Mill on the Floss (Version 2)

Epizodes

• 
  Hermann and Dorothea-Johann Wolfgang von Goethe 24.08.2026 2h 29min

  The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a fictionalised version of Gainsborough, in Lincolnshire, England) in the years following the Napoleonic Wars, with both as young adults eventually meeting a tragic end by the Mill which the family holds so dear. In large measure, their lives are dominated by their father, a successful miller brought down by his inability to resist settling arguments in a court of law. Character differences between Tom and Maggie - he dour and rigid of thought, she lively and impulsive - seem to matter little in childhood, but eventually strain their relationship beyond breaking point. It is Maggie, however, who is the dominant character of the book, arguably one of the great characters of 19th century literature. Each of her relationships is vital to the narrative: with her parents, with Tom above all, but on a romantic level with Philip Wakem, the sensitive hunchbacked son of her father’s (and Tom’s) bitterest enemy, and with charming and urbane Stephen Guest, fiance of Maggie’s cousin Lucy Deane. Maggie’s life is changed utterly by an impulsive elopement which she turns back from, but too late to stop the inevitable abuse and contempt. This is a semi-autobiographical reflection of the vilification which George Eliot (Mary Ann Evans) herself had to endure while openly living with a married man, a time when her brother was willing to communicate with her only through lawyers. Eliot writes of character and relationships with an insight and sharp detail that few authors have ever equaled. It’s a long book, but you will appreciate it for its depth. - Summary by Tom Denholm
• 
  Anne Severn and the Fieldings-May Sinclair 23.08.2026 7h 38min

  The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a fictionalised version of Gainsborough, in Lincolnshire, England) in the years following the Napoleonic Wars, with both as young adults eventually meeting a tragic end by the Mill which the family holds so dear. In large measure, their lives are dominated by their father, a successful miller brought down by his inability to resist settling arguments in a court of law. Character differences between Tom and Maggie - he dour and rigid of thought, she lively and impulsive - seem to matter little in childhood, but eventually strain their relationship beyond breaking point. It is Maggie, however, who is the dominant character of the book, arguably one of the great characters of 19th century literature. Each of her relationships is vital to the narrative: with her parents, with Tom above all, but on a romantic level with Philip Wakem, the sensitive hunchbacked son of her father’s (and Tom’s) bitterest enemy, and with charming and urbane Stephen Guest, fiance of Maggie’s cousin Lucy Deane. Maggie’s life is changed utterly by an impulsive elopement which she turns back from, but too late to stop the inevitable abuse and contempt. This is a semi-autobiographical reflection of the vilification which George Eliot (Mary Ann Evans) herself had to endure while openly living with a married man, a time when her brother was willing to communicate with her only through lawyers. Eliot writes of character and relationships with an insight and sharp detail that few authors have ever equaled. It’s a long book, but you will appreciate it for its depth. - Summary by Tom Denholm
• 
  Metamorphosis (version 4)-Franz Kafka 22.08.2026 2h 23min

  The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a fictionalised version of Gainsborough, in Lincolnshire, England) in the years following the Napoleonic Wars, with both as young adults eventually meeting a tragic end by the Mill which the family holds so dear. In large measure, their lives are dominated by their father, a successful miller brought down by his inability to resist settling arguments in a court of law. Character differences between Tom and Maggie - he dour and rigid of thought, she lively and impulsive - seem to matter little in childhood, but eventually strain their relationship beyond breaking point. It is Maggie, however, who is the dominant character of the book, arguably one of the great characters of 19th century literature. Each of her relationships is vital to the narrative: with her parents, with Tom above all, but on a romantic level with Philip Wakem, the sensitive hunchbacked son of her father’s (and Tom’s) bitterest enemy, and with charming and urbane Stephen Guest, fiance of Maggie’s cousin Lucy Deane. Maggie’s life is changed utterly by an impulsive elopement which she turns back from, but too late to stop the inevitable abuse and contempt. This is a semi-autobiographical reflection of the vilification which George Eliot (Mary Ann Evans) herself had to endure while openly living with a married man, a time when her brother was willing to communicate with her only through lawyers. Eliot writes of character and relationships with an insight and sharp detail that few authors have ever equaled. It’s a long book, but you will appreciate it for its depth. - Summary by Tom Denholm
• 
  Entrapped-Alice Mangold Diehl 21.08.2026 1h 55min

