All About Art

Episódios

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  Career Cheat Codes and Building a Personal Brand: ART WORLD EDITION with Courtney Johnson 13.08.2026 37min

  In this episode, I sat down with Courtney Johnson, career strategist, social media expert, and author of ⁠Career Cheat Codes.⁠Courtney is someone who built an audience of millions by loudly and openly sharing some hard truths about career advice:Working hard in silence is not a strategy, and it won’t get you extra “humility” points.Visibility is a skill.Knowing how to make the right people aware of what you do is just as important as doing it well.Her “Problematic Career Cheat Codes” series went viral on TikTok before becoming a book, which is itself a masterclass in the very principles she writes about.In this episode, we talk about what personal brand actually means for people who would never describe themselves as content creators and about how the art world might be one of the industries that needs this conversation most urgently. We get into the unspoken rules of competitive, gatekept industries, how to convert visibility into opportunity, and what it looks like to build a career with intention rather than just accumulating experience and hoping someone notices. We also compare notes as two authors who have recently released books on career-building in very different worlds, which made for a conversation I found incredibly useful not only for listeners but also for my own thinking and growth.I think this episode will resonate whether you work in the arts or not, and if you do work in the arts, it might reframe a few things you’ve been told in terms of what it means to go down predetermined paths or what it means to create your own from scratch.Thank you Courtney for coming on the podcast! - - - - - If you love what we do, support ALL ABOUT ART on PATREON!  ⁠https://www.patreon.com/allaboutart⁠Keep up to date on Instagram @allaboutartpodcast  ⁠https://www.instagram.com/allaboutartpodcast/⁠ ABOUT THE HOST:I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector.SOCIALS: Instagram⁠ @alexandrasteinacker https://www.instagram.com/alexandrasteinackerand LinkedIn at ⁠Alexandra Steinacker-Clark⁠ https://www.linkedin.com/in/alexandra-steinacker/This episode is produced at Synergy https://synergy.tech/the-clubhouse/the-podcast-studio/ COVER ART: Lisa Schrofner a.k.a Liser⁠ ⁠⁠https://www.liser-art.com/ and Luca Laurence https://www.graffitikunst.at/
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  Programming Art in Open Air: Inside Yorkshire Sculpture Park with Dr. Alex Hodby 04.08.2026 41min

  Yorkshire Sculpture Park is one of the most distinctive arts institutions in the UK, and indeed in Europe, being the largest sculpture park on the continent. Set across 500 acres of West Yorkshire countryside, it has worked with over 1,000 artists across its 49-year history, and the landscape itself is as much a part of the experience as the work within it.In this conversation, Alex takes us inside what it means to programme at that scale and in that context. We talk abouther path to the role, including her earlier time at YSP and what brought her backand what makes programming in an outdoor setting so fundamentally different from working in a traditional gallery or museumWe get intohow YSP builds and sustains its artist relationships over timehow accessibility plays out when your gallery is essentially a landscapeand how the broader conversation around land, ecology, and heritage has shaped the curatorial direction of the programme.I had a wonderful time up at YSP, so a huge THANK YOU to the team there as well as the lovely team at Sutton for getting me to the sculpture park, allowing me to walk amongst the adorable sheep 🐑, and experience the wonderful ways of outdoor art. ✨👉 I 1000/10 recommend making a trip to West Yorkshire to experience it for yourself! 👈✨You can follow YSP on Instagram here: https://www.instagram.com/yspsculpture/?hl=en- - - - - If you love what we do, support ALL ABOUT ART on PATREON!  ⁠https://www.patreon.com/allaboutart⁠Keep up to date on Instagram @allaboutartpodcast  ⁠https://www.instagram.com/allaboutartpodcast/⁠ ABOUT THE HOST:I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector.SOCIALS: Instagram⁠ @alexandrasteinacker https://www.instagram.com/alexandrasteinackerand LinkedIn at ⁠Alexandra Steinacker-Clark⁠ https://www.linkedin.com/in/alexandra-steinacker/This episode is produced at Synergy https: //synergy.tech/the-clubhouse/the-podcast-studio/ COVER ART: Lisa Schrofner a.k.a Liser⁠ ⁠⁠https://www.liser-art.com/ and Luca Laurence https://www.graffitikunst.at/
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  Leadership & Institutional Innovation - Inside the Yale Schwarzman Center with Rachel Fine 17.07.2026 47min

