RA Podcast

RA.1042 Soft Crash 07.06.2026 7val 20min

Seven hours of camp, chug and genre-hopping hedonism from techno's two princes of darkness, recorded live at Kyiv's ∄. Hear the names Hayden Payne, aka Phase Fatale, and Pablo Bozzi, and it might conjure visions of dark techno. As Berghain and KHIDI residents, both artists are synonymous with the heavier strands of misfit dance music. But Soft Crash, their lockdown-born joint venture, offers something different: making the world's darkest dance floors fun again. RA.1042 is a crash course through the campier ends of the spectrum, pulling from Italo, disco, and house for a mix full of vocals, ascending chords, and bouncy arpeggios. Clocking in at a gargantuan seven-hour runtime, the mix perfectly balances both of their styles without the energy ever dipping. Swinging for the fences with chuggy, oddball bangers and trance euphoria, the duo weaves tracks from Steffi and Virginia, Goldfrapp, and Junior Jack, alongside climactic Easter eggs from Moby, Madonna, and Underworld. It's the sound of a party you never want to end. Read the Q&A at ra.co/podcast/1061

RA.1041 Chlär 31.05.2026 1val 10min

Entirely unreleased, undeniably funky techno. Charles Accarisi, AKA Chlär, treats techno like a science. From his earliest days as an audio engineer, the Lisbon-via-Switzerland artist has approached techno with the precision of a seasoned experimentalist, dissecting our love of listening to kick drums in dark, sweaty clubs down to its very bones. Before launching his label, Primal Instinct, in 2023, he dug deep, building its foundation on neuroscience studies exploring syncopation and bass frequencies. Yet, for all its academic rigor, Accarisi's music remains incredibly funky. You can hear this endless pursuit of groove in his DJ sets. His productions flit across the techno continuum with similar versatility. One minute, as half of Funk Assault, he's flipping a Beastie Boys vocal into a 140-BPM weapon; the next, he aims straight for the head, trading peak-time bacchanalia for the haunted hypnotism of the afterhours. RA 1041 is all of this and more. Composed entirely of unreleased tracks, it delivers 70 minutes of heads-down techno in its purest form. It's heavy and dark, for sure, but undeniably swung, seamlessly bridging dub techno and sweat-inducing hardgroove throwbacks. This is contemporary techno synthesized by a master chemist. Read the Q&A at ra.co/podcast/1060 @chlaer @primalinstinctrecords

RA.1040 Clementaum 25.05.2026 1val 2min

The São Paulo-based artist tears through baile funk, ballroom, Latin club and techno in a turbo-charged showcase of global club music's cutting edge. Take one look at Clementaum behind the decks and she seems less like a DJ than a force of nature. Dressed to the nines and usually keeping time with a fan, she mixes impossibly chaotic drum patterns that ricochet from baile funk to ballroom, Baltimore club to kuduro. Her sets are packed with her own productions—deliciously chaotic collisions of two decades of Latin American club music, shaken hard with EDM and techno. Raised in Curitiba, Clementaum entered nightlife as a hostess before stepping behind the decks and beginning to produce in 2018. A Rinse FM residency followed in 2023, her first European tour in 2024 and now, fresh off her debut Oceania run, she has her sights set on the rest of the globe. RA.1040 is a turbo-charged introduction to Clementaum's sonic world. Loaded with unreleased tracks from herself as well as other rising figures in the Brazilian underground, it captures the bleeding edge of global club music: ecstatic horn lines, flubber-bounce kick drums, freewheeling vocal samples, stadium-sized breakdowns, video game arpeggios and basslines that seem to rearrange space-time itself. It's possible you haven't heard a Clementaum set before, but it's impossible to forget one when you have. Find the tracklist and Q&A at ra.co/podcast/1059 @clementaum

