Opening Lines

Epizode

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  Libra - Episode Two 16.08.2026 14min

  For the 100th title to be explored in Opening Lines, John Yorke picks up the 1988 novel Libra by the heavyweight American writer, Don DeLillo. In this second episode considering the book, he focuses in on the endless conspiracies that surround its central subject - the assassination of President John F. Kennedy. Does the fact that DeLillo chooses to feed the conspiracy industry by inserting a second shooter taking aim at Kennedy from the mythic grassy knoll matter, given that this is a work of fiction? Or does DeLillo present a world governed as much by chance and co-incidence as it is by conspiracy? To help him answer those questions, John speaks with David Aaronovitch, author of Voodoo Histories: How Conspiracy Theory Has Shaped Modern History; Pullitzer Prize-winning author and journalist Jennifer Egan; and Professor Jesse Kavadlo, president of the Don DeLillo Society. John Yorke has worked in television and radio for over 30 years and shares his experience as he unpacks the themes of the books, plays and stories dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. He created the BBC Writers Academy and trained a generation of screenwriters - now with thousands of hours of television to their names. His acclaimed books Into the Woods and Trip to the Moon explore the structure and power of narrative, and he writes, teaches and consults on all forms of storytelling, including many podcasts for R4.Libra by Don de Lillo is the 100th title covered by Opening Lines. The series began in January 2023 with Lady Chatterly’s Lover. Since then John Yorke has explored novels from Anna Karenina to Gone with the Wind, plays from Shakespeare to Eugene O’Neill and ground-breaking non-fiction like John Hersey’s Hiroshima. Each episode provides background, context and some expert discussion in advance of Radio 4’s Sunday afternoon drama, and all 100 titles can be heard on BBC Sounds.Contributors: Pullitzer Prize winning author Jennifer Egan, David Aaronovitch & Professor Jesse Kavadlo Sound: Sean Kerwin Readings: Eric Stroud Researcher: Henry Tydeman Production Hub Coordinator: Dawn Williams Producer: Geoff Bird Executive Producer: Sara Davies A Pier production for BBC Radio 4
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  Libra - Episode One 09.08.2026 14min

  For the 100th title to be explored in Opening Lines, John Yorke picks up the 1998 novel Libra by the heavyweight American writer, Don DeLillo. The book centres around the assassination of President John F. Kennedy, the event DeLillo says marked ‘a turning point in consciousness’ for Americans. He presents a fragmented portrait of the country at the height of the Cold War, following the misfortunes of disaffected loner Lee Harvey Oswald - as well as the large cast of rogue operators planning to use him to bring the President down. In the first of two-parts, John looks to find what makes this widely acclaimed novel stand out from the hundreds of other books and films spawned by the world-shaking events in Dealey Plaza back in November 1963. He speaks with, among others, Pulitzer Prize winning novelist Jennifer Egan, a self-proclaimed DeLillo acolyte, who says of Libra that the “sense of the chaos and the noise of contemporary life invading the narrative I was very drawn to, and, you know, have tried to emulate, frankly.”John Yorke has worked in television and radio for over 30 years and shares his experience as he unpacks the themes of the books, plays and stories dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. He created the BBC Writers Academy and trained a generation of screenwriters - now with thousands of hours of television to their names. His acclaimed books Into the Woods and Trip to the Moon explore the structure and power of narrative, and he writes, teaches and consults on all forms of storytelling, including many podcasts for R4.Libra by Don de Lillo is the 100th title covered by Opening Lines. The series began in January 2023 with Lady Chatterley’s Lover. Since then John Yorke has explored novels from Anna Karenina to Gone with the Wind, plays from Shakespeare to Eugene O’Neill and ground-breaking non-fiction like John Hersey’s Hiroshima. Each episode provides background, context and some expert discussion in advance of Radio 4’s Sunday afternoon drama, and all 100 titles can be heard on BBC Sounds.Contributors: Pullitzer Prize winning author Jennifer Egan & Professor Jesse Kavadlo. Sound: Researcher: Henry Tydeman Production Hub Coordinator: Dawn Williams Producer: Geoff Bird Executive Producer: Sara Davies A Pier production for BBC Radio 4
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  Trouble in Mind 26.07.2026 14min

