Sunburnt Country Music

Afleveringen

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  Hayden Phillis on new single ‘Stick Poke Tattoos’ and his rich creative life 27.07.2026 31min

  Art can emerge at any age, and that’s just as true of younger artists as those who find their creative voices later on. Sydney singer-songwriter Hayden Phillis is not yet twenty years old and has spent his teen years developing his skills as a musician, singer and songwriter, attending the CMAA Academy of Country Music three times – twice as a singer-songwriter, once in the instrumentalist strand, which he describes as one of his favourite experiences, forcing him to rapidly develop piano skills and adaptability in a band setting. His debut album, Too Young, may have been released only last year but Phillis already has a new single, ‘Stick Poke Tattoos’, which was inspired by a friend’s relationship and written using Phillis’s somewhat wry powers of observation. He’s a songwriter who is interested in human experiences, and exploring them through his songs. He writes on buses, at gigs, in the notes app on his phone – collecting fragments, testing them against what he already has, and discarding what doesn’t fit.‘I had the attitude of writing what I see and what I think,’ he says. ‘I wasn’t trying to put myself in a box that everyone will like.’Both the first album and his forthcoming second, which is to be called What Time Doesn’t Know, were recorded at Rabbit Hole Recording Studio on the Central Coast with producer Dingo (Brandon Dodd), a collaboration Phillis talks about in this new interview.He also mentions his upcoming long trip to Nashville, his plans for the 2027 Tamworth Country Music Festival – and his hobby making video games, which is another creative outlet and form of storytelling.Listen to ‘Stick Poke Tattoos’ on Apple MusicListen to ‘Stick Poke Tattoos’ on SpotifyListen to ‘Stick Poke Tattoos’ on YouTubeFor more Sunburnt Country Music:InstagramFacebook YouTubewebsite Substack Hosted on Acast. See acast.com/privacy for more information.
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  Olive Mae on singing country songs and choosing freedom 25.07.2026 32min

  The first time I interviewed country-folk artist Olive Mae she was in a caravan she shared with her husband and children, and they were travelling around Australia, embracing freedom – a concept that is at the core of Olive’s latest single, ‘Country Songs’.Now settled in the south-west of Western Australia, about ten minutes’ drive from the popular Margaret River area, Olive is playing fewer shows on the road but certainly not playing less overall, as we talk about in this new interview.‘Country Songs’ is, Olive says, her first attempt at writing a country song; she previously believed she was writing folk songs – although, as she says in the interview, when one of them ended up being nominated in a country music awards category, she reassessed! The song is partly about how music might have been the path she wanted to take from a young age but instead she followed the advice of others to pursue more conventional paths. ‘Sometimes you’ve got to do the wrong thing just to realise what’s wrong,’ she says. ‘That’s just as important as finding what’s right.’Ultimately, though, art won out, which is partly how she found herself in that caravan, touring the land. ‘I wanted to be free,’ she says, ‘to choose the path that you want to take and not take on anyone else’s thoughts on how you should be living.’ Of course, being free is not as simple as the phrase makes it sound – it requires courage to focus on what you know is right for you and ignore others who are trying to steer you away for their own reasons. As ever, it was a great deal of fun chatting to Olive, who will be at this year’s Gympie Music Muster in August, attending the CMAA Academy’s Campfire songwriting programme. She’s also booked her first Tamworth headline show for the 2027 festival, at the Listening Room at the Community Centre on Thursday 21 January. Listen to ‘Country Songs’ on Apple MusicListen to ‘Country Songs’ on SpotifyListen to ‘Country Songs’ on YouTubeFor more Sunburnt Country Music:InstagramFacebook YouTubewebsite Substack Hosted on Acast. See acast.com/privacy for more information.
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  Ella Powell hates her clothes and loves the songs she’s making 22.07.2026 19min

  Central Coast NSW country-pop artist Ella Powell has been evolving her sound and storytelling over her last few singles, and her latest, ‘Hate My Clothes’, has the most intriguing title yet. As Powell tells me in this new interview, the song began as a feeling rather than a concept. She had a verse and a chorus and took those to co-writer and producer Ben Horsley, who has worked on her last two singles. The title of the song was Horsley’s suggestion, and it is not a song about Powell needing a new wardrobe but, rather, about finding an identity – something that most humans go through in their teens and early twenties, and which can be more pressing for artists in an era when brand is so important and artists are trying to, well, make art. Powell started performing at eight and released her first proper single, ‘Paper Town’, in her mid-teens – it’s a song she tends to keep in her set, despite releasing several singles since, because it brought many fans to her for the first time. She is now in her early twenties and, for the first time, says she knows exactly who she is as an artist and exactly what she wants to make. A year or two of releases are already mapped out, writing sessions are ongoing with Horsley, and production on new material has begun. At the core of Powell’s songwriting is a drive to tell stories. As she tells me, she writes several songs simultaneously to reduce attachment to any one, and is comfortable abandoning material that isn’t working, which is a discipline she has developed over years of writing. Her ideas come from overhearing conversations, scrolling book titles online, and using random word generators as prompts – I hadn’t heard of anyone using that last one, and am now intrigued!It’s always exciting to see what Powell comes up with next, and also lovely to talk to her, so I hope you enjoy this conversation.Listen to Ella Powell on Apple MusicListen to Ella Powell on SpotifyListen to Ella Powell on YouTubeFor more Sunburnt Country Music:InstagramFacebook YouTubewebsite Substack Hosted on Acast. See acast.com/privacy for more information.
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  Cookie from Rusty Pickups on their new album and unique band dynamic 19.07.2026 42min

