Close Readings

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• Nature in Crisis: ‘Is a River Alive?’ by Robert Macfarlane 03.06.2026 14นาที

  The idea that a river is a living being has important legal consequences. But it also has imaginative consequences, which can, in George Eliot’s words, ‘enlarge the imagined range for self to move in’. In ‘Is a River Alive?’ (2025), Robert Macfarlane travels with the lawyers, Indigenous people, scientists and others who are working to protect rivers in Ecuador, India and Quebec, and challenges himself to see rivers in a way that widens the category of life. In this episode, Meehan and Peter assess Macfarlane's quest and look at the different kinds of writing he deploys along the way, including adventure story, biography and philosophy. They also look back to the origins of the rights of nature movement at the University of Southern California in the 1970s and consider whether the choice between seeing a river as either a resource or a fellow being is a false one. Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up: Directly in Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/applecrna⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ture⁠⁠ In other podcast apps: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/closereadingsna⁠⁠⁠ture Read more in the LRB: Rebecca Solnit on water: https://lrb.me/nicep601 Kathleen Jamie of Robert Macfarlane: https://lrb.me/nicep602 Learn more about your ad choices. Visit megaphone.fm/adchoices
• Who’s afraid of realism? ‘Mrs Dalloway’ by Virginia Woolf 27.05.2026 21นาที

  In August 1923, halfway through writing ‘Mrs Dalloway’, Virginia Woolf recorded a new idea in her diary: she would ‘dig out beautiful caves’ behind her characters, and ‘the caves shall connect, and each comes to daylight at the present moment’. This was Woolf’s ‘tunnelling process’, a transformative approach that led to the novel's celebrated modernist innovations, with its depiction a group of circulating consciousnesses in London over the course of one day. But underlying these innovations are the techniques of 19th-century realism, and in this episode James Wood explores what Woolf owes to Dickens and Flaubert, and the ways she breaks down these certainties to arrive at the ultimate unknowability of character. Non-subscribers will only hear an extract from the episode. To listen in full, and to all our other Close Readings series, sign up: Apple Podcasts: https://lrb.me/applecrwaor Other podcast apps: https://lrb.me/closereadingswaor Read more the LRB: Jacqueline Rose on Woolf: https://lrb.me/realismep601 Gillian Beer on Woolf‘s essays: https://lrb.me/realismep602 David Trotter on ‘Mrs Dalloway’: https://lrb.me/realismep603 Learn more about your ad choices. Visit megaphone.fm/adchoices
• London Revisited: The Protestant Capital 18.05.2026 21นาที

  At the start of the 16th century London was still recognisably medieval, crowded within its walls, dominated by churches and monasteries and deeply tied to Catholic Europe. By the end of Henry VIII’s reign, much of that world had vanished. The Reformation not only changed the religious practices of its inhabitants, it brought a widespread transfer of property that reshaped the character and activity of the city and turned it into a theatre of power, punishment and debate. Rosemary is joined by Vanessa Harding, emerita professor of London history at Birkbeck, University of London, to look at the events that transformed London into a commercially expanding and ideologically contested Protestant capital under the Tudors, from the arrival of Caxton’s printing press in Westminster and the beginnings of an aristocratic West End to Mary I’s brutal attempt to restore Catholic England. Reading by Duncan Wilkins Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up: Apple Podcasts: https://lrb.me/applesignuplr Other podcast apps: https://lrb.me/scsignuplr Read more in the LRB: Hilary Mantel on England under Mary I: ⁠https://lrb.me/lrep504⁠ Lucy Wooding on Henry VIII and the merchants: ⁠https://lrb.me/lrep502⁠ Patrick Collinson on Henry VIII's Reformation: ⁠https://lrb.me/lrep503 Learn more about your ad choices. Visit megaphone.fm/adchoices
• What do you think of Close Readings? 16.05.2026

  Have you got four minutes to share your feedback on Close Readings? It will help shape how we develop the podcast over the coming year. We’ve set up a short survey here: https://www.surveymonkey.com/r/XCR7LQ7 Thanks for your time, and for listening to our podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices
• Narrative Poems: ‘Tam o’ Shanter’ by Robert Burns and ‘Peter Grimes’ by George Crabbe 13.05.2026 21นาที