  Alice Childress’s first major work is set in a world that she knew very well both as a performer and a writer – the theatre. It’s 1957 and rehearsals are beginning for a new Broadway production – Chaos In Belleville – an anti-lynching play written by a white playwright. Veteran Black actor Wiletta Mayer is to star in the play, but after years of compromise she finally finds herself unable to go along with the patronising and insensitive portrayal of Black characters that she’s experienced throughout her career. Her consequent clash with the white director opens up deep faultlines throughout the cast and the result is chaos, not in Belleville, but on Broadway.John Yorke has worked in television and radio for over 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. He created the BBC Writers Academy and trained a generation of screenwriters - now with thousands of hours of television to their names. His acclaimed books Into the Woods and Trip to the Moon explore the structure and power of narrative, and he writes, teaches and consults on all forms of storytelling, including many podcasts for R4.Valerie Curtis Newton is Head of Directing and Playwriting at the University of Washington School of Drama. She is also the Founding Artistic Director for The Hansberry Project, a professional African American theatre lab. Her many directing credits include two productions of Trouble In Mind.Alice Childress archive clip taken from American Theatre Wing’s documentary series ‘Working in the Theatre’ – April 1987Reader: Samantha Dakin Music: Torquil MacLeod Researcher: Henry Tydeman Production Hub Coordinator: Dawn Williams Sound: Sean Kerwin Producer: Torquil MacLeod Executive Producer: Sara DaviesA Pier production for BBC Radio 4
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  They Shoot Horses, Don't They? 19.07.2026 14min

  They Shoot Horses, Don’t They? takes us into the strange and brutal world of dance marathon competitions dating from the Great Depression in America. It follows Robert and Gloria, a couple who’ve washed up in Los Angeles and whose last hope is to get spotted by talent scouts or win the prize money by being the last dancers standing. The book’s author, Horace McCoy, had first hand experience of these competitions, which could last months, having worked as a bouncer at one himself. As John Yorke discovers, it’s a bleak tale from a difficult time, whose nihilistic underpinnings led Simone de Beauvoir to call it the first existentialist American novel. But McCoy shows just empathy for the doomed characters to make the story, in the words of contributor Denise Hamilton, hit home like a stiletto to the heart. John Yorke has worked in television and radio for over 30 years and shares his experience as he unpacks the themes of the books, plays and stories dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. He created the BBC Writers Academy and trained a generation of screenwriters - now with thousands of hours of television to their names. His acclaimed books Into the Woods and Trip to the Moon explore the structure and power of narrative, and he writes, teaches and consults on all forms of storytelling, including many podcasts for R4.Contributors: Denise Hamilton, novelist and editor of ‘LA Noir’ Sound: Sean Kerwin Researcher: Henry Tydeman Production Hub Coordinator: Dawn Williams Producer: Geoff Bird Reader: Eric Stroud Executive Producer: Sara Davies A Pier production for BBC Radio
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  Anna Christie - Episode 2 12.07.2026 13min

  In this second episode, John Yorke digs deeper into Euguene O’Neill’s 1921 play “Anna Christie” – about an estranged daughter who is reunited with her sea captain father, and falls in love with a sailor. The play examines identity, family and sexual politics, and asks questions about love, faith, redemption, resilience and forgiveness.John asks how and why the Pulitzer and Nobel Prize winning dramatist introduced realist theatre to the US, looks at Eugene O’Neill’s influence and legacy, and asks what we should make of “Anna Christie” today.John Yorke has worked in television and radio for over 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain; from EastEnders to The Archers, Life on Mars to Shameless. He created the BBC Writers Academy and trained a generation of screenwriters, now with thousands of hours of television to their names. His acclaimed books Into the Woods and Trip to the Moon explore the structure and power of narrative, and he writes, teaches and consults on all forms of storytelling, including many podcasts for Radio 4.Contributor:Robert M. Dowling, professor of English at Central Connecticut State University, author of the biography Eugene O’Neill: A Life in Four Acts.From the BBC archives:Playwright Arthur Miller, from Changing Stages: America, 19 Nov 2000. Actor Natasha Richardson, from Woman’s Hour, 18 June 1990.Credits:Excerpts from “Anna Christie” by Eugene O’Neill, 1921, including Ruth Wilson in the 2011 Donmar Warehouse production. Excerpt from the 1930 film adaptation of “Anna Christie” starring Greta Garbo.Researcher: Henry Tydeman Sound: Sean Kerwin Producer: Jack Soper Executive Producer: Sara Davies Production Hub Coordinator: Dawn Williams A Pier Production for BBC Radio 4 & BBC Sounds
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  Anna Christie - Episode 1 05.07.2026 13min

