True Techno Podcast

Episodi

• PETRU KSS – Raw Hypnotic and Pure | True Techno Podcast 109 24.06.2026 1h

  © 2025 True Underground. All rights reserved. Petru KSS: Raw, Hypnotic and Pure on True Techno Podcast 109 Corsican electronic music producer PETRU KSS delivers an expertly curated 33-track set for True Techno Podcast 109, released on 24 June 2026. The broadcast integrates his performance philosophy with material from his debut album, Kolibri Live LP, recorded during a continuous live take at sunrise on a remote Corsican hilltop. His long play anchors his hardware-centric framework developed under the mentorship of Richie Hawtin at the University of Huddersfield. Key Takeaways PETRU KSS developed the THRiPPS performance system while holding the Richie Hawtin PhD Scholarship in Electronic Music at the University of Huddersfield. The debut album Kolibri Live LP acts as the central proof of concept for this ongoing live performance research. True Techno Podcast 109 performance compresses a multi-hour club timeline into a focused 60-minute intense progression. His core aesthetic framework WYHWYT completely removes digital screens and mouse interaction from the live workflow. The album’s raw multi-track recordings were engineered by Hannes Bieger and mastered by the Calyx engineering team to preserve performance volatility. PETRU KSS anchors True Techno Podcast 109 with a performance that highlights his hardware-focused sonic philosophy. This broadcast represents his deep technical expertise into standard club environments. By prioritizing narrative flow over standard club trends, his curated selection creates a direct link between his live energy and club dynamics. The performance directly expands upon his debut long-player, Kolibri Live LP, which was recorded under extreme environmental constraints. For the album, PETRU KSS carried his production setup up a remote Corsican hillside in total darkness to capture a continuous sunrise take. Managing heavy equipment in shifting temperatures and high humidity introduced random variables that actively shaped the recorded material. “The whole set is alive because I felt alive. Past the preparation, physical effort, low error margin related to time and setup, when the set starts, it would just be ‘finally, it’s time to enjoy!'” The structural backbone of this project relies entirely on THRiPPS. This structural methodology stands for Techno Hardware-centric, Real-time, Improvisation, Production and Performance Study. PETRU KSS refines this practical framework at the University of Huddersfield as the inaugural recipient of the Richie Hawtin PhD Scholarship. PETRU KSS: Raw, Hypnotic and Pure on True Techno Podcast 109 The academic endorsement provides a structured platform to examine how professional touring acts interact with hardware instrumentation. His workflow prioritizes real-time decision-making, which intentionally opens the performance to technical risk. Rather than correcting unstable analogue oscillators or unexpected resonance spikes, these elements remain embedded within the arrangements. This rejection of digital optimization defines his primary performance motto, WYHWYT. The acronym translates directly to What You Hear Is What You Touch, establishing a firm boundary against screen-heavy workflows. His physical configuration relies on machines like the Analog Rytm, Moog Minitaur, and Dreadbox Typhon to construct a comprehensive club environment without a computer mouse. “Those perfectly imperfect moments, slightly drifting oscillators and unexpected resonances, these are part of a live performance DNA, and represent a human risk that AI-driven music simply cannot replicate.” Following the initial live tracking phase, PETRU KSS delivered the multi-track files directly to Hannes Bieger for mixing. The tracking stems then went to Calyx for final audio mastering to guarantee competitive club translation. The finished material stands as a clear alternative to the polished studio outputs and automated arrangements defining the 2026
• Kadric – Hypnotic & Hardgroove | True Techno Podcast 108 09.06.2026 1h 59min

  © 2025 True Underground. All rights reserved. Kadric True Techno Podcast Edition Links Bern’s Raw Underground Scene Swiss techno producer and Solid Dark label co-owner Cédric Mokus, performing under his Kadric moniker, has delivered the latest edition of the Kadric True Techno podcast directly from the underground circuit of Bern, Switzerland. This hard-hitting audio presentation showcases his evolution from early minimal rhythms into a heavy, peak-time sonic blueprint. By positioning raw hypnotic power at the centre of the mix, the execution addresses a growing regional demand for immersive, compromise-free dancefloor movements. Music became a core element of the producer’s identity during his school years, spent composing original works and performing in traditional bands. A pivotal club night in Bern redirected that creative focus entirely toward electronic frequencies. His initial venture into production arrived via the minimal tech project Krafteck, capturing international attention with releases on prominent labels including Reload Records, Hungry Koala, DC10, and Doubsquare Records. The early track Madness climbed to number 98 in the Beatport Minimal Techno chart, establishing a technical foundation that would later undergo a radical transformation. In 2019, Mokus closed the minimal chapter to launch his current identity. The transition reflected a calculated shift toward a weightier, more menacing sonic territory, mirroring the hardening preferences of the broader European club scene. “The transition was less about leaving something behind and more about a natural evolution of my artistic vision,” Kadric explains. “Over time, my taste shifted more and more towards darker, hypnotic and high-energy sounds. At the same time, the Swiss underground scene evolved, creating a growing demand for intense, emotional and immersive dancefloor experiences. Kadric gave me the opportunity to fully embrace that direction and express my creativity without limitations.” This pursuit of creative freedom is evident in his role within Solid Dark, an autonomous imprint co-founded by Kevin Stäger (Kevqube) and David Kawka, with further input from Juan Vasquez (Dee Jota). The label has rapidly expanded its footprint, issuing the comprehensive 13-track Hypnosis 1 compilation. Kadric contributed the heavy composition Parallax to the release, a production designed explicitly to push club monitoring systems to their structural absolute limits. “With ‘Parallax’, the dancefloor impact was the main focus from day one,” Kadric says, breaking down his studio architecture. “The foundation of the track is the relationship between the kick and the bassline. The goal was to create a deep, powerful yet controlled low-end that works on any sound system. Every percussion layer, texture and sound was carefully placed to support the hypnotic flow of the track.” Managing such dense frequencies requires strict discipline during the mixdown process, ensuring that sharp synth stabs cut through highly compressed sub-bass lines without causing acoustic fatigue. “The most important aspect is balance,” Kadric notes. “It is not about making elements louder, but about giving each sound its own space within the frequency spectrum. At the same time, it is very important to me that my productions remain recognisable and that listeners immediately know there is a Kadric track behind the sound.” The success of this approach is validated by his chart history and industry backing. His single Pressure reached number 82 on the global Beatport Techno charts, and his studio output routinely receives performance support from high-tier industry mainstays including Adam Beyer, Chris Liebing, Charlotte de Witte, Amelie Lens, Pan-Pot, Spartaque, T78, and The YellowHeads. Preserving Counter-Culture Mechanics on the Physical Floor The curation on the new podcast functions as an extension of the programming principles utilized by the Solid Dark collective. The crew balance in
• DEAS – Raw, Hypnotic and Pure | True Techno Podcast 107 05.06.2026 55min