  The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a fictionalised version of Gainsborough, in Lincolnshire, England) in the years following the Napoleonic Wars, with both as young adults eventually meeting a tragic end by the Mill which the family holds so dear. In large measure, their lives are dominated by their father, a successful miller brought down by his inability to resist settling arguments in a court of law. Character differences between Tom and Maggie - he dour and rigid of thought, she lively and impulsive - seem to matter little in childhood, but eventually strain their relationship beyond breaking point. It is Maggie, however, who is the dominant character of the book, arguably one of the great characters of 19th century literature. Each of her relationships is vital to the narrative: with her parents, with Tom above all, but on a romantic level with Philip Wakem, the sensitive hunchbacked son of her father’s (and Tom’s) bitterest enemy, and with charming and urbane Stephen Guest, fiance of Maggie’s cousin Lucy Deane. Maggie’s life is changed utterly by an impulsive elopement which she turns back from, but too late to stop the inevitable abuse and contempt. This is a semi-autobiographical reflection of the vilification which George Eliot (Mary Ann Evans) herself had to endure while openly living with a married man, a time when her brother was willing to communicate with her only through lawyers. Eliot writes of character and relationships with an insight and sharp detail that few authors have ever equaled. It’s a long book, but you will appreciate it for its depth. - Summary by Tom Denholm
• 
  Over Prairie Trails-Frederick Philip Grove 20.08.2026 5h 52min

  The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a fictionalised version of Gainsborough, in Lincolnshire, England) in the years following the Napoleonic Wars, with both as young adults eventually meeting a tragic end by the Mill which the family holds so dear. In large measure, their lives are dominated by their father, a successful miller brought down by his inability to resist settling arguments in a court of law. Character differences between Tom and Maggie - he dour and rigid of thought, she lively and impulsive - seem to matter little in childhood, but eventually strain their relationship beyond breaking point. It is Maggie, however, who is the dominant character of the book, arguably one of the great characters of 19th century literature. Each of her relationships is vital to the narrative: with her parents, with Tom above all, but on a romantic level with Philip Wakem, the sensitive hunchbacked son of her father’s (and Tom’s) bitterest enemy, and with charming and urbane Stephen Guest, fiance of Maggie’s cousin Lucy Deane. Maggie’s life is changed utterly by an impulsive elopement which she turns back from, but too late to stop the inevitable abuse and contempt. This is a semi-autobiographical reflection of the vilification which George Eliot (Mary Ann Evans) herself had to endure while openly living with a married man, a time when her brother was willing to communicate with her only through lawyers. Eliot writes of character and relationships with an insight and sharp detail that few authors have ever equaled. It’s a long book, but you will appreciate it for its depth. - Summary by Tom Denholm
• 
  Running Water-A. E. W. Mason 19.08.2026 8h 37min