  In the first of two episodes, John Yorke looks at “Anna Christie” by Eugene O’Neill - one of American theatre’s founding fathers, and the only American dramatist to have been awarded the Nobel Prize for Literature. The play is about a young woman who goes in search of her estranged father, a sea captain, and falls in love with a sailor.Debuting in 1921, “Anna Christie” is one of O’Neill’s early works – less well known and less successful than his later plays, like Long Day’s Journey into Night or The Iceman Cometh – but, as John Yorke explains, “Anna Christie” is significant both for what it tells us about one of American theatres key figures, and as a story that captures a nation at a moment of transition.John Yorke has worked in television and radio for over 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain; from EastEnders to The Archers, Life on Mars to Shameless. He created the BBC Writers Academy and trained a generation of screenwriters, now with thousands of hours of television to their names. His acclaimed books Into the Woods and Trip to the Moon explore the structure and power of narrative, and he writes, teaches and consults on all forms of storytelling, including many podcasts for Radio 4.Contributors:Robert M. Dowling, professor of English at Central Connecticut State University, author of the biography Eugene O’Neill: A Life in Four Acts.Thomas Kail, director of a 2026 production of “Anna Christie” at St Ann’s Warehouse, New York, speaking on the WNYC podcast All Of It with Alison Stewart.From the BBC archives:Jude Law, The Radio 2 Arts Show, 5 August 2011 Ruth Wilson, Front Row, 5 August 2011. Writer and critic Sarah Churchwell, Front Row 10 August 2011.Credits:Readings by Eric Stroud.Excerpts from “Anna Christie” by Eugene O’Neill, 1921, including Natasha Richardson in the 1990 Young Vic production and Ruth Wilson and Jude Law in the 2011 Donmar Warehouse production.Researcher: Henry Tydeman Sound: Sean Kerwin Producer: Jack Soper Executive Producer: Sara Davies Production Hub Coordinator: Dawn Williams A Pier Production for BBC Radio 4 & BBC Sounds
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  Portrait of the Artist as a Young Dog 07.06.2026 14min

  John Yorke examines Portrait of the Artist as a Young Dog, ten semi-autobiographical short stories in which Dylan Thomas looks back and observes himself growing into the artist – the writer – that he became in adult life. The stories highlight Thomas’s contradictory nature. At school he failed every other subject apart from English, in which he came top. He’s a town boy who loves the countryside. He’s a bookish child who devours his father’s library of 6,000 books ‘with his eyes out on stalks’ by day, and a bit of a lad who roams Swansea by night, observing the goings-on of the city. Dylan Thomas was called a wastrel and an alcoholic, yet was incredibly productive, writing 300 pages of poems, 500 pages of radio scripts, 600 pages of film scripts and 1000 pages of letters. He began the short stories in 1938, a year after he had married Caitlin MacNamara and they’d settled with their first child in Laugharne, a small town on the coat of Carmarthenshire. Ten years later he would move into the famous Boathouse where he would live for the remainder of his life. John Yorke has worked in television and radio for over 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. He created the BBC Writers Academy and trained a generation of screenwriters - now with thousands of hours of television to their names. His acclaimed books Into the Woods and Trip to the Moon explore the structure and power of narrative, and he writes, teaches and consults on all forms of storytelling, including many podcasts for R4.Contributors: John Goodby, Professor of Arts and Culture at Sheffield Hallam University, author of Critical Lives: Dylan Thomas. Joe Dunthorne, novelist, poet and journalist. Researcher: Henry Tydeman Production Hub Co-ordinator: Dawn Williams Sound: Iain Hunter Producer: Kate McAll Executive Producer: Sara DaviesA Pier production for BBC Radio 4
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  Moon Tiger 31.05.2026 14min