RA.1039 K Wata 17.05.2026 1val 24min

Sleek, sensual bass science from the NYC SLINK boss, sketching a new blueprint for dub in the 2020s. Kenzo Perron, AKA K Wata, uses bass the way a poet uses punctuation. Sub weight, subtle wobbles and snaking rhythms become commas, dashes and periods—tiny gestures that shape movement, tension and release. Perron's sound sits somewhere between the cavernous minimalism of Rhythm & Sound and the wiry precision of Livity Sound, pulling equally from sound system culture, contemporary minimalism and East Coast club music. His breakthrough 2021 EP, What Do U Wan, sounds like the photo negatives of a Fade to Mind record redesigned for sunrise at Sustain-Release (not to mention his work with Daytimers affiliate Enayet as E-Wata). More broadly, Perron belongs to a a growing American underground reshaping dub techno and bass music in adventurous ways. What sets his music apart, however, is the way it balances delicacy with kineticism and, as his RA Mix makes clear, a touch of sexiness and intimacy too. RA.1039 draws from that very sonic palette. RA.1039 is mainly composed of contemporary dub tracks released in the past decade (with a few choice exceptions). One minute we're wigging out to the krautrock-meets-Black Ark Studio of Eiger Drums Propaganda, the next we're slinking to the hi-fi club of Significant Other. In Perron's hand they melt into a molten liquid of sexy, sleek, bass science. Find the tracklist and read the Q&A at ra.co/podcast/1058 @kwatakwata

RA.1038 The Trip 10.05.2026 1val 28min

90 minutes of blissful, sun-soaked house from the essential UK producer duo. For a certain type of DJ, a record from The Trip is a buy-on-sight proposition. Even if the name is new, you’ve likely heard their tracks in sets from Job Jobse, Shanti Celeste or Avalon Emerson. With a catalogue full of records equally at home at Pitch Music & Arts or fabric Room 2, Oliver Hiam and Max van Dijk have locked into a particular sweet spot: big, emotional dance music with enough drive to snap a festival crowd into focus, while still carrying the nuance and emotional pull of the best ’90s club records. The key to this is decidedly old-fashion: clocking hours on the dance floor. Long before they became a hot-shot producer duo, Hiam and van Dijk were promoters first. For more than a decade, they hosted parties at Corsica Studios under the Tessellate banner, bringing artists like DJ Sprinkles, Mr. Ties and Octo Octa to London. Think of RA.1038 as a marker for the start of summer: packed with bongo drums, piano breakdowns, and the occasional surprise (at one point, you might even hear what sounds like a dolphin sample). It hits that sweet spot for outdoor dancing: light, playful and just euphoric enough. As they note in their Q&A, it traces a line through the deeper corners of their taste, ducking pure peak-time pressure to show off a real feel for tension and release—honed over years of reading the floor from both sides of the booth. Read the Q&A at ra.co/podcast/1057 @tessellatelondon

RA.1037 Lola Haro 03.05.2026 1val 19min

The emergent star of the Belgian underground delivers 80 minutes of spectral techno, electro and leftfield obscurities. Lola Haro has clubbing in her DNA. The Brussels-based DJ grew up around electronic music, with parents who were regulars at Antwerp’s Café d’Anvers and a childhood shaped by record stores and a household soundtracked by Villalobos mixes. Since emerging in the late 2010s, she’s become a key figure in the Belgian underground, moving within a loose network of “diggers” exploring the deeper corners of electro, techno and house. That sensibility comes through clearly on RA.1037, where Haro drifts through spectral techno, electro and leftfield club obscurities. The mix unfolds like a fever dream: spacious grooves give way to uneasy bass pressure and jagged, alien rhythms, before slipping back into murky, immersive flow. Rather than genre, mood binds the set—slow, creeping tension and a sense of something always on the verge of collapse. Drawing on a recent warehouse set in Melbourne, it’s a study in subtle control, with blends so seamless the seams all but disappear. In the final stretch, arpeggios spill over like acid rain, dissolving any sense of solid ground. Find the Q&A at ra.co/podcast/1056 @lola-haro

RA.1036 Tony Humphries 26.04.2026 1val 2min

A rare snapshot of house music's early days, captured through an unheard 1986 broadcast from the East Coast pioneer. For Humphries' long overdue debut on the RA Mix series, we publish an original, unedited radio recording from 1986, during Humphries' glorious reign over KISS FM's airwaves at the right hand of Shep Pettibone. Drawn from Humphries' own archives, the Running Back-sanctioned release captures the breadth of his reach at a time when he was breaking records week in, week out—bridging New Jersey talent, European imports and the emerging Chicago sound in a single sweep. Every Friday and Saturday night, for over a decade, Tony Humphries checked in to Kiss FM, bringing the club to the airwaves. Alongside a residency at New Jersey's answer to Paradise Garage, Club Zanzibar, Humphries helped define the sound of garage house on the New York–New Jersey axis. Like Larry Levan, you simply can’t think of the city’s scene without him. The hour-long mix shivers with spectral vocals and solar-plexus grooves alike, a document of Humphries knack for acting as a conduit for various funk-forward tributaries the world over. A mastermix, indeed. Find the Q&A at ra.co/podcast/1055 @tony-humphries