  © 2025 True Underground. All rights reserved. DEAS on Resisting Industry Commercialisation In an exclusive interview for Change Underground Polish techno producer DEAS (Karol Mozgawa) addressed the commercialisation of modern club culture and discusses his hardware production methodology. In this exclusive feature for true techno podcast 107, broadcasting from his studio base in Krakow, Poland to the global underground community. Greek-born and Poland-based, DEAS has carved an uncompromising path from local residencies at Smolna and Tama to international stages including Awakenings, Extrema, and E1 London. With a sonic footprint spanning CLR, ARTS, and Planet Rhythm, his output remains fiercely rooted in hypnotic grooves, live hardware interaction, and an uncompromised artistic vision. We sat down with DEAS to talk analogue obsession, the evolution of his sound, the expansion and occasional dilution of the global techno scene, and why authenticity still matters more than follower counts. Hardware Journeys and One-of-a-Kind Grooves DEAS has long held a reputation as a dedicated hardware specialist, though his relationship with machinery is more collaborative than dogmatic. While software plays a functional role in his workflow, the driving energy of his music stems from the tactile, unpredictable feedback loops of physical gear. He approaches music production not as a rigid programming exercise, but as an unfolding journey where the final track acts essentially as a natural side effect of the physical process. This hands-on methodology yields tracks and DJ sets with a distinct, lived-in texture; hypnotic, precise, yet continually inventive. It is groove-focused techno built for long-form dancefloor immersion rather than instantaneous algorithmic satisfaction. His recent Drifted Off EP on ARTS showcases this ongoing structural evolution, weaving spoken-word elements and subtle melodic layers into his signature driving atmospheres without altering his core artistic trajectory. Rather than attempting to reinvent the wheel, his studio work focuses entirely on introducing sharp internal surprises while staying true to an idiosyncratic musical vision. The Scene: Growth, Spectacle, and Soul The global expansion of techno has undoubtedly broadened the audience for underground sounds, a reality DEAS acknowledges as a major benefit for emerging artists and independent labels. However, this mainstream saturation brings an inevitable compromise: the transformation of club culture into visual spectacle. Across international circuits, events increasingly prioritise sensory distraction over sonic depth, shifting the focus away from the music itself. This commercial transition forces electronic music figures into a compromise between performance and digital marketing optimization. DEAS rejects the contemporary pressure to treat music as an optimized commodity, drawing a clear line between the responsibilities of a creator and those of a digital marketer. “My approach to art in general is not focused on constantly trying to make it ‘sellable’,” he notes. “I am not a content creator; I see myself as an artist. An artist creates what they feel… they don’t ask the audience what they expect from them.” This strict boundary dictates how he reads crowd energy across different territories. While some international hubs lean heavily into the curated show, others preserve the raw musical connection that initially defined the subculture. Fake Things and Scene Authenticity This tension forms the thematic core of his Vibrations EP on Planet Rhythm, highlighted by the pointedly titled track “Fake Things.” Released in early 2026, the project lands amidst ongoing industry debates regarding inflated social metrics, bought followers, and the rise of the manufactured profile. While DEAS leaves the track open to individual interpretation, the critique of a scene dominated by artificial engagement remains apparent. Despite the distortion of booking ecosystems by
• Juheun – Robotic Soul & Underground Philosophy | True Techno Podcast 106 15.04.2026 1h

  © 2025 True Underground. All rights reserved. The Psychology of the Reset: Juheun’s Mission for the Underground Juheun’s trajectory is a study in creative survival. After over a decade performing as DJ Tranzit in the American house scene, he faced a choice: continue playing tracks he didn’t like to satisfy a commercial bottle-service culture, or return to the “faceless” roots that originally defined his love for electronic music. His return to techno was a reclamation of mental health and artistic clarity, a move away from the “noise” of social media influencers and toward the raw, mechanical soul of the machine. “With so much noise these days coming at us from social media, influencers, and AI… it’s very easy to get lost and forget why we are here in the first place. It’s always been very important to stay grounded and focus on the music. Sometimes the easy way out is to follow trends, but that doesn’t do anything for you in the long run.” This grounding is maintained through a rigid discipline system. In an industry that demands constant output, Juheun relies on a “dialled-in schedule” to prevent the burnout that comes from constant comparison. He views the studio as a laboratory where he controls electricity—converting vibrations into futuristic frequencies. Yet, he is quick to identify the trap of repetition; for Juheun, innovation isn’t just about adding new sounds, but knowing when to strip everything back to its fundamentals. “Learning to become a good producer is knowing when to stop, and knowing when its time to shift gears or even give up on an idea. One of the best studio tips I’ve gotten is to start deleting parts and pieces when you hit a dead end. Even just muting channels and stripping it all back down to its fundamentals have done wonders.” Juheun’s perspective on the “business layer” of the industry is equally uncompromising. He views the current ecosystem as one that has devalued the art form through over-accessibility. From over-produced events with “a million lasers” to the “AI-generated slop” infiltrating playlists, he sees a desperate need to return value to the music itself. His solution is a structural reset: raising the cost of music to force a more curated, appreciative relationship between the listener and the artist. “We need to bring value back to music. I think its time to raise the prices on music a little. Even doubling the cost of a single song from $0.99 to $2.00 can make a huge difference… if we are not taking care of the musicians and producers who create the music, then we would be left with nothing but generic AI generated slop.” His mix for True Techno 106 is an extension of this mindset—a pursuit of “timeless techno” that stands apart from the peak-time trends. By weaving his own unreleased live IDs, like ‘Lets Dance’, with the deep, hypnotic selections of Phil Berg and Modeselektor, Juheun provides a glimpse into a future where the music—not the brand—is the catalyst for connection. It is a reminder that once the current bubble bursts, the underground will remain, sustained by those who were there for the right reasons all along. “Techno has always been a bit mysterious to me. Back in the day, it was a song title and an obscure name… it was really just about how hot the record was instead of the reverse. This is what makes it so special. Listen to the music first.” Tracklist Civil Servant – Into The Unknown (Juheun Remix) Troy – Ishi No Medama (Original Mix) Regent – Arcane (Original Mix) Toobris – Tomorrow is Gone (Original Mix) Modeselektor – Blockchain (Original Mix) Juheun – Lets Dance (Original Mix) Hertz, Oscar Escapa – Eternal Groove (Original Mix) Khabiar – It Depends ON (Original Mix) Oscar Sanchez – Selective Memory (Original Mix) Phil Berg – Sappho (Original Mix) Frank Biazzi – Open Your Eye
• Ilona Maras – Peak Time Techno Mix | True Techno 105 25.03.2026 1h 3min