  The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a fictionalised version of Gainsborough, in Lincolnshire, England) in the years following the Napoleonic Wars, with both as young adults eventually meeting a tragic end by the Mill which the family holds so dear. In large measure, their lives are dominated by their father, a successful miller brought down by his inability to resist settling arguments in a court of law. Character differences between Tom and Maggie - he dour and rigid of thought, she lively and impulsive - seem to matter little in childhood, but eventually strain their relationship beyond breaking point. It is Maggie, however, who is the dominant character of the book, arguably one of the great characters of 19th century literature. Each of her relationships is vital to the narrative: with her parents, with Tom above all, but on a romantic level with Philip Wakem, the sensitive hunchbacked son of her father’s (and Tom’s) bitterest enemy, and with charming and urbane Stephen Guest, fiance of Maggie’s cousin Lucy Deane. Maggie’s life is changed utterly by an impulsive elopement which she turns back from, but too late to stop the inevitable abuse and contempt. This is a semi-autobiographical reflection of the vilification which George Eliot (Mary Ann Evans) herself had to endure while openly living with a married man, a time when her brother was willing to communicate with her only through lawyers. Eliot writes of character and relationships with an insight and sharp detail that few authors have ever equaled. It’s a long book, but you will appreciate it for its depth. - Summary by Tom Denholm
• 
  One-Act Play Collection 015-Various 18.08.2026 6h 23min

  The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a fictionalised version of Gainsborough, in Lincolnshire, England) in the years following the Napoleonic Wars, with both as young adults eventually meeting a tragic end by the Mill which the family holds so dear. In large measure, their lives are dominated by their father, a successful miller brought down by his inability to resist settling arguments in a court of law. Character differences between Tom and Maggie - he dour and rigid of thought, she lively and impulsive - seem to matter little in childhood, but eventually strain their relationship beyond breaking point. It is Maggie, however, who is the dominant character of the book, arguably one of the great characters of 19th century literature. Each of her relationships is vital to the narrative: with her parents, with Tom above all, but on a romantic level with Philip Wakem, the sensitive hunchbacked son of her father’s (and Tom’s) bitterest enemy, and with charming and urbane Stephen Guest, fiance of Maggie’s cousin Lucy Deane. Maggie’s life is changed utterly by an impulsive elopement which she turns back from, but too late to stop the inevitable abuse and contempt. This is a semi-autobiographical reflection of the vilification which George Eliot (Mary Ann Evans) herself had to endure while openly living with a married man, a time when her brother was willing to communicate with her only through lawyers. Eliot writes of character and relationships with an insight and sharp detail that few authors have ever equaled. It’s a long book, but you will appreciate it for its depth. - Summary by Tom Denholm
• 
  John Donne's Satires-John Donne 17.08.2026 1h 22min

  The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a fictionalised version of Gainsborough, in Lincolnshire, England) in the years following the Napoleonic Wars, with both as young adults eventually meeting a tragic end by the Mill which the family holds so dear. In large measure, their lives are dominated by their father, a successful miller brought down by his inability to resist settling arguments in a court of law. Character differences between Tom and Maggie - he dour and rigid of thought, she lively and impulsive - seem to matter little in childhood, but eventually strain their relationship beyond breaking point. It is Maggie, however, who is the dominant character of the book, arguably one of the great characters of 19th century literature. Each of her relationships is vital to the narrative: with her parents, with Tom above all, but on a romantic level with Philip Wakem, the sensitive hunchbacked son of her father’s (and Tom’s) bitterest enemy, and with charming and urbane Stephen Guest, fiance of Maggie’s cousin Lucy Deane. Maggie’s life is changed utterly by an impulsive elopement which she turns back from, but too late to stop the inevitable abuse and contempt. This is a semi-autobiographical reflection of the vilification which George Eliot (Mary Ann Evans) herself had to endure while openly living with a married man, a time when her brother was willing to communicate with her only through lawyers. Eliot writes of character and relationships with an insight and sharp detail that few authors have ever equaled. It’s a long book, but you will appreciate it for its depth. - Summary by Tom Denholm
• 
  Havelok the Dane A Legend of Old Grimsby and Lincoln-Charles Watts Whistler 16.08.2026 8h 56min