  ‘Tam o’ Shanter’ first appeared as a lengthy footnote in Francis Grose's Antiquities of Scotland (1791) after Robert Burns convinced Grose to include the ruined Alloway Kirk in his volume, and its supernatural associations (invented by Burns). Its story of the drunken Tam's encounter with witches in the stormy Ayrshire landscape has served as both a celebration and chastisement of Scottish masculinity ever since its publication, but the attitude of its narrator remains elusive throughout. In this episode, Seamus and Mark discuss the poem’s moral and stylistic turns, its influence on Wordsworth and Coleridge, and what it owes to the Augustan perfectionism of Pope. They then turn to a much darker example of Romantic narrative poetry, George Crabbe’s ‘Peter Grimes’ (published in his collection The Borough in 1810), and explore the bracing realism and psychological insight in the story of a Suffolk fisherman who destroys the apprentices placed in his care. This episode also features a bonus conversation with Andrew O’Hagan, who reads extracts from 'Tam o’ Shanter' and explains why the poem’s reliably contradictory narrative voice is so useful for anyone learning to write stories. Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, sign up: Apple Podcasts: https://lrb.me/applesignupnp Other podcast apps: https://lrb.me/scsignupnp Read more in the LRB: Karl Miller: Peeping Tam: ⁠https://lrb.me/npep501⁠ Neal Ascherson on Burns's life: ⁠https://lrb.me/npep502 Learn more about your ad choices. Visit megaphone.fm/adchoices
• Nature in Crisis: 'Gaia: A New Look at Life on Earth' by James Lovelock 04.05.2026 28นาที

  In ‘Gaia: A New Look at Life on Earth’ (1979), James Lovelock proposed that the Earth is something like a single living organism, capable of manipulating its circumstances and the environment to suit its needs. While many scientists reject the fullest formulation of this idea, it has nonetheless had a profound influence on our understanding of the ways in which animal and plant life interact with the non-living parts of the environment, to the extent that observations in biological and earth systems science are often assessed for which version of Gaia they might support. In this episode, Meehan Crist and Peter Godfrey-Smith look at the origins of the Gaia hypothesis in the radical work of Lynn Margulis and the contributions of Lovelock’s academic collaborator Dian Hitchcock, and in the science of cybernetics. They then consider the degree to which any formulation of Gaia can explain certain processes, from the impact of the ecological competition between daisies on the reflection of solar radiation to the carbon-silicate cycle and its control of carbon dioxide levels, and consider some of Lovelock’s wilder theories, including his suggestion that humans should merge their minds with those of whales. Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up: Directly in Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/applecrna⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ture⁠⁠ In other podcast apps: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/closereadingsna⁠⁠⁠ture Read more in the LRB: Meehan Crist on ‘Novocene’: https://lrb.me/natureep501 Peter Godfrey-Smith on Lovelock: https://lrb.me/natureep502 Learn more about your ad choices. Visit megaphone.fm/adchoices
• Who’s afraid of realism? ‘The Death of Ivan Ilyich’ by Leo Tolstoy 27.04.2026 23นาที

  In the late 1870s, shortly after the publication of Anna Karenina, Tolstoy experienced what might be described today as a midlife crisis. In his short autobiographical book A Confession, finished in 1880, he questioned what meaning there is in life that is not annihilated by the inevitability of death. His answer was to live according to God’s law, a realisation that shaped that rest of his life and writing, and guides the story of his late masterpiece, The Death of Ivan Ilyich (1886). To discuss The Death of Ivan Ilyich and its place both in Tolstoy’s work and the development of realism, James is joined by the novelist Elif Batuman. They consider the way Tolstoy takes up Flaubert’s contempt for bourgeois life and strips it down to a spare fable of delusion and awakening, and why the unique authority of his style has proved so resistant to the critiques of realism in the 20th century. Non-subscribers will only hear an extract from the episode. To listen in full, and to all our other Close Readings series, sign up: Apple Podcasts: https://lrb.me/applecrwaor Other podcast apps: https://lrb.me/closereadingswaor Read more in the LRB: Michael Wood on War and Peace: https://lrb.me/realismep501 James Meek on the death of Tolstoy: https://lrb.me/realismep502 John Bayley on Tolstoy's diaries: https://lrb.me/realismep503 Learn more about your ad choices. Visit megaphone.fm/adchoices
• The Man Behind the Curtain: ‘Frankenstein’ by Mary Shelley 24.04.2026 35นาที