  Arts Leadership & Institutional Innovation - Inside the Yale Schwarzman Center with Rachel FineIn this episode, I sat down with Rachel Fine, Executive Director of the Yale Schwarzman Center in the United States of America.Rachel is someone who came to arts leadership without a roadmap, as I think most of us do. She trained as a pianist and found her way into arts admin almost by accident, through gaining experience in different areas.So, in this episode, we talk about what the Yale Schwarzman Center actually is and does, both on a local and international scale, because I do think it allows us in the industry to think more widely about community and culture - especially as I was coming to this interview from a more fine art angle, and she was coming at it from a musical angle.I ask her about what her role as executive director entails, and she goes into depth on what it means to run an institution of this size. We spend a good deal of time talking about career paths and how Rachel fell into arts administration, why fundraising is more central to arts leadership than people like to admit, what the financial reality of this field actually looks like and if you can have a stable career in it, and where someone who wants to work in the cultural industries should start.Thank you Rachel for coming on the podcast!You can follow the Yale Schwarzman Center on Instagram here: https://www.instagram.com/yale_schwarzman/  and find out more at https://schwarzman.yale.edu/ - - - - - If you love what we do, support ALL ABOUT ART on PATREON!  ⁠https://www.patreon.com/allaboutart⁠Keep up to date on Instagram @allaboutartpodcast  ⁠https://www.instagram.com/allaboutartpodcast/⁠ ABOUT THE HOST:I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector.SOCIALS: Instagram⁠ @alexandrasteinacker https://www.instagram.com/alexandrasteinackerand LinkedIn at ⁠Alexandra Steinacker-Clark⁠ https://www.linkedin.com/in/alexandra-steinacker/This episode is produced at Synergy https://synergy.tech/the-clubhouse/the-podcast-studio/ COVER ART: Lisa Schrofner a.k.a Liser⁠ ⁠⁠https://www.liser-art.com/ and Luca Laurence https://www.graffitikunst.at/Research and Creative Assistant: Iris Epstein
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  A Reflection on Entrepreneurship vs Intrapreneurship in Creative Careers 26.06.2026 15min

  In this episode, I explore the concepts of ‘entrepreneurship’ and ‘intrapreneurship’ in the arts. The two are often framed as opposites, but actually I find they they sit on a spectrum, so I also draw on my recent conversation with Ben Luke (the previous episode to this one) as a jumping-off point while bringing in some other non-art examples.Using my own experience producing All About Art independently, I weigh the pros and cons of intrapreneurship versus going it alone. This covers the financial support and institutional credibility you gain on one side, and the editorial constraints and metric pressures you take on on the other.The question I leave you with in this episode is: where do you currently have the most room to create something meaningful?- - - - - If you love what we do, support ALL ABOUT ART on PATREON!  ⁠https://www.patreon.com/allaboutart⁠Keep up to date on Instagram @allaboutartpodcast  ⁠https://www.instagram.com/allaboutartpodcast/⁠ ABOUT THE HOST:I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector.SOCIALS: Instagram⁠ @alexandrasteinacker https://www.instagram.com/alexandrasteinackerand LinkedIn at ⁠Alexandra Steinacker-Clark⁠ https://www.linkedin.com/in/alexandra-steinacker/This episode is produced at Synergy https://synergy.tech/the-clubhouse/the-podcast-studio/ COVER ART: Lisa Schrofner a.k.a Liser⁠ ⁠⁠https://www.liser-art.com/ and Luca Laurence https://www.graffitikunst.at/Research and Creative Assistant: Iris Epstein
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  What Is Art For? Ben Luke on Interviewing, Intrapreneurship & The Art Newspaper 12.06.2026 52min

  In this episode, I sat down one of my dream guests… fellow podcaster Ben Luke, contributing editor of The Art Newspaper and presenter of its podcasts ‘A brush with...’ and ‘The Week in Art’. I speak to Ben about his background and the path that brought him to one of the art world’s most prominent publications. We talk about the podcasts he hosts at TAN (The Art Newspaper), how they came about, and what it actually looks like to build something from within an existing institution rather than going independent.I ask him about any potential trade-offs of an intrapreneurial approach: the perks, the constraints, and what anyone thinking of pitching a project to their employer might want to consider. We also speak in depth about his book, What is Art For?. I ask him how it came together, why he chose to weave contemporary artist interviews with historical reflections, and how he approaches the art of the interviewing as a method in itself.Thank you Ben for coming on the podcast!- - - - - If you love what we do, support ALL ABOUT ART on PATREON!  ⁠https://www.patreon.com/allaboutart⁠Keep up to date on Instagram @allaboutartpodcast  ⁠https://www.instagram.com/allaboutartpodcast/⁠ ABOUT THE HOST:I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector.SOCIALS: Instagram⁠ @alexandrasteinacker https://www.instagram.com/alexandrasteinackerand LinkedIn at ⁠Alexandra Steinacker-Clark⁠ https://www.linkedin.com/in/alexandra-steinacker/This episode is produced at Synergy https://synergy.tech/the-clubhouse/the-podcast-studio/ COVER ART: Lisa Schrofner a.k.a Liser⁠ ⁠⁠https://www.liser-art.com/ and Luca Laurence https://www.graffitikunst.at/Research and Creative Assistant: Iris Epstein 
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  Biennales, Explained: History, Controversy, and What's Next 28.05.2026 18min