  © 2025 True Underground. All rights reserved. Ilona Maras – True Techno 105: Discusses Her Hive Residency and Narrative Energy Ilona Maras anchors this edition of True Techno, showcasing the clinical technicality and raw emotional weight that have fuelled her trajectory through the underground. Based in Zürich and maintaining a residency at the influential Hive club, Maras provides an exclusive look into her creative process following her recent EP on MJA the Vision. Her sound – a sophisticated blend of Eastern melodies and raw acid textures – has earned her the backing of industry heavyweights like Richie Hawtin and positions her as a definitive voice in contemporary techno. For Maras, the evolution from a hobbyist to a central figure in the scene was a gradual realisation of purpose. The transition occurred as she noticed her focus shifting towards the minutiae of performance and the psychological impact of the booth. “It wasn’t one big moment, more a quiet realisation that kept getting louder over time,” she reflects. “I noticed how deeply I cared about every detail, every transition, every reaction from the crowd. At some point, it became clear this wasn’t something I did for fun after work; it was how I experience the world.” The Hive Residency: Illona Maras Technical Education The Hive in Zürich serves as both a creative anchor and a testing ground for Maras’ output. Her residency has required her to navigate diverse time slots and floors, a process that demands an acute level of crowd empathy and technical adaptability. This experience has shaped her ability to work a room without relying on cheap tropes or forced energy. “You can’t force energy in that space; you have to read the room and build it slowly, earn trust step by step. It taught me that sometimes less is more, and that people will go with you if you’re honest, not if you’re trying to impress them.” – Ilona Maras This grounded approach extends to her high-pressure performances, including playing a set at Street Parade while seven months pregnant – a moment she describes as a powerful convergence of her personal life and professional commitment. MJA the Vision and the 90s Techno Influence Her latest work on MJA the Vision, released on 06.03.2026, leans into the contrast between tension and release. Inspired by the industrial geometry of the Prague train station, the EP captures a specific 90s techno aesthetic while maintaining the modern clarity required for big-room impact. Maras describes the production as an exercise in intuition over calculation. “The EP is very much about contrast, tension and release, control and letting go. I got inspired while visiting Prague; I was in a room overlooking their beautiful train station, and something about that view gave me a strong 90s feeling. It made me want to recreate a bit of that 90s techno vibe in my own way.” – Ilona Maras Honesty as a Production Standard Since her debut on Get Physical with Existe, Maras has prioritised instinct over perfectionism. This philosophy has seen her tracks championed by Richie Hawtin and released on labels including Volta, We Are The Brave, and Filth On Acid. By refusing to “customise” music for specific labels, she has maintained a cohesive identity that bridges the gap between underground depth and peak-time function. Her focus now shifts towards her own imprint and a commitment to innovation that ignores the saturation of the modern trend cycle. “I’d love to push even more into innovation… and to ignore the noise around me as much as possible,” she says. “Every time I manage to do that, those tracks usually work the best.” As Ilona Maras continues her tour cycle, True Techno 105 serves as a testament to an artist who values real connection over fleeting metrics. Her sound is built for high-intensity immersion, striking the balance between visceral, dancef
• Simone Zino – Raw Industrial Techno Mix | True Techno 104 10.03.2026 1h 15min

  © 2025 True Underground. All rights reserved. { "@context": "https://schema.org", "@type": "PodcastEpisode", "mainEntityOfPage": { "@type": "WebPage", "@id": "https://trueunderground.one/simone-zino-raw-industrial-techno-mix-true-techno-103" }, "name": "True Underground Podcast: Simone Zino on the Detroit-Milan Connection", "headline": "Simone Zino: Translating Milanese Underground to Kevin Saunderson's KMS", "description": "In this episode, Simone Zino discusses his #1 Beatport success, his 'Back To The Old School' EP on KMS, and the philosophy of raw techno.", "image": "https://www.trueunderground.one/wp-content/uploads/2026/03/Simone-Zino.jpg", "author": { "@type": "Person", "name": "True Underground" }, "publisher": { "@type": "Organization", "name": "True Underground", "logo": { "@type": "ImageObject", "url": "https://www.trueunderground.one/wp-content/uploads/2022/04/tu-logo1.png" } }, "datePublished": "2026-03-10", "duration": "PT1H15M21S", "url": "https://trueunderground.one/simone-zino-raw-industrial-techno-mix-true-techno-103", "partOfSeries": { "@type": "PodcastSeries", "name": "True Underground Podcast", "url": "https://www.trueunderground.one/techno-podcast-archive/" } } { "@context": "https://schema.org", "@type": "FAQPage", "mainEntity": [{ "@type": "Question", "name": "What does Simone Zino say about the influence of Detroit Techno on his sound?", "acceptedAnswer": { "@type": "Answer", "text": "Simone highlights the connection between machine-driven rhythms and human feeling as the primary link between his Milanese roots and the Detroit legacy at KMS." } }, { "@type": "Question", "name": "How does Simone Zino balance his classical piano background with 142 BPM techno?", "acceptedAnswer": { "@type": "Answer", "text": "He uses subtle harmonic layers like chord stabs and atmospheric pads in the background to satisfy his musicality without disrupting the percussive floor-oriented groove." } }] } How Simone Zino Translated Milanese Underground Grooves to Detroit’s Legendary KMS Records Milanese producer Simone Zino is cementing his status as a heavyweight in the contemporary techno circuit this March 2026, dropping his highly anticipated Back To The Old School EP on Kevin Saunderson’s legendary KMS Records. Fresh off a Beatport #1 chart-topper with “Signals” and a massive 2025 that saw him tear through Joseph Capriati’s Metamorfosi at ADE and join the prestigious Tempo Management roster, Simone Zino is bridging the gap between his classical roots and peak-time dancefloor artillery. For an artist with nearly two decades in the trenches – Simone Zino is cutting his teeth with a 2008 residency at Bolgia and sharing stages with titans like Len Faki, Nina Kraviz, and Chris Liebing – cracking the code to a Detroit legacy label required looking inward. Rather than adopting an artificial persona, Zino leaned heavily into the stripped-down, hypnotic tension that defines his native scene. “Growing up in the Milan underground shaped my approach to techno a lot,” Zino explains. “Over the years I developed a language focused on groove, raw drums and a balance between energy and soul. That connection between machine-driven rhythms and human feeling is something that always fascinated me in Detroit techno. When I started refining that approach in my productions, the connection with KMS felt very natural.” Following up a massive #1 hit can paralyze a producer, especially when the next release is stamped with the KMS logo. Yet Zino bypassed the anxiety of the sophomore slump by isolating himself from industry noise. “Honestly I didn’t want to think too much about the pressure of following a #1 record,” he says flatly. “For me the focus was simply staying true to my sound and respecting the identity of
• Lola Kay | True Techno 103 18.12.2025 1h 2min

