live by Benny grab   grebfruit by Benny grab   Benny grab   Nate Smith   s os by Rihanna   Rihanna   jock jams Join us next week for the release of our LIVE episode!
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  The Weeknd - Beauty Behind The Madness (#442) 12.05.2026 1h 51min

  In this episode of the Backwards Beats Podcast, hosts Carl and Dan take a deep dive into album #442 on Rolling Stone’s "500 Greatest Albums of All Time" list: Beauty Behind the Madness, The Weeknd’s 2015 breakthrough. The duo explores Able Tesfaye's journey from anonymous YouTube uploader to global superstar, dissecting the "dark pop" aesthetics that defined an era. While acknowledging the album's astronomical streaming success and chart-topping hits, Carl and Dan offer a critical look at whether the 14-producer project maintains enough cohesion to justify its place among the all-time greats. Key Points The Origin Story: A look at Able Tesfaye’s "misfit mattress" departure from Scarborough and his early partnership with producer Jeremy Rose. Rolling Stone Debate: The hosts question the criteria for the Top 500 list, debating whether billion-plus streaming numbers correlate with superlative album quality. Music References One Week by Barenaked Ladies Billie Jean by Michael Jackson Prince R. Kelly Frank Ocean Kanye West walk off the earth Billie Eilish Lorde the ink spots Here my dear by Marvin Gaye Marvin Gaye Bruno Mars Adam Levine Justin Timberlake Jagged Little Pill by Alanis Morissette Alanis Morissette Rick Rubin Soul Dog Me So Horny by 2 Live Crew 2 Live Crew Gin and Juice by Snoop Dogg Snoop Dogg Gin and Juice by The Gourds The Gourds Peaches & Cream by Beck Milk & Honey by Beck Beck A Taste of Honey by Herb Alpert Herb Alpert Billie Joel Shameless by Garth Brooks Garth Brooks She by Harry Styles Harry Styles Stevie Wonder You Belong to the City by Glenn Frey Glenn Frey Hard Times by Paramore Paramore Dynasty by Kiss Hard Times by Kiss Kiss Lana Del Rey California Gurls by Katy Perry Katy Perry I Feel Good by Pitbull Pitbull Robocop by Jacuzzi Fire Jacuzzi Fire Fugazi Rift by Phish A Picture of Nectar by Phish Phish David Bowie Join us next week for ... Blackout by Britney Spears.
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  David Bowie - Scary Monsters (And Super Creeps) (#443) 05.05.2026 1h 39min

  In this episode of the Backwards Beats Podcast, Carl and Dan dive into David Bowie’s 1980 landmark album, Scary Monsters (and Super Creeps). Positioned at #443 on Rolling Stone’s "500 Greatest Albums of All Time" list, this record serves as the critical bridge between Bowie’s experimental Berlin Trilogy and his impending 80s pop superstardom. The hosts explore the album's aggressive energy, its iconic sequel to "Space Oddity," and the incredible musicianship of legendary contributors like Robert Fripp and Pete Townshend. Key Points   The 1980 Transition: How Scary Monsters consolidated Bowie's avant-garde artistry with the emerging New Wave and Post-Punk sounds of the decade.    Closing the Major Tom Chapter: A deep dive into "Ashes to Ashes," its role as a darker sequel to "Space Oddity," and the story behind its groundbreaking (and expensive) music video.    Legendary Collaborators: Analyzing the "f***ed up carnival" guitar work of Robert Fripp and the wine-fueled, high-energy session with Pete Townshend.    Production & Fidelity: A comparison between the original release and the 2017 remaster, highlighting how modern engineering brought new life and separation to the album's dense textures.    Dystopian Themes: Exploring the Cold War anxiety, surveillance narratives, and manic energy that permeates tracks like "Scream Like a Baby" and "It's No Game."    The Final Verdict: Carl and Dan weigh the album's massive influence against its musical consistency, ultimately debating whether it truly deserves its spot in the Top 500. Music References  Mark Ronson    Brian Eno    Tony Visconti    Carlos Alomar    Robert Fripp    King Crimson    Roy Bittan    Nine Inch Nails    Blur    Gary Neuman    Daddy Yankee    Jack White    Close to the Edge by Yes    Yes    Sweet Child O' Mine by Guns N' Roses    Guns N' Roses    Miranda Lambert    Joy Division    Iggy Pop    Dancing with Myself by Billy Idol    Billy Idol    Psycho Killer by Talking Heads    Talking Heads    David Byrne    Raspberry Beret by Prince    When Doves Cry by Prince    Purple Rain by Prince    Vogue by Madonna    Madonna    Morrissey    The Smiths    The Beach Boys    Kingdom Come by Tom Verlaine    Tom Verlaine    Television    Phil Spector    Any Way You Want It by Dave Clark Five    Dave Clark Five    Any Way You Want It by Kiss    Kiss    Any Way You Want It by Journey    Journey    Pete Townshend    Under Pressure by Queen    Queen    Ram by Paul McCartney    Paul McCartney    Breakfast in America by Supertramp    Supertramp    ELO    Somi by Snarky Puppy    Snarky Puppy    Metropole Orkest    Jay Jennings    Bobby Sparks    Jean-Luc Ponty    Walk Off the Earth    New Kids on the Block Join us next week for Beauty Behind the Madness by The Weeknd.