  What exactly is a biennale, and why do they matter in the art world? In this solo episode, I’m breaking down one of the art world’s most iconic and contested formats, from its origins at the very first Venice Biennale in 1895 to the sprawling, politically charged mega-exhibitions we know today.In the episode, we move through the history of how biennales evolved from nationalist showcases into curator-led events grappling with postcolonial discourse, identity politics, and climate change. I then touch on some of the most influential editions across Venice, São Paulo, Kassel, and beyond. We get into the controversies, including the the Dana Schutz and Open Casket debate at the 2017 Whitney Biennial, the board resignation that followed artist protests in 2019, and the antisemitism scandal that overshadowed Documenta 15 in 2022.Sources:Paintings from the Venice Biennale – ListoryIn 1895, the 1st Venice Biennale faces its first censorship scandal – Arte BrasileirosThe Dana Schutz Emmett Till painting controversy at the Whitney Biennial – The GuardianWarren Kanders resigns from Whitney Museum board – The New York TimesStatement by Taring Padi on dismantling People's Justice – Documenta FifteenWho Killed the Independent Curator? – Frieze- - - - - If you love what we do, support ALL ABOUT ART on PATREON!  ⁠https://www.patreon.com/allaboutart⁠Keep up to date on Instagram @allaboutartpodcast  ⁠https://www.instagram.com/allaboutartpodcast/⁠ ABOUT THE HOST:I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector.SOCIALS: Instagram⁠ @alexandrasteinacker https://www.instagram.com/alexandrasteinackerand LinkedIn at ⁠Alexandra Steinacker-Clark⁠ https://www.linkedin.com/in/alexandra-steinacker/This episode is produced at Synergy https://synergy.tech/the-clubhouse/the-podcast-studio/ COVER ART: Lisa Schrofner a.k.a Liser⁠ ⁠⁠https://www.liser-art.com/ and Luca Laurence https://www.graffitikunst.at/Research and Creative Assistant: Iris Epstein
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  🇮🇹 BIENNALE EXCLUSIVE with the Icelandic Pavilion in Venice 06.05.2026 25min

  Boats passing, waves lapping along the sides of buildings in the city of canals… and I am sitting outside the Icelandic Pavilion, peeking into the Pocket Universe created by artist Ásta Fanney Sigurðardóttir. For this Biennale Exclusive episode, I speak to Ásta about her work and the exhibition she created for this year’s Venice Biennale In Minor Keys, but I also got to speak to Cecilie Ragnheiðardóttir Gaihede, the Director of the Icelandic Art Centre, and the co-curator of Pocket Unviverse, Margrét Áskelsdóttir. I ask them about their roles, what the experience has been like to put together a national pavilion for an international stage, why it’s important to participate in the Venice Biennale as a nation, and so much more.- - - - - If you love what we do, support ALL ABOUT ART on PATREON!  ⁠https://www.patreon.com/allaboutart⁠Keep up to date on Instagram @allaboutartpodcast  ⁠https://www.instagram.com/allaboutartpodcast/⁠ ABOUT THE HOST:I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector.SOCIALS: Instagram⁠ @alexandrasteinacker https://www.instagram.com/alexandrasteinackerand LinkedIn at ⁠Alexandra Steinacker-Clark⁠ https://www.linkedin.com/in/alexandra-steinacker/COVER ART: Lisa Schrofner a.k.a Liser⁠ ⁠⁠https://www.liser-art.com/ and Luca Laurence https://www.graffitikunst.at/
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  5 Years, 130+ Interviews & One Book: What I've Learned About Working in the Arts 10.04.2026 15min

  ALL ABOUT ART TURNED 5 in April !!! On April 2nd, 2021, deep in Covid lockdowns, I decided to launch the pod. Now, in 2026, here we are - with a global audience spanning over 115 countries, thousands of downloads and monthly listeners, collaborations with institutions and amazing cultural professionals, and… A BOOK DEAL.I started this podcast because I had no idea what working in the art world actually looked like. My university wasn’t telling me, career services wasn’t telling me, books weren’t telling me, so I started asking people directly and wanted to record it all.To commemorate 5 years of All About Art AND the launch of my book Working in Art: How to build a career in the art world all within the span of a week, in this special episode, I share five lessons drawn from over 130 conversations with museum directors, curators, gallerists, art handlers, auction house specialists, and more.There’s also a lot I wish someone had just told me a decade ago when I was starting out in the arts, which is, honestly, the reason the book exists. Working in Art is the first book written specifically for people who want to work in the art world but aren’t making art themselves. No equivalent existed when I was starting out, and it should have…. so now, it does 😉- - - - - If you love what we do, support ALL ABOUT ART on PATREON!  ⁠https://www.patreon.com/allaboutart⁠Keep up to date on Instagram @allaboutartpodcast  ⁠https://www.instagram.com/allaboutartpodcast/⁠ ABOUT THE HOST:I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector.SOCIALS: Instagram⁠ @alexandrasteinacker https://www.instagram.com/alexandrasteinackerand LinkedIn at ⁠Alexandra Steinacker-Clark⁠ https://www.linkedin.com/in/alexandra-steinacker/This episode is produced at Synergy https://synergy.tech/the-clubhouse/the-podcast-studio/ COVER ART: Lisa Schrofner a.k.a Liser⁠ ⁠⁠https://www.liser-art.com/ and Luca Laurence https://www.graffitikunst.at/Research and Creative Assistant: Iris Epstein
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  What Is an Art Foundation, Actually? 26.03.2026 14min