  © 2025 True Underground. All rights reserved. Lola Kay’s relationship with music was never passive. It was lived, absorbed, and embodied long before she ever stood behind a booth. Growing up in Minsk, Belarus, Lola Kay‘s childhood unfolded inside theatres rather than classrooms, shaped by the backstage corridors where her mother worked and where atmosphere, tension, and emotion were constructed night after night. Drama, sound, and silence all had purpose. At the same time, she was already dancing, learning intuitively how rhythm moves the body and how music alters mood. That early immersion taught her something foundational: music is not decoration, it is architecture As a child, Lola Kay was introspective and self-directed, spending long stretches alone with records and artwork. Electronic music arrived early, not through trends but through curiosity. Digging became instinctive. The raw energy and strange aggression of The Prodigy left a lasting imprint, a first encounter with electronic music that felt unruly, physical, and alive. It was less about genre and more about sensation, something she would later return to again and again. Dance became her first profession, and with it came a deep study of musical cultures. Classical, jazz, swing, and the lineage of artists like Duke Ellington and Louis Armstrong were not abstract references but living histories she felt through movement. Each dance style demanded immersion into its cultural context, its era, its emotional code. Music was never separated from place, time, or identity. That obsession with understanding where sound comes from still underpins her approach today, whether she is producing or layering four decks into a single evolving narrative. Her DJ sets are built with the body in mind. Groove dictates structure. Energy dictates pacing. Tracks are not standalone moments but emotional blocks that create tension, release, and continuity. Theatre remains present in her work, not as spectacle, but as cohesion. One atmosphere runs through the entire set, a full-circle arc where nothing is accidental and nothing is wasted. Leaving Belarus was never romantic. Growing up in a post-Soviet environment as a free-spirited, open-minded young woman came with friction and constraint. Escape was not a desire but a necessity. Barcelona became her exit point almost by chance, following visits that revealed a city driven by openness and rhythm, and an unexpected opportunity to open a dance school. The city gave her space to exist, to experiment, and to begin carving out an artistic identity on her own terms Community became central to her rise. Collectives were not branding exercises but survival structures. House of (S)PUNK, founded by Perrine aka La Fraîcheur, was pivotal. It was the first time someone truly believed in her as a producer and pushed her to release music. That belief translated directly into action, resulting in her debut EP and a clearer sense of artistic direction. Alongside this, her involvement with YO-YO allowed her to exist unapologetically as a queer artist, prioritising FLINTA lineups, safety, and genuine community over industry optics. Stylistically, Lola Kay resists rigid definitions. Mental techno, hardgroove, Detroit, and 90s and 2000s references appear not because they are fashionable but because they carry the emotional weight she is searching for. Her mixing is architectural, using multiple decks to layer texture, rhythm, and atmosphere into something hypnotic and primal. Berlin looms large in this evolution. It was the first place where techno fully made sense to her, where intuition aligned with sound. The city did not teach her what to like, it confirmed what she already felt Her influences extend beyond records to the people who sustain the culture. Artists like DVS1, Luke Slater, and Efdemin matter not only for their sound but for their commitment to the scene. DJs such as Steffi, Lady Machine, Paula Koski, Bashkka, Philippa Pacho, and Isabel S
• DJ Morgan | True Techno 102 20.11.2025 1h 8min

