Failure to Franchise

Епизоди

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  Episode 151 - Car 54, Where Are You? (1994) w/ Special Guest: Bede Jermyn 28.07.2026 1ч 38мин

  A successful music video director and the filmmaker behind a recently well-received cult hit is hired to helm the cinematic adaptation of a beloved '60s sitcom. Clearly aiming for something more hip and edgy than the original show, he largely eschews the tone of the source material, instead populating his film with esoteric cult celebs and performers, upping the raunch factor, and filming it as a musical. And then...nothing. The movie sits on the shelf for  almost four years. Until - unbeknownst to the director himself - it is finally quietly released, in a drastically altered studio cut. Yes, the little-remembered Car 54, Where Are You? is truly one of strangest movies (and stories behind the movie) that we have done yet. So strange, we couldn't tackle it alone! And so, joining us for this  New York movie edition of "Summer Surprise" is Trev's co-host from Bede & Trev vs The Big Apple, Bede Jermyn, aka "The Terrible Aussie." Our Twitter Our Facebook Our Instagram Our YouTube Trev's Letterboxd Chris' Letterboxd Bede's Letterboxd Bede's Linktree Bede & Trev Vs. The Big Apple  
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  Episode 150 - Action Jackson (1988) 14.07.2026 1ч 27мин

  A mega-successful Hollywood producer. A popular star ready for his first big lead role. A respected actor one year away from an iconic sitcom role. A singer turned actor enjoying the height of her sex symbol status. Another actress just a few years away from becoming one of the industry's all-time biggest sex symbols. And explosions. Lots and lots of explosions. Put them all together, and you got a stew going, baby! This year's "Summer Surprise," in which we let an online randomizer pick our movies for us, kicks off with Action Jackson, an 80s blaxploitation riff from mega action producer Joel Silver, and starring the late, great Carl Weathers. The film was meant to finally catapult Weathers into the same above-the-title megastar status as his famed co-stars Sylvester Stallone and Arnold Schwarzenegger, and Silver brought along a bunch of cast and crew from his other recent efforts to help make it happen. So, what happened? Why are there multiple Lethal Weapon's, Die Hard's, and Predator's, but only one Action Jackson? We try to figure it out, while jumping out of the way of the sports car barreling down our hallway.  Our Twitter Our Facebook Our Instagram Our YouTube Trev's Letterboxd Chris' Letterboxd
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  Episode 149 - Dolittle (2020) 30.06.2026 1ч 42мин

  Your iconic turn as a superhero made you one of Hollywood's most beloved (and well paid) stars, jump-started a genre's total dominance of the cinematic landscape, and gave you a decade-plus of mega-successful sequels and spin-offs. But that gig has finally ended. What do you do? Well, if you're Robert Downey Jr., and you've recently wrapped your long tenure as Tony Stark/Iron Man with Avengers: Endgame, you quickly find another franchise to jump into. Unfortunately for RDJ, his choice - a new spin on Dr. Dolittle, the classic kids book character who can talk to animals - wasn't as successful as his MCU days. But is the movie really the disaster many (including RDJ himself, after the fact) made it out to be? We're scrubbing up and getting ready to examine, as "June Is What the Doctor Ordered" comes to a close. Plus, after the Dolittle discussion, we allow an online randomizer to choose our next four featured movies for the upcoming "Summer Surprise" series! Our Twitter Our Facebook Our Instagram Our YouTube Trev's Letterboxd Chris' Letterboxd
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  Episode 148 - Dr. Giggles (1992) 16.06.2026 1ч 19мин

  By the early '90s, the slasher subgenre that had dominated horror in the '80s was already seen as on life support. But that didn't stop an upstart comic book company, formed in 1986 and already quite successful in the publishing world, from seeing the genre as potentially their ticket to join the movie big leagues. And so, four years before Scream would re-invent and re-popularize the slasher, Dark Horse Comics first tried to revive the genre with a more "traditional," if somewhat dark-comedy skewed, entry. And let's face it, who better to "revive" and "resuscitate" a genre than a doctor? Though, it's safe bet the maniacal doctor played by Larry Drake in this film is not one you'd want making a house call. "June is What the Doctor Ordered" continues, as we take a look at 1992's Doctor Giggles, the film that dares to ask, "just how many medical puns can you fit into one movie??" Our Twitter Our Facebook Our Instagram Our YouTube Trev's Letterboxd Chris' Letterboxd
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  Episode 147 - Doctor Detroit (1983) 02.06.2026 1ч 27мин