RA.1035 RHR 19.04.2026 1val 4min

The star of São Paulo chops up 60 minutes of futuristic, global club sounds. It's an oft-heard cliché to describe an artist as truly singular. But with Roniere Santos, AKA RHR, it couldn't be more true. Part of a generation of Brazilian and Latin American artists reshaping club music, Santos and his peers have propelled it to unprecedented global reach. His sets—fearsome, bass-driven and unbound by BPM—have made him essential at some of the world's most forward-thinking clubs and festivals, from Horst to Berghain to Gop Tun. Behind the decks, his radical approach is both audible and felt through the body, driven by uncanny beatmatching and fluid harmonic mixing. Sonically, he pairs a knowledge of sound design with restless curiosity about music spanning continents and subcultures—evident in this recording, where Brazilian rap meets maqam-inspired melodies and breakbeat sections blend with deconstructed baile funk loops. And while his reach is now global, Santos remains inseparable from São Paulo. It's where he found his footing: from his first residency at Tantša, to belonging at Mamba Negra, to the foundations of an international career. For RA.1035, RHR crosses all the ground you might imagine—trance pads, dreamy pan flutes, post-dubstep, baile funk—with a menacing and seductive energy, a sense of discovery lurking behind every track. Find the tracklist and Q&A at ra.co/podcast/1054 @rhrmusiq

RA.1034 RamonPang 12.04.2026 1val 54min

A maximalist sprint through IDM and acid from the Filipino DJ, producer and lore magnet. Ramon Tambucon is, in his own words, "an EDM trap oldhead" through and through. But he takes his work seriously: on TikTok, the LA-based artist has become Gen Z's de-facto electronic music historian, equally at home with Mark Fisher and Skrillex, and has even featured in Forbes discussing IDM. His world extends beyond content, too, obviously. Tabula Rasa, a platform with Jozef White that blends editorial, releases and showcases, has helped document scenes like California's UK garage wave, and Pang's records show a fine-tuned ear for melody. RA.1034 is bright, buoyant and borderline ecstatic. When Pang's own "Forest Volt" hits early, it practically wriggles out of the speakers; from there he snaps between newcomers like Kooxla, '90s Belgian deep cuts from Gerome Sportelli and Burial, with bird calls, flutes and cascading chords flaring over heavy low-end and lightning-fast breaks. Find the tracklist and Q&A at ra.co/podcast/1053 @ramonpang

RA.1033 Isaac Carter 05.04.2026 1val 47min

The lost art of the slow burn, courtesy of the rising London house DJ. In an attention economy, where hype cycles rise and fall faster than ever, our careers, our lives and our club nights are increasingly structured around instant gratification. But not Isaac Carter. The London artist's approach to DJing is understated and unhurried. You'll still find his RA Mix charged with serious bursts of pleasure (wait for the rattling subs to hit on Alexander Skancke's "You Get a Two" or the soaring pads on Sterac's "Mysterium"), but RA.1033 is a patient exploration of the deeper shades of house, and it's technically perfect—there isn't a single hi-hat out of place for its near two-hour run time. Technical prowess aside, what's most impressive is his sense of groove. There are shifts in energy, including a distinctly after hours section about halfway in, but this is a session that could go on forever. It's a fautless soundtrack to ease us into a spring of swing. Find the tracklist at ra.co/podcast/ 1052