  © 2025 True Underground. All rights reserved. DJ Morgan, producer and founder of HardNRG.com – one of the first major online platforms to promote hard house across the United States, showcasing exclusive sets from leading artists around the globe. His own productions and DJ mixes blew up his international profile, seeing him tour extensively and earn a reputation as a highly influential figure in the early US hard dance movement. “When I went to my first rave, it all came together – a scene developing before my eyes, opening me up to entirely new ways of thinking about music,” he recalls. The 1990s US dance scene was raw, experimental, and fiercely inclusive. “Everyone was welcome. Positive vibes came in, and out went the punk rock and industrial angst,” says DJ Morgan. While Europe evolved into a vast festival culture, America’s underground stayed stripped-back and communal. “Out of a thousand records, you might find twenty or so dedicated to harder styles,” he remembers. The arrival of early internet record hubs like Juno Records and Banging Tunes finally gave him access to the European records that would later inspire his mission. In 1999, DJ Morgan launched HardNRG.com, one of the world’s first free online mix platforms – years ahead of SoundCloud or Mixcloud. “The goal was simple: get mixes from the best artists across Europe to ravers for free, and help spread the music across America.” The site became a global hub for hard house mixes. It featured some of the era’s biggest names, including Andy Farley, Anne Savage, BK, Captain Tinrib, Dynamic Intervention, Lisa Lashes, Karim, Lisa Pin-Up, Nick Sentience, Rodi Style, and Superfast Oz. Building on that success, DJ Morgan co-founded Lotek Records, releasing tracks from Defective Audio, Dynamic Intervention, Pranksterz, Rubec, Chris C, and Madam Zu while producing his own material for Lotek and releases on Kaktai & DIP Records, including No Law, Unknown Technique, and Severe Trauma, rooted in harder-edged trance and NRG. DJ Morgan helped pave the way for the early hard dance scene in San Francisco. “We started a club night and threw several underground parties while helping others in the scene put on events,” he explains. “Many of our DJs went on to play across North America and internationally. I had a great run of it myself, playing regularly across the US and Canada, and as far as the UK, Finland, Japan, and Australia.” In parallel, he built a career in the video game industry, working with Activision, Sega, EA, and Blizzard on projects for major franchises including Command & Conquer and Warcraft. “My background in music allowed me to immediately speak with audio designers and engineers to hit the ground running,” he says. Now based in Thailand, Morgan has returned to DJing with a renewed focus, performing across Techno, Hard Techno, Hard Trance, and Psy-Trance. “I play what I like, rather than chasing what is popular. This way, I’m playing the music I love and am excited to share with everyone.” With upcoming gigs in Bangkok, before heading to Pattaya and Phuket, the former US hard house pioneer continues to connect with audiences by combining the underground energy of his past with today’s global hard dance revival. Soundcloud https://soundcloud.com/djmorgan303 Instagram @djMorgan303 Website: www.djMorgan.com The post DJ Morgan | True Techno 102 appeared first on True Underground.
• True Techno 101 | M.F.S: Observatory 12.11.2025 1h

  © 2025 True Underground. All rights reserved. Italian-born and London-based, Mattia Turchetti, known as M.F.S: Observatory, has spent the past decade refining a sound that sits between engineering precision and raw club instinct. His productions and DJ sets balance M.F.S: Obervatory’s hypnotic repetition with emotional restraint, merging the discipline of a sound designer with the pulse of a dancefloor tactician. “My first musical memories come from home,” he begins. “My brother introduced me to electronic music, while my parents played Italian artists like Pino Daniele, Fabrizio De André, and Francesco De Gregori. That mix of emotion, melody, and rhythm shaped my ear from an early age. I started experimenting with drum machines and early software, fascinated by how rhythm could control a room. That curiosity slowly evolved into DJing and then producing my own music.” The alias came later, carrying both geographical and philosophical weight. “I’m from a village facing Mount Vesuvio, where the observatory stands, and that idea of watching and listening from above felt powerful. We started as a trio, but over time it became my solo project. The name stayed because it reflects how I approach music: always observing, studying, and experimenting with sound.” Growing up in Naples meant being immersed in a rhythmic culture where groove is everything. “I grew up surrounded by the house and tech-house scene in Naples, which has a strong groove-based culture. Later, after moving to London and traveling through Europe, I was drawn toward deeper and more hypnotic techno. Artists and labels that build emotion through minimalism and tension influenced me most; I’ve always been attracted to music that pulls you in slowly.” Turchetti’s formal background in sound design gave structure to that instinct. He studied Music and Sound Design in London, followed by a master’s in Sonic Arts at Goldsmiths. “Sound design taught me to treat frequencies as materials and to shape space, not just fill it,” he says. “Every sound has a role and emotional weight. I think a lot about how frequencies interact and how to use silence and dynamics to build tension – both in production and in a DJ set.” His early career took shape through small underground labels that supported his first releases before his name began appearing on international imprints. “It started with small underground labels that believed in my early music. Those first releases helped me build connections and confidence. As my sound evolved, international labels began to notice, and my tracks started reaching new audiences across Europe. Playing abroad and hearing my music in different cities were important milestones that showed me this could grow into a real career.” That career has now stretched across respected outlets such as Kneaded Pains, Second State, Illegal Aliens, Diffuse Reality, and his own Observatory Music, which he uses as a base for experimentation. Releases like Into The Matrix, You Get Me Flustered, and Antares mark his evolution toward a deeper, more spatial sound. “It has become more textured and focused,” he explains. “Early on I was driven by pure rhythm and energy, while now I explore space, layering, and atmosphere. My setup with the Akai Force, Elektron Syntakt, Elektron Digitone II, Eurorack, and Ableton Live helps me capture both structure and spontaneity. Recently, I’ve been experimenting with Baby Audio’s Tekno plug-in, which delivers a powerful punch on drums when combined with the analog tones I create on the Elektron machines.” His process starts from rhythm and grows outward. “I jam on the Syntakt or Digitone II until I find a groove that feels alive. From there I record into Ableton Live and arrange using the Akai Force as the main hub. The Eurorack adds evolving atmospheres and subtle movement. I like to shape each track like a DJ set — building tension and release, making sure every element has its moment.” That same attention to tension an
• Marco Faraone | True Techno 100 04.11.2025 1h 9min