  What Is an Art Foundation, Actually?The word “foundation” appears quite frequently in the art world, but I feel like most people, including those already working in the sector, would perhaps struggle to define what one actually is. This episode attempted to tackle that definition, and it may have clarified some things, but I also think it made things more confusing. 🤪Inspired by my recent interview with Elisa Nuyten of the Vega Foundation (scroll further down for that episode😇), I got curious about the structural side of things. I cover:What foundations doHow they’re fundedWho works in themAnd where they sit in the broader art ecosystem.I found it interesting to also trace the history of art foundations from Renaissance patronage through to the Guggenheim, the Warhol Foundation, Dia Art Foundation, and Prada Foundation, for example. I look at why foundations get established in the first place (legacy, tax structures, private wealth, artistic mission) and what makes them different from museums, galleries, and artist-run spaces.A final note to this, and why I was motivated to look into it more: because public arts funding has been cut repeatedly in the UK (and elsewhere), foundations are increasingly filling gaps that governments no longer fill.- - - - - If you love what we do, support ALL ABOUT ART on PATREON!  ⁠https://www.patreon.com/allaboutart⁠Keep up to date on Instagram @allaboutartpodcast  ⁠https://www.instagram.com/allaboutartpodcast/⁠ ABOUT THE HOST:I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector.SOCIALS: Instagram⁠ @alexandrasteinacker https://www.instagram.com/alexandrasteinackerand LinkedIn at ⁠Alexandra Steinacker-Clark⁠ https://www.linkedin.com/in/alexandra-steinacker/This episode is produced at Synergy https://synergy.tech/the-clubhouse/the-podcast-studio/ COVER ART: Lisa Schrofner a.k.a Liser⁠ ⁠⁠https://www.liser-art.com/ and Luca Laurence https://www.graffitikunst.at/Research and Creative Assistant: Iris Epstein 
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  From Collector to Founder: Elisa Nuyten on Building The Vega Foundation 13.03.2026 33min

  From Collector to Founder: Elisa Nuyten on Building The Vega FoundationIn this episode, I sat down with Elisa Nuyten, founder of The Vega Foundation, a Toronto-based organization dedicated to artists' film and video.I speak to Elisa about what her foundation does - supporting a medium that many of us love but that often exists in the margins of the art world. We talk about her journey from collector to foundation founder, including the practical realities of launching a foundation - the building blocks, the governance structures, and why she chose Toronto and Canada as home base.I ask her about specific works from her collection that have shaped how she approaches the arts today, and why she felt compelled to focus specifically on moving image practices despite - or perhaps because of - the challenges this medium presents for collecting and display. We talk about how the Vega Foundation has evolved over its first three years, the psychology of supporting experimental work, the unseen infrastructure that makes artists' film and video possible, and so much more.Thank you Elisa for coming on the podcast!You can follow The Vega Foundation on Instagram here: https://www.instagram.com/thevegafoundation/You can check out The Vega Foundation's website here: https://www.thevegafoundation.com/- - - - - If you love what we do, support ALL ABOUT ART on PATREON!  ⁠https://www.patreon.com/allaboutart⁠Keep up to date on Instagram @allaboutartpodcast  ⁠https://www.instagram.com/allaboutartpodcast/⁠ ABOUT THE HOST:I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector.SOCIALS: Instagram⁠ @alexandrasteinacker https://www.instagram.com/alexandrasteinackerand LinkedIn at ⁠Alexandra Steinacker-Clark⁠ https://www.linkedin.com/in/alexandra-steinacker/This episode is produced at Synergy https://synergy.tech/the-clubhouse/the-podcast-studio/ COVER ART: Lisa Schrofner a.k.a Liser⁠ ⁠⁠https://www.liser-art.com/ and Luca Laurence https://www.graffitikunst.at/Research and Creative Assistant: Iris Epstein
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  'Passion Tax': Can You Actually Afford to Work in the Arts? 27.02.2026 15min

  This week’s episode of All About Art talks about money 💶💰💸👛💷✨👩‍💻. The art world - well, in every profession I think, not just in our bubble - only speaks about it in whispers or over a few glasses of wine (if at all) but the silence around salaries and financial sustainability is actively harming people, especially those without a financial safety net behind them. Espeically now, when on last weekend’s episode of Sunday with Laura Kuenssberg on the BBC, Shadow Education Secretary Laura Trott (Conservative MP) stated that the Conservatives plan to stop government funding for "dead-end" university courses (meaning creative arts) if they win the next general election. (Source: Arts Professional)Although this episode was written and recorded before that interview aired, it is still an important listen. Drawing on data from the SML x ArtTactic Talent Report and my own career trajectory, I break down what jobs in the art world actually pay (spoiler: often less than the London Living Wage), why museum roles are structurally inaccessible to working-class applicants, and what the access problem really looks like in practice.I also share practical advice including:the questions I now ask myself before taking on unpaid workhow I managed my budget in my early London careerand why transparency around money is one of the most radical things we can do for this industry.Whether you’re just starting out, feeling stuck in a low salary, or wondering how anyone affords working in culture, this episode is for you.-------If you love what we do, support ALL ABOUT ART on PATREON!  ⁠https://www.patreon.com/allaboutart⁠Keep up to date on Instagram @allaboutartpodcast  ⁠https://www.instagram.com/allaboutartpodcast/⁠ ABOUT THE HOST:I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector.SOCIALS: Instagram⁠ @alexandrasteinacker https://www.instagram.com/alexandrasteinackerand LinkedIn at ⁠Alexandra Steinacker-Clark⁠ https://www.linkedin.com/in/alexandra-steinacker/This episode is produced at Synergy https://synergy.tech/the-clubhouse/the-podcast-studio/ COVER ART: Lisa Schrofner a.k.a Liser⁠ ⁠⁠https://www.liser-art.com/ and Luca Laurence https://www.graffitikunst.at/Research and Creative Assistant: Iris Epstein
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  The Truth About Art World Careers: Inside Talent, Hiring, & Strategic Navigation with former co-managing partner of Sophie Macpherson Ltd. 13.02.2026 40min