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  Fiona Apple - Extraordinary Machine (#444) 28.04.2026 1h 37min

  In this episode of the Backwards Beats podcast, hosts Carl and Dan dive into Fiona Apple’s 2005 release, Extraordinary Machine. Ranked at #444 on Rolling Stone’s 500 Greatest Albums of All Time list, the album is a midpoint in Apple’s career, marked by a notorious production history and a shift toward more idiosyncratic, orchestral arrangements. The hosts explore the "Free Fiona" campaign, the influence of classical training on her songwriting, and the contributions of legendary drummers Questlove, Abe Laboriel Jr., and Jim Keltner. Before the deep dive, Carl and Dan share their experience seeing Snarky Puppy at the Warner Theater in Washington, D.C. Key Points The "Free Fiona" Saga: Discussion of the album's troubled production, from the initial orchestral sessions with Jon Brion to the label-mandated re-recordings with Mike Elizondo, and the subsequent fan campaign that led to its eventual release. Vocal Mastery and Artistry: An analysis of Fiona Apple’s alto range, her "killer annunciation," and her cynical, disdainful storytelling that sets her apart from her 90s contemporaries. The Final Verdict: While both hosts highly recommend the album for its variety and technical brilliance, they ultimately agree that it might not earn a spot in their own Top 500, suggesting her debut album, Title, might be a stronger contender for that distinction. In Their Ears: Carl recommends the shreddy violin work of Jean-Luc Ponty (Enigmatic Ocean), while Dan suggests Duke Ellington's tribute album, ...And His Mother Called Him Bill. Music References saw me by Snarky Puppy Metropolitan Orchist Alanis Morrisette Billy holiday Nina Simone Lana Del Rey Eddie Vetter Chris Isaac Amy Mann Questlove the roots D'Anjalo Erica Baadu in the meantime by spacehog spacehog Abe Laboriel Jr. Abe Laboriel Paul McCartney Kenny logins Jeff Piccaro Chester Thompson the climb by no doubt no doubt Bonnie Raitt Cheryl Crow Brian May Anna Molly by Incubus Incubus the Alabama song by the doors the doors Tom Wait Florence the Machine back from black by Amy Winehouse Amy Winehouse Sigur Ros the Joshua Tree by U2 Running to Stand Still by U2 U2 please, please by James Brown James Brown please, please by Sabrina Carpenter Sabrina Carpenter Aja by Steely Dan Josie by Steely Dan Steely Dan Joe Walsh Vulfpec Genesis Rush Inigmatic Ocean by John Luke Ponte John Luke Ponte Van Halen Mark and Terry and his mother called him Bill by Duke Ellington daydream by Duke Ellington Duke Ellington Billy Strayhorn Join us next week for scary Monsters and Super Creeps by David Bowie .