  © 2025 True Underground. All rights reserved. Italian DJ, producer, and label head Marco Faraone has long stood as a bridge between the underground and the global techno mainstage. From the smoky intimacy of his early club nights to his current status as a festival fixture and respected figure on labels like Rekids and Drumcode, Marco Faraone’s path has been defined by instinct, authenticity, and a refusal to compromise. Speaking to True Underground, he reflects on his roots, his ethos, and the shifting landscape of techno. Marco Faraone’s earliest memories of the scene are steeped in the visceral energy of small, dark clubs – rooms heavy with smoke, sweat, and liberation. “There was nothing contrived, just people living the music as an act of freedom,” he recalls. “No one judged you; only the sound and what it transmitted mattered. That pure connection between music and people overwhelmed me. It was a revelation, and since then I’ve never stopped chasing that feeling.” As the culture expanded, Marco Faraone watched techno evolve from underground movement to global industry. “The scene has changed immensely – from niche culture to a global phenomenon. Today it’s more accessible, but also more dispersed. There’s more professionalism, but less risk and experimentation.” For him, remaining grounded in that raw, instinctive essence is crucial. “Techno has never been a trend but a free and ever-evolving language.” His rise to international recognition came gradually, built on consistency rather than calculation. “It wasn’t a single moment but a path,” he explains. “When people started recognising my musical signature – not just the name on the lineup – I realised something had changed.” Maintaining credibility while performing across high-profile stages, he says, comes down to intent. “The underground isn’t a place; it’s a state of mind. If you play with sincerity, the audience feels it.” This belief in authenticity forms the foundation of UNCAGE, Faraone’s label and creative platform. Conceived as a space for freedom and experimentation, it became both a laboratory and a manifesto. “UNCAGE gave me the chance to express myself without limits,” he says. “It’s a space where I can experiment, make mistakes, take risks, and answer to no one. It’s the most honest and instinctive part of me.” UNCAGE’s mission, he adds, is to keep that spirit alive – a commitment to freedom, research, and authenticity. Every release must carry meaning. “We select artists who share that vision, even if they’re not the easiest to promote. UNCAGE is a home for those who want to say something true – without filters or compromise.” Collaboration plays a central role in his evolution, pushing him toward new sonic and emotional dimensions. “Every artist brings a different world,” he says. “From many collaborations, I’ve learned the importance of space and silence. Sometimes removing is more powerful than adding. Letting the sound breathe – it’s a more mature and profound way of producing music.” Despite the genre’s current fragmentation, Marco Faraone sees vitality and potential in techno’s future. “There’s a lot of music, but not always a lot of substance. The future belongs to those who unite authenticity with innovation while staying true to the roots. Techno shouldn’t become a formula – it must remain a free and visceral expression.” Balancing global recognition with artistic integrity is, for Marco Faraone, an act of discipline and self-awareness. “I don’t chase trends; I evolve while staying true to my vision. Success, if it comes, should be a natural consequence – not the goal.” Founding UNCAGE, he says, was the defining decision of his career. “It allowed me to believe in my path, even in difficult moments. I’ve never taken the easy road, and maybe that’s what earned me respect in both worlds – underground and mainstream.” Marco Faraone and his philosophy is rooted in freedom, experimentation,
• Kashpitzky | True Techno Podcast 99 10.09.2025

  © 2025 True Underground. All rights reserved. Kashpitzky is a Tel Aviv–born, Berlin-based artist reshaping the house-influenced techno sound. As one of the most in-demand producers of the new wave movement, he blends old-school grit with modern drive, crafting a style that is rough, fast-paced, and unmistakably his own. His releases have landed on respected labels including Shlomi Aber’s Be As One, James Ruskin’s Blueprint, Dax J’s Monnom Black, and the legendary Token. Difficult to pigeonhole, Kashpitzky’s vision of techno balances energy with depth—groovy yet raw, often weaving broken beats with organic textures. The post Kashpitzky | True Techno Podcast 99 appeared first on True Underground.
• Flug | True Techno 98 11.08.2025

  © 2025 True Underground. All rights reserved. Flug (Sebastián López) is an Argentine DJ and producer who has become a prominent figure in the global techno scene, known for his powerful kick drums, sharp hi-hats, and deep basslines. With unparalleled discipline in the studio and a humble, passionate approach, he has developed a distinctive sound that is easily recognizable within the scene. He has performed at prestigious clubs like Fabrik Madrid, Womb Tokyo, and Brunch Barcelona, and at international festivals such as DGTL, MAYDAY, CRSSD, and Nature One. His carefully curated sound has captured the attention of industry heavyweights, releasing music on influential labels such as CLR, Trip, Soma, JAM, MORD, and DCLTD. His album In Safe Hiding received a perfect 10/10 rating from the prestigious German magazine Mixmag for its emotional depth. Since his first EP release in 2007, he has accumulated over 100 releases, including collaborations with renowned artists like Grammy-winner Dubfire and the respected The Advent. He has also remixed tracks for major names such as Slam, Nicole Moudaber, Indira Paganotto, Marco Bailey, Renato Cohen, Marco Faraone, Mark Broom, Coyu, among others. Flug is an active figure in the vibrant cultural scene of Barcelona, where he currently resides. He co-founded the influential brands Insert and Rezonanz, which made a lasting impact in the city, and leads his own streaming series Flug Invites in collaboration with Bridge 48, where he also serves as brand ambassador. Currently, he is the number 1 artist in the raw deep hypnotic techno genre on Beatport, and his track The Piano is the best-selling track of all time in this category, holding the #1 spot for an entire year. In 2020, he launched his own label Existentia, where he continues to push his innovative vision of techno. True to his style, Flug transcends boundaries, often exploring bolder sounds such as electro and ambient, constantly expanding the limits of his creativity. The post Flug | True Techno 98 appeared first on True Underground.
• LADY TAZZ | True Techno Podcast 97 23.07.2025

  © 2025 True Underground. All rights reserved. Lady Tazz projects the kind of high-impact, provocative energy that disrupts the status quo. Finding the sensual sweet spot in hypnotic, impactful techno, her sound is a perfect balance of peak-time energy and playful intrigue deployed to take the dance deeper and incite liberation amongst everyone in earshot. Born in Montreal, where she was originally schooled, a Tomboy at heart, she was the eldest in her family, of all daughters, her family moved back to Bangladesh when she was 9, so her father could teach her how to run their family business, shadowing him day to day, she learned at an early age. When she was 19, Tazz returned to Toronto where she finished her undergraduate degree in Psychology and Physics, alongside a scholarship for tennis where she played for the University’s team for 3 years. It was during this time she was able to travel to Europe, and discovered cities including London and Berlin, and like most teenagers, found clubbing and nightlife becoming a regular part of lifestyle outside of studies. She was a regular at Guverment Club in Toronto, and still claims this to be one of the best night clubs she has ever been to. It was at this club she learned about DJ’s with their international acts, as well as really started to fall in love with everything about the music culture. Taking over the family business at the young age of 22, promoted a move back to Bangladesh, it was at this same time she started her own weekly radio show, that shortly became one of the biggest in the region, with over a million listeners. It opened the world of radio to her, where she invited top celebrities, musician and politicians. Raised by a traditional family, a career as a DJ was not deemed a respectable career choice, so her trips to London were kept a secret, where she started to play a lot of illegal raves in the city in the 2000’s. She felt conflicted emotions about rave culture, as she knew the backlash of making these choices would be considered disrespectful, so quit the radio and decided to make something more official, Mind Medizin was born. Mind Medizin’s event series soon started to take shape and generate a following, with shows starting out in South America, Mind Medizin events have grown to become a global enterprise, sharply curated by Tazz to feature fellow techno provocateurs well outside of the identikit trappings of business techno. Bathed in red light, front by performance artists clad in steel and leather, these events are hardwired towards a feverish kind of freedom. She has since developed the brand into a label, which serves as a natural vehicle for her creative output. Tazz is unapologetic in her disregard for the so-called rules of modern techno, because she has to break with tradition to engage with the music in the first place. She loves her Bangladeshi heritage but is also realistic in the societal limitations of what she can achieve there. The stakes were high, but Tazz embraces risk to realise her vision. An artist who is working tirelessly in pursuit of pleasure and profound sonic transcendence. The truest art demands to exist against all odds, and Lady Tazz celebrates her hard-won liberation with no room for compromise. The post LADY TAZZ | True Techno Podcast 97 appeared first on True Underground.
• CREEDS | True Techno Podcast 96 10.07.2025 1h