  The Truth About Art World Careers: Inside Talent, Hiring, & Strategic Navigation with former co-managing partner of Sophie Macpherson Ltd.In this episode, I sat down with Rosie Allan, former co-Managing Partner of Sophie Macpherson, a leading recruitment firm specializing in the art market.I speak to Rosie about her journey into art world talent and recruitment, and what drew her to this particular corner of the industry. We talk about the groundbreaking Art Market Talent Reports that Sophie Macpherson has released over the past few years - research that has sparked essential conversations about working conditions, career pathways, and structural challenges across the sector.I ask her about the UK Employment Rights Bill and what it actually means for people working in galleries, auction houses, and museums today. We discuss what a strategic job search looks like in the current landscape, how the process differs between the US and UK art markets, and what mid-level professionals can do to convince employers they're ready for senior roles.We also talk about career progression in an industry where traditional advice doesn't always apply, Rosie's decision to step down as co-managing partner after years with the company, and so much more.Thank you Rosie for coming on the podcast!You can follow Sophie Macpherson Ltd on Instagram here: https://www.instagram.com/smlsearch/You can follow Rosie here:https://www.instagram.com/rosieallan_art/You can check out SML’s website here: https://www.sophiemacpherson.com/- - - - - If you love what we do, support ALL ABOUT ART on PATREON!  ⁠https://www.patreon.com/allaboutart⁠Keep up to date on Instagram @allaboutartpodcast  ⁠https://www.instagram.com/allaboutartpodcast/⁠ ABOUT THE HOST:I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector.SOCIALS: Instagram⁠ @alexandrasteinacker https://www.instagram.com/alexandrasteinackerand LinkedIn at ⁠Alexandra Steinacker-Clark⁠ https://www.linkedin.com/in/alexandra-steinacker/This episode is produced at Synergy https://synergy.tech/the-clubhouse/the-podcast-studio/ COVER ART: Lisa Schrofner a.k.a Liser⁠ ⁠⁠https://www.liser-art.com/ and Luca Laurence https://www.graffitikunst.at/Research and Creative Assistant: Iris Epstein 
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  From Tip Jars to Patreon: Rebuilding Arts Funding from the Ground Up? 30.01.2026 16min

  From Tip Jars to Patreon: Rebuilding Arts Funding from the Ground Up?This week’s episode of All About Art tackles “patronage”, but on the micro scale. You’ve surely seen it before: “Buy me a Ko-Fi!” “Support me on Patreon!” and more - the latter of which you hear every time to tune into an episode of All About Art, because these sites allow your community to show support for the work they love and engage with.So, using FOLLOW.ART’s Support My Practice feature as one of my case studies, I dive deeper into the initiatives helping reshape how creative work gets funded. I explore why these models emerged, what they're replacing, and what it actually feels like to ask for support as a creator, especially when you are juggling so many other platforms (spoiler: it's complicated!).I also share some personal reflections on running this podcast for the last five years, the mental & emotional tax of self-promotion, and why £3 a month from one listener can make all the difference. So, whether you're a creator navigating these platforms (FOLLOW.ART is for curators and artists specifically), or you’re someone who's wondered if those small contributions actually matter, or maybe you’re just curious about the future of creative sustainability, this episode offers a little bit of an overview of where we are and where we might be heading with micro-patronage. You can follow FOLLOW.ART on Instagram here: https://www.instagram.com/followart.world/You can check out FOLLOW.ART’s website here: https://follow.art/ℹ️ #paidpartnership with FOLLOW.ART- - - - - If you love what we do, support ALL ABOUT ART on PATREON!  ⁠https://www.patreon.com/allaboutart⁠Keep up to date on Instagram @allaboutartpodcast  ⁠https://www.instagram.com/allaboutartpodcast/⁠ ABOUT THE HOST:I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector.SOCIALS: Instagram⁠ @alexandrasteinacker https://www.instagram.com/alexandrasteinackerand LinkedIn at ⁠Alexandra Steinacker-Clark⁠ https://www.linkedin.com/in/alexandra-steinacker/This episode is produced at Synergy https://synergy.tech/the-clubhouse/the-podcast-studio/ COVER ART: Lisa Schrofner a.k.a Liser⁠ ⁠⁠https://www.liser-art.com/ and Luca Laurence https://www.graffitikunst.at/Research and Creative Assistant: Iris Epstein 
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  How Curators & Artists Are Supported In The Digital Age, with Evelina Gorbačova, Head of Digital Development at FOLLOW.ART 16.01.2026 46min