  Mary Shelley signed off her introduction to the 1831 edition of Frankenstein by bidding her ‘hideous progeny go forth and prosper’. In this episode of The Man Behind the Curtain, Tom McCarthy and Thomas Jones look at the machinery that Shelley used to assemble her immortal creature and bring it to life. As well as its origins and afterlives, they consider the many systems that the novel draws on, challenges, reproduces and mutates – the laws of nature, philosophy, science, the human body, the traditional family – and ask whether the real horror at the heart of Frankenstein is not the creature so much as incest. The Man Behind the Curtain is a bonus Close Readings series running this year. The next episode will be on ‘Middlemarch’, released in a couple of months. This is an extract from the episode. To listen in full, and to all our other Close Readings series, sign up: Directly in Apple Podcasts: https://lrb.me/closereadingsmbtc For Spotify and other apps: https://lrb.me/applecrmbtc Read more in the LRB: Anne Barton on Mary Shelley: ⁠https://lrb.me/frankensteincr01⁠ Caroline Gonda on the original Frankenstein: ⁠https://lrb.me/frankensteincr02 Learn more about your ad choices. Visit megaphone.fm/adchoices
• London Revisited: Plague, Rebellion and Guilds 20.04.2026 27นาที

  If historians of medieval London had a patron saint, it might well be Edward I. While many English monarchs chose to leave London to its own devices, Edward decided from the start of his reign in 1272 to put pressure on the city to justify its liberties. The result was a profusion of bureaucracy, most notably in the Letter Books, that describe the life of London and its people in vivid detail, from disputes, petitions and regulations to the names of all the city’s apprentices. This record-keeping was good for the city too, reinforcing a powerful system of guilds supporting hundreds of trades and a flourishing merchant and consumer culture. But when the Black Death arrived in England in 1348, London’s population was devastated, and its social and economic life transformed. In this episode, Rosemary is joined again by Matthew Davies, professor of urban history at Birkbeck, to continue the story of England’s capital through its rapid rise in the first half of the 14th century and a long period turmoil thereafter, including the Hundred Years’ War, the revolts of Wat Tyler and Jack Cade, and the Wars of the Roses. Reading by Duncan Wilkins Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up: Apple Podcasts: https://lrb.me/applesignuplr Other podcast apps: https://lrb.me/scsignuplr Read more in the LRB: Tom Johnson: No More Baubles: ⁠https://lrb.me/lrep401⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices
• Narrative Poems: ‘The Rape of the Lock’ by Alexander Pope 13.04.2026 15นาที

  Sometime in 1711, a twenty-year-old aristocrat, Lord Petre, snipped a lock of hair, without permission, from the head of Arabella Fermor, a celebrated beauty. The incident caused an irreconcilable rift between the two families, who were both Catholic. Shortly afterwards, the young poet Alexander Pope, also Catholic, was approached by a friend who suggested he turn the incident into a comic poem. The result was one of the bestselling poems of the age, ‘The Rape of the Lock’ (1712), a mock-epic that fused the grand styles of Homer, Virgil and Milton with an acerbic social satire, in which the gods are reimagined as airy sylphs guarding the honour of the heroine, Belinda. William Hazlitt wrote of the poem that ‘you hardly know whether to laugh or weep’, and in this episode Seamus and Mark discuss why Pope's masterpiece is at once the funniest poem in the English language and an essay on the seriousness of trivial things. Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, sign up: Apple Podcasts: https://lrb.me/applesignupnp Other podcast apps: https://lrb.me/scsignupnp Read more in the LRB: Claude Rawson on 'The Rape of the Lock': https://lrb.me/nppope01 Colin Burrow on Pope: https://lrb.me/nppope02 Learn more about your ad choices. Visit megaphone.fm/adchoices
• Nature in Crisis: ‘The Burning Earth’ by Sunil Amrith 06.04.2026 12นาที