  Writer Penelope Lively’s enduring themes are the connections and interplay between memory, history and time. Nowhere is this more compelling than in Moon Tiger, published in 1987 and widely regarded as one of her best novels. It won the Booker Prize that same year and went on to gain The Golden Booker in 2018 as the stand-out winner of the 1980s.The novel’s protagonist Claudia Hampton is an historian and war correspondent, ambitious and independent and a 20th Century woman who has defied the conventions of domesticity and motherhood. In the opening lines of the novel she is reflecting back on her life as she lies on her death-bed. It will be ‘a history of the world and in the process my own,’ she promises. Through a series of scenes presented as a kaleidoscopic mosaic of memories Lively pieces together who and what has shaped Claudia during her life, such as the deeply competitive bond she had with her brother Gordon, her lacklustre approach to motherhood with her daughter Lisa and, central to her life, an early love affair with tank commander Tom Southern who she met in Egypt during WW2.In this episode of Opening Lines John Yorke explores the dazzling technique Penelope Lively employs to draw Claudia’s life together and asks what makes this classic such an extraordinarily compelling novel.The programme features writer, editor and critic Lucy Scholes and, from the Radio 4 archives, we hear from Penelope Lively herself in Bookclub recorded in 2001.John Yorke has worked in television and radio for over 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. He created the BBC Writers Academy and trained a generation of screenwriters - now with thousands of hours of television to their names. His acclaimed books Into the Woods and Trip to the Moon explore the structure and power of narrative, and he writes, teaches and consults on all forms of storytelling, including many podcasts for R4.Producer: Julian Wilkinson Executive Producer: Caroline Raphael Production Hub Coordinator: Dawn Williams Sound: Iain HunterA Pier production for BBC Radio 4
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  Don Quixote - Episode Two 10.05.2026 14min

  John Yorke explores why Don Quixote by Miguel de Cervantes has had such a profound influence on storytelling in the 400 years since it was published in 1605.‘Like Shakespeare, Cervantes is inescapable for all writers who have come after him,’ according to literary critic Harold Bloom. He creates a blueprint for the modern novel by shifting from static, infallible archetypes to dynamic, evolving characters who are fundamentally changed by their relationship with each other. Cervantes’ work is full of innovative literary ideas that still inspire writers today, including the double-act (Quixote and his portly sidekick, Sancho Panza), a multi-voiced narrative structure and the first example of metafiction, in which the line between fiction and reality is blurred.The programme includes an interview with film director, cartoonist and Monty Python member Terry Gilliam, who spent nearly 30 years attempting to make a film about Don Quixote. He says, “You can never kill Quixote. There is no way. Quixote will be eternal. And I certainly hope that people will keep rediscovering him, because I think you can read it many times and discover new things every time. It's spectacular. I just want to get a fireplace and start reading it to my grandchildren of a cold evening. One chapter a night.”Also including contributions from Isabel Torres, Professor of Spanish Golden Age Literature at Queen’s University, Belfast. Quotations from Penguin Classics 2003 edition, translation by John Rutherford.John Yorke has worked in television and radio for over 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain; from EastEnders to The Archers, Life on Mars to Shameless. He created the BBC Writers Academy and trained a generation of screenwriters, now with thousands of hours of television to their names. His acclaimed books Into the Woods and Trip to the Moon explore the structure and power of narrative, and he writes, teaches and consults on all forms of storytelling, including many podcasts for Radio 4.Producer: Mary Ward-Lowery Reader: Ewan Bailey Executive Producer: Sara Davies and Caroline Raphael Production Hub Coordinator: Dawn Williams and Nina Semple Researcher: Henry Tydeman Sound: Iain HunterA Pier production for BBC Radio 4
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  Don Quixote - Episode One 03.05.2026 14min