  How Curators & Artists Are Supported In The Digital Age, with Evelina Gorbačova, Head of Digital Development at FOLLOW.ARTFOLLOW.ART is a platform working to reshape how artists and curators connect in the digital age - You should listen in if you are interested in working at the intersection of art and technology, working at a startup compared to more traditional roles in either tech or the art world, or you are an artist and/or curator wanting to find digital career support online. We talk about the exclusions that curators and artists face in existing digital ecosystems - how they're often left out or underserved by platforms that weren't built with their needs in mind - and how FOLLOW.ART is trying to address those gaps. I ask her about the Nexus Card, a digital identity format that the team describes as "the heart of FOLLOW.ART," and why they chose to build this rather than just another social media profile or portfolio site. We discuss the technical challenges of combining physical art world interactions with digital infrastructure, how the team thinks about balancing accessibility with building a sustainable business, and so much more.Thank you Evelīna for coming on the podcast and FOLLOW.ART for the partnership!You can follow FOLLOW.ART on Instagram here: https://www.instagram.com/followart.world/You can check out FOLLOW.ART’s website here: https://follow.art/ℹ️ #paidpartnership with Follow.Art- - - - - If you love what we do, support ALL ABOUT ART on PATREON!  ⁠https://www.patreon.com/allaboutart⁠Keep up to date on Instagram @allaboutartpodcast  ⁠https://www.instagram.com/allaboutartpodcast/⁠ ABOUT THE HOST:I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector.SOCIALS: Instagram⁠ @alexandrasteinacker https://www.instagram.com/alexandrasteinackerand LinkedIn at ⁠Alexandra Steinacker-Clark⁠ https://www.linkedin.com/in/alexandra-steinacker/This episode is produced at Synergy https://synergy.tech/the-clubhouse/the-podcast-studio/ COVER ART: Lisa Schrofner a.k.a Liser⁠ ⁠⁠https://www.liser-art.com/ and Luca Laurence https://www.graffitikunst.at/Research and Creative Assistant: Iris Epstein 
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  The Great Art Fraud: Performance, Pretty Privilege & an $86 Million Scandal 19.12.2025 15min

  The Great Art Fraud: Performance, Pretty Privilege & an $86 Million ScandalThis week’s episode of All About Art dives into one of the biggest recent scandals in contemporary art. It’s based on my recent experience watching the BBC’s The Great Art Fraud, which chronicles Inigo Philbrick’s spectacular $86 million fraud that shook the art world to its core.I discuss a range of factors that led to this happening, from the halo effect and “pretty privilege” to the culture of opacity that still defines high-value art deals. I explore how Philbrick sold a lifestyle as much as he sold art - and how the BBC’s documentary, perhaps unintentionally, keeps that performance of glamor alive.We discuss the gaps in regulation, the role of symbolic capital in luxury markets, and why the documentary’s hero’s journey framing (I explain why I think its framed like this) feels kind of uncomfortably forgiving. Will the art world forget this scandal and engage in art deals with Philbrick in the future? It sure did feel like it towards the end…If you’ve watched the series or are fascinated by the intersection of psychology, performance, and market failure, I would love for you to have a listen & leave a comment to share your thoughts!Image & Media CreditsJay Jopling photograph: Oli Scarff / Getty Images, via Artnet NewsKenny Schachter image: Courtesy of Sotheby’sInigo Philbrick image: Getty Images, via The New York TimesThe Great Art Fraud promotional artwork: BBCAdditional images (if applicable): Courtesy KennySchachter.artImage & Source CreditsThis episode includes images sourced from Getty Images, Sotheby’s, The New York Times, the BBC, and KennySchachter.art. Images are presented solely for purposes of criticism, commentary, news reporting, and education. All copyrighted material remains the property of its respective rights holders. No copyright infringement is intended. Images are displayed at reduced resolution and only for the duration necessary to support commentary.📌 REFERENCE LINKSArtnet News piece on White Cube & Jay Jopling — Artnet News article. Artnet News: White Cube Paris gallery news and Jay Jopling image sourceSotheby’s Sotheby's Brightspot profile on Kenny Schachter — Sotheby’s webpage. Sotheby’s: The Hoarder III: A Moment With Kenny SchachterThe Art Newspaper coverage of Inigo Philbrick’s fraud case (image & article) — Art Newspaper story including imagery. The Art Newspaper: Philbrick fraud case image & storyGuardian article on Inigo Philbrick (Christie’s invoice referenced) — The Guardian coverage of Philbrick’s art world swindle. The Guardian: Inigo Philbrick art world swindle and Christie’s referenceIMDb listing for The Great Art Fraud — BBC documentary info and promotional assets. https://www.imdb.com/de/title/tt38048757/ YOU CAN SUPPORT ALL ABOUT ART ON PATREON HERE: ⁠https://www.patreon.com/allaboutart⁠FOLLOW ALL ABOUT ART ON INSTAGRAM HERE: ⁠https://www.instagram.com/allaboutartpodcast/⁠ ABOUT THE HOST:I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector.Here are links to my social media, feel free to reach out:Instagram⁠ @alexandrasteinacker   ⁠and LinkedIn at ⁠Alexandra Steinacker-Clark⁠This episode is produced at Synergy https://synergy.tech/the-clubhouse/the-podcast-studio/ COVER ART: Lisa Schrofner a.k.a Liser⁠ ⁠⁠www.liser-art.com⁠ and Luca Laurence www.lucalaurence.com Research and Creative Assistant: Iris Epstein
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  The Mind Control of Mount Making with Alex Abbott, Director of Dauphin 06.12.2025 47min