  © 2025 True Underground. All rights reserved. A musician from an early age, Creeds first forged his passion for the piano before discovering an uncommon versatility, crossing different musical genres with ease. Thanks to his mastery of organic and traditional sounds, combined with the raw energy of Hard Dance, he has forged a unique artistic universe at the crossroads of multiple influences. After several years of research and development of his own style, Creeds quickly made a name for himself on the international scene. His performances, particularly in North and South America, as well as across Europe, have left their mark. Skilfully blending Reverse Bass, Hard techno and Trance, Creeds creates explosive sets that electrify dancefloors and give audiences an unforgettable immersive experience. Renowned for his energetic performances and human touch, he always leaves an indelible mark. With his emblematic hit “Push Up”, Creeds shook things up and propelled his style into the mainstream. By democratizing this intense, energetic music, he has made techno an increasingly popular genre. Each of his tracks is a real hit with techno fans and the general public alike. His influence is undeniable, and with 6 million monthly streams, he has become a fixture on the global electronic scene. The success of “Push Up” was soon followed by prestigious awards, with several gold and platinum discs to his credit, a testament to the massive impact of his music. Creeds doesn’t just offer sets: he’s also renowned for his live shows, where each performance becomes a unique musical experience, a captivating spectacle where the audience is swept away by the raw energy and creativity of his performances. These exceptional shows have made him a highly sought-after artist, acclaimed by techno enthusiasts and fans of electronic music in general alike. With Creeds, Hard Dance becomes more than just a musical genre: it’s a sensory journey, a hymn to freedom and raw emotion. The post CREEDS | True Techno Podcast 96 appeared first on True Underground.
• SAYTEK Live At Fold | True Techno Podcast 95 04.07.2025 1h 12min

  © 2025 True Underground. All rights reserved. Renowned live electronic artist Saytek delivered a powerful headline performance at Rebel Union at Fold London, sharing the bill with techno heavyweight Perc. The set, recorded live, showcases Saytek’s signature improvisational mastery, with all music created and performed in real time. View this post on Instagram A post shared by SAYTEK (@saytek_live) 2025 has already been a standout year for Saytek. He was voted one of the Top 10 Live Acts by the public in FAZE Magazine—Germany’s leading dance music publication—for the second year in a row. His recent achievements include a #1 on Beatport’s Techno (Raw, Deep & Hypnotic) chart, multiple charting releases, and a packed international tour schedule. Performance highlights include headline sets at FOLD and The Cause in London, a major appearance on the main float at Rave The Planet in Berlin, and upcoming dates across Europe and North America. The post SAYTEK Live At Fold | True Techno Podcast 95 appeared first on True Underground.
• SLAM | True Techno Podcast 94 24.06.2025 58min

  © 2025 True Underground. All rights reserved. Slam – Orde Meikle and Stuart McMillan – are the unapologetic architects of raw, deep, hypnotic techno. As co-founders of Soma Records and hosts of Slam Radio (now surpassing 600 episodes), they’ve shaped underground sound for over 30 years, carving out a legacy as true pioneers and tastemakers. SLAM’s first album in seven years, Dark Channel, erupts from a fierce, three-week live-setup sprint – modular synths, Roland TR-909, Ableton Push and outboard effects – delivering peak-time weapons honed to perfection. From the tribal command of “Use It, Lose It” and the discordant thrust of the title track to the thumping low-end odyssey of lead single “Kulture Version,” every cut is a no-compromise tribute to the dance floor as sanctuary. In a fractured, dystopian 2025 – where division and disconnection reign – Dark Channel stands defiantly as rhythm-driven resistance. Out now on Soma Records (digital and limited-edition double 12″ vinyl), it’s Slam’s fiercest manifesto yet: a hypnotic journey reminding us that on their airwaves and in their music, unity and release are always possible. Enjoy this exclusive mix from the boys and check out their interview on IG.   View this post on Instagram   A post shared by SLAM (@slam_djs) The post SLAM | True Techno Podcast 94 appeared first on True Underground.
• Dextro True Techno Podcast 93 10.06.2025 1h 2min