  The ‘great acceleration’ is a term used to describe the dramatic surge in the 1950s of both human and earth systems indicators that marked a shift from a relatively stable planetary state to one that's characterised by increasing environmental instability. Alongside measures of carbon dioxide, nitrous oxide and methane levels, this shift can be tracked in numerous other areas of human activity, such as GDP, financialisation, foreign direct investment and the spread of telecommunications. In ‘The Burning Earth’ (2024), Sunil Amrith uses history as a way of understanding why we got to this moment, drawing on multiple strands of human activity over more than 500 years to trace the origins of environmental crisis. In this episode, Meehan and Peter interrogate some of Amrith’s major themes and examples, from the damaging impact of 18th-century ideas of freedom on our relationship to the natural world, to his analysis of postwar environmentalism through the figures of Hannah Arendt, Rachel Carson and Indira Gandhi. Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up: Directly in Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/applecrna⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ture⁠⁠ In other podcast apps: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/closereadingsna⁠⁠⁠ture More from the LRB: ⁠https://www.lrb.co.uk/the-paper/v45/n24/alexander-bevilacqua/friend-or-food⁠ ⁠https://www.lrb.co.uk/the-paper/v42/n22/pooja-bhatia/the-end-of-the-plantocracy⁠ ⁠https://www.lrb.co.uk/the-paper/v39/n05/benjamin-kunkel/the-capitalocene⁠ Meehan Crist and Alison Bashford on Indira Gandhi and the anthropocene: ⁠https://www.lrb.co.uk/podcasts-and-videos/podcasts/the-lrb-podcast/climate-politics-and-procreation-alison-bashford⁠ Recommendations for the London Review Bookshop from Sunil Amrith: ⁠https://www.londonreviewbookshop.co.uk/blog/2025/october/british-academy-book-prize-2025-sunil-amrith-s-reading-recommendations⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices
• Who’s afraid of realism? Three stories by Anton Chekhov 30.03.2026 23นาที

  ‘Instead of sheets – dirty tablecloths.’ The notebooks of Anton Chekhov are full of enigmatic observations such as this, the unexplained details that suggest a whole scene, short story or character. When asked by an actor how he should play the role of Trigorin in The Seagull, Chekhov simply answered: ‘he wears checked trousers’. As James Wood argues, this mastery of the telling detail is central to Chekhov’s radical realism. Unlike Flaubert and Ibsen, Chekhov sought to avoid imposing authorial meaning or irony, instead handing over perception to his characters. In this episode, James looks at three of Chekhov’s stories, ‘Gusev’ (1890), ‘The Bishop’ (1902) and ‘The Lady with the Little Dog’ (1899), and the ways in which each seeks to curb the judgment or expectations of the reader to foreground the experiences of his characters, even beyond death. Non-subscribers will only hear an extract from the episode. To listen in full, and to all our other Close Readings series, sign up: Apple Podcasts: https://lrb.me/applecrwaor Other podcast apps: https://lrb.me/closereadingswaor Further reading in the LRB: John Bayley on Chekhov's stories: https://lrb.me/realismep401 Donald Rayfield on Chekhov's love letters: https://lrb.me/realismep402 Joseph Frank on Chekhov's life: https://lrb.me/realismep403 James Wood on Chekhov's life: https://lrb.me/realismep404 Learn more about your ad choices. Visit megaphone.fm/adchoices
• London Revisited: The Medieval Capital 23.03.2026 24นาที

  When the Angles, Saxons and Jutes began settling across England in the wake of the Roman retreat in the early fifth century, the city they found on the north bank of the Thames was hardly a city at all. Within its walls were the great abandoned ruins of antiquity, ‘the works of giants’ as one Anglo-Saxon poet put it, and little else. For hundreds of years the site was patchily inhabited, but two features indicated its future importance. In 604, the first Bishop of London was appointed, leading to the continuous presence of Christianity and the founding of St Paul’s Cathedral; and down the river, the emergence of the Anglo-Saxon settlement of Lundenwic near where Covent Garden is today confirmed the area’s prime position as a trading centre. By the time Alfred repelled the Danes in the ninth century, London’s value had been realised, and the symbolic movement of the royal court from Winchester to Westminster under Edward the Confessor set London’s trajectory. In this episode, Rosemary is joined by Matthew Davies, professor of urban history at Birkbeck, to trace this story of London through the multiple invasions, grand projects and power struggles that took it from a field of ruins to a flourishing medieval capital. Reading by Duncan Wilkins Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up: Apple Podcasts: https://lrb.me/applesignuplr Other podcast apps: https://lrb.me/scsignuplr Further reading in the LRB: Eamon Duffy on Westminster: https://lrb.me/lrep301 Ferdinand Mount on Henry III: https://lrb.me/lrep304 Tom Shippey on Alfred: https://lrb.me/lrep302 Ysenda Maxtone Graham on the Strand: https://lrb.me/lrep303 Get in touch: podcasts@lrb.co.uk Learn more about your ad choices. Visit megaphone.fm/adchoices
• Narrative Poems: ‘Paradise Lost’ (Book 9) by John Milton 16.03.2026 16นาที