  John Yorke explores why Don Quixote has had such a profound influence on storytelling in the four hundred years since it was published. The first European novel, it’s an epic work of comic - and tragic - genius. Quixote embodies an ideal of heroic resilience in the face of a broken reality. And it’s a novel that’s in our bones: familiar even if we haven’t read any of its nearly a thousand pages.The programme includes an interview with film director, cartoonist and Monty Python member Terry Gilliam, who spent nearly thirty years attempting to make a film about Don Quixote. He says:“What I love about Cervantes - he's been through it all. This is the guy who's really had rough and tumble life. And he's learned to laugh at it: because he'd been through so much. And he survived with a sense of humour and a brilliant pen. [Quixote] wouldn’t have been like that if Cervantes hadn't experienced this. It's about the falling, and the dignity with which he manages to pull himself up from the mess that he finds himself in. It's just wonderful.”Also including contributions from Isabel Torres, Professor of Spanish Golden Age Literature at Queen’s University, Belfast.John Yorke has worked in television and radio for over 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain; from EastEnders to The Archers, Life on Mars to Shameless. He created the BBC Writers Academy and trained a generation of screenwriters, now with thousands of hours of television to their names. His acclaimed books Into the Woods and Trip to the Moon explore the structure and power of narrative, and he writes, teaches and consults on all forms of storytelling, including many podcasts for Radio 4.Producer: Mary Ward-Lowery Reader: Ewan Bailey Executive Producer: Sara Davies and Caroline Raphael Production Hub Coordinator: Dawn Williams and Nina Semple Researcher: Henry Tydeman Sound: Iain HunterA Pier production for BBC Radio 4
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  Transcription 16.04.2026 14min

  John Yorke takes a look at Transcription by Kate Atkinson.First published in 2018, Transcription tells the story of three different time periods in the life of our protagonist, Juliet Armstrong. The interweaving timelines take us from 1940 to 1981, telling of her experiences working in wartime for MI5, working in peacetime for BBC Radio, up to the end of her life in the moments between life and death.Transcription is a spy novel but it’s the work’s thematic depth that raises it above standard fare. There is gripping action but it’s a trojan horse for wider, darker themes. Each chapter is an item on a ledger, leading to a final adding up of the full cost of guilt and betrayal.There’s one other element that adds to the book’s power - It’s based on a true story. So while the events in Transcription are very much rooted in real life, reality doesn’t lend itself to Atkinson’s thematic concerns. It's in the way that she takes the raw material and manipulates it that the real strength of the book lies.In the author’s notes at the end of the book, Atkinson says that she became ‘obsessed’ with the nature of historical fiction while researching the story in the National Archives. She says that “roughly speaking, for everything that could be considered an historical fact in this book, I made something up.” Transcription is a real moment from history, taken on an extraordinary flight of imagination.John Yorke has worked in television and radio for over 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. He created the BBC Writers Academy and trained a generation of screenwriters - now with thousands of hours of television to their names. His acclaimed books Into the Woods and Trip to the Moon explore the structure and power of narrative, and he writes, teaches and consults on all forms of storytelling, including many podcasts for R4.Archive Kate Atkinson discusses Transcription on BBC Radio 4’s Woman’s Hour on Monday 10th September 2018. Kate Atkinson discusses Transcription at a Politics and Prose event at St. Paul's Lutheran Church, Washington D.C. on Wednesday 26th September 2018.Written and presented by John Yorke Produced by Laura GrimshawExecutive Producer: Caroline Raphael Reader: Emily Pithon Sound: Sean Kerwin Researcher: Henry Tydeman Programme Hub Co-ordinator: Dawn Williams A Pier production for BBC Radio 4
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  Celebrating Stoppard 04.04.2026 14min

  Tom Stoppard was of course best known for his work writing for stage and screen - but the dramas he created for radio were also an extremely important part of his career and his development as a writer. Across five decades he continued to return to a medium that suited him so well; without the constraints of visuals, his deft structural turns, linguistic pyrotechnics and imaginative leaps could flourish. In this special episode of Opening Lines for Radio 4’s Celebrating Stoppard season, John Yorke examines how Stoppard benefitted from and contributed to a golden age in BBC Radio drama.The programme features extracts from ‘The Dissolution of Dominic Boot’, ‘Albert’s Bridge’ and ‘The Dog It Was That Died’, as well as contributions from Stoppard’s biographer Professor Hermione Lee and archive of Stoppard himself.John Yorke has worked in television and radio for over 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. He created the BBC Writers Academy and trained a generation of screenwriters - now with thousands of hours of television to their names. His acclaimed books Into the Woods and Trip to the Moon explore the structure and power of narrative, and he writes, teaches and consults on all forms of storytelling, including many podcasts for R4.Producer: Geoff Bird Contributor: Professor Hermione Lee Sound: Sean Kerwin Researcher: Henry Tydeman Production Hub Coordinator: Dawn Williams Reader: Daniel Weyman Executive Producer: Caroline RaphaelA Pier production for BBC Radio 4.
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  Flight - Episode Two 02.04.2026 13min