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  Yes -Close to the Edge (#445) 21.04.2026 1h 49min

  In this episode of the Backwards Beats podcast, hosts Carl and Dan take on the "chewy" and virtuosic 1972 masterpiece Close to the Edge by progressive rock legends, Yes. Ranked at #445 on Rolling Stone’s 500 Greatest Albums of All Time list, this three-track epic is a masterclass in musical ambition, featuring complex symphonic movements, spiritual themes, and world-class musicianship. The duo breaks down the album's demanding structure, its diverse influences ranging from Sibelius to Eastern philosophy, and why it remains a definitive "alpha album" that set the bar for the entire prog-rock genre. Key Points The Virtuosic Lineup: Deep dive into the "classic" lineup featuring Jon Anderson’s ethereal vocals, Steve Howe’s eclectic guitar styles, Rick Wakeman’s keyboard wizardry, and the legendary rhythm section of Chris Squire and Bill Bruford. Bruford’s Swan Song: Insight into why drummer Bill Bruford left the band for King Crimson immediately after these grueling sessions, feeling he had reached the apex of what he could contribute to the Yes sound. Spiritual and Classical Roots: How the lyrics were influenced by Herman Hesse’s Siddhartha and the compositional structure was inspired by the symphonies of Jean Sibelius. Technical Highlights: Analysis of Chris Squire’s aggressive "lead bass" tone, Rick Wakeman’s recording of a real pipe organ in a London church, and the "Siberian Khatru" riffs that later inspired Red Hot Chili Peppers guitarist John Frusciante. Music References Simon & Garfunkel Cream Rush Genesis Emerson, Lake & Palmer Locomotive Breath by Jethro Tull Jethro Tull Symphony No. 6 by Sibelius Symphony No. 7 by Sibelius Sibelius Wes Montgomery Allan Holdsworth Kansas Marillion The Beach Boys AC/DC Grateful Dead Symphony No. 9 by Beethoven Ode to Joy by Beethoven Beethoven Snarky Puppy The Mars Volta Scorpions Devo Brother Louie by The Stories The Stories Higher Ground by Stevie Wonder Stevie Wonder The Mamas & the Papas The Monkees Nate Smith Christian McBride The Fearless Flyers Pink Floyd Stravinsky Bo Diddley Steve Vai Robert Fripp John Frusciante Blood Sugar Sex Magik by Red Hot Chili Peppers Stadium Arcadium by Red Hot Chili Peppers Red Hot Chili Peppers Taylor Swift Bad Bunny The Weeknd Bonnie Raitt Linda Ronstadt Wicked Garden by Stone Temple Pilots Plush by Stone Temple Pilots Stone Temple Pilots Brandon Boyd Incubus Scott Weiland Wolfgang Van Halen Van Halen Join us next week for Extraordinary Machine by Fiona Apple .
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  Alice Coltrane - Journey in Satchidananda (#446) 14.04.2026 1h 13min

  In this episode, Carl and Dan explore the meditative and spiritual soundscapes of Alice Coltrane’s 1971 landmark album, Journey in Satchidananda. Currently sitting at #446 on Rolling Stone’s 500 Greatest Albums of All Time list, the record marks Alice’s profound shift toward Eastern philosophy and avant-garde jazz. The hosts break down the album’s unique instrumentation—from the hypnotic drone of the tamboura to Alice’s pioneering use of the harp—while reflecting on her legacy as a spiritual leader and the "Love Supreme" connection to her late husband, John Coltrane. Key Points The Spiritual Influence: A look at the role of Swami Satchidananda, the yoga guru who opened Woodstock and inspired the album’s title and devotional atmosphere. Sonic Architecture: Discussion on the album's distinct sound palette, including Pharoah Sanders' "unhinged" saxophone, the rhythmic "chewiness" of the hand percussion, and the contested frequency zones of the bass. The 1971 Time Capsule: A "Week in Music" throwback featuring the release of Carole King’s Tapestry, Miles Davis’s A Tribute to Jack Johnson, and a bizarre anecdote about Keith Richards and silk drapes. The Verdict: While both hosts find the album "enjoyable plus," they debate whether its historical significance outweighs its musical "essentialness" on a finite top 500 list. Music References They're All Gonna Laugh at You! by Adam Sandler The Goat by Adam Sandler Avishai Cohen Stony End by Barbra Streisand Barbra Streisand Bill Evans Billy Cobham Captain & Tennille Tapestry by Carole King Will You Love Me Tomorrow by Carole King (You Make Me Feel Like) A Natural Woman by Carole King Carole King Cecil McBee Charlie Haden Dave Brubeck Changes by David Bowie David Bowie Davy Jones Dinah Washington Ella Fitzgerald Elvin Jones 200 Motels by Frank Zappa Frank Zappa Freddie Hubbard Ginger Baker James Brown Jesse Gentry A Love Supreme by John Coltrane Expression by John Coltrane Stellar Regions by John Coltrane John Coltrane John Deacon John McLaughlin Joni Mitchell Keith Jarrett Keith Richards Laura Nyro Hello, Dolly! by Louis Armstrong Louis Armstrong Maruja McCoy Tiner Mick Jagger A Tribute to Jack Johnson by Miles Davis Kind of Blue by Miles Davis Right Off by Miles Davis Yesternow by Miles Davis So What by Miles Davis All Blues by Miles Davis Blue in Green by Miles Davis Miles Davis Sunny by Pat Martino Pat Martino Paul McCartney Pharoah Sanders Queen Radiohead Randy Newman Ron Carter Sugar Ray The Beatles The Doobie Brothers The Monkees Thievery Corporation The Bum Bum Song by Tom Green Tom Green Tulsi Reynolds Wayne Shorter Woody Shaw Next Week: The journey into prog-rock with Close to the Edge by Yes.