  They say there ain't no cure for the summertime blues, but we here at F2F disagree. So allow Trev & Chris to make a house-call, as we ring in a brand new series - "JUNE is What the Doctor Ordered," taking a look at three doctor-themed (sorta) movies. First up, the 1983 oddity Doctor Detroit, perhaps most remembered as SNL legend Dan Aykroyd's first (and last?) solo starring role in a movie. Aykroyd plays a nebbish college professor forced to pose as a tough-talking pimp in order to protect four beautiful sex workers from the wrath of an evil crime boss named "Mom." And if that premise already sounds pretty out-there to you, well, we haven't even said anything about the costuming, voice, and mannerism choices Aykroyd makes in regards to his "Doctor Detroit" persona. Why exactly did a movie starring a beloved comic icon, released so close to hits like Trading Places and Ghostbusters, not connect with audiences? We're here to diagnose what might have gone wrong. Our Twitter Our Facebook Our Instagram Our YouTube Trev's Letterboxd Chris' Letterboxd
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  Episode 146 - Terminator Genisys (2015) 19.05.2026 1ч 47мин

  "No Fate But What We MAYke" concludes, with the TERMINATOR franchise under new ownership, and looking to forge a new path forward...by going all the way back to the beginning. That's right - perhaps appropriately for a series whose story has been built on a bootstrap paradox/causal loop time travel convention, TERMINATOR GENISYS looks to revisit and revisit and reinvent the events of the original TERMINATOR, creating a movie where even the makers seemed unsure whether to label it a "sequel," a "reboot," or an original "stand-alone entry." But despite the confusion, and despite obviously having to recast several of the key characters with new, younger actors, they did have at least one undeniable not-so-secret weapon: the return of Arnold Schwarzenegger to a starring role in the franchise. Was Arnie's return enough to make the film's story feel worth telling? Did the new actors live up to the original performances of the previous actors? How responsible might TERMINATOR GENISYS be for the glut of "legacy sequels" that followed in its wake? And just what is this franchise's beef with John Connor?? We discuss all this and more, so come with us if you want to live! Our Twitter Our Facebook Our Instagram Our YouTube Trev's Letterboxd Chris' Letterboxd
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  Episode 145 - Terminator Salvation (2009) 05.05.2026 1ч 47мин

  Did the Terminator franchise really need to live on past James Cameron's excellent T2: Judgment Day? Probably not! But Hollywood can't let a good (or moneymaking) franchise die. And so after the strong performance of Terminator 3: Rise of the Machines, not even franchise star Arnold Schwarzenegger leaving movies for the world of politics could kill the series. But what is a franchise to do when it's under new ownership and it's lost it's usual leading man? The makers of the fourth entry decided to use the opportunity to finally deliver a movie the franchise's fans had been clamoring for since the beginning - a film set entirely during the post Judgment Day future war. And they recruited two new powerhouse leading men to front it - Christian Bale, a newly minted Hollywood blockbuster star after the mega-success of The Dark Knight, and Sam Worthington, a name on the rise about to also star in the same year's most anticipated blockbuster, Avatar (from, yep...James Cameron). So what could possibly go wrong? Well, the pre-release leak of audio of Bale freaking out and yelling at a crewmember, which overshadowed much else of the film's release, might be the start of the answer...but what about the movie itself? Join us as we start out new theme month - "No Fate But What We MAYke" - as we discuss 2009's Terminator Salvation! Our Twitter Our Facebook Our Instagram Our YouTube Trev's Letterboxd Chris' Letterboxd
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  Episode 144 - American Samurai (1992) 21.04.2026 1ч 27мин