  Flight by Walter White, published in 1926, asks questions about race and identity when its central character chooses to ‘pass’ as a white woman. In this second episode about the book, John Yorke asks if this is why the book has largely been forgotten even though it was written by one of the most influential figures in 20th century America.John Yorke has worked in television and radio for over 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. He created the BBC Writers Academy and trained a generation of screenwriters - now with thousands of hours of television to their names. His acclaimed books Into the Woods and Trip to the Moon explore the structure and power of narrative, and he writes, teaches and consults on all forms of storytelling, including many podcasts for R4.Written and presented by John Yorke.Contributors: Kenneth Janken, Professsor of African American history at the University of North Carolina and author of White: The Biography of Walter White, Mr. Naacp. Gayle Wald, Professor of English and American studies at George Washington University and author of Crossing the Line; Racial Passing in TwentiethCentury U.S Literature and Culture. . Reading by Eric Stroud Producer: Alison Vernon-Smith Production Coordinator: Dawn Williams Researcher: Henry Tydeman Executive Producer: Caroline RaphaelA Pier production for BBC Radio 4
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  Flight - Episode One 22.03.2026 14min

  Flight was the second novel by one of twentieth century’s America’s most influential figures, Walter White. Published in 1926, it asks questions about race and identity when its central character chooses to ‘pass’ as a white woman. A prime mover in the Harlem Renaissance, White was a celebrated writer and activist but his book has largely been forgotten. John Yorke looks at the man and his work.John Yorke has worked in television and radio for over 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. He created the BBC Writers Academy and trained a generation of screenwriters - now with thousands of hours of television to their names. His acclaimed books Into the Woods and Trip to the Moon explore the structure and power of narrative, and he writes, teaches and consults on all forms of storytelling, including many podcasts for R4. Written and presented by John Yorke.Contributors: Kenneth Janken, Professsor of African American history at the University of North Carolina and author of White: The Biography of Walter White, Mr. Naacp. Gayle Wald, Professor of English and American studies at George Washington University and author of Crossing the Line; Racial Passing in TwentiethCentury U.S Literature and Culture. . Reading by Eric Stroud Producer: Alison Vernon-Smith Production Coordinator: Dawn Williams Researcher: Henry Tydeman Executive Producer: Caroline Raphael A Pier Production for BBC Radio 4
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  My Antonia 15.03.2026 14min

  John Yorke explores themes of loss, longing and the founding of America, in Willa Cather’s innovative novel, My Ántonia. A milestone in American literature, the novel’s heroine is - unusually for the time - a Czech immigrant, Ántonia Shimerda, seen through the eyes of her childhood friend, lawyer Jim Burden. Ántonia survives poverty, tragedy and betrayal through her hard work, energy and optimism. The novel shows ‘the other side of the rug, the pattern that is not supposed to count in a story. There is no love affair, no courtship, no marriage, no broken heart, no struggle for success’. Deceptively easy to read, Cather communicates feeling in a strikingly modern, cinematic way, with a mastery of visual storytelling, using language to capture the soul of a nation.With contributions from Melissa Homestead, Professor of English and Director of the Cather Project at the University of Lincoln-Nebraska.John Yorke has worked in television and radio for over 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain, from EastEnders to The Archers, Life on Mars to Shameless. He created the BBC Writers Academy and trained a generation of screenwriters, now with thousands of hours of television to their names. His acclaimed books Into the Woods and Trip to the Moon explore the structure and power of narrative, and he writes, teaches and consults on all forms of storytelling, including many podcasts for Radio 4.Producer: Mary Ward-Lowery Reader: Riley Neldam Executive Producer: Sara Davies Production Hub Coordinator: Dawn Williams Sound: Iain Hunter A Pier production for BBC Radio 4
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  The Virginian 01.03.2026 14min