RA.1032 Fcukers 29.03.2026 1val 1min

'90s nostalgia, big beat and bargain-bin house courtesy of the NYC dance-pop duo. Fcukers don't really care about success. Or at least, that's how it started. "We don't give a shit. We're not going to have a music career. Who cares? We're going to do exactly what we want," Jackson Walker Lewis told Rolling Stone, recalling the duo's early mindset. The origin of their name, lifted from the iconoclastic slogan that defined a generation of anti-fashion kids, is a fitting touch for a duo transforming '90s nostalgia into something distinctly modern. That irreverence still runs through Lewis and Shanny Wise. Indie kids turned club kids, Fcukers draw from big beat, filter house, dance punk, drum & bass, reggae and dub. Their rise has been swift, catching ears across music and fashion circles alike — including Hedi Slimane, who flew them to Paris to soundtrack a show afterparty. Behind the attitude is a genuine education in dance music lineage, an instinct that's since drawn the attention of artists like Charli XCX and Tiga. Their RA Mix channels the wide-eyed optimism of an era they clearly hold dear. And with debut album Ö landing this week, success seems to have found them all the same. Find the tracklist at ra.co/podcast/1051 @fcukers

RA.1031 Priori 22.03.2026 2val 24min

A key architect of the 2020s underground debuts on the RA Mix. Scroll through end-of-year features or the tracklists of a certain kind of new-school techno DJ, and Priori is rarely far away. The Montreal artist has built a reputation as a kind of studio chameleon, working with the biggest names across the underground. Whether it be james K, Tiga or Paul St. Hilare, or his work co-running naff recordings, his output will be familiar to any raver who has touched grass at the likes of Sustain-Release, Dekmantel or Waking Life in recent years. The "Priori touch" is easy to spot. It shapeshifts as you listen: strange, synthetic textures, enveloping low-end, everything draped in a fine silk gauze that seems to hover just above the surface. But for all its hallmarks, it's also deeply versatile. Priori is prog, Priori is dub, sometimes Priori is even pop. Just as you think you've grasped his sound, it slips away. This is by design. Priori takes inspiration from myriad genres and mediums—as likely to be moved by an obscure illbient 12-inch as a Wong Kar-wai film. "I love world-building," he once told Butter Sessions, and that instinct lends his productions a sense of richness. Making his long-overdue debut on the RA Mix, Priori opens the door to the chillout room. RA.1031 is built on thick, enveloping bass and atmospheric drift, as dub, prog and electronica cuts are folded together with ease. Who knows what thrilling new forms await in the future. Find the tracklist and Q&A at ra.co/podcast/1050 @priori-ties @naffrecordings

RA.1030 Main Phase 15.03.2026 2val 16min

The ATW Records boss and honorary prince of UK Garage steps up with a mix that might surprise you. From the post-lockdown school of UK garage producers, Adam Emil Schierbeck, AKA Main Phase, is a rare international graduate. The Copenhagen producer has closely studied the British sound, shaping an international garage revival in his wake. Schierback stands as one of UK Garage's premiere tastemakers. Ordained as the king of the speed garage shuffler, a Main Phase track is easy to spot: infectious swing and rippling melodies, underpinned by a sensual, determined mood. With Interplanetary Criminal, he now co-runs ATW Records, invigorating what was once a exploratory imprint into one of the scene's most crucial nurturers of new talent. Some listeners might press play expecting the corybantic ragga edits of "100%," but patience is required: what you may expect from a Main Phase set only pokes its head out briefly (there's exactly one speed garage drop, two hours in). Instead, treat RA.1030 as Main Phase 101. Opening with a dub-techno soundbath, the mix traces the roots and outer edges of his sound, and lands like an artistic statement he has been building towards since he was an awestruck teenager, racing home to catch Rinse FM. Read more at ra.co/podcast/1049 @mainphase001 @atwrec

RA.1029 Valentina Magaletti 08.03.2026 1val 16min

The singular percussionist turns inward for a rare solo excursion. Valentina Magaletti at the drums is a picture of freedom: laughing, loose-limbed, entirely absorbed. For RA.1029, the London-based percussionist channels that instinct into a rare solo outing—a personal excursion through her musical archive. The atmosphere moves as freely as she plays, shifting from ominous and claustrophobic passages to contemplative field recordings. Collaboration is one of the central ways she continually reinvents herself, whether it be spiritual dub excursions with Shackleton and Holy Tongue, or post-punk melancholia with Moin. As she told The Guardian in 2024, "dialogue is more interesting than monologue." Take her work with Princípe associate Nídia, in which she used Angolan kuduro as a springboard for new acoustic visions of dance music. But Magaletti is also a solo artist in her own right, and RA.1029 is the sound of her own monologue. The 90-minute mix sees her roving through her personal archive, from wild drum excursions and Midwestern industrial to frenetic free jazz, eerie gqom and Ukrainian electro. It captures, she says, her current inner state, a feeling of being "suspended between introspection and anticipation." Fitting, then, for a groundbreaking artist who thrives in the spaces in between. Find the tracklist and Q&A at ra.co/podcast/1048 @magadrum