  The Mind Control of Mount Making with Alex Abbott, Director of DauphinIn this episode, I sat down with Alex Abbott, Art Consultant and Director of Dauphin, a company that specializes in displays and mounts.I speak to Alex about what his company does - which a lot of you have certainly come into contact with but not been fully aware of. Alex does the unseen work of ensuring the objects we view and love in museums, galleries, and homes are mounted with safety and care. That ancient jug you saw last week at the Museum of Natural History? That was mounted and tilted at a 40 degree angle by Alex and his team, but his main objectives are not to impress the viewer with his skills of mounting a work of art or history - his objective is that his work remains as invisible as possible while keeping whatever it is he is working with, safe. I speak to Alex about the artworks he has worked with in the past, including Barbara Heptworth sculptures and suits of armor. I ask him what sort of things need to be considered when consulting on how works of art or objects should be displayed, and also what its like to be director of a company at quite a young age - he took the helm of Dauphin at just 25 years old. We talk about the psychology of displays, the unseen work of mount makers in the arts, so much more. Thank you Alex for coming on the podcast!You can follow Dauphin on Instagram here: https://www.instagram.com/dauphinacrylic/You can check out Dauphin here: https://www.dauphin.co.uk/YOU CAN SUPPORT ALL ABOUT ART ON PATREON HERE: ⁠https://www.patreon.com/allaboutart⁠FOLLOW ALL ABOUT ART ON INSTAGRAM HERE: ⁠https://www.instagram.com/allaboutartpodcast/⁠ ABOUT THE HOST:I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector.Here are links to my social media, feel free to reach out:Instagram⁠ @alexandrasteinacker   ⁠Twitter ⁠@alex_steinacker⁠and LinkedIn at ⁠Alexandra Steinacker-Clark⁠This episode is produced at Synergy https://synergy.tech/the-clubhouse/the-podcast-studio/ COVER ART: Lisa Schrofner a.k.a Liser⁠ ⁠⁠www.liser-art.com⁠ and Luca Laurence www.lucalaurence.com Research and Creative Assistant: Iris Epstein
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  I wrote the perfect book for anyone who wants to work in the arts 🚀📚 (Working in Art coming April 2026!) 22.11.2025 9min

  My forthcoming book Working in Art has officially beeen announced as available for pre-order, with publication coming in April 2026.So, on this week’s episode of All About Art, I walk you through what went into creating this book - the travel to 9 cities across 5 countries, the interviews with arts professionals I deeply admire, and the honest moments of self-doubt along the way. I explain why I felt this book needed to exist: the arts and cultural sector contributes £19.1 billion to the UK economy annually, yet fewer than 8 state schools offer History of Art at A-level. How are young people supposed to know what career paths are available if we don’t show them?This episode is more personal than usual. I talk about the process of organizing interviews, editing down lengthy transcripts, and working through the fear of whether my own writing was good enough. I also share who this book is for - whether you’re considering entering the arts sector, already working in it, or simply curious about the range of careers that exist beyond artist or gallerist.You can pre-order the book here: https://www.alexandrasteinacker.com/bookYOU CAN SUPPORT ALL ABOUT ART ON PATREON HERE: ⁠https://www.patreon.com/allaboutart⁠FOLLOW ALL ABOUT ART ON INSTAGRAM HERE: ⁠https://www.instagram.com/allaboutartpodcast/⁠ ABOUT THE HOST:I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector.Here are links to my social media, feel free to reach out:Instagram⁠ @alexandrasteinacker   ⁠and LinkedIn at ⁠Alexandra Steinacker-Clark⁠This episode is produced at Synergy https://synergy.tech/the-clubhouse/the-podcast-studio/ COVER ART: Lisa Schrofner a.k.a Liser⁠ ⁠⁠www.liser-art.com⁠ and Luca Laurence www.lucalaurence.com Research and Creative Assistant: Iris Epstein
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  Designing a Fair Marketplace for Artists and Collectors with Bibi Zavieh, Founder of newcube 14.11.2025 57min