  Owen Wister’s 1902 novel The Virginian did more than any other single piece of art in establishing the parameters of the Western as a genre. Telling the tale of a charismatic tight-lipped cowboy whose actions always speak louder than his words, it was wildly popular with readers and viewers of its many screen adaptations. The book is a celebration of rugged individualism and frontier spirit that spoke profoundly to its audience at the beginning of the twentieth-century - but does it offer any insights into the state of America today?The programme features James Annesley, Professor of American literature at Newcastle University. John Yorke has worked in television and radio for 30 years, and shares his experience with Radio 4 listeners as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative, including many podcasts for Radio 4. Contributors: James Annesley, Professor of American literature at Newcastle University. Sound: Sean Kerwin Researcher: Henry Tydeman Production Hub Coordinator: Dawn Williams Producer: Geoff Bird Reader: Eric Stroud Executive Producer: Sara Davies A Pier production for BBC Radio 4
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  Gone with the Wind - Episode 3 25.02.2026 14min

  In the series that takes a look at books, plays and stories and how they work, John Yorke concludes his exploration of Margaret Mitchell’s epic Civil War romance, Gone with the Wind.In the 90 years since it was published it has sold more than 30 million copies – it was the bestselling American novel of the 20th century - but the book has become increasingly problematic for modern readers.In this third and final episode, John considers the themes of nostalgia and survival that made Gone with the Wind such a phenomenal hit when it was published at the height of the Great Depression in 1936. And he explores the complexity of the book’s legacy today. John is joined by Sarah Churchwell, Professor of American Literature at the University of London and the author of The Wrath to Come: Gone with the Wind and the Lies America Tells; Dr Nicole King, Associate Professor of American Literature and Fellow of Exeter College Oxford; and Rachel Joyce, who has adapted Gone with the Wind for BBC Radio 4. Together they explore what the book offers readers today. Is it a classic of American fiction or an extremely uncomfortable, racist period piece? And they ask if we should even read it at all. John Yorke has worked in television and radio for 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy, he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative - including many podcasts for Radio 4. Contributors: Sarah Churchwell, Professor of American Literature at the University of London Rachel Joyce, adapter of Gone with the Wind for BBC Radio 4 Dr Nicole King, Associate Professor of American Literature and Fellow of Exeter College Oxford Reading by Samantha DakinCredits: Gone with the Wind by Margaret Mitchell, published by Vintage BooksProduced by Jane Greenwood Executive Producer Sara Davies Sound by Sean Kerwin Researcher Henry Tydeman Production hub coordinator Dawn Williams A Pier production for BBC Radio 4 and BBC Sounds
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  Gone with the Wind - Episode 2 15.02.2026 14min

  In the series that takes a look at books, plays and stories and how they work, John Yorke continues his exploration of Margaret Mitchell’s epic Civil War romance, Gone with the Wind.In the 90 years since it was published it has sold more than 30 million copies – it was the bestselling American novel of the 20th century - but the book has become increasingly problematic for modern readers.In this second episode, John considers how the history of the American Civil War and its aftermath inform the way the story is told. And he asks how we should address Margaret Mitchell’s shockingly complacent attitude to slaveholding and the racist language in the book.John is joined by Sarah Churchwell, Professor of American Literature at the University of London and the author of The Wrath to Come: Gone with the Wind and the Lies America Tells; Dr Nicole King, Associate Professor of American Literature and Fellow of Exeter College Oxford; and Rachel Joyce, who has adapted Gone with the Wind for BBC Radio 4. Together they explore the racism that underlies the story and the difficulties of navigating Mitchell’s attitude to her black characters.John Yorke has worked in television and radio for 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy, he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative - including many podcasts for Radio 4. Contributors: Sarah Churchwell, Professor of American Literature at the University of London Rachel Joyce, adapter of Gone with the Wind for BBC Radio 4 Dr Nicole King, Associate Professor of American Literature and Fellow of Exeter College Oxford Reading by Samantha DakinCredits: Gone with the Wind by Margaret Mitchell, published by Vintage BooksProduced by Jane Greenwood Executive Producer: Sara Davies Sound by Sean Kerwin Researcher: Henry Tydeman Production hub coordinator: Dawn Williams A Pier production for BBC Radio 4 and BBC Sounds
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  Gone with the Wind - Episode 1 08.02.2026 14min