RA.1028 DJ Plead 01.03.2026 1val 30min

A kaleidoscope of polyrhythms and post-dubstep. "Music was a way to speak Arabic… It's my way of being confident that I am, in fact, Lebanese," Jared Beeler AKA DJ Plead told Crack Magazine in 2022. Often framed as an Australian producer threading Arabic rhythmic structures through techno and post-dubstep, DJ Plead's music is better understood as tradition embedded inside contemporary club forms, where percussion and bass move as one. First surfacing in the late 2010s with releases on DECISIONS and Nervous Horizon, he has since become one of the most consistent voices in leftfield dance music, defined by the tactile clarity of their drum programming and Maqam-informed phrasing. RA.1028 opens with Bruce's "Just Getting On With It" from Livity Sound's ten-year compilation, a fitting nod to the kind of rhythmic experimentation that runs through the set. From Iran to London to Miami and back again, the 90-minute mix pulls a wide frame into focus, including several unreleased DJ Plead tracks. Whether it's the dry snap of hand-drum hits or sub-bass that lands with chest-caving weight, RA. 1028 is a reminder that rhythm can be a direct path back to the self. Find the tracklist and Q&A at https://ra.co/podcast/1047 @1djplead

RA.1027 JADALAREIGN 22.02.2026 1val 46min

Two hours of groove, texture and Black excellence from new-school New York royalty. New York native JADALAREIGN has always represented Black excellence, but in recent years her vision crystallised. The in-demand act and former Nowadays booker has fine-tuned her creative practice, experimenting with tempo and selection in ways that have led to a deep, nuanced relationship with Black artistry, one that centres musical education through storytelling. Behind the decks, JADALAREIGN is principled. They say wisdom brings sorrow, but RA.1027 suggests the opposite. It opens with a vocal sample whose message mirrors her wider creative practice: "I'm an African woman who believes in justice for all people. The priorities of this planet have to completely change." From there, the mix ricochets through rumbly drums and sci-fi whirr, peppering house melodies with slo-mo bleeps and techy steppers. She moves across club genres with fluid ease, keeping the cadence loose-limbed yet dynamic throughout. It's strange and tactile—and it sounds like freedom. JADALAREIGN seems surer than ever about all aspects of her career, and it shows in her RA Mix. If you see her at the function, her joy for her work is ever bountiful. For US Black History Month, it's a timely reminder that history isn't only something we look back on; JADALAREIGN is making it, live. Find the Q&A and tracklist at ra.co/podcast/1046

EX.788 Kim Gordon 18.02.2026 37min

The Sonic Youth cofounder opens up about her solo output, the intersection of art and music, and her new album, PLAY ME. For over four decades, Kim Gordon has navigated the edges where fine art meets noise. Her claim to fame was as a founding member of Sonic Youth, the band that took the nihilistic, abrasive energy of New York's no wave scene and forged it into a new language for rock. After Sonic Youth's public breakup in 2011, Gordon returned to her original creative practice: visual art. But in recent years, she has undergone a staggering creative transformation that's led her back to music. At 72—an age when most legends are content with the heritage circuit—she has instead dived headlong into the sounds of the present: industrial electronics, Chicago footwork and the blown-out low-end of SoundCloud rap. Aiming to break with her Sonic Youth legacy, Gordon released her first two solo albums, No Home Record and The Collective, in 2019 and 2024, respectively. And now, she's back with her third LP: PLAY ME. Working alongside producer Justin Raisen, she uses beat-oriented frameworks to interrogate what she calls the "tyranny of frictionless culture." From naming Spotify playlists in her lyrics to donating proceeds to reproductive rights, her work remains a vital, confrontational critique of late capitalism and technocratic fascism. In this RA Exchange, Gordon discusses the process of moving closer to solo work, as well as the masculinity of rock; her evolving relationship with electronic music; the politics of the "body;" and why, after thinking she was done with music, she keeps getting pulled back in. Listen to the episode in full.

RA.1026 Carl Craig, Moodymann & Mike Banks 16.02.2026 1val 53min

A b3b for the ages, straight from Detroit techno's Hall of Fame. "Let's just go through some shit, let's see what we got here." In that unmistakable drawl, Moodymann opens RA.1026—and from there, you know you’re in good hands. Mike Banks, Carl Craig and Moodymann are artists of the utmost standing. As founders of Underground Resistance, Planet E and Mahogani Music respectively, their catalogues have shaped electronic music in profound ways, from Moodymann's 2004 LP Black Mahogani and Craig's era-defining remixes, to Banks's uncompromising output as Underground Resistance. But the records are only part of it. All three artists show you can build something lasting without corporate backing, that creative freedom is a discipline as much as a right. Through their work, house and techno became vehicles for resistance, identity and pride. Recorded live at Movement in Detroit, RA.1026 captures Banks on keys, Craig on the decks and Moodymann on the mic, weaving through Motor City staples, '80s classics and deep cuts, including "The Final Frontier" and "Knights Of The Jaguar." As Black History Month continues in the US, the mix feels especially momentous Coming in at just under two hours, it’s about chemistry, shared history and timeless records. Read the Q&A with Carl Craig at ra.co/podcast/1045. @moodymann313 @carl-craig-official @underground-resistance

RA.1025 OMOLOKO 08.02.2026 1val 2min

The Brazilian party starter unveils 60 minutes of sun-drenched house. Minas Gerais isn't the typical Brazil of postcards. Yet from this landlocked terrain emerged one of its most accomplished sons. As OMOLOKO, João Vitor has mastered the art of summoning summer on the dance floor. Armed with a pair of CDJs and a USB, he carries sun-kissed house dreams shaped by countless hours lost in Discogs rabbit holes, forgotten corners of YouTube and the dust of hidden record shops. Vitor was born in Rio Grande do Norte, in Brazil's northeast, before moving south as a child when his family set out in search of new opportunities—a well-worn path in the world's fifth-largest country. Adopting the alias OMOLOKO in the late 2010s, he quickly became a beacon in Belo Horizonte's bubbling electronic scene. Carrying sounds from home deep in his memory alongside a restless desire to make the world dance to his own findings, he carved out a singular voice with genre-hopping sets, grounded in an affection for infectious grooves and warm, rolling kicks. In recent years, Vitor's fine-tuning of his craft behind the decks have made him more than a familiar face at countless essential nightlife hubs around the world, from Panorama Bar to Dekmantel, São Paulo's Gop Tun to Ibiza's DC-10. His résumé, already impressive, is expanding nicely. So to mark the beginning of carnaval in Brazil, who better for RA.1025. Vitor's RA Mix draws deeply from the lineage of house's most celebrated names, alongside obscure gems your Shazam wouldn't dare recognise. With slow-cooking patience, the session follows wherever the language of dance leads: South African kwaito, diva vocal flashes, funk-laced deep house, vibraphone-led strides and salsa-laced drumwork. It’s like a dream team of house offshoots, all meeting for the very first time at the beach. Read more at https://ra.co/podcast/1044 @OMOLOKOO

RA.1024 African-American Sound Recordings 01.02.2026 57min

The Memphis artist also known as Cities Aviv delivers 60 minutes of stirring electronics and industrial abstractions. Since his first release in 2010, Gavin Mays, AKA African-American Sound Recordings and Cities Aviv, has been living multiple lives. The D.O.T. label boss has put out work under various aliases, spanning post-hip-hop, ambient electronics and soul-inflected abstraction, consistently challenging and rearranging the scope of every genre he works within. African-American Sound Recordings is Mays' "side project"—as hobbies go, it's a formidable one. Since its launch in 2019, he's released ten albums built from a dense palette of samples: distorted voices drift alongside warm currents of jazz and acoustic instrumentation, painting ambient vignettes that swerve between the serene and the industrial. It's no coincidence that Mays cites Sunday service as a formative space. Samples of gospel worship and memories of communal ritual are the fil rouge running through the project, reimagining Black musical traditions as a living system. RA.1024 has one of the shortest tracklists in the series to date: three total. The final two tracks, gospel recordings ripped from his own CD collection, arrive like sunlight breaking through the clouds. Find the tracklist and interview at https://ra.co/podcast/1043 @user-512973206