  © 2025 True Underground. All rights reserved. Dextro has a long track record as an artist. He started to learn the art of DJ’ing in 91 and has a different perspective on music. His residencies in several clubs for over 15 years has forged his name and helped him create his own distinctive brand of music.   View this post on Instagram   A post shared by Dextro (@djdextroofficial) As a producer he has made many tracks with his Redkone project that was born in 2002, as well as a multitude of tracks for other labels. Over the last 20 years Dextro has played around the globe and has releases on a variety of international record labels such as Missile – CLR – Second State – Suara – Uncage – Illegal Alien – We Are The Brave – Matéria – KD Raw – BEK Audio – Tronic – HotFlush – Terminal M – Planet Rhythm – Sleaze – Odd – Toolroom – Nervous – Stereo and many more! Dextro, is officially remixing artists like: The Advent, Gez Varley, Damon Wild, Tim Taylor, Inigo kennedy, Christian Smith, George Morel, Scuba, Chus & Ceballos, Joe T Vannelli, Chus , Richie Santana, Ron Costa, Axel karakasis, Lex Gorrie, Drumcomplex, Insolate, Skober, Cristian Varela, A.Paul, Mendo, Zzino & Guss Carver, John Creamer & Stephane K, Dataworx, Eric Entrena, TKC among others… Info: https://www.djdextroofficial.bandcamp.com/music https://www.instagram.com/djdextroofficial/ https://www.beatport.com/artist/dj-dextro/26780 https://www.facebook.com/djdextroofficial https://www.soundcloud.com/djdextro https://www.threads.net/@djdextroofficial https://www.residentadvisor.net/dj/djdextro https://www.mixcloud.com/djdextro https://linktr.ee/djdextro Site: https://www.transforma.site Tracklist 01 – Aya, Arthur Robert – Le sense de la vie (Original Mix) 02 – Conntex-Whisper 03 – Michael_ius-The_Creatures_Room 04 – Rulez (Ita) – The Rebel (Original Mix) 05 – Rødhåd, Uvall – KINVA 03 [240209.1] (240209.1) 06 – off grid – down the vaults 07 – dc11 – Florus (Original Mix) 08 – Disguised and FANK – Pills and Promises 09 – DJ Dextro – Vida e Morte (Original Mix) 10 – Dj Dextro – Soft Cell 11 – Fran LF and FENIM0RE – ADHD (Original_Mix) 12 – Risa Taniguchi – Look At Hatred (Original Mix) 13 – A.PAUL Tampered MASTERED 14 – JAMIE_Lucas Bergen – Mechani
• Skoden | True Techno Podcast 92 04.06.2025 58min

  © 2025 True Underground. All rights reserved. Dj & producer “Skoden” who is based in the West Midlands UK, has rapidly made a name for himself in the hard techno scene. Known for his industrial rave style productions and fast paced dj sets, Skoden has built up a world wide fan base who share the same passion for his music. With releases on Go Hard Or Go Hardcore, Hekate, Sacred Court, Cause Records, Broken Strain, Green Fetish Records, NOW NOW along with his music being played on the worlds biggest stages, the future is looking bright for Skoden. The post Skoden | True Techno Podcast 92 appeared first on True Underground.
• AIROD | True Techno Podcast 91 27.05.2025 59min

  © 2025 True Underground. All rights reserved. Dario Brkic aka AIROD, is a Parisian DJ, producer, and label owner who has become a defining force in the global techno scene. Emerging from the French underground, AIROD’s sound is characterized by its raw intensity, industrial grit, and hypnotic storytelling, blending elements of acid, rave, and ’90s techno influences. AIROD’s journey into electronic music began with early inspirations from Daft Punk and artists like Sébastien Benett and Joachim Garraud. His pivotal moment came upon discovering Skrillex’s “My Name Is Skrillex,” which led him to start producing music using Fruity Loops. His breakout occurred in 2018 with a solo 12″ release on Molekül, garnering support from techno heavyweights such as Dasha Rush and Overmono. This success propelled him onto stages at renowned venues and festivals, including Suicide Circus in Berlin, The Steelyard in London, and Tomorrowland in Belgium. AIROD has released music on esteemed labels like Exhale, KNTXT, Molekül, and Monnom Black. His collaborations with Amelie Lens, notably the “Voltage” EP on Lenske, solidified his reputation for delivering high-octane, dancefloor-ready tracks. In 2025, he released “Kiss Girl,” a track that blends groove-heavy basslines with rap/pop-influenced vocals, showcasing his versatility and willingness to push genre boundaries. Beyond his productions, AIROD is the founder of Elixyr Records, a label dedicated to supporting emerging artists and pushing innovative sounds within the techno genre. His commitment to the scene is evident in his dynamic DJ sets, which often feature a majority of his own productions, including unreleased material, making each performance a unique experience. AIROD’s influence extends beyond music; he has made inroads into the fashion world, collaborating with brands like Lanvin. With a relentless drive for reinvention, AIROD remains at the forefront of techno, continually redefining the genre and inspiring a new generation of artists. The post AIROD | True Techno Podcast 91 appeared first on True Underground.
• Lola Cerise | True Techno Podcast 90 21.05.2025 59min

  © 2025 True Underground. All rights reserved. Lola Cerise is a French DJ based in Paris, who was born into a family of creatives — her mother was a classical musician, and her uncle a chief orchestra conductor who worked with artists like Mstislav Rostropovich. She learned piano as a child but embraced a rebellious streak inherited from her mother, which led her to explore her own path. In her teenage years, Lola Cerise became a regular at illegal raves, where she discovered acidcore, tribal, and tribe core. Lola has spoken openly about her mother’s battle with depression following her parents’ divorce. That experience deeply shaped her independent mindset and hardworking attitude. Ironically, it was also her mother — who had herself dropped out of classical music school and joined Germany’s early techno scene — who supported Lola’s eventual career pivot into music. At 18, Lola moved to Lyon to study art and pursued photography professionally. She later dropped out of university, supporting herself by modeling for brands like A.P.C., Eric Tibusch, and Silvian Heach. After a few years, she realized photography wasn’t her calling and relocated to Australia, where she spent three years. During the pandemic, she reconnected with rave culture and began DJing — picking up professional gear from closing clubs. Within a year, she started producing and made a bold decision: to leave everything behind and start over in Paris, dedicating herself fully to music. Lola Cerise has since released on Gomboc Records, Comme des les Films, Khazad Records, and Record Union. Supported by the likes of Indira Paganotto, I Hate Models, and Cera Khin, she also landed a residency at the legendary Gotec Club and launched her own label, First Date Without Panties. Now cementing her name in the scene as a producer to watch, she’s delivered mixes for BCCO Berlin and a live stream with HÖR Berlin. In May, she’s set to release an 6-track mini-LP on Indira’s ARTCORE — a varied and exciting collection of tracks from the last two years that marks a milestone in her creative evolution. Lola’s music is a reflection of all her experiences — sometimes fast and intense, other times emotive and layered, but always with a narrative. Her mantra: “If it doesn’t make me smile, then I won’t finish it.” The post Lola Cerise | True Techno Podcast 90 appeared first on True Underground.