  The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a fictionalised version of Gainsborough, in Lincolnshire, England) in the years following the Napoleonic Wars, with both as young adults eventually meeting a tragic end by the Mill which the family holds so dear. In large measure, their lives are dominated by their father, a successful miller brought down by his inability to resist settling arguments in a court of law. Character differences between Tom and Maggie - he dour and rigid of thought, she lively and impulsive - seem to matter little in childhood, but eventually strain their relationship beyond breaking point. It is Maggie, however, who is the dominant character of the book, arguably one of the great characters of 19th century literature. Each of her relationships is vital to the narrative: with her parents, with Tom above all, but on a romantic level with Philip Wakem, the sensitive hunchbacked son of her father’s (and Tom’s) bitterest enemy, and with charming and urbane Stephen Guest, fiance of Maggie’s cousin Lucy Deane. Maggie’s life is changed utterly by an impulsive elopement which she turns back from, but too late to stop the inevitable abuse and contempt. This is a semi-autobiographical reflection of the vilification which George Eliot (Mary Ann Evans) herself had to endure while openly living with a married man, a time when her brother was willing to communicate with her only through lawyers. Eliot writes of character and relationships with an insight and sharp detail that few authors have ever equaled. It’s a long book, but you will appreciate it for its depth. - Summary by Tom Denholm
• 
  Notes of a Camp Follower on the Western Front-E. W. Hornung 15.08.2026 5h 33min

  The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a fictionalised version of Gainsborough, in Lincolnshire, England) in the years following the Napoleonic Wars, with both as young adults eventually meeting a tragic end by the Mill which the family holds so dear. In large measure, their lives are dominated by their father, a successful miller brought down by his inability to resist settling arguments in a court of law. Character differences between Tom and Maggie - he dour and rigid of thought, she lively and impulsive - seem to matter little in childhood, but eventually strain their relationship beyond breaking point. It is Maggie, however, who is the dominant character of the book, arguably one of the great characters of 19th century literature. Each of her relationships is vital to the narrative: with her parents, with Tom above all, but on a romantic level with Philip Wakem, the sensitive hunchbacked son of her father’s (and Tom’s) bitterest enemy, and with charming and urbane Stephen Guest, fiance of Maggie’s cousin Lucy Deane. Maggie’s life is changed utterly by an impulsive elopement which she turns back from, but too late to stop the inevitable abuse and contempt. This is a semi-autobiographical reflection of the vilification which George Eliot (Mary Ann Evans) herself had to endure while openly living with a married man, a time when her brother was willing to communicate with her only through lawyers. Eliot writes of character and relationships with an insight and sharp detail that few authors have ever equaled. It’s a long book, but you will appreciate it for its depth. - Summary by Tom Denholm
• 
  Ship of Stars-Sir Arthur Thomas Quiller-Couch 11.08.2026 7h 34min

  The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a fictionalised version of Gainsborough, in Lincolnshire, England) in the years following the Napoleonic Wars, with both as young adults eventually meeting a tragic end by the Mill which the family holds so dear. In large measure, their lives are dominated by their father, a successful miller brought down by his inability to resist settling arguments in a court of law. Character differences between Tom and Maggie - he dour and rigid of thought, she lively and impulsive - seem to matter little in childhood, but eventually strain their relationship beyond breaking point. It is Maggie, however, who is the dominant character of the book, arguably one of the great characters of 19th century literature. Each of her relationships is vital to the narrative: with her parents, with Tom above all, but on a romantic level with Philip Wakem, the sensitive hunchbacked son of her father’s (and Tom’s) bitterest enemy, and with charming and urbane Stephen Guest, fiance of Maggie’s cousin Lucy Deane. Maggie’s life is changed utterly by an impulsive elopement which she turns back from, but too late to stop the inevitable abuse and contempt. This is a semi-autobiographical reflection of the vilification which George Eliot (Mary Ann Evans) herself had to endure while openly living with a married man, a time when her brother was willing to communicate with her only through lawyers. Eliot writes of character and relationships with an insight and sharp detail that few authors have ever equaled. It’s a long book, but you will appreciate it for its depth. - Summary by Tom Denholm
• 
  Jeremy And Hamlet A Chronicle Of Certain Incidents In The Lives Of A Boy, A Dog, And A Country Town-Hugh Walpole 10.08.2026 7h 10min

  The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a fictionalised version of Gainsborough, in Lincolnshire, England) in the years following the Napoleonic Wars, with both as young adults eventually meeting a tragic end by the Mill which the family holds so dear. In large measure, their lives are dominated by their father, a successful miller brought down by his inability to resist settling arguments in a court of law. Character differences between Tom and Maggie - he dour and rigid of thought, she lively and impulsive - seem to matter little in childhood, but eventually strain their relationship beyond breaking point. It is Maggie, however, who is the dominant character of the book, arguably one of the great characters of 19th century literature. Each of her relationships is vital to the narrative: with her parents, with Tom above all, but on a romantic level with Philip Wakem, the sensitive hunchbacked son of her father’s (and Tom’s) bitterest enemy, and with charming and urbane Stephen Guest, fiance of Maggie’s cousin Lucy Deane. Maggie’s life is changed utterly by an impulsive elopement which she turns back from, but too late to stop the inevitable abuse and contempt. This is a semi-autobiographical reflection of the vilification which George Eliot (Mary Ann Evans) herself had to endure while openly living with a married man, a time when her brother was willing to communicate with her only through lawyers. Eliot writes of character and relationships with an insight and sharp detail that few authors have ever equaled. It’s a long book, but you will appreciate it for its depth. - Summary by Tom Denholm
• 
  H.M.S. Pinafore; Or, The Lass That Loved A Sailor-W. S. Gilbert 10.08.2026 1h 2min

  The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a fictionalised version of Gainsborough, in Lincolnshire, England) in the years following the Napoleonic Wars, with both as young adults eventually meeting a tragic end by the Mill which the family holds so dear. In large measure, their lives are dominated by their father, a successful miller brought down by his inability to resist settling arguments in a court of law. Character differences between Tom and Maggie - he dour and rigid of thought, she lively and impulsive - seem to matter little in childhood, but eventually strain their relationship beyond breaking point. It is Maggie, however, who is the dominant character of the book, arguably one of the great characters of 19th century literature. Each of her relationships is vital to the narrative: with her parents, with Tom above all, but on a romantic level with Philip Wakem, the sensitive hunchbacked son of her father’s (and Tom’s) bitterest enemy, and with charming and urbane Stephen Guest, fiance of Maggie’s cousin Lucy Deane. Maggie’s life is changed utterly by an impulsive elopement which she turns back from, but too late to stop the inevitable abuse and contempt. This is a semi-autobiographical reflection of the vilification which George Eliot (Mary Ann Evans) herself had to endure while openly living with a married man, a time when her brother was willing to communicate with her only through lawyers. Eliot writes of character and relationships with an insight and sharp detail that few authors have ever equaled. It’s a long book, but you will appreciate it for its depth. - Summary by Tom Denholm
• 
  Astrophel and Stella - Sir Philip Sidney 01.08.2026 1h 40min

  Astrophel and Stella by Sir Philip Sidney is a seminal work of Elizabethan poetry that explores the themes of love, longing, and the complexities of desire through the lens of courtly love. This collection of sonnets and songs reflects the emotional turmoil and idealism of its protagonist, Astrophel, as he navigates his affection for the unattainable Stella. The enduring nature of Sidney's work lies in its profound exploration of human emotions and the timeless quest for connection and understanding in love. Hearing these verses today offers a rich glimpse into the intricacies of romantic expression, reminding us of the universal struggles and triumphs that accompany the pursuit of love.
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  Mill on the Floss Version 2 - George Eliot - Part 3 01.06.2026 6h 23min

  The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a fictionalised version of Gainsborough, in Lincolnshire, England) in the years following the Napoleonic Wars, with both as young adults eventually meeting a tragic end by the Mill which the family holds so dear. In large measure, their lives are dominated by their father, a successful miller brought down by his inability to resist settling arguments in a court of law. Character differences between Tom and Maggie - he dour and rigid of thought, she lively and impulsive - seem to matter little in childhood, but eventually strain their relationship beyond breaking point. It is Maggie, however, who is the dominant character of the book, arguably one of the great characters of 19th century literature. Each of her relationships is vital to the narrative: with her parents, with Tom above all, but on a romantic level with Philip Wakem, the sensitive hunchbacked son of her father’s (and Tom’s) bitterest enemy, and with charming and urbane Stephen Guest, fiance of Maggie’s cousin Lucy Deane. Maggie’s life is changed utterly by an impulsive elopement which she turns back from, but too late to stop the inevitable abuse and contempt. This is a semi-autobiographical reflection of the vilification which George Eliot (Mary Ann Evans) herself had to endure while openly living with a married man, a time when her brother was willing to communicate with her only through lawyers. Eliot writes of character and relationships with an insight and sharp detail that few authors have ever equaled. It’s a long book, but you will appreciate it for its depth. - Summary by Tom Denholm
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  Mill on the Floss Version 2 - George Eliot - Part 2 31.05.2026 9h 26min

  The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a fictionalised version of Gainsborough, in Lincolnshire, England) in the years following the Napoleonic Wars, with both as young adults eventually meeting a tragic end by the Mill which the family holds so dear. In large measure, their lives are dominated by their father, a successful miller brought down by his inability to resist settling arguments in a court of law. Character differences between Tom and Maggie - he dour and rigid of thought, she lively and impulsive - seem to matter little in childhood, but eventually strain their relationship beyond breaking point. It is Maggie, however, who is the dominant character of the book, arguably one of the great characters of 19th century literature. Each of her relationships is vital to the narrative: with her parents, with Tom above all, but on a romantic level with Philip Wakem, the sensitive hunchbacked son of her father’s (and Tom’s) bitterest enemy, and with charming and urbane Stephen Guest, fiance of Maggie’s cousin Lucy Deane. Maggie’s life is changed utterly by an impulsive elopement which she turns back from, but too late to stop the inevitable abuse and contempt. This is a semi-autobiographical reflection of the vilification which George Eliot (Mary Ann Evans) herself had to endure while openly living with a married man, a time when her brother was willing to communicate with her only through lawyers. Eliot writes of character and relationships with an insight and sharp detail that few authors have ever equaled. It’s a long book, but you will appreciate it for its depth. - Summary by Tom Denholm
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  Mill on the Floss Version 2 - George Eliot - Part 1 30.05.2026 9h 48min

  The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a fictionalised version of Gainsborough, in Lincolnshire, England) in the years following the Napoleonic Wars, with both as young adults eventually meeting a tragic end by the Mill which the family holds so dear. In large measure, their lives are dominated by their father, a successful miller brought down by his inability to resist settling arguments in a court of law. Character differences between Tom and Maggie - he dour and rigid of thought, she lively and impulsive - seem to matter little in childhood, but eventually strain their relationship beyond breaking point. It is Maggie, however, who is the dominant character of the book, arguably one of the great characters of 19th century literature. Each of her relationships is vital to the narrative: with her parents, with Tom above all, but on a romantic level with Philip Wakem, the sensitive hunchbacked son of her father’s (and Tom’s) bitterest enemy, and with charming and urbane Stephen Guest, fiance of Maggie’s cousin Lucy Deane. Maggie’s life is changed utterly by an impulsive elopement which she turns back from, but too late to stop the inevitable abuse and contempt. This is a semi-autobiographical reflection of the vilification which George Eliot (Mary Ann Evans) herself had to endure while openly living with a married man, a time when her brother was willing to communicate with her only through lawyers. Eliot writes of character and relationships with an insight and sharp detail that few authors have ever equaled. It’s a long book, but you will appreciate it for its depth. - Summary by Tom Denholm