  In the series that takes a look at books, plays and stories and how they work, John Yorke explores Margaret Mitchell’s epic Civil War romance, Gone with the Wind.It was the bestselling American novel of the 20th century, it has sold 30 million copies and counting, it won the Pulitzer Prize, and the 1939 film of the book remains among the highest grossing of all time. Gone with the Wind is a coming-of-age story, a love triangle, and an epic wartime romance. And it is a rollicking read, a hugely entertaining book, but one with considerable problems for today’s readers – problems that John Yorke explores and analyses over three episodes.In this first episode John considers how Margaret Mitchell tells this huge sweeping story and asks what made it such a phenomenal hit. John is joined by the writer Rachel Joyce who has adapted Gone with the Wind for BBC Radio 4, and Sarah Churchwell, Professor of American Literature at the University of London and the author of The Wrath to Come: Gone with the Wind and the Lies America Tells. Together they explore what makes the book such a captivating read and how it is driven by the central character, Scarlett O’Hara, one of the most compelling and infuriating heroines ever written.John Yorke has worked in television and radio for 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy, he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative - including many podcasts for Radio 4. Contributors: Sarah Churchwell, Professor of American Literature at the University of London Rachel Joyce, adapter of Gone with the Wind for BBC Radio 4 Readings by Samantha DakinCredits: Gone with the Wind by Margaret Mitchell, published by Vintage BooksProduced by Jane Greenwood Executive Producer Sara Davies Sound by Sean Kerwin Researcher Henry Tydeman Production hub coordinator Dawn Williams A Pier production for BBC Radio 4 and BBC Sounds
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  Walden 01.02.2026 14min

  During the mid-19th century America was undergoing unprecedented change. New railroads and canals allowed people and goods to criss-cross the country, as the old agrarian economy was replaced by a fast-paced industrialised one. This rapid market expansion was driven by profit and underpinned by slavery. As the lives of Americans began to speed up, Henry David Thoreau took time out to ask himself a question - is this the best way to live? In 1845, when he was 27 years old, he built a one-roomed cabin next to Walden Pond in Concord, Massachusetts, and began an experiment in what he called ‘living deliberately’.During the two years he spent at Walden Pond, Thoreau lived simply. He studied, read widely, went for long walks, and often just sat and contemplated the natural world around him. The journal he kept during the two years he lived in his microhouse would become Walden, a genre-defying mix of memoir, essay, nature diary, philosophical treatise and self-help guide. The book was not an immediate success but steadily grew in popularity after Thoreau’s early death at the age of 44. Walden is now regarded as a foundational work of both American literature and Transcendentalist philosophy. It has been continuously in print since 1862.John Yorke has worked in television and radio for over 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. He created the BBC Writers Academy and trained a generation of screenwriters - now with thousands of hours of television to their names. His acclaimed books Into the Woods and Trip to the Moon explore the structure and power of narrative, and he writes, teaches and consults on all forms of storytelling, including many podcasts for R4.Contributors: Laura Dassow Walls, author of Henry David Thoreau: A Life. Professor Emerita of English at the University of Notre Dame, Indiana. Kristen Case, poet and Thoreau scholar. Editor of the Oxford Handbook of Henry David Thoreau. Editor of essays on Thoreau and author of Thoreau’s Kalendar – Charts and Observation of Natural Phenomena. Tracy Fullerton, game designer, educator and writer, best known for Walden, a game. Professor in the USC Interactive Media & Games Division of the USC School of Cinematic Arts and Director of the Game Innovation Lab at USC. Reader: Eric Stroud Production Hub Coordinator: Dawn Williams Researcher: Henry Tydeman Sound: Iain Hunter Producer: Kate McAll Executive Producer: Caroline RaphaelA Pier production for BBC Radio 4