  "Misfired Cannons" comes to a conclusion as a post Golan & Globus era Cannon limps to its final days amidst new ownership but continued, and growing, financial woes. In a blatant attempt to try to recapture some of their past glory, Cannon looked to start a new franchise that might capture the same fans as those of one of its most popular previous successful series, American Ninja. So, recruiting one of the stars of that franchise, and the director of the first installments, Cannon unleashed American Samurai. But even with the lowered expectations of a straight-to-video release, this film didn't enjoy the same financial or cult success of the American Ninja series. So, what went wrong? We discuss leading man (and another important Cannon figure) David Bradley, the onscreen debut of martial arts star Mark Dacascos, the movie's strange "love story," its similarities to American Ninja, and why its attempt to also copy the recent success of another martial arts movie, Bloodsport, may have been its downfall. Our Twitter Our Facebook Our Instagram Our YouTube Trev's Letterboxd Chris' Letterboxd
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  Episode 143 - Cobra (1986) 07.04.2026 1ч 35мин

  It's the third installment of "Misfired Cannons," and time to look at what happens when Cannon Films decides to work with one of Hollywood's biggest megastars. Sylvester Stallone was riding high off the success of both the Rocky and Rambo franchises in the mid-80s, so deciding to launch a new action franchise with the notoriously frugal and not always successful Cannon might have seemed a strange, unexpected move. So what sort of deal did Cannon offer Stallone to make it hard to resist? What other surprising 80s hit was Stallone originally attached to and oddly led to the creation of this film? Why is there controversy regarding who really directed the movie? How effective is the movie's blend of action and horror? We discuss all this and more, as we look at 1986's Cobra, pig! Our Twitter Our Facebook Our Instagram Our YouTube Trev's Letterboxd Chris' Letterboxd
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  Episode 142 - Avenging Force (1986) 24.03.2026 1ч 24мин

  So you've developed a sequel to one of your recent "successes," but the legendary action star of the previous film has decided he doesn't want to do a follow-up. Are you supposed to scrap the whole thing? Not if you're Cannon Films, who knew better than to throw out all the work they had already done on a potential Invasion USA sequel, and instead decided to rework it into a new potential franchise starter of its own. "Misfired Cannons" continues as we look at 1986's Avenging Force, which saw Chuck Norris replaced with Cannon's own pet-project up-and-coming star, Michael Dudikoff. Here, Dudikoff takes over the role of Matt Hunter (or is maybe a totally different Matt Hunter?), this time taking on an an underground society of crazed right-wing extremists that likes to hunt men for sport. We discuss Dudikoff's place in the Cannon legacy, the movie's surprising-for-the-time-and-genre politics, the perpetual underutilization of co-star Steve James, and much more. Our Twitter Our Facebook Our Instagram Our YouTube Trev's Letterboxd Chris' Letterboxd
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  Episode 141 - Invasion U.S.A. (1985) w/ Special Guest: Bryan Kristopowitz 10.03.2026 1ч 56мин

  For film fans of the '80s, one studio was synonymous with over-the-top action, wild premises, and low to mid-budget insanity. Cannon Films delivered a massive output of video store staples and cable classics, and today are looked back on nostalgically as an entertaining alternative to the "big" studio fare of the era. But Cannon certainly had at least one thing in common with the major studios - their fare share of failed franchise starters. So we're devoting two months to the studio's "Misfired Cannons." First up, a look at the 1985 Chuck Norris vehicle Invasion USA, which sees the denim-clad action icon single-handily take on an army of foreign terrorists invading the United States. It might not be the "best '80s action movie," but it is arguably the "most '80s action movie." But we couldn't discuss such a crazy cult-classic alone, so for this discussion we're joined by Bryan Kristopowitz, author of the "Gratuitous B-Movie Column" on the 411mania website, and the recently published book, Not Coming to a Theater Near You!: 50 Great Direct-to-Video Action Flicks of the Early 2000s. So slip on your Chuck Norris Action Jeans, and join us for an in-depth discussion of one of the wildest action movies, and movie studios, of all time! Our Twitter Our Facebook Our Instagram Our YouTube Trev's Letterboxd Chris' Letterboxd Buy Bryan's book HERE, titled: Not Coming to a Theater Near You!: 50 Great Direct-to-Video Action Flicks of the Early 2000s
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  Episode 140 - The Girl in the Spider's Web (2018) 24.02.2026 1ч 36мин

  "The Girl with the Failed February Franchises" concludes with our look at 2018's The Girl in the Spider's Web. Even though the previous film hadn't made as much as Sony had hoped for, it still earned Rooney Mara an Oscar nomination, received critical acclaim, and the entire creative team was down to return for more. So, of course the thing to do is...ignore all that and instead hire a new director and cast to jump ahead to the fourth book (the first not written by series creator Stieg Larsson) and try to reboot the franchise with a much smaller budget. How did that work out for them? Well, we're covering it here, so, you know. Still, we're here to give it a fair shot, discussing whether horror director Fede Alvarez was the right choice to replace Fincher, if Claire Foy is a worthy Lisbeth Salander, and if the movie's global-stakes espionage thriller vibes truly feels appropriate for the overall franchise and character. Our Twitter Our Facebook Our Instagram Our YouTube Trev's Letterboxd Chris' Letterboxd
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  Episode 139 - The Girl with the Dragon Tattoo (2011) 10.02.2026 1ч 43мин

  In 2005 (and 2008 for the American translation), the posthumous release of Swedish author Stieg Larsson's "Millennium Trilogy" took the world by storm. A series of Swedish cinematic adaptations soon followed, making even bigger pop culture icons of the characters of Mikael Blomkvist, a crusading journalist, and Lisbeth Salander, the punk computer hacker with a mysterious past. And then, Hollywood decided to take their crack at it...not once, but twice. And we're investigating both, with our "The Girl with the Failed February Franchises" theme month! First, a look at 2011's The Girl with the Dragon Tattoo. Directed by David Fincher and starring Daniel Craig as Blomkvist and Rooney Mara as Salander, the American adaptation was seen by some as a more prestigious adaptation of the first book in Larsson's series; a surefire awards contender and franchise starter. But was it released too soon after the Swedish films? Was its subject matter actually too dark for American audiences, especially given its Christmas release? We explore these questions and more, including how the film rates as part of Fincher's overall filmography, and what it meant for his career moving forward. Our Twitter Our Facebook Our Instagram Our YouTube Trev's Letterboxd Chris' Letterboxd
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  Episode 138 - The Predator (2018) 27.01.2026 1ч 33мин

  "Thomas JANEuary" concludes with 2018's The Predator, an attempt to resurrect, revitalize, and "event-ize" the classic sci-fi action franchise. To do so, 20th Century Fox recruited famed Hollywood action screenwriter and the acclaimed director of Kiss Kiss Bang Bang, The Nice Guys, and Iron Man 3 (and co-star of the original Predator movie), Shane Black, as well as his former Monster Squad collaborator Fred Dekker, to helm a new entry with an interesting ensemble cast. But The Predator would face a particularly rocky road to the big screen, and we're here to discuss the film's various production headaches and controversies...and explore the important question of the month = what's the deal with Thomas Jane in this one?? Our Twitter Our Facebook Our Instagram Our YouTube Trev's Letterboxd Chris' Letterboxd
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  Episode 137 - Give 'Em Hell Malone (2010) 13.01.2026 1ч 47мин

  We recently realized, though it was never our specific intention, that we covered Thomas Jane movies the last two January's of this podcast. So, what the heck...let's lean in! Welcome to "Thomas JANEuary," a two-episode tribute to the rugged, prickly, shoe-hating star of The Punisher, The Mist, Mutant Chronicles, HBO's Hung, and so much more. First up, we're looking at 2010's Give 'Em Hell, Malone. A relic from the dying days of the DTV era, this indie neo-noir thriller seeks to pay tribute to the hardboiled PI stories and classic film noirs of old...whether or not it truly has the budget to do so. Can Thomas Jane effectively channel the spirit of Sam Spade, Philip Marlowe, Mike Hammer, and other classic hardboiled heroes? Can Highlander director Russell Mulcahy still conjure the same sort of visual dynamism with a much lower budget? And where does the line between loving genre pastiche and cynical genre parody truly begin, or end? We discuss all this and more, as we give 'em hell, Malone. Our Twitter Our Facebook Our Instagram Our YouTube Trev's Letterboxd Chris' Letterboxd
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  Episode 136 - Alita: Battle Angel (2019) 30.12.2025 1ч 46мин

  A new year is almost upon us, but you know what they say: the holiday season isn't officially over until you've listened to part two of "Failure to Franchise presents Trev & Chris-tmas." This time, Trev gifts Chris the long-in-the-works passion project of legendary filmmaker James Cameron, the cyberpunk manga adaptation Alita: Battle Angel. But, wait...if this was Cameron's passion project, why the heck is it directed by Robert Rodriguez? We discuss that and more, including the unique marriage of Cameron and Rodriguez's sensibilities, the eclectic but sometimes wasted cast, and the strengths and weaknesses of the film's worldbuilding. It's a movie that James Cameron still insists will get a sequel, and as the recent Avatar: Fire & Ash box office proves once again, you can never count Big Jim out. But do we really believe him about this one? And do we even want a sequel? Listen on and find out. Our Twitter Our Facebook Our Instagram Our YouTube Trev's Letterboxd Chris' Letterboxd
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  Episode 135 - I, Frankenstein (2014) 16.12.2025 1ч 34мин

  It's that most wonderful time of the year, and "Failure to Franchise Presents Trev and Chris-tmas" kicks off with a timely look at a sci-fi action take on one of the most important, iconic, and revered properties of all time. And to be sure, 2014's I, Frankenstein pays homage to Mary Shelley's beloved creation by including all the most cherished elements of her classic novel...the heroic gargoyles who are actually angels; the evil human businessman who is secretly an ancient demon; the Filipino Kali stick fighting! Well, okay...maybe this movie took some liberties with the source material. But, amongst all these strange and surprising additions to the Frankenstein mythology we all know and love, we're here to dive into the real important question at the heart of this movie - what the heck is the deal with Aaron Eckhart's career?? Our Twitter Our Facebook Our Instagram Our YouTube Trev's Letterboxd Chris' Letterboxd
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  Episode 134 - Elf (2003) 02.12.2025 1ч 28мин

  It's a very special F2F Holiday Special! Before we exchange our gifts for our next annual "Failure to Franchise presents Trev & Chris-tmas," we're taking a brief, merry break to visit one of the most beloved Christmas movies of all time, and arguably the last movie to date to enter the "Classic Christmas Movie" canon, 2003's Elf. Directed by a pre-Iron Man and Star Wars Jon Favreau, and starring Will Ferrell in his first major leading role, Elf was a giant hit upon release and continues to delight audiences of all ages every holiday season to this very day...so why was there never a sequel? And, is it possible for anyone not to be entirely charmed by the film? We explore both questions, before gifting each other our next two movies! Our Twitter Our Facebook Our Instagram Our YouTube Trev's Letterboxd Chris' Letterboxd
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  Episode 133 - The Crow (2024) 18.11.2025 1ч 36мин

  "CROWvember" concludes! Not with another Russell Crowe movie, but with the actual bird! Sorta? I dunno, just roll with us here, as we look at 2024's The Crow, a long-gestating comic book movie franchise reboot that went through a lot of permutations, with multiple directors and leading men attached, before finally arriving (with Rupert Sanders at the helm and Bill Skarsgard in the lead role), and being met with a combination of audience apathy and outright anger. But is the movie better than the reputation it immediately cultivated? Is it a worthy part of the Crow franchise legacy? And does it justify its own existence, despite the concerns of many that it was disrespectful to Brandon Lee and the tragedy of the original film to even make this movie in the first place?  Our Twitter Our Facebook Our Instagram Our YouTube Trev's Letterboxd Chris' Letterboxd
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  Episode 132 - Master and Commander: The Far Side of the World (2003) 04.11.2025 1ч 40мин

  New month, new theme. We're kicking off "CROWvember" with yet another failed franchise starter from the surprisingly-regularly-featured-on-F2F Russell Crowe. But this time, it's a classy, prestige play Oscar contender from acclaimed filmmaker Peter Weir that was, nevertheless, meant to hopefully kick off a cinematic series. Adapted from the long-running "Aubrey/Maturin" period war-drama novel series by Patrick O'Brian, 2003's Master and Commander: The Far Side of the World is a rousing 19th century naval battle action epic. But for all the excitement of ship vs. ship conflict, at the heart of the film is a story of loyalty, duty, and male friendship. In an era unfortunately dominated by displays of male toxicity, did we two dudes find something more admirable and aspirational in the friendship of the two dudes played by Crowe and Paul Bettany? And, do we think even a big Best Picture contender like this could really justify a blockbuster-like series of sequels? We discuss all this and more, as we set out to sail in the choppy waters of "CROWvember." Our Twitter Our Facebook Our Instagram Our YouTube Trev's Letterboxd Chris' Letterboxd