  New episode of ‘All About Art’: Designing a Fair Marketplace for Artists and Collectors with Bibi Zavieh, Founder of newcubeIn this episode, I sat down with Bibi Zavieh, Founder of newcube.art, an artist platform and art advisory.I speak to Bibi about her experiences at Christie’s and ArtNet before she ventured into entrepreneurship and launched newcube right before the covid lockdowns.I ask her about how she works with both artists as well as collectors, and how this new business model fits into the art ecosystem. We delve into what it means to collect art today, to gain art market expertise and develop an “eye”, so much more. Thank you Bibi for coming on the podcast!You can follow newcube  on Instagram here: https://www.instagram.com/newcube.art/?hl=enYou can check out newcube here: https://www.newcube.art/YOU CAN SUPPORT ALL ABOUT ART ON PATREON HERE: ⁠https://www.patreon.com/allaboutart⁠FOLLOW ALL ABOUT ART ON INSTAGRAM HERE: ⁠https://www.instagram.com/allaboutartpodcast/⁠ ABOUT THE HOST:I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector.Here are links to my social media, feel free to reach out:Instagram⁠ @alexandrasteinacker   ⁠Twitter ⁠@alex_steinacker⁠and LinkedIn at ⁠Alexandra Steinacker-Clark⁠COVER ART: Lisa Schrofner a.k.a Liser⁠ ⁠⁠www.liser-art.com⁠ and Luca Laurence www.lucalaurence.com
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  Hot Take / Art Break: Why the Art World's Tech-Phobia Is Burning Us Out (video podcast) 07.11.2025 10min

  Hot Take / Art Break: Why the Art World's Tech-Phobia Is Burning Us Out (video podcast)This week, I'm tackling a question that might make some people uncomfortable: Why does the art world resist technology?We celebrate experimentation and boundary-pushing in artistic practice, but when it comes to the everyday operations of galleries, institutions, and artist support systems, we're still relying on workflows that haven't meaningfully changed in decades. From unpaid interns spending entire days resizing JPEGs and searching through disorganized folders, to galleries operating at the edge of capacity because basic administrative tasks consume all available time, the operational stagnation is real, and it's burning people out.In this episode, I explore why the resistance exists (spoiler: it's cultural, not technical), what the consequences are for artists, gallerists, and emerging professionals, and why adopting technology isn't about replacing human expertise. Instead, it's about making the art world livable. I'm not talking about AI-generated art or NFT speculation. I'm talking about digital archives, CRM systems, and tools that free up mental space for the work that actually matters: thinking, researching, curating, and connecting.It's time we stopped treating exhaustion as a badge of honor and started asking: What could the art world look like if we worked smarter, not just harder?YOU CAN SUPPORT ALL ABOUT ART ON PATREON HERE: ⁠https://www.patreon.com/allaboutart⁠FOLLOW ALL ABOUT ART ON INSTAGRAM HERE: ⁠https://www.instagram.com/allaboutartpodcast/⁠ ABOUT THE HOST:I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector.Here are links to my social media, feel free to reach out:Instagram⁠ @alexandrasteinacker   ⁠Twitter ⁠@alex_steinacker⁠and LinkedIn at ⁠Alexandra Steinacker-Clark⁠This episode is produced at Synergy https://synergy.tech/the-clubhouse/the-podcast-studio/ COVER ART: Lisa Schrofner a.k.a Liser⁠ ⁠⁠www.liser-art.com⁠ and Luca Laurence www.lucalaurence.comResearch and Creative Assistant: Iris Epstein
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  🎙️🇮🇹 The Venice Biennale Fellowship – A Career-Changing Opportunity for Emerging Arts Professionals 31.10.2025 15min

  🎙️🇮🇹 The Venice Biennale Fellowship – A Career-Changing Opportunity for Emerging Arts ProfessionalsIn this special bonus episode of All About Art, I’m sharing some incredibly exciting news: NXT GEN is partnering with the British Council to send one of our members as a Fellow on a fully funded, month-long residency to the Venice Biennale 2026! If you’re an emerging arts professional within the first 5 years of your career, this episode is essential listening.I walk through everything you need to know about the Venice Biennale – its 130-year history, the wild energy of opening week (think: superyachts, Rick Owens airport raves, and endless Aperol Spritzes), and what Fellows actually do during their residency. You’ll spend half your time working as an Exhibition Ambassador at the British Pavilion and the other half pursuing your own independent research or creative project. It’s fully funded, includes mentorship from me, and could genuinely be a career-defining experience.I also share the moving story behind the 2026 edition, “In Minor Keys,” conceived by the late curator Koyo Kouoh – the first African woman to curate the Venice Biennale. Her vision of art as quiet resistance and emotional transformation is being realized by her curatorial team, and as a Fellow, you’d be part of bringing her ideas into conversation with visitors from around the world.Whether you’re thinking of applying, know someone who should, or simply want to understand more about how opportunities like this can shape careers in the arts, this episode is for you.YOU CAN SUPPORT ALL ABOUT ART ON PATREON HERE: ⁠https://www.patreon.com/allaboutart⁠FOLLOW ALL ABOUT ART ON INSTAGRAM HERE: ⁠https://www.instagram.com/allaboutartpodcast/⁠ ABOUT THE HOST:I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector.Here are links to my social media, feel free to reach out:Instagram⁠ @alexandrasteinacker   ⁠Twitter ⁠@alex_steinacker⁠and LinkedIn at ⁠Alexandra Steinacker-Clark⁠COVER ART: Lisa Schrofner a.k.a Liser⁠ ⁠⁠www.liser-art.com⁠ and Luca Laurence www.lucalaurence.com