  When Milton came to describe Eve’s tasting of the forbidden fruit, he knew he couldn’t rely on suspense to grip the reader. Instead, he used multiple genres and perspectives to interrogate the moral and emotional significance of ‘man’s first disobedience’, self-consciously drawing on the resources of Renaissance tragedy, pastoral and love poetry to achieve his great innovation, the Christian epic. In this episode, Seamus and Mark look at the ways in which Milton’s study of temptation and free will became an unparalleled expression of poetic brilliance, from its thrillingly ambiguous and seductive depiction of Satan to its vivid dramatisation of the reproachful lovers confronting the consequences of their misdeeds, and ultimately its claim to being the finest love poem in English. Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, sign up: Apple Podcasts: https://lrb.me/applesignupnp Other podcast apps: https://lrb.me/scsignupnp Read more in the LRB: Colin Burrow: Loving Milton https://lrb.me/npmilton01 Tom Paulin: Milton and the Regicides: https://lrb.me/mpmilton02 Tobias Gregory: Milton’s Theology: https://lrb.me/npmilton03 Get in touch: podcasts@lrb.co.uk Learn more about your ad choices. Visit megaphone.fm/adchoices
• Nature in Crisis: ‘Blue Machine’ by Helen Czerski 09.03.2026 15นาที

  In Blue Machine (2024), Helen Czerski refigures the ocean as an enormous planetary engine, converting light and heat into motion. Her book invites us to see the ocean not as an ‘absence’ but an intricate series of operations that makes life as we know it possible. In this episode, Meehan Crist and Peter Godfrey-Smith reflect on the ways Czerski’s book has altered their thinking about the ocean, and whether new perspectives can ever be enough to change public policy. Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up: Directly in Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/applecrna⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ture In other podcast apps: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/closereadingsna⁠⁠⁠ture Get the book: https://lrb.me/czerskicr More from the LRB: Richard Hamblyn on deep-sea exploration: https://www.lrb.co.uk/the-paper/v27/n21/richard-hamblyn/hurrah-for-the-dredge Katherine Rundell on the greenland shark: https://www.lrb.co.uk/the-paper/v42/n09/katherine-rundell/consider-the-greenland-shark Liam Shaw on coral: https://www.lrb.co.uk/the-paper/v44/n22/liam-shaw/in-the-photic-zone Amia Srinivasan reviews Peter’s book on octopus minds: https://www.lrb.co.uk/the-paper/v39/n17/amia-srinivasan/the-sucker-the-sucker Film: Forecasting D-Day https://www.lrb.co.uk/podcasts-and-videos/videos/lrb-films-interviews/forecasting-d-day Next episode: ‘The Burning Earth’ by Sunil Amrith https://lrb.me/amrithcr Learn more about your ad choices. Visit megaphone.fm/adchoices
• Who’s afraid of realism? ‘Notes from Underground’ by Fyodor Dostoevsky 02.03.2026 20นาที

  Dostoevsky’s 1864 novella doesn’t contain the descriptive detail, impersonal narration or many other features of 19th-century realism established by Flaubert. The book’s two-part structure, which starts with a 40-year-old’s furious rant against rationalism and moves on to present three humiliating episodes from his earlier life, offers no kind of conclusion. Instead, it is the unbearable moments of psychological truth that make ‘Notes from Underground’ a revolutionary development in the history of realism. In this episode, James Wood is joined by the novelist and critic Adam Thirlwell to consider Dostoevsky’s mastery of the inner life and the experiences that shaped his hostility to rational egoism, from being subjected to a mock execution and four years in a Siberian prison camp to his reading of Hegel and a visit to London’s Crystal Palace. Non-subscribers will only hear an extract from the episode. To listen in full, and to all our other Close Readings series, sign up: Apple Podcasts: https://lrb.me/applecrwaor Other podcast apps: https://lrb.me/closereadingswaor Read more in the LRB on Dostoevsky: John Bayley: https://lrb.me/realismep301 Daniel Soar: https://lrb.me/realismep302 Michael Wood: https://lrb.me/realismep303 Learn more about your ad choices. Visit megaphone.fm/adchoices
• London Revisited: Mosaics, Archers and a Walled Garden 23.02.2026 18นาที