  The last time I interviewed Michael Cook – known as Cookie – from the Darling Downs (Queensland) alt-country and bluegrass band Rusty Pickups, there was a donkey outside the studio at Possum Creek, where the band recorded. Naturally, when we spoke again recently about the band’s new album, I Don’t Think About You at All (… some days), I checked in on this unofficial extra band member and also on the band’s recent successes, which included a New Zealand tour. Rusty Pickups were originally a four-piece, then became a five-piece – and are now back to being a four-piece, as founding member Waylon Katz is heading off around Australia on a months-long odyssey which will count him out of any band activity for a very long while. ‘Rusty Pickups is a table we’re all lucky enough to have a seat at,’ says Cookie. ‘Right now his chair’s pushed in, but it’s there for him to pull out again when he wants to come back.’In this interview Cookie talks further about the ‘table’ that is Rusty Pickups and how it has kept providing for them all, which was the main aim. He has set goals and they’ve kept reaching them, not through crossing their fingers and hoping but by putting in the work and taking chances and opportunities. It was Katz who wrote the album’s title track, drawing on conversations he’s had in his work as a therapist. Some other songs are written by Cookie, and they are what he calls clear-eyed rather than self-pitying: honest assessments of hard things, including addiction, the passage of time and the unexpected depth of feeling for a very small dog he rescued, named Princess Bubblegum. The story about that dog is an example of why it’s always great to let interviews flow where they want to go – great stories often result. And it’s also why this interview is on the long side, but Cookie is always interesting to chat to, so a longer conversation is usually on the cards. Listen to I Don’t Think About You at All on Apple MusicListen to I Don’t Think About You at All on SpotifyFor more Sunburnt Country Music:InstagramFacebook YouTubewebsite Substack Hosted on Acast. See acast.com/privacy for more information.
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  Melanie Dyer on ‘If Only She Knew’ and dreams coming true 15.07.2026 32min

  At the start of this interview I say I’m a Melanie Dyer fan, and that’s because she writes songs that can encompass a whole life, as in her recent single, ‘Golden Girl’, or cut right to the heart of something in a devastating way, as in ‘What You Didn’t Say’, from her 2022 album Between You & Me, or just be out-and-out entertaining because of her ear for melody.As she talks about in this new interview, she discovered the magic of what could be created by combining music with chords at a young age. She would lock herself in her room to write a song then emerge at the ad break to perform it for her parents. She was the youngest person accepted into the Talent Development Project at twelve, training in songcraft, stagecraft, performance and networking alongside musicians from across multiple genres. ‘I’ve spent my whole life doing this,’ she says. ‘I’ve never known a life without it.’Dyer’s latest single, ‘If She Only Knew’, is a love letter to that girl growing up on a farm in regional New South Wales, learning chords on her mother’s guitar and dreaming of a life in music. The song was written in Nashville. with Karen Kosowski and Emma-Lee, which whom Dyer wrote her hit ‘Memphis T-Shirt’. There were some tears during the writing session for this song which is, says Dyer, ‘equally heartbreaking and cathartic and inspiring and hopeful’.‘If you really feel like you're destined to do something, don’t give up on yourself. That’s what this song is saying.’Dyer’s early dreams have taken her all the way to Music City, where she’s lived for over a year, playing live regularly and writing a lot. Given how often Dyer is asked to co-write with other artists, it’s perfect that she’s now in a place where songwriting is woven into the fabric of daily life. And it’s still a source of wonder to her.‘I hear melodies in my head,’ she says. ‘They just come out. And that’s still this crazy, magic thing to me – inventing and crafting something from scratch and weaving your emotion into it.’Young Melanie’s dreams have indeed come true, and listening to Now Melanie talk about that, and much more about her craft and her songs, is hugely inspiring.Listen to ‘If She Only Knew’ on Apple MusicListen to ‘If She Only Knew’ on SpotifyListen to ‘If She Only Knew’ on YouTubeFor more Sunburnt Country Music:InstagramFacebook YouTubewebsite Substack Hosted on Acast. See acast.com/privacy for more information.
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  Brooke Seabrook on being a wordsmith and new single ‘Took My Town Away’ 10.07.2026 34min

  Brooke Seabrook is a balladeer from Queensland who recently won the Barry Thornton Young Award, which supports Australian bush and heritage artists. Her latest single is ‘Took My Town Away’, produced by Lindsay Waddington. Seabrook describes herself not as a songwriter but as a wordsmith – and the distinction matters, as she talks about in this interview. For Seabrook came to music through bush poetry, and it runs in her blood. Her grandmother Albertina, born in 1902, was a storyteller and poet, and Seabrook had early influences in the form of AB ‘Banjo’ Paterson and Henry Lawson. As she recounts, Slim Dusty was a constant in the family home, as were Patsy Cline, Dolly Parton, Charlie Pride and Tom T. Hall. John Williamson has also had a big impact, and it was a song she wrote for Williamson called ‘Who’ll Sing Australia Now?’ that led to the Thornton Young Award, which will take Seabrook to the CMAA Academy of Country Music next January.Seabrook has increased her creative output in recent times, partly because one of her two sons died a few years ago, and writing became a way of managing her grief. ‘As long as we’re still singing and talking about it,’ she says, ‘we’re not forgetting these people.’The new single, ‘Took My Town Away’, was written about changes to Seabrook’s home suburb of Goodna, which, like so many places, has changed greatly in recent times. The track features backing vocals by Golden Guitar winner William Alexander, who also records with Waddington.Seabrook has also recorded at Rabbit Hole Recording Studio on the Central Coast of New South Wales with producers Dingo and Kasey Chambers, and mentions that she actually has a whole album ready to go, but that she has no current plans to release it. It is, she says, waiting for its moment.Meanwhile, Seabrook performs live regularly and will be supporting Luke O’Shea in Ipswich on 1 August, then performing at the Gympie Music Muster. Listen to Brooke Seabrook on Apple Music                  Listen to Brooke Seabrook on SpotifyListen to Brooke Seabrook on YouTubeFor more Sunburnt Country Music:InstagramFacebook YouTubewebsite Substack Hosted on Acast. See acast.com/privacy for more information.
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  Kesha Nevé is … Better This Way 07.07.2026 35min

  Although Snowy Mountains-raised Kesha Nevé was the winner of this year’s Australian Idol, I did not know what to expect when I interviewed her because … I didn’t see any of this year’s season! I caught up on the musical side of things by watching clips and research revealed that she had grown up in Jindabyne, a town in the Snowy Mountains region of New South Wales that is known as the gateway to the nearby ski fields of Thredbo and Perisher in particular. Also that she started singing and performing at a very young age, that she’d spent time around the rodeo scene and worked on a farm in New Zealand for a year. What research did not reveal – what can never be known until an interview starts – is what an artist is like to talk to, so I discovered in the moment that she’s an absolute delight. Smart and funny and self-aware, close to her family and committed to pursuing her dreams. We sometimes talk about ‘following’ a dream but that implies a dream can become real if only a person follows long enough. Nevé has worked to make her dreams manifest in life, not just in terms of the time she’s put into developing as an artist but developing as a person, which can only benefit her artistry. So this is a chat about music and about sport – as her life has been rich in both – about family and Idol and the tour she has coming up. It’s also about her debut country-pop single, ‘Better This Way’, which was written with Ruby Rogers, Lara Frew and Phoebe Sinclair in Nevé’s first ever professional songwriting session. The session began with two hours of conversation and Nevé telling the story of a relationship she’d only recently come out of, before a song emerged that charts the moment the rose-coloured glasses were finally gone, the relationship was done, and she knew she was ‘better this way’.Nevé is going on tour with fellow Idol contestant Kalani Artis. For dates and tickets, go to https://www.keshaneve.com.au/tour-dates/Listen to ‘Better This Way’ on Apple MusicListen to ‘Better This Way’ on SpotifyListen to ‘Better This Way’ on YouTubeFor more Sunburnt Country Music:InstagramFacebook YouTubewebsite Substack Hosted on Acast. See acast.com/privacy for more information.
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  Ally Paterson on her Gold Rush single, ‘Dig’, and life on the land 05.07.2026 29min

  The latest single from Ally Paterson, a singer-songwriter from the Ballarat area in Victoria, went on, is called ‘Dig’ and it was born at Sovereign Hill, Ballarat’s living museum of the Gold Rush era. As Paterson tells me in this interview, the rhythmic banging of an old battering ram sent her imagination straight to the men who had worked the claims: Irish migrants, Chinese labourers, people who had crossed the world on the bare promise of a lucky strike. ‘I was inspired by the hardy, wiry gold miner man who’d come from way across the world and was just digging without any guarantee of success,’ she says. Digging for gold also turned out to be an apt metaphor for this interview. Not because I had to dig necessarily but because gold kept turning up. The longer we spoke, the more I discovered very interesting things about Paterson, such as that she spent several years singing jazz in late-night venues in Melbourne before she and her husband – who have four children – decided to move to the land. Neither of them had any experience with that work, and it has become a lifestyle they love and a connection to the land that inspires Paterson’s writing.Paterson’s earlier experience as a jazz singer explained something I heard in her singing voice: real power and nuance and such a great tone. She’s a really wonderful singer, and ‘Dig’ has great impact because of that and the story she tells in the song. The song was produced by Matt Fell at Wilder in Tasmania, as was ‘Working Like Dogs’, her first single. More releases are planned, as Paterson is as committed to music as she is to the other parts of the rich life she has created. Listen to Ally Paterson on Apple MusicListen to Ally Paterson on SpotifyListen to Ally Paterson on YouTubeFor more Sunburnt Country Music:InstagramFacebook YouTubewebsite Substack Hosted on Acast. See acast.com/privacy for more information.
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  Jean Elliot on her epic EP Butcher, Lover, Runner 04.07.2026 30min

  There’s never a guarantee of what will emerge during an interview – that’s partly why it’s so interesting to be able to talk to all sorts of artists. And even if I’ve interviewed an artist before, there’s always something new to discover. In the case of Jean Elliot, a multi-genre artist from the Hawkesbury region of New South Wales, north of Sydney – which inspired ‘Devil’s Wilderness Theme’ on her EP, Butcher, Lover, Runner – we discovered that we had a strong interest in common: ancient history. Elliot is studying it at university, and I studied it for years. So you’ll hear us digress a little on that subject in this interview … Except I don’t believe it actually is a digression, given the epic, high-stakes nature of storytelling in ancient texts and the way that has influenced Elliot as a songwriter and artist generally.Butcher, Lover, Runner opens with a country-influenced track, ‘Hole in Her Head’, and Elliot then takes us into a song cycle that includes moments of rapture, such as third track ‘Beneath Your Sun’, and bittersweet reflection, as on the closing track, ‘Highwayman’, crossing genres as she goes.‘I never really think about genre when I'm writing,’ she says. ‘The idea pops into my head fully formed and we just try our best to translate it into something tangible.’The landscape Elliot grew up in and around, and still lives in, has shaped the stories she wants to tell and how she tells them. It’s a place I’m familiar with – many Sydneysiders are, as we travel through it to the Central Coast or Newcastle – and a breathtaking part of the world. It’s little wonder that it inspires Elliot, and also that she respects it.‘I’m contributing to a canon of thousands and thousands of years of storytelling about this place,’ she says. ‘I have to do so in an honest and loving way.’ Elliot has been studying philosophy and archaeology, along with ancient history, which all points to a fundamental interest in the intersection of storytelling and the questions about life and how to live it than many of us consider. She has honoured that lineage with her EP, and it was so interesting to learn about what contributed to its making and where she’s going next with her music. There’s also a great story about the building that appears on the cover of the EP – you’ll have to listen/watch to find out what it is! https://jeanelliotmusic.bandcamp.com/ Listen to Butcher, Lover, Runner on Apple Music Listen to Butcher, Lover, Runner on Spotify Listen to Butcher, Lover, Runner on YouTubeFor more Sunburnt Country Music:InstagramFacebook YouTubewebsite Substack Hosted on Acast. See acast.com/privacy for more information.
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  Vixens of Fall on ‘Midnight Cowgirls’ and the power of three 29.06.2026 45min

  Sibling harmonies are a form of magic – there’s a synergy that happens within families who sing together that makes for unforgettable sounds that are impossible to replicate. Brisbane sister trio Vixens of Fall have been creating that sort of magic for a decade, embracing it in the title of their 2023 debut album, Magick in the Chaos, and in their lives. The latest single for sisters Nina, Wren and Lulu is ‘Midnight Cowgirls’, and might be said to have come about through a form of magic known as manifestation. All three Vixens love to wear the clothing label Tree of Life and have done for years. Then they were contacted by the owner of the company, asking if they’d like to be the faces of a new line called Midnight Cowgirls. The Vixens already had a songwriting session booked with regular collaborator Sally Barris and decided to write a song to go with the clothing line, and their latest single, ‘Midnight Cowgirls’, was born.The song was produced by Rod McCormack, who also produced their first album – and their second, Fox Hollow, which will be released in November and which will feature ‘Midnight Cowgirls’. He’s like family, the sisters tell me in this new interview, which was conducted not long before Nina was due to give birth to her second child.The Vixens are a tight unit, as is evident in this interview and when they perform. One of the wonderful things about them is how clearly they love not only making music together but simply being around each other. There is so much strength in that sort of bond – and unlimited potential. Or magic. Whatever you’d like to call it, no doubt you will enjoy meeting Vixens of Fall.Listen to Vixens of Fall on Apple MusicListen to Vixens of Fall on SpotifyListen to Vixens of Fall on YouTubeFor more Sunburnt Country Music:InstagramFacebook YouTubewebsite Substack Hosted on Acast. See acast.com/privacy for more information.
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  Paper Daisies on their debut single and their friendship forged in music 27.06.2026 25min

  Paper Daisies are a duo from the Gold Coast who have released one single, ‘Heartbreakin’ Cowboy’, and as soon as I heard it I thought, These two are not just starting out. The vocals are glorious and there was this energy running through the song that made it sound like the artists, Britt Grey and Rhea Robertson, were completely immersed in the music.So I was interested to talk to them both, and … WELL. Even though I’d done my research and discovered that Robertson has her own pop releases that have garnered millions of streams, there was plenty that did not turn up, including a wonderful story about how they met – and you can watch/listen to the interview to find out what that is – along with the fact that Grey has a well-established acting career that includes the yet-to-be-released Zombie Plane, featuring Vanilla Ice and Sophie Monk (and the late Chuck Norris). Then there is their friendship, which is gloriously supportive and evident in this interview. ‘The experience of singing together and being immersed in our harmonies,’ says Robertson in this interview, ‘I wish everybody got to experience what it feels like to create music with your best friend.’They not only love doing things together – they both have fully creative lives, and it was inspiring to talk to them about their various ventures and also wonderful to meet such talented people who embrace opportunities and, for lack of a better phrase, look for the light in life. Their single, ‘Heartbreakin’ Cowboy’, was inspired by the experiences of a mutual friend: it was written with multi-instrumentalist Bradley Green and produced by Scott French at Love Street Studios. It’s the first single off their planned EP, and the next single will be released on 9 July. Listen to ‘Heartbreakin’ Cowboy’ on Apple MusicListen to ‘Heartbreakin’ Cowboy’ on SpotifyListen to ‘Heartbreakin’ Cowboy’ on YouTubeFor more Sunburnt Country Music:InstagramFacebook YouTubewebsite Substack Hosted on Acast. See acast.com/privacy for more information.
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  William Alexander on his new album, Along the Boundary Line 24.06.2026 30min

  From the Central West of New South Wales, William Alexander won his first Golden Guitar earlier this year in the category of Bush Ballad of the Year, for the song ‘Wild Roan Brumby’, which he wrote with his good friend Pete Denahy. For those of us who have observed Alexander’s career, and listened to his releases starting in 2023, there was no surprise in the award itself – only in the fact that it had taken so long. For three years may not seem like much, but when the talent is as evident as it is in this artist, it feels like more than enough for recognition to mature.In the songs on his latest album, Along the Boundary Line, Alexander has a way of writing about life and work on the land that suggests someone who not only observes and feels and thinks but can articulate the result of all of that. He’s alert to the world, in other words, and curious about it too. Not that he’s always recorded his own songs: he began by releasing cover versions.‘I just always felt like I hadn’t earned the right to be the songwriter yet,’ he tells me in this new interview. ‘I was too busy discovering old songs and absorbing that.’In Along the Boundary Line Alexander creates songs in a traditional style that cover aspects of modern life, marrying a way of life that is much older with contemporary concerns. It’s almost a juxtaposition, until you realise he’s likely documenting his own experiences. As an example: ‘All I Stand to Lose’, which was a single, is about the push and pull of having the urge to go roaming yet cherishing what’s at home, and is the acme of bittersweetness. Yet Alexander doesn’t linger there, instead moving onto the jaunty ‘Horse and Hobble Days’, and both songs are alive with detail. Alexander is also a wonderful singer, both recorded and live, a balladeer who is also a crooner. When I ask him about his voice in our recent chat, he says, ‘I think what you're mentioning is probably just the way I was told to speak as a kid.’ He had, he says, a grandfather who insisted on no mumbling, and it’s ‘coming through in the way I sing’.Along the Boundary Line was recorded largely with just Alexander and producer Lindsay Waddington in the room first, building each song before adding esteemed players including Brendan Radford, Jen Mize and Michel Rose. The result is a collection of songs that immediately allow the listener in and invite them back. Although there’s a distinct lack of yodelling – something that featured on his first album, The Singing Stockman – which I ask him about.They haunt you, these new songs, in the way that they put you in the landscape with its space and silence and also its sounds and the life that’s humming all around you yet not always evident to the eye. That’s achieved through the production, sure, but it all starts with the artist’s intention – with the stories he has to tell and the way he wants to tell them. The album is an outstanding work. It was a pleasure to talk to Alexander about those songs, and much more. Buy Along the Boundary Line on BandcampListen to Along the Boundary Line on Apple MusicListen to Along the Boundary Line on SpotifyListen to Along the Boundary Line on YouTubeFor more Sunburnt Country Music:InstagramFacebook YouTubewebsite Substack Hosted on Acast. See acast.com/privacy for more information.
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  Dingo on the changing seasons of his musical life 23.06.2026 38min

  Towards the end of my first ever interview with Brandon Dodd, who records under the name Dingo (he’s released music under both, including the 2020 album What a Way to Die and Dingo and the Rising River in 2024), I realised that I’d seen him play a solo set right before the pandemic closed the nation, and world, down. Because the pandemic changed the shape of time – or so it seemed – and somewhat made life into a washing machine, I completely forgot about that set until he mentioned playing support for Patty Griffin. For it was at a Griffin show at Angel Place in Sydney that I saw him play, and thought he was terrific, and also wondered how long we might still be able to go to live shows. The answer, of course, came quickly after, and for two years there would be very little live music.Dingo was not idle during that time, nor has he been since, whether making his own music or helping others make theirs. Recently his name has been coming up more and more frequently as a producer, of the exceptional emerging artist Faith Williams and the beloved star Beccy Cole, amongst others; he works out of Rabbit Hole Recording Studio on the Central Coast of New South Wales, which he runs with his partner, Kasey Chambers.Chambers features in a great story Dingo tells in this interview, about learning to sing harmonies, when I asked him about how he’d developed his singing voice. He has plenty of very interesting things to say as we talk about his new single, ‘Autumn’, which is taken from his upcoming album Nightwire. I actually didn’t get to ask many of the questions I’d prepared because the conversation went in other directions, and when I’m interviewing I’d much rather follow the conversation than stick to a schedule. To the single, though, as it’s a lovely one: ‘Autumn’ is a love song built around the imagery of the season – leaves falling, and change as something to lean into rather than resist – and at its centre is the idea that you can fall in love again and again with the same person if you stay open to growth. The song (and forthcoming album) was produced not by Dingo but by the in-demand Jordan Power. ‘The best thing you can do is put the other hats down and just be the best artist that you can be,’ says Dingo when I ask why he handed over the role to someone else. Of the forthcoming album, Nightwire, Dingo says it’s ‘me being in love with songs – being in love with music, being just so wrapped up in it again and loving it for what it is.’ Indeed, this whole conversation demonstrated to me that he’s a man who truly loves being immersed in music, and who remains intrigued by it and by what’s possible with it. Suffice to say the release of that album can’t come soon enough.Dingo is currently on tour with the great Adam Harvey, then he’ll join the Ian Moss and Troy Cassar-Daley double header (dates below). In the midst of that he’ll be at the Deniliquin Ute Muster (details also below). 26th June – Bligh Park Hotel – South Windsor, NSW # 27th June – The Oaks Hotel – Albion Park Rail, NSW # 28th June – The Royal Hotel – Queanbeyan, NSW # Friday 28th August – Gympie Music Muster – Gympie, QLD 15th October - Events Centre Kings Theatre, Caloundra QLD * 16th October - Twin Towns - Tweed Heads, NSW * 17th October - Saraton Theatre – Grafton, NSW * 30th October - Commercial Club – Albury, NSW * 31st October - Civic Theatre - Wagga Wagga, NSW * 6th November - Anita’s Theatre – Thirroul, NSW * 7th November - Blue Mountains Theatre & Community Centre – Springwood, NSW * 12th November - The Art House – Wyong, NSW * 13th November – Glasshouse - Port Macquarie, NSW *  # With Adam Harvey / * With Ian Moss & Troy Cassar-Daley **Tickets on sale now and available via https://www.dingomusicofficial.com/#tour Dingo will also be performing at this year’s Deni Ute Muster, held on Friday 2nd and Saturday 3rd October 2026. Tickets are on sale now and available via deniutemuster.com.au.Listen to Dingo on Apple MusicListen to Dingo on SpotifyListen to Dingo on YouTubeFor more Sunburnt Country Music:InstagramFacebook YouTubewebsite Substack Hosted on Acast. See acast.com/privacy for more information.
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  Amber Lawrence is the boss of her own wild frontier 20.06.2026 24min

  Suburban Cowgirl, the latest album from beloved country music star Amber Lawrence, topped the Australian album and country album charts open release, and has held its spot. This will be no surprise to anyone who heard the singles leading up to it, including ‘That’s Cowgirl to Me’, which contains the line ‘I am the boss of my own wild frontier’ – which is a true statement when it comes to Lawrence, who has charted her course in country music with hard work, a wonderful songwriting talent and a live show that never fails to leave the audience uplifted. She has constantly chosen to go further into her own wild frontier and leads by example, as a generous performer and artist who lifts up those around her, including emerging artists.If it sounds like I’m a fan – I am. Not because it’s a default position but because I’ve seen Lawrence play live many times, I’ve interviewed her several times, and I love her albums. I also see her at shows around Sydney, so we know each other, well enough that I worked with her on the children’s book that she has released in tandem with the book (this work was in an unpaid advisory capacity, and came about because I work in book publishing and I’m a published author). The book is divine and as inspiring as her music and shows. It could not have been that without everything that has come before in Lawrence’s life and career, nor without the album that is its reason for existing. Suburban Cowgirl is chock full of anthems and singalong choruses. It has tributes to the joys to be found in everyday life (‘This Suburban Lifetime’ and ‘Smallest Years’) and the gratitude we can practise for that, to love of friends and family and home, and of her fans (‘We Ride At Dawn’, ‘Sing Me Home’). It also features a lovely duet with traditional country artist William Alexander (‘I’ve Got a Hankering’).I talk to Lawrence about all of this in our new interview. It is always wonderful to talk to her. She is one of the greats. Listen to Suburban Cowgirl on Apple MusicListen to Suburban Cowgirl on SpotifyListen to Suburban Cowgirl on YouTubeFor more Sunburnt Country Music:InstagramFacebook YouTubewebsite Substack Hosted on Acast. See acast.com/privacy for more information.
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  Mem Davis on why ‘It’s All Just Love’ 16.06.2026 26min

  Mem Davis is a singer, songwriter and – as I found out during this interview – a book editor from the south coast of New South Wales, although she’s currently not there, because she and partner Neil have been travelling Australia in a caravan since September last year, performing as the Mem Davis Duo along the way, with their elderly Boston terrier in tow.The musical life was not one Davis thought she would be leading. As she tells me, she spent years believing she couldn’t sing, having been told so by people close to her. It wasn’t until she was in her twenties that she booked a singing lesson and discovered that, as she says, ‘[e]verything I believed about myself was essentially thrown out the window’. She has been writing and performing ever since, though the happier songs, she notes, only arrived in her late thirties. ‘I realised music didn’t have to be therapy,’ she says.Davis’s latest single, ‘It’s All Just Love’, was produced by Liam Kennedy-Clark, a multi-instrumentalist and, as half of Wicker Suite, a Golden Guitar winner. The song uses bees as a central metaphor for community and the balance between individual responsibility and collective support. Davis attended the CMAA Academy of Country Music and writes regularly at the DAG songwriting retreat, where she has made connections she credits as among the most valuable of her career, a co-write with Luke O'Shea being a particular highlight. A second single, recorded with Kennedy-Clark, is due later in the year, with an album the eventual goal.At the time of recording the interview, Davis and Neil were based in Tamworth, preparing to head to the Northern Rivers. There are shows coming up, including one for the winter solstice in Uralla. Details at memdavis.com.Listen to ‘It’s All Just Love’ on Apple MusicListen to ‘It’s All Just Love’ on SpotifyListen to ‘It’s All Just Love’ on YouTubeFor more Sunburnt Country Music:InstagramFacebook YouTubewebsite Substack Hosted on Acast. See acast.com/privacy for more information.
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  Amy Solylo on being your own biggest red flag 15.06.2026 26min

  Some artists arrive with a statement – or a splash, as you prefer – and it’s immediately clear that it’s worth paying attention to them because whatever comes next is likely to be interesting. As is the case with Sydney country-pop artist Amy Solylo.Solylo has released one single, ‘He Wants Me (Dead)’ – and also an acoustic version of the song – and its combination of tongue-in-cheek self-awareness and whimsy offers something different and intriguing. The same combination is there when Solylo performs live, as she’s been doing a fair bit lately at Sydney country music institution Jolene’s, and it’s also clear that she is a born entertainer.As Solylo tells me in this new interview, the single is about being ‘your own biggest red flag’ and came about after she was blocked across all platforms by an ex. Solylo found one remaining avenue of communication – WhatsApp – and used it. The response she received was firm and clear … so she went home and wrote the song. Solylo came to songwriting through a childhood love of reading, and to music through early singing lessons and a hot pink guitar. It turned out that while she’s right-handed at everything else, she can only play guitar left-handed and, as leftie guitarists know, it’s not as easy to find instruments! (Although I can attest that she now has a lovely red guitar, as I’ve seen her playing it live.)It was a great pleasure to chat to Solylo and I look forward to hearing what she releases next – after she’s embarked on her next trip to Nashville, and all the adventure that promises.Listen to ‘He Wants Me (Dead)’ on Apple MusicListen to ‘He Wants Me (Dead)’ on SpotifyListen to ‘He Wants Me (Dead)’ on YouTubeFor more Sunburnt Country Music:InstagramFacebook YouTubewebsite Substack Hosted on Acast. See acast.com/privacy for more information.
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  Jake Whittaker on new EP In My Blood 14.06.2026 22min

  Jake Whittaker is a Queensland country rock artist who has been releasing music since 2023, appeared on Australian Idol last year, and has now released his debut EP, In My Blood – five tracks of upbeat, good-time country that in this new interview he describes as a deliberate antidote to sad music.‘People work really hard Monday to Friday and they don't want to go out Friday night and listen to sad, dreary music,’ he says. ‘That’s why I write and release stuff that suits that.’The EP was produced by Jared Adlam, one of the most in-demand producers in Australian country music and, in Whittaker’s case, also a close friend since they were seventeen. The songs were road-tested in live shows before being locked in, with any track that didn't land in front of a crowd not making the cut. 'If it’s a good chorus and verse, you'll remember it straight away,’ he says. ‘If you remember it, it’s worth remembering – and it’ll make a good song.’The lead single, ‘Hooked on Her’, was actually the first song written for the project, back in 2023, and sat waiting for the right moment for two years. ‘In My Blood’ was co-written with country star James Johnston on the back verandah at Adam Eckersley's place and completed in about an hour and a half. 'Boots On' emerged from a Sydney writing trip with Sarah Buckley of The Buckleys. ‘Guy with a Boat’ – a song about a man trying to convince himself and his partner that purchasing a boat was entirely necessary – was written with Brooke McClymont and Adam Eckersley at their property in a shed, over a couple of beers.Last year Whittaker appeared on Australian Idol, which brought its own particular challenges. While Whittaker is an experienced live performer, comfortable on stage, the Idol format required a different set of instincts. And there’s quite a story about how his audition song ended up being ‘Bohemian Rhapsody’ …Since Idol Whittaker has been focused on building momentum with live shows and new recordings. In this interview we talk about his support slot with The Wolfe Brothers (those shows are now past – unfortunately I wasn’t able to work fast enough to post this interview before they took place), plus Horsham Regfest, Townsville Country Fest and the Gympie Muster.  Listen to In My Blood on Apple MusicListen to In My Blood on SpotifyListen to In My Blood on YouTubeFor more Sunburnt Country Music:InstagramFacebook YouTubewebsite Substack Hosted on Acast. See acast.com/privacy for more information.
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  Kaylee Bell on new songs and big plans 14.06.2026 21min

  Kaylee Bell is from Aotearoa New Zealand and spent several years living in Australia, which means we can probably claim her … or at least share her! And she is certainly one of Australia’s favourite country music artists as her recent second win as CountryTown's Female Artist of the Year award proved. Her latest album, Cowboy Up, was released last year. Her new single is 'Me For Me', and even though Cowboy Up was released not that long ago, in this new interview Bell says she had more to say, because she’s lived a lot since she wrote that album.‘You've got to live to write,’ she says. ‘Songs might come in the couple of hours you’re in the room, but they’re born and living with you for a long time before they finally come out.’'Me For Me' was written with Tom Jordan and Phoebe Jasper,  who records under the name Navvy, and in the interview Bell talks about how the song came about, as a relaxed writing session with friends who were home over the summer, in which songs started flowing without pressure or agenda. ‘I feel like we've started almost a whole new record by accident,’ she says. The song itself is about knowing your worth, waiting for the right person, and loving that person for who they are in return. There were other songs that emerged from those summer sessions and they are likely to follow ‘Me For Me’.This is a wide-ranging conversation that takes in Bell’s recent Christmas single, the demands of being in the music industry, and how she’s used visualisation in her career (and what it has to do with sport). ‘The music industry humbles you in a way no other industry possibly could,’ she tells me. ‘One day you're on the mountaintop, next day you’re still working out what's going on.’We recorded this interview before Bell headed to Nashville to perform at CMA Fest, which has now happened, but I’ve left in that part of the interview as interviews are watched and listened to often years after the fact, so there will always be something that is out of date!‘Me For Me’ is out now.Listen to ‘Me For Me’ on Apple MusicListen to ‘Me For Me’ on SpotifyListen to ‘Me For Me’ on YouTubeFor more Sunburnt Country Music:InstagramFacebook YouTubewebsite Substack Hosted on Acast. See acast.com/privacy for more information.
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  Darren Gillis is having a ‘Hell of a Time’ 13.06.2026 23min

  There’s a very healthy country-music scene in Western Australia, and not just in and around Perth. I’ve interviewed artists from as far north as Broome and as far south as Margaret River and several spots in between. Darren Gillis is a country rock artist from Western Australia's Wheat Belt, and I hadn’t interviewed him before we had this chat about his new single, ‘Hell of a Time’. The interview was recorded a few weeks before the single’s release, and I had a cold at the time (hence my voice sounding quite scratchy), but the conversation was invigorating enough to help me forget all about that, because Gillis is so clearly passionate about music and the important role it’s played in his life and his wellbeing, as he talks about. Gillis has honed his skills as a performer and storyteller by doing a lot of live performance. In 2024 he Gillis took a gap year from work, loaded his guitar into a caravan and set off, first through his local area, then north to Shark Bay and east to Tamworth in New South Wales for his first ever festival, and eventually as far as Noosa Heads in Queensland. Four and a half months on the road, swapping live music for accommodation and playing pub gigs to fund the next leg of the journey. ‘I said yes to everything,’ he says. The caravan park crowds turned out to be his most important audiences – people pulling their chairs in close, actually listening, giving him real feedback on his original songs. This gave him confidence to keep writing songs, as he’d been doing since 2020, when a relationship breakdown left him isolated in a small town and he turned to music to work through it. Some of those songs have since been released. 'Cuss the Black Dog', which drew on both his personal experience and the losses of colleagues in his frontline work, became a finalist in the Western Australian Music Song of the Year award, and prompted lengthy, candid conversations with audience members, including veterans, domestic violence survivors, a sixteen-year-old who drew him a portrait after the show.His latest single, 'Hell of a Time', is a song about choosing to let go of whatever the week has thrown at you and be present with the people around you. It will be one of ten tracks on his debut album Rise and Fall, due in August. Gillis has several shows coming up include the Mandurah Country Music Festival in October alongside Kaylee Bell, the Wolfe Brothers and Max Jackson, plus the Boddington Rodeo in November.‘Hell of a Time’ is out now.Listen to ‘Hell of a Time’ on Apple MusicListen to ‘Hell of a Time’ on SpotifyListen to ‘Hell of a Time’ on YouTubeFor more Sunburnt Country Music:InstagramFacebook YouTubewebsite Substack Hosted on Acast. See acast.com/privacy for more information.
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  Darren Coggan on always believing in love – and music 09.06.2026 40min

  Many Australian music fans will know of Wagga Wagga-born Darren Coggan from his hugely popular shows featuring the music of John Denver or Cat Stevens (and he has a great story at that – you’ll have to listen to the interview to find out what it is!). These – along with his work in musical theatre, and as an actor – have kept him busy and touring the country for several years. However, Coggan had his start in country music. He’s a winner of Toyota Star Maker, and a contemporary of Beccy Cole, Adam Harvey and Felicity Urquhart, even touring with those three as the ‘Young Stars of Country’ several years ago, and again for a reunion show in 2019.In recent times Coggan has recorded music with his daughter, Olivia, and he’s now returned to original music with the moving single ‘Always Believe in Love’. As he tells me in this recent interview, the song came to him in a dream. Its message wouldn’t land, though, if Coggan didn’t walk the talk, so to speak. This is a man who loves what he does, is passionate about it, takes nothing for granted and is grateful for every opportunity. He has fully committed himself to music, and to bringing joy to audiences, and that’s what he’s doing this year too with an extensive Australian tour (dates below). It was a great pleasure – and hugely interesting – to talk to Coggan about his life and career thus far. I hope you enjoy listening to or watching this chat, and finding out more about this in-demand Australian entertainer, whom you can also catch on TV (if you’re in New South Wales) on Sydney Weekender. NB: There was the occasional wi-fi glitch in this interview, so the audio is off in some places.SEE DARREN COGGAN ON TOURFriday June 12 – West Gippsland Performing Arts Centre – Gippsland, VICSaturday June 13 - The Wedge – Sale, VIC Friday June 26 – The Jetty Theatre - Coffs Harbour, NSWSaturday June 27 – The Players Theatre - Port Macquarie, NSWThursday July 2 - The Powerhouse – Liverpool, NSW Wednesday July 22 - Ingham Theatre – Ingham, QLDThursday July 23 - Proserpine Entertainment Centre – Proserpine, QLD Saturday July 25 - HOTA - Surfers Paradise, QLDSunday July 26 - Majestic Theatre – Pomona, QLD Friday August 14 - Warners Bay Theatre – Warners Bay, NSW Saturday August 15 - Jetty Theatre - Coffs Harbour, NSWSunday August 16 - Coronation Hall - Coutts Crossing, NSW Saturday October 3 - Redcliffe Entertainment Centre – Redcliffe, QLD Friday October 9 - The J Theatre – Noosa, QLD Saturday October 10 - The Events Centre – Caloundra, QLDFriday October 16 – The Estate – Camden, NSW **Tickets on sale now and available via https://www.darrencoggan.com/Listen to Darren Coggan on Apple MusicListen to Darren Coggan on SpotifyListen to Darren Coggan on YouTubeFor more Sunburnt Country Music:InstagramFacebook YouTubewebsite Substack Hosted on Acast. See acast.com/privacy for more information.