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  Bad Bunny - X 100PRE (#447) 07.04.2026 1h 51min

  In this episode of the Backwards Beats Podcast, Karl Carter Fanstil and Dan "Hotsnakes" Woodard dive into Bad Bunny's 2018 debut studio album, X 100PRE. Ranking at #447 on Rolling Stone's 500 Greatest Albums of All Time, this record marked the global arrival of Benito Antonio Martínez Ocasio. The hosts discuss the album's diverse production that stretches far beyond simple genre labels. From his SoundCloud beginnings as a supermarket bagger to his collaborations with global superstars like Drake and Ricky Martin, the duo explores how this "sad boy" trap record redefined the landscape of Latin music and cemented Bad Bunny as a charismatic force in both music and pop culture. Key Points Genre Fluidity: While often pigeonholed as reggaeton, the hosts argue that the album is a hip-hop and trap masterpiece at its core, blending elements of rock, synth-pop, and Dembow into a "diverse sampler pack" of sounds. The Language Barrier: Karl and Dan offer an earnest perspective on reviewing a lyrically-driven album as non-Spanish speakers, discussing the challenge of missing out on the "linchpin" of wordplay while still being captivated by Bad Bunny’s authoritative vocal delivery. Standout Production: Deep dives into tracks like the 80s-influenced "Otra Noche en Miami" (reminiscent of a Michael Mann film), the aggressive low-fi keyboards of "Quién Tú Eres," and the unexpected 2-minute "fire" break in "La Romana." Charisma and Craft: A look at Bad Bunny’s unique "swagger" and ability to hold the listener's attention, even through "one-note melodies," as well as his surprising versatility—ranging from WWE wrestling rings to late-night TV. Thematic Depth: Discussion of the album's more serious undertones, including the domestic violence narrative in "Solo de Mí" and the tribute to Puerto Rican resilience in "Estamos Bien." Guest Features: The impact of high-profile collaborators, including Ricky Martin’s uncredited vocals on "Caro" and Drake’s legitimizing appearance on the album closer, "Mía." Music References fractured mirror by Ace Frehley I like it by Cardi B Diplo El Alpha Mia by Drake Drake Kendrick Lamar daddy Yankee Kara by Ricky Martin Ricky Martin Evanescence Amy Lee no one knows by Queen's of the Stone Age Queen's of the Stone Age Courtney Love Billy Corrigan Heart shaped Box by Nirvana Nirvana Sonic Youth Kim Gordon James Gatson use me by Bill Withers Bill Withers I Will Survive by Gloria Gainer Gloria Gainer Let's Get It On by Marvin Gaye Marvin Gaye Watts 103rd Street Rhythm Band Paul McCartney Herbie Hancock Beck DiAngelo Clyde's Stubblefield Gene Simmons Music From The Elder by Kiss Kiss Camilo M83 Fred Everything journey inwords by L.T.J. Bukem L.T.J. Bukem the great radio controversy by Tesla Tesla Jeff Keith black crowes Alice Coltrane love supreme by John Coltrane John Coltrane Selena Peaches Carmina Beranna by Carl Orff Carl Orff Taylor Swift Join us next week when we explore Close to the Edge by Yes.