  After Roman London was hit by a catastrophic fire in about 125 AD, perhaps the result of another local revolt, it entered a new period of sophistication which saw the emergence of elaborate townhouses for its mercantile and administrative elite, richly embellished with mosaics and wall paintings. But the city had stopped growing, and when a devastating plague arrived in about 165 AD, which may well have been Europe’s first encounter with smallpox, it was probably already on a long slow decline caused by its diminishing importance as a trading hub. To continue Roman London’s story to its eventual fate as an abandoned walled garden, Rosemary Hill is joined again by Dominic Perring, author of 'London in the Roman World', to consider what objects such as a Greek spell found on the Thames foreshore, and a small bronze archer found in Cheapside, can tell us about the fortunes of the city, and why the construction of the London Wall in the early third century marked a terminal transformation of its role in the Roman Empire. Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up: Apple Podcasts: https://lrb.me/applesignuplr Other podcast apps: https://lrb.me/scsignuplr Learn more about your ad choices. Visit megaphone.fm/adchoices
• Narrative Poems: 'Venus and Adonis' and 'The Rape of Lucrece' by William Shakespeare 16.02.2026 19นาที

  Like Christopher Marlowe, William Shakespeare made good use of his time off when the theatres were shut for plague in 1593. 'Venus and Adonis' appeared in quarto that year and become by far the most popular work Shakespeare published in his lifetime, running to ten editions before his death (compared to just four for Romeo and Juliet). In this episode, Seamus and Mark consider the many ways in which Shakespeare’s poem displays its author's remarkable originality, from its peculiar reshaping of the Ovidian myth into a tale of comic mismatch, to its surprising diversion into the psychology of grief. They then look at his disturbing follow-up, 'The Rape of Lucrece' (1594), in which a chilling depiction of self-conscious, premeditated evil anticipates characters such as Iago and Macbeth. Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, sign up: Apple Podcasts: https://lrb.me/applesignupnp Other podcast apps: https://lrb.me/scsignupnp Further reading in the LRB: Stephen Orgel on Shakespeare's poems: https://lrb.me/npshakespeare01 Barbara Everett on the sonnets: https://lrb.me/npshakespeare02 Learn more about your ad choices. Visit megaphone.fm/adchoices
• Nature in Crisis: ‘The Light Eaters’ by Zoë Schlanger 09.02.2026 15นาที

  In The Light Eaters (2024), Zoë Schlanger reports from the frontiers of botany, where researchers are discovering forms of sensing, signalling and responding that challenge our ideas of plants as passive life forms. Meehan Crist and Peter Godfrey-Smith explore Schlanger’s account of new research into plant behaviour. They examine the case for plant agency – and the far more speculative claims for plant consciousness – and attempt to make sense of some astonishing discoveries. Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up: Directly in Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/applecrna⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ture In other podcast apps: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/closereadingsna⁠⁠⁠ture Get the book: https://lrb.me/schlangercr Further reading from the LRB: Francis Gooding on mushroom brains: https://www.lrb.co.uk/the-paper/v43/n10/francis-gooding/from-its-myriad-tips Andrew Sugden on the life of a leaf: https://www.lrb.co.uk/the-paper/v35/n03/andrew-sugden/hairy-spiny-or-naked Ian Hacking on human thinking about plants: https://www.lrb.co.uk/the-paper/v13/n04/ian-hacking/living-things Francis Gooding on the hidden life of trees: https://www.lrb.co.uk/the-paper/v39/n04/francis-gooding/thinking-about-how-they-think Next episode: ‘Blue Machine’ by Helen Czerski https://lrb.me/czerskicr Learn more about your ad choices. Visit megaphone.fm/adchoices
• Who’s afraid of realism? ‘Madame Bovary’ by Gustave Flaubert (part two) 02.02.2026 10นาที

  ‘He opened him up and found nothing.’ These are the doctor’s findings at Charles Bovary’s autopsy near the end of 'Madame Bovary'. Taken on its own, it’s a simple medical observation. In the context of Emma Bovary’s tragic story, it serves as a condemnation not just of Charles’s emptiness but the whole provincial world Flaubert has been describing. In the second part of his analysis of 'Madame Bovary', James Wood considers the major episodes leading to Emma’s death and argues that what made Flaubert’s realism dangerous was not its depictions of infidelity, but its use of cliché to expose French bourgeois lives constructed entirely of received ideas and second-hand emotions. Non-subscribers will only hear an extract from the episode. To listen in full, and to all our other Close Readings series, sign up: Apple Podcasts: https://lrb.me/applecrwaor Other podcast apps: https://lrb.me/closereadingswaor Further reading in the LRB: Julian Barnes on translations of Madame Bovary: ⁠https://lrb.me/realismep201⁠ Michael Wood on 'Sentimental Education': ⁠https://lrb.me/realismep202⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices