Gig Gab - The Working Musician's Podcast

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• Three Rush Fans and Rush's 2026 Comeback Tour: From the Room and From Afar 13.06.2026 1год 4хв

  Three Rush fans — a father, a son, and Spartacus — walk into a podcast. There’s no punchline, just the tape rolling on a conversation that was going to happen anyway, and you get to be the fly on the wall. Two of them just flew home from LA, where they stood in the room and watched Rush kick off the tour nobody was sure would ever come. The third has been taking it all in from a distance, which is its own peculiar thing when you once mixed front of house for the band for years. You’ll get the origin stories — a kite-flying contest in early-seventies St. Louis, an R40 playlist that turned a kid into a lifer — plus enough on the drummer question (yes, Anika Nilles) and show-count stats to earn the Rush-nerd badge none of them will quite cop to. Then it gets real. This is a band that fans and insiders alike once quietly accepted was finished, now back out there proving otherwise, and that turns the talk toward something bigger than setlists. You get to do this. Whether it’s thousands of people or a Tuesday night for a dozen, that gratitude is the whole game — the reason to Always Be Performing no matter how rough the bus ride was. Stick around for a ten-year-old’s perfectly timed gut check that still lands two decades later. Press play, and join Lucas Hamilton, Robert Scovill, and Dave Hamilton for a tour through the opening of Rush’s comeback — from inside the room, and from afar. 00:00:00 Gig Gab 538 – Monday, June 15th, 2026 June 15th: British Beer Day Guest co-hosts: Lucas Hamilton and Robert Scovill 00:02:46 Rush Stats All three co-hosts have seen Rush live with 2 drummers Lucas and Anika are tied for Rush shows… as of this recording 00:04:39 Robert Scovill was living in St. Louis when he saw Rush with Rutsey KC Kite Flying Contest 00:07:31 Lucas’s Rush origin story 00:08:31 About that whole live concert sound thing Spoiler: Rush always sounded good 00:11:02 Favorite Rush heirlooms 00:13:55 I want a Red Barchetta for my midlife crisis Rush 2026 Tour started with 12 dates 00:16:02 That opening song, that opening night Rick Beato’s Breakdown of Xanadu 00:23:40 Anika Nilles’ dropped stick recovery Getting the first mistake out of the way moments into the first song of Rush’s 2026 Reunion tour 00:27:21 Time Stand Still for those emotional moments 00:33:11 Lights and video for 2112 – in the cave! 00:34:00 Singing 2112: Presentation at the tops of our lungs 00:38:50 Moving Pictures to open night 3 set 2 00:40:13 Loren Gold’s keys and vocal harmonies And Geddy Lee’s voice, too! 00:44:29 The composition of YYZ Alex Lifeson is the most underrated guitarist in rock and roll 00:45:48 Anika Nilles is just a star 00:49:25 Anika grooving during A Passage to Bangkok 00:52:22 The physicality of playing Rush music The wisdom of days off in between shows for the entire Rush Fifty Something tour 00:57:41 You know what we get to do today? We get to go play music in front of thousands of people! This is the best job on earth 01:01:23 Who is Spartacus? 01:03:33 Gig Gab 538 Outtro Follow Lucas Hamilton On Instagram Follow Robert Scovill On Facebook On Instagram On LinkedIn RobertScovill.com (where you’ll find The Back Lounge) Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post Three Rush Fans and Rush’s 2026 Comeback Tour: From the Room and From Afar – Gig Gab 538 appeared first on Gig Gab.
• Road Stories, Recording Secrets, and the Perfect Pop Song – with Rand Lempert from The Broken Rings 08.06.2026 1год 16хв

  This week on Gig Gab, Dave Hamilton sits down with guest co-host Rand Lempert of the Broken Rings, a two-piece recording project built on 15 years of musical kinship between Rand and guitarist Gio da Silva. You’ll hear how these two have crafted an intentional, travel-fueled recording process across cities, cutting live instruments and vocals together, passing files between New Orleans, Tampa, and now Denver, and why that friction and urgency is exactly the point. Rand makes a compelling case for keeping things analog as long as possible: real amps, minimal pedals, old-school mic placements like a modified Glyn Johns setup, and the conviction that nothing replaces the feeling of having a human being in the room when the tape (or hard drive) is rolling. The conversation ranges wide, from Rand’s vivid 9/11 tour story, stranded in St. John’s Newfoundland on one of the last planes to land before U.S. airspace shut down, to a deep dive into the art of the perfect pop song, with nominations for Tempted by Squeeze, Big Star’s Thirteen, Bryan Adams’ Cuts Like a Knife, and Fastball’s Out of My Head. Whether you’re a working drummer obsessing over beat placement, a songwriter who only writes when the muse actually shows up, or a road veteran who knows that idle days on tour are far worse than grueling ones, this episode has your number. Get out there, stay curious, and Always Be Performing. 00:00:00 Gig Gab 537 – Monday, June 8th, 2026 June 8th: Name Your Poison Day Guest co-host: Rand Lempert 00:01:38 The Broken Rings are a 2-man band Drums, guitar, vocals all handled by Rand Lempert and Gio da Silva, his bandmate They consider themselves musical kin: They agree on 95% of all music Met in Houston, played in bands, then moved to different corners of the USA 00:04:48 Songwriting duo starts with a long distance relationship Lutefish Stream 00:07:03 Recording remotely doesn’t have the muse of travel So many different avenues to approach recording Finding a way to record with technology in a less sterile way 00:15:08 Preserving analog recording to digital “tape” 00:17:07 The process of recording drums Don’t mess up the end of the track! 00:21:14 Country music 00:23:25 Drummer kinship: Tris Imboden saves the day! Learning by visual 00:31:41 SPONSOR: Claude.ai – Ready to tackle bigger problems? Sign up for Claude today, which includes access to Claude Cowork, too, when you visit https://Claude.ai/giggab 00:33:37 Surviving the road 00:34:45 Road story: hanging out in St. John’s Newfoundland for 5 days Sonny James and the Centers in Europe in 2001 “There’s nothing wrong with this airplane, but this plane is being diverted because of terrorist attacks in the United States.” Canadian authorities: “What do we do with these people? Bring them to a hockey arena!” Memorial University of Newfoundland 00:44:35 Opening up for Bo Diddley in 2004 In Beaumont, Texas Touring is a lot of driving, and you’re doing the driving It’s a lot of lugging equipment, and you’re doing the lugging You get a hotel room…for the entire band! 00:48:55 When touring, days off are worse than the grueling days on 00:51:02 It’s important to travel Touring is the way to do that for a lot of us musicians 00:51:25 Making touring maps as a kid is a good sign Rand needed to do this as a career 00:52:50 First concerts, sound nerding, and getting lost in the music for the first time Rand got lost at four years old! Nerd out about sound and recording First concerts! Weather Report for Dave Air Supply for Rand 00:58:05 The Best pop songs Gravitating towards the hook! Cuts Like a Knife – Bryan Adams Tempted – Squeeze Thirteen – Big Star Out of My Head – Fastball One Headlight – Wallflowers No Matter What – Badfinger 01:12:22 Gig Gab 537 Outtro Follow Rand Lempert The Broken Rings Sick in the city – The Broken Rings Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post Road Stories, Recording Secrets, and the Perfect Pop Song – Gig Gab 537 with Rand Lempert from The Broken Rings appeared first on Gig Gab.
• AI and Music for Working Musicians: Tool, Threat, or Bandmate? 01.06.2026 1год 21хв

  This week Stu Dias joins Dave from a slightly different corner of Durham, New Hampshire, and after a quick detour through barefoot drumming, sweaty-hand fixes, and oversized triangle guitar picks, the conversation locks onto the question every working musician is wrestling with right now: what does AI mean for music? You’ll hear why Dave reframes it as Assistive Intelligence (and the best procrastination-killer and writer’s-block-buster going) even as you stare down the harder stuff: Suno-generated tracks, Jack Tempchin’s AI-assisted album, and the ouroboros of machines learning from the music we make. Should AI art be labeled? What happens when it conjures someone’s likeness? And does any of it move you the way a human in a room can? That last question is the heartbeat of the episode. Dave and Stu weigh AI music against the cover-band hustle, remember what COVID lockdowns taught us about humans craving real humans together, and get honest about whose jobs are actually on the line and where AI mixing fits in your workflow. The kicker for every gigging musician: if the machines are going to use your voice and your playing, take a long-term cut of the sales. It’s a sharp, funny, occasionally unsettling look at the line between tool and threat…and a reminder that however the tech shakes out, you Always Be Performing. Hit play for the full conversation. 00:00:00 Gig Gab 536 – Monday, June 1st, 2026 May 25th: National Barefoot Day Guest co-host: Stu Dias 00:00:56 Playing drums barefoot 00:02:34 Iontophoresis for sweaty feet and hands 00:05:05 We all have our own thing for ourselves Large guitar picks for Stu. Equilateral triangles! 00:07:03 AI and Music 00:12:40 AI is the best procrastination eliminator It helps with writer’s block AI Based Plugins and Compressors are fantastic For Dave, AI is Assistive Intelligence 00:13:59 AI Generated music like Suno 00:18:22 Should AI-generated art be labeled as such? 00:22:58 What about if AI generates the likeness of someone? De-Feedback on Gig Gab 00:24:53 Ouroborotic 00:27:31 Using AI to create music Business Brain theme music Jack Tempchin’s AI-assisted album Beck’s Song Reader Creating walk-on music for your band Bowling For Soup’s (non-AI-created) walk-on music for live shows 00:40:47 Comparing Human-Created Music vs. AI-Created music 00:45:11 AI Music vs. Cover Music 00:47:58 COVID Lockdowns taught us that we like to bring humans together 00:55:37 What’s AI going to make Dave say? 01:03:08 Jobs on the line Elvis impersonators and sax players from rock songs in the 80’s 01:05:42 AI Mixing Davis Thurston on Gig Gab 01:13:04 Do we have to Take a long-term cut of the sales, folks! 01:18:06 Gig Gab 536 Outtro Follow Stu Dias Diaspora-Radio.com Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post AI and Music for Working Musicians: Tool, Threat, or Bandmate? – Gig Gab 536 appeared first on Gig Gab.
• Loaded Out, Rolling Home, Rolling Tape 25.05.2026 32хв

  Ride shotgun with Dave as he records GigGab on the drive home from a Casual Gravity gig, finally living out the show’s original mission. You’ll hear why packing your own mixer saves the night when the venue only wants a single feed from the band, what it’s like when an in-ear band plays its first fully sober gig, and why counting songs in to a click track changes everything once adrenaline stops driving your tempo. Then dig into relearning vocal harmonies for the Underground Band: using the Moises app to isolate vocals, pulling sheet music, and plunking out intervals on piano to lock stacks into your ear. Buddy Gibbons sparks a drumming debate on single strokes versus marching-style sticking through the Foreplay/Long Time triplets, and Dave gets honest about throat fatigue, Lyme disease aftermath, dust mite allergies, and the sublingual immunotherapy bringing his voice back. Listen to your body, learn the parts, and Always Be Performing. 00:00:00 Gig Gab 535 – Monday, May 25th, 2026 May 25th: National Tap Dance Day 00:00:10 Driving Home Experiment 00:01:42 Casino Gig Setup 00:06:38 Sober Show, Strong Set 00:08:19 Relearning Vocal Harmonies 00:18:15 Drumming Through Both Hands 00:21:47 Insurance And Smoke-Filled Gigs 00:26:42 Throat Troubles And Recovery Stuff Mentioned: Mackie DL32S Moises I Love a Piano MusicPro Equipment Insurance 00:31:24 Gig Gab 535 Outtro Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post Loaded Out, Rolling Home, Rolling Tape – Gig Gab 535 appeared first on Gig Gab.
• What's Your Band's Definition of Success? 18.05.2026 1год 1хв

  OG co-host Paul Kent rejoins Dave Hamilton to talk about how The Houserockers have stayed booked into their 27th year, and what your band can steal from their playbook. You’ll dig into the social media reality of 2026 (Reels are currently king), why your mailing list is the asset you actually own, and how to grow to 10,000 followers without losing your soul. Paul makes the case that if you want gigs, your band has to be a business, which means alignment on mission, passion, and musical style with the partners or employees standing next to you on stage. There’s nothing wrong with playing for fun, but go in eyes wide open about what you’re chasing. From there you’ll dive into the value of scarcity, Kevin Kelly’s thousand true fans, and why mixing up your setlists is one way to keep audiences coming back. Paul breaks down the current Houserockers formula (civic concert series, experiential marketing, and ticketed off-season events) and why aging-up audiences mean you have to market harder and talk to fans like Springsteen does: a lifetime conversation, all with individuals. You’ll also get the real talk on finding bandmates (Craigslist included), the Gig Gab bookable-band checklist, and Paul’s (joking?) pitch for two new show segments. Whatever your lane, Always Be Performing, and start treating every touchpoint like the gig it is. 00:00:00 Gig Gab 534 – Monday, May 18th, 2026 May 18th: National Visit Your Relatives Day 00:01:27 Guest co-host: Paul Kent The Houserockers in their 27th year! 00:04:21 Did someone call you an old man?!? 00:08:46 The Gig Gab social media approach 00:10:29 Your band can get 10,000 followers Reels are it…today. 00:13:37 Gain a mailing list 00:16:41 It’s about the music business. Is your band willing to be in business? 00:19:00 There’s nothing wrong with doing what you want to do. Just go in eyes wide open. 00:20:49 Getting alignment within your band. You now have business partners or employees Be aligned with mission, passion, style of music … the alchemy of it. 00:26:48 The value of scarcity Does success equal quantity of gigs? Some people want to play five times per month 00:30:43 Finding Your Thousand True Fans 00:32:05 Mixing up your setlists is another way to keep people coming back 00:36:00 Marketing 101 – you have to have something to say Hopefully unique! And then deliver. 00:37:13 The Houserockers formula for today Civic Concert Series Experiential Marketing Ticketed Events in the off-season 00:39:13 Use your mailing list! 00:41:28 Ticketed events required more marketing this year Audiences are aging up 00:43:04 How do you talk to your audience? Springsteen: my career is a lifetime conversation with my audience It’s about you, your personality, and each individual audience member 00:50:11 Finding band members is an imperfect science Craigslist lets you find who is available THEN. The Gig Gab Band checklist 00:56:41 Paul’s show ideas for Dave Dave reads mean comments Dave reads band ads from Craigslist, et al 00:59:47 Gig Gab 534 Outtro Follow Paul Kent SVHouserockers.com Facebook Houserockers Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post What’s Your Band’s Definition of Success? — Gig Gab 534 with Paul Kent appeared first on Gig Gab.
• Relentless Consistency and the Scarcity Premium with Mike Schulte from The Pork Tornadoes 11.05.2026 1год 1хв

  Guest co-host Mike Schulte joins Dave with 15 years of Pork Tornadoes social media wisdom, and the message is blunt: relentless consistency wins. You literally can’t post too much in 2026—nobody sees everything anymore, so repost that same flyer as a fresh post (not a share) and keep going. Give it 45 days before you judge results. Why invest? More fans mean more bodies at the gig, plus the social proof that signals to newcomers that other people already love you. And remember—you’re not competing with other bands, you’re competing with people’s couches. From there, Dave and Mike dig into the live-show craft. Build a sound check formula so it stops being a nightmare, then cook up a Suno-generated theme song to walk on to—Always Be Performing means the show starts before the first chord lands. Treat your setlist like art: the opener’s a throwaway, but song three is the most important slot of the night. Then think about your saturation—the Pork Tornadoes cap themselves at two ticketed gigs per year inside a 30-mile radius, and the minute they got scarce, their pay jumped tenfold. Simple, not easy. 00:00:00 Gig Gab 533 – Monday, May 11th, 2026 May 11th: National Eat What You Want Day (also Hostess CupCake Day!) Guest co-host: Mike Schulte 00:01:10 Did you ever watch Night Court Dave reminds Mike of Harry Confused Breakfast Shows that were so far ahead of their time: All In The Family Roseanne 00:05:06 Managing your band’s social media Relentless Consistency is the key (right now). “You can never post too much” – Mike Schulte, May 11, 2026 Mike has been running social media for Pork Tornadoes for 15 years Everyone doesn’t see every post (anymore) It’s money-driven Repost the same thing, the same flyer, the same idea (as a new post, not a “share”) 00:09:49 Getting “started” on social media in 2026 I tried to follow your model and nothing changed. In two weeks. You’ve gotta spend a month or more (Dave says 45 days) 00:14:05 What’s the benefit of investing in social media The more fans you have, there WILL be more people who come to your events Also: social proof. Showing people that other people like you. 00:18:55 Social Proof + Bullheaded Persistence = Success. 00:22:00 People don’t go out like they used to You’re not competing with other bands, you’re competing with people’s couches 00:24:39 A band retreat! If 2020 hadn’t happened, Pork Tornadoes would’ve probably gone full time 00:26:04 SPONSOR: Claude.ai – Ready to tackle bigger problems? Sign up for Claude today, which includes access to Claude Cowork, too, when you visit https://Claude.ai/giggab 00:27:42 Recent Gig(s) Gab Boston Cream Band at Seacoast Repertory Theater Pork Tornadoes is a 2-hours straight-thru band 00:34:19 Orchestrate your sound check Sound check used to be a nightmare, until we created a formula 00:38:27 Create a musical lead-in for your show For the wranglers in the Gig Gab audience Use Suno to create a theme song for your band 00:42:57 Writing a setlist is an art Your first song is a throwaway The third song is the FIRST most important song in the set (according to Dave) Develop business-like rituals for your band 00:48:32 What’s Your Band’s Saturation? Self-imposed proximity clauses Pork Tornadoes Proximity Clause: No more than 2 ticketed events in a 30-mile radius per year Plus one free-to-the-public festival gig to pull people in To the venues who don’t have proximity clauses: why do you not? The minute we started getting scarce, was the minute our pay increased 10-fold 01:00:12 The Pork Tornadoes formula: simple, not easy. Gig Gab 532 Outtro Follow Mike Schulte Confused Breakfast The Pork Tornadoes Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post Relentless Consistency and the Scarcity Premium with Mike Schulte from The Pork Tornadoes – Gig Gab 533 appeared first on Gig Gab.
• From Wedges to In-Ears: A Monitor Engineer's Playbook with Paul Klimson 04.05.2026 1год 7хв

  Ready to make the leap from wedges to in-ear monitors? Or finally get the stage mix you’ve always wanted? Dave Hamilton welcomes back monitor engineer Paul Klimson, the man who mixed 32 stereo IEM feeds for Justin Timberlake, for a working musician’s deep dive on monitor world. You’ll learn how to build a default mix from scratch (start yourself at 0dB, your instrument at -5, everything else at -15), why drummers have an easier transition to in-ears than most assume, and how a split snake lets you take care of yourself when the gig demands it. Paul digs into hi-hat pitfalls, drum overheads as stage wash, and why bands who mix themselves on stage make life better for their FOH engineer, too. Then it gets practical. Paul walks you through IEM fittings (pain is always bad, the seal is everything, and yes, drop an AirTag in your case) plus the universal-versus-custom decision, vetting vendor customer service before you buy, and the repair costs nobody talks about until they need to. You’ll get honest talkback etiquette (keep the drama off-stage, give everyone a voice, remember that your monitor engineer is a short-order cook), the post-mortem habit every band should adopt, and a peek at SoulSeed.tv. Wherever you sit on stage, this is the episode that sharpens how you Always Be Performing. 00:00:00 Gig Gab 532 – Monday, May 4th, 2026 May 4th: Dave Brubeck Day Guest co-host: Paul Klimson 00:03:24 Start with headphones in your practice space Start with earplugs 00:05:09 Drums are a dynamic instrument, which may be why drummers have an easy transition to IEMs (usually) 00:08:33 What do you want in your wedge? What’s your reference? 00:09:11 The artist/engineer relationship 00:11:03 Building a default mix Start yourself at 0dB Instrument at -5dB Everything else at -15dB 00:12:58 Using a Split Snake When possible, take care of yourself 00:14:47 Timing of a mix Don’t forget about hi-hats Work with your engineer to dial-in your own mix 00:19:18 Drum overheads for stage wash effect 00:22:21 In-ears help you listen better Bands who mix themselves on stage makes your ears AND the FOH engineers job ears 00:23:54 Learn where you and your instrument fit into the mix of your band And change it if you don’t fit. You’re not the most important thing! 00:26:40 What’s going to make you stand out when someone comes to see you at clubs of any size? Do you hear the lyrics? Do you hear the intent of the story of the song? Watch your instagram videos and evaluate honestly 00:30:28 Knowing when the studio mix is done. 00:33:27 Fittings for IEMs Things to look for: Pain is bad Is the seal functioning correctly? Listen for sound leakage (including when you open your mouth and move around) Are the ports aimed down the canal wrong Do you hear high-end better when you rock the mold around? 00:37:36 Put an AirTag in your IEM case! 00:39:28 Figuring out which model to order Try universal fits first to learn the musical qualities 00:41:16 Test the customer service of vendors before you choose 00:42:55 The origin of IEMs 00:44:44 Find out repair costs Comply Foam Strips 00:48:20 Talkback Use Keep the drama off-stage Give everyone a voice Monitor engineers are like short-order cooks… be kind! 00:58:23 Always post-mortem the problems from the gig And also “what happens if?” conversations 01:03:22 Soulseed.TV 01:06:05 Gig Gab 532 Outtro Follow Paul Klimson SoulSeed.tv @TheRoadieClinic Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post From Wedges to In-Ears: A Monitor Engineer’s Playbook with Paul Klimson – Gig Gab 532 appeared first on Gig Gab.
• Stop Guessing, Start Growing: Fix Your Band’s Biggest Pain Points (with Dan Chantrey) 27.04.2026 1год 1хв

  You trace Dan Chantrey’s path from drummer dad influence to choosing music over football, and quickly see the real lesson: the game has flipped. You’re no longer playing gigs to sell music, you’re using music to sell gigs. From record deals fading to booking agents becoming the new gatekeepers, you learn why every band feels like it’s on the brink and how surviving means thinking beyond the stage. GIGNITE emerges as the modern answer, a virtual tour manager that helps you route tours, analyze audiences, and break into new markets with data instead of guesswork. If you want to grow, you stop hoping for “yes” and start building a system that makes it inevitable. You rethink what it means to be a working musician: your brand matters as much as your chops, your off-stage work is where the money lives, and yes, it’s okay to get paid for your art. From finding sponsors in your local pizza joint to solving real-world problems like parking the van and booking rooms, you’re shown how to remove friction and scale your gig life intelligently. The stories drive it home: don’t punish the audience that showed up, audition gigs still sting, and your toughest hometown show might teach you the most. The throughline is clear: treat this like a business, leverage the tools, and Always Be Performing. 00:00:00 Gig Gab 531 – Monday, April 27th, 2026 April 27th: Morse Code Day Guest co-host: Dan Chantrey from GIGNITE 00:03:36 Dan’s Dad was a drummer and a singer, started him off, then Dan started playing 00:03:58 Playing live vs. Playing in the studio 00:04:15 Choosing between (American) football and music 00:06:09 Getting signed to Frontier Records Things worked for a while “Every band is on the verge of breaking up at all times” 00:09:06 Things have turned: you used to do gigs to sell your music, now you do music to sell your gigs GIGNITE is a one-stop shop for artists to be able to tour Had an events business running pre-COVID BREXIT happened, so how can we make things easier to get artists move about through Europe 00:12:38 Booking agent deals are the new record deal 00:14:49 Tried to book a festival, booking agents said “no” even though bands said “yes” 00:16:00 GIGNITE is your virtual tour manager 00:17:10 Aggregating Audience Analytics is part of the platform, too 00:18:56 Heading to NAMM to learn what potential customers want NAMM is the meeting place of the music industry 00:20:33 Analytics aggregation for tribute acts and cover bands, too Does Dave’s fictitious band sound like Rage Against The Machine? Why not! Using analytics to decide which markets 00:22:55 GIGNITE is free for artists to join and use Freemium model allows artists to add additional features like press releases and such Primary monetization is from suppliers (aka venues) Venue ratings system! 00:24:22 Gig Unite links artists with sponsors Linking headline bands with opening acts (local and otherwise) Find sponsors for your local bands, folks: Pizza place Construction companies Cleaning services Chiropractor It might be easier to get sponsors for your band than gigs for it! 32:31 SPONSOR: Gusto. Get three months free when you run your first payroll when you start at https://gusto.com/giggab 00:33:57 GIGNITE takes the heavy lifting and headaches away Gives your band the power to look at and consider tours “How do you get a gig in a town that’s 200 miles away?” You can do it yourself, you can get a booking agent, or you can use a service like GIGNITE 00:36:00 It’s called the music BUSINESS for a reason The brand of your band is as important as your stagecraft 00:40:49 I don’t get paid to play shows, I get paid to do all the off-stage stuff Dave says: “It’s OK to get paid for our art” 00:43:41 Where are you going to park your van while you play? Where are you going to stay? GIGNITE answers these questions 00:47:44 Now it’s Gig Gab time Road stories, folks! Parthenon Huxley: Don’t punish the people who showed up! Audition Gigs… love ‘em and hate ‘em! (mostly hate ‘em!) 00:54:36 The hardest gig I ever played “We want to see you in your home town.” 00:58:00 Gig Gab 531 Outtro Follow Dan Chantrey GIGNITE.live Facebook & Instagram Dan_chantrey Dan Chan Show on Rock Rage Radio Dan Chan Show on YouTube Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post Stop Guessing, Start Growing: Fix Your Band’s Biggest Pain Points – Gig Gab 531 with Dan Chantrey appeared first on Gig Gab.
• 50 Years of Rush: Howard Ungerleider on Lighting the Lighted Stage 20.04.2026 1год 10хв

  Step inside five decades of rock history with lighting legend Howard Ungerleider, the man who’s been designing and directing Rush’s light shows since 1974. Hear how a $75-a-week mailroom gig at American Talent International — where he pulled off a rogue booking of Fleetwood Mac before he was even an agent — turned into a lifetime behind the console. Get the story of Howard landing in Toronto to babysit “a club band called Rush,” sleeping on the floor at the manager’s house with a St. Bernard, freezing his hand to a car door at -40 in Cochrane, Ontario, and later jamming with Neil Peart at his house to Genesis and Supertramp records. Howard also talks designing Roll The Bones (the one Rush tour he couldn’t operate), embedding at See Factor to build custom gear nobody else could get, and how Blue Öyster Cult first put him in front of a laser: the same craft he now brings to Foo Fighters, Tool, and Janet Jackson. Then the conversation turns to the upcoming Rush Fifty Something tour — a four-piece now with Anika Nilles on drums and Loren Gold on keys, freeing Geddy to focus on bass and vocals. Learn why Howard still “plays” the lighting console live with two boards and thousands of touch cues, how robotic spots are quietly changing the craft, and why he and Phish’s Chris Kuroda will be swapping rigs at Madison Square Garden. You’ll also hear the Paul McCartney moment in the Taylor Hawkins tribute dressing room that may have sparked the whole tour, and why Howard insists this is a rejuvenation, a celebration, and proof that no matter the rig, the room, or the era, you’ve gotta ALWAYS BE PERFORMING. Because it’s what we do. Press play and enjoy, folks. 00:00:00 Gig Gab 530 – Monday, April 20th, 2026 April 20th: Pizza Delivery Driver Appreciation Day Guest co-host: Howard Ungerleider 00:02:18 Walked into a NYC office to get a recording contract for his band “You need to learn about this industry before you come knocking on people’s doors.” Introduced him to Action Talent (which became American Talent International) 00:06:21 For $75/week delivering coffee and working in the mailroom After a year and a half he got booted from Monmouth University, then became the ATI gopher 00:08:17 Hey, do you want Fleetwood Mac to play here? 00:11:44 Booking agent 00:13:17 Can you fill in for a week as Blue Oyster Cult’s tour 00:14:51 Howard and Rush were surprised to have Howard working there “I need ten grand” – “no, you can sleep on the floor instead” 00:18:11 Howard had to show Geddy that New York pizza was better than Toronto pizza 00:19:01 Howard learns about Canadian cold Howard’s driving, Geddy’s riding shotgun, Neil’s reading, Alex is smoking a joint 00:20:42 Geddy says, “get out and take a breath of fresh air” 00:22:05 John Rutsey had opted out of touring, Howard moves to Toronto while they’re auditioning drummers “Eventually Neil [Peart] walked in…and that was it.” 00:23:32 Howard and Neil used to jam at Neil’s house Genesis and Supertramp 00:24:19 Road life’s not so bad 200 gigs a year on the road 00:26:09 Rush took a break, Howard did Queensryche and Tesla Howard designed Roll The Bones, but it’s the only tour he couldn’t operate 00:27:51 Howard tour-managed and lighting designed and operated every tour up through Presto, after which he dropped tour-managing 00:28:41 Dave realizes he met Howard on the Presto tour 00:31:43 Don’t put up with crap 00:32:03 Howard’s been doing Rush’s lights since 1974 00:33:05 Moving from clubs and theaters to arenas Howard embedded himself into See Factor, the lighting company. Lots of custom gear 00:34:54 SPONSOR: Warby Parker – Right now, buy one prescription pair and get 20% off any additional prescription pairs at https://WarbyParker.com/GIGGAB 00:36:40 SPONSOR: Claude.ai – Ready to tackle bigger problems? Sign up for Claude today, which includes access to Claude Cowork, too, when you visit https://Claude.ai/giggab 00:38:10 Howard first saw lasers with Blue Oyster Cult Dr. David Infante, Blue Oyster Cult’s laser operator Howard’s lasers on on the road with Foo Fighters, Tool, Janet Jackson and more 00:40:37 RUSH Fifty Something Something completely different than Howard has ever done Other dimensions 00:42:04 Mixing the Juno awards Howard says Neil would approve of Anika. 00:44:51 Hey Howard, surprise! RUSH is going to tour again 00:47:03 Howard did lights for RUSH at Taylor Hawkins tribute 00:48:46 Howard prefers mixing live He “plays” the lighting console live Remote spot locations 00:52:07 RUSH Fifty Something… it’s band of FOUR. Geddy is happy… playing less keyboards, more bass and vocal focus 00:54:42 Howard: “I create lighting choreography” This tour is (currently) 2.5 hours (things can change, folks!) “I try to enhance the show with lighting that can trigger your emotions. I approach it as an audience member.” Loren Gold’s harmonies sound great 00:58:28 Phish and Rush alternating at Madison Square Garden Chris Kuroda also mixes lights live 01:00:45 Howard’s going to 85 dates We’re here to create positivity, have a good time…and Neil Peart is smiling down 01:05:25 Brian Worthen on FOH 01:08:30 Gig Gab 530 Outtro <https://giggabpodcast.com/> Follow Howard Ungerleider Facebook Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post 50 Years of Rush: Howard Ungerleider on Lighting the Lighted Stage – Gig Gab 530 appeared first on Gig Gab.
• The Crowd Is the Star: Piano Bar Secrets for Entertaining Any Room with Cliff & Susan Prowse 13.04.2026 1год 2хв

  You don’t need a traditional path to build a thriving music career! Just ask Cliff and Susan Prowse, who turned classical piano chops and play-by-ear instincts into a full-blown lifestyle business. Whether you learned to read music first or figured out theory after the fact, what matters is training your ear to hear intervals, stacking up reps, and putting in the practice until harmony feels like second nature. Use your DAW to sharpen your pitch, but don’t psych yourself or your bandmates out: true tone deafness is rare, and confidence is currency on stage. The bottom line: making a real living in music is absolutely possible when you treat your craft like a skill you never stop sharpening. Once you hit the stage, remember that the crowd is the star and you’re the emcee who just happens to sing and play. Take your audience on a journey: open at mid-energy, build it up, let it breathe, then hit them again. Mix genres, swap instruments, toss in some comedy, and never leave dead air between songs; keep every second purposeful. Think of your set like a video game where you’re always leveling up the room. Manage your breaks with music that matches the vibe so the party never stalls. Playing covers isn’t just a gig — it’s a masterclass in entertainment, and entertainment is its own art form. Always Be Performing. 00:00:00 Gig Gab 529 – Monday, April 13th, 2026 April 13th: National Silly Earring Day Guest co-hosts: Susan Erwin Prowse & Cliff Prowse 00:03:02 The Ultimate Lifestyle Business 00:03:33 Starting with a Pure Mathematics Degree to Piano Bars Classical Piano at the base of it all 00:05:04 Bumble Boogie piqued Susan’s ears Make sure your kids see that inspiration 00:07:16 Cliff started with music from the day he was born Always treated instruments delicately, even as a toddler Learned to play by ear, but never learned to read 00:09:44 Reading vs. hearing and Music Theory School band director thought he was reading music, when Cliff was just playing by ear and remembering what the band director Susan learned to hear intervals Cliff decided to learn theory after-the-fact 00:14:28 Learning to play before you learn WHY the notes work 00:18:18 Breaking down vocal harmonies Both Susan and Cliff picks out harmony by ear Singing harmonies with the mixolydian scale with the flat 7 Really, just practice. Repetition is the key to it all! 00:27:20 Using your DAW to help improve your singing Being actually tone deaf is rare Beware of shaking your bandmates’ confidence…or your own 00:33:21 Making a living in the music business is possible! 00:34:26 The science of the show: Piano Bar strategies Top 40, any genre, any decade Learning the skills of doing the singalong concept Susan and Cliff met on-stage at Willy D’s piano bar in Little Rock From piano bars in Little Rock to Los Angeles to Las Vegas and beyond 00:38:31 Taking the crowd on a journey When you’re there to entertain and throw the party The crowd is the star, you AREN’T You’re the emcee, the DJ, you just happen to know how to sing and play piano Keep it interesting by changing the genre, the groove, the style It’s like playing a video game! Mid energy, at first, then bring it up, then let it ease, then maybe repeat Add variety: different instruments, different singers, different styles Add a little comedy to give them a break from the music 00:45:44 Manage your breaks One school: NEVER stop playing Have good break music, make sure the energy matches 00:49:48 Managing your dead air Don’t allow breaks between songs. Always avoid dead air. “Purposeful Talking” 00:52:44 Entertainers Academy 5-Day Gig Amplifier Challenge Susan and Cliff love to teach! 00:56:44 Being in a cover band is a masterclass of learning entertainment skills Entertaining is an art in and of itself 01:00:17 Gig Gab 528 Outtro Follow Cliff & Susan Facebook & Instagram Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post The Crowd Is the Star: Piano Bar Secrets for Entertaining Any Room – Gig Gab Podcast 529 with Cliff & Susan Prowse appeared first on Gig Gab.
• Monitoring the Artists' Monitors: IEM Wisdom from Kevin Glendinning 06.04.2026 1год 19хв

  In this episode of Gig Gab, you get the full story of how Kevin “KG” Glendinning cold-emailed his way from a Chicago suburb into a 25-year career mixing monitors for Alicia Keys, Maroon 5, Justin Timberlake, Miley Cyrus, Lorde, and more. You hear how a kid sweeping floors at dB Sound ended up on a Metallica tour bus with one piece of advice ringing in his ears: ask questions, stay late, and get a second job because you’re gonna need it. Kevin walks you through migrating artists to in-ear monitors, managing talkback culture for everyone from Eddie Vedder wanting baseball scores to Lorde’s tight production team, and what it takes to help reluctant guitar players finally ditch the wedges. If you’ve ever wondered what separates a good monitor engineer from a great one, this conversation lays it out. You also dive deep into the art and science of making IEMs sound right in every room, every night. Kevin shares his process of minimal reduction: fixing a bad mix by figuring out what to take away, not what to add, and explains why tuning for in-ears is just as critical as tuning a PA. You learn why he flies 4,700 miles for a single gig, why the best mixes sometimes come from a throw-and-go, and how setting up dummy channels lets you experiment without wrecking the artist’s mix. He and Dave talk hearing health, audiograms, the DPA capsule as the only open mic on the Lorde stage, and why knowing your own ears matters more than knowing your gear. Whether you’re mixing monitors at an arena or running sound at a club gig, this episode is packed with wisdom you can use tonight. Always Be Performing, folks! 00:00:00 Gig Gab 528 – Monday, April 6th, 2026 April 6th: National Siamese Cat Day Guest co-host: Kevin Glendinning 00:02:25 Hotmailing his way into a career Watched the credits of a Metallica documentary, realized DB Sound was near the house, emailed Harry… “Hi, I’m Kevin, and I’m interested in audio…” and the rest is history! 00:07:58 Got put on the road as an audio team assistant Trial by fire Advice from the team: Here’s what to do Here’s what not to do Ask questions, stay late, and get a second job because you’re gonna need it 00:11:22 Learning the personal touch parts of being on tour 00:12:52 Being the stage left PA tech, Kevin gravitated towards monitors 00:13:50 Talkback Culture Eddie Vedder wanted baseball scores in his talkback SOMBR for Coachella 2026 (Chris Rabold at FOH) 00:16:18 Managing multiple talkback channels 00:18:08 LORDE on Talkback Phil Harvey on FOH Sarah Parker is LD 00:19:00 Talkback stories Jaret Reddick’s use of talkback mics in Bowling For Soup 00:20:51 Migrating to in-ears IEMs can preserve your hearing, if done right Future Sonics uses dynamic drivers 00:25:09 Helping guitar players to IEMs Mike Dias on Gig Gab Sensaphonics 3MAX IEMs on LORDE tour 00:32:08 SPONSOR: Gusto. Get three months free when you run your first payroll when you start at https://gusto.com/giggab 00:33:44 Back to helping guitar players with IEMs Problem: when a vocal mic is downstage from a guitar amp Ian Beveridge with Foo Fighters Paul Simon prefers wedges Always be learning First: Learn the human being you’re going to be mixing for 00:41:27 The differences between mixing monitors for Miley Cyrus and Ella LORDE 00:42:48 Monitoring the Artists Monitors TX1 Wireless Transmitters REMI with Brad Madix on Gig Gab 00:47:50 Different rooms sound different on IEMs AFAS Live (formerly Heineken Music Hall) in Amsterdam sounds great Dave says Alamodome in San Antonio is one of the worst-sounding To fix IEMs in a bad-sounding room: what can we reduce to make it sound better? Last night it was a bongo mic that was making the drumset sound too washy in the IEM mix “The process of minimal reduction” Ella’s DPA capsule is the only open mic on-stage on the LORDE tour Tune for the IEMs, too: listen to something you know, and EQ it Tuning the podcast for JH Audio Laylas 01:04:06 Learn your own ears (not your IEMs, your human ears) first Take a hearing test with your phone if you can Kevin and Alicia Keys would go and get their hearing tested together, getting audiograms to compare 01:07:09 IEMs are the most personal audio interaction You have to be psychic! 01:09:46 Flying 4,700 miles to save the day Sometimes the throw-and-go results in the best mix because you’re not overthinking it Tip from Kevin: set up dummy channels to experiment without messing with the actual mix for the IEMs 01:15:57 Gig Gab 528 Outtro Follow Kevin Glendinning IG: @kev_chitown LinkedIn: Kevin ‘KG’ Glendinning Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List   The post Monitoring the Artists’ Monitors: IEM Wisdom from Kevin Glendinning – Gig Gab 528 appeared first on Gig Gab.
• Stop Winging It: Dial In Your Show with Clicks, Setlists, Insurance, and Gig Prep 30.03.2026 58хв

  You tighten your gig prep by treating every show like a pro mission: build rock-solid routines, line-check your gear and apps, and know your insurance, splitter snake, setlist, click, and IEM plan before you ever hit the stage. You walk into a wedding or club already covered with proper liability, routing, charts, and monitoring so you can stop worrying about logistics and start playing the room. Always Be Performing. Onstage, you think like a storyteller, not just a musician: you record full shows to review your banter and flow, you decide when the click helps and when to ditch it, and you refine what makes your band distinctive so people remember your name and feel the FOMO. Offstage, you act like a lab: you binge showcases at events like SXSW, steal the best ideas, use AI to critique rehearsals, and keep your gig bag dialed so every performance gets sharper, louder, and more undeniable. 00:00:00 Gig Gab 527 – Monday, March 30th, 2026 March 30th: Take a Walk in the Park Day 00:01:29 What is your gig prep process? 00:06:55 Skylar-How does a band get a certificate of insurance for a wedding gig? Insurance Canopy Special Event Insurance 00:11:15 n-Brian from Durham-Do we need a splitter snake? Mixing Station Proreck Splitter Snake 00:16:57 Bill-What Setlist App do you use? forScore 00:19:39 Dan-What click track do you use live? PolyNome 00:21:51 Dan-What about IEMs with ambient filters? Ultimate Ears Ambient Option 00:24:20 SPONSOR: Claude.ai – Ready to tackle bigger problems? Sign up for Claude today, which includes access to Claude Cowork, too, when you visit Claude.ai/giggab 00:27:05 I’m a band guy…how about you? 00:30:15 SXSW 2026 — bands seen and lessons learned: 38 showcases in 2026 Family Battenberg Thelma And James Timmy Skelly 00:39:43 Record yourself live, not just for the music, but for the whole show, including your banter. Lainey Wilson vs. John Popper and band 00:43:24 The stiffness of a click, vs not. Soultone vs. Lainey 00:45:56 PODCAST: Rock Talk Studio Podcast 00:47:29 Tell people who you are, and make it distinctive. Leverage FOMO 00:51:54 Olight OClip Pro in your Gig Bag 00:54:25 Moskowizard-Use AI to evaluate your rehearsals (critical listening) 00:57:00 Andy-CSF-Supertone Clear 00:58:16 Gig Gab 527 Outtro Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post Stop Winging It: Dial In Your Show with Clicks, Setlists, Insurance, and Gig Prep – Gig Gab 527 appeared first on Gig Gab.
• Touring Brains: Boundaries, Burnout, and Being OK, with Courtney and Paul Klimson 23.03.2026 59хв

  You see how life on the road quietly rewires your brain, from grief and burnout to decision fatigue and STC (Sleepy, Tired, and Crabby), and how Courtney and Paul built The Roadie Clinic to give crews a place to tell their story and get real help. Through flights, heat‑canceled shows, and jumps from Fallon to Timberlake, John Legend, Drake, and beyond, you learn to Always Be Performing for your own mental health with boundaries, support systems, and even AI to protect your headspace. You’re handed concrete ways to care for yourself and your people: snow policies and “last chance to say no” moments, non‑negotiable laundry time, color‑coded calendars that lower stress, and simple communication habits that keep relationships from snapping under pressure. By the end, you’re invited to treat your brain like your most critical piece of touring gear—and to build a crew culture where dignity, respect, and mental health are baked into every gig.​ 00:00:00 Gig Gab 526 – Monday, March 23rd, 2026 March 23rd: National Puppy Day Guest co-hosts: Courtney Klimson and Paul Klimson 00:01:43 Choosing Niles, Michigan for The Roadie Clinic 2019: From living in NYC to “the middle of nowhere” Michigan (but it’s right near an airport) With lots of puppies! 00:04:05 The Roadie Clinic and the whole Human Experience After some family tragedies, Courtney joined Paul on a European leg of the Timberlake tour to support him through the grief 00:07:56 Hottest Day in Central Park doing a show for John Legend And Paul winds up with a sprained ankle but the show must go on…until it’s canceled for the heat! Then off to Sicily the next day… and Courtney joins again! 00:13:24 On the flights, Courtney 00:15:40 “The Show Must Go On” Institute a snow policy 00:17:40 And so exists The Roadie Clinic Remote assistance: tell me your story, how can I help? Works closely with MusiCares RoadieDocRx Decision Fatigue can sometimes be solved by AI 00:26:30 SPONSOR: Squarespace. Check out https://www.squarespace.com/GIGGAB to save 10% off your first purchase of a website or domain using code GIGGAB. 00:28:03 Where are you going today, Paul? John Legend to Timberlake to Drake Multi-colored calendars to save the marriage…and the business 00:30:18 From being the monitor/foldback engineer at Fallon to meeting lots of bands …and managers. “Protect the brand” worked to develop relationships 00:32:55 What Gets the Gig Done? What can I do best that serves the team? Scovill’s Back Lounge 00:37:02 The @ Rule of Texting STC = Sleepy Tired and Crabby 00:39:38 Is this the last opportunity I have to say “no”? 00:43:55 Laundry time matters! 00:45:26 Studying Roadie Brains A lot of Parkinsons, PTSD, Strokes From Fallon to Timberlake 00:47:15 Tricks of being efficient with engineers Step one: Communicate the Input List and Stage Plot 00:50:43 Paul Klimson’s Talkback System 00:54:00 We’re going to win because we’re efficient and we care about humans Dignity and Respect Superbowl Halftime Show – Minneapolis Jimmy Fallon Show … and SNL How are you using AI? 00:57:14 Gig Gab 526 Outtro Follow Paul and Courtney Klimson @TheRoadieClinic Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post Touring Brains: Boundaries, Burnout, and Being OK, with Courtney and Paul Klimson – Gig Gab 526 appeared first on Gig Gab.
• From Wall Street Hacker to Music Mogul: Mike Grande’s Journey 16.03.2026 1год 4хв

  You get a front-row seat to how Michael Grande turned hard-won tech chops and late-night studio hacks into real music-business wins. From escaping NAMM chaos and leveraging smart PR and management, to transforming a throwaway “stupid idea” into Card Chords—an Amazon-topping guitar tool born from a Cricut, Guitar Center testing, and sheer persistence—you see how necessity, experimentation, and saying yes the first time landed him in Jimi Hendrix’s old bedroom at Electric Lady Studios, shredding in the lineage of Vai and Satriani, and inventing Tone Picks on the fly. Along the way, you’re reminded that when you know you’re right, you embrace it, protect your IP, and keep swinging big—whether that’s launching music schools, eyeing Shark Tank with a bold offer, or pivoting your career from Wall Street CTO and Certified Ethical Hacker to full-on guitar innovator. Then you’re pushed to rethink how you teach, lead, and build your own music brand. You learn why great schools and studios run on clear mission statements, strong unique selling propositions, and a coaching mindset that focuses on the student, not the curriculum—getting them hooked on the songs they actually want to play, then turning them toward what they need. You see how asking potential customers for their own answers, treating every audience like they matter, and showing up like a coach instead of a teacher all point to one core operating principle: you’re never off-duty, because you Always Be Performing—ALWAYS. 00:00:00 Gig Gab 525 – Monday, March 16th, 2026 March 16th: Freedom of Information Day Guest co-host: Michael Grande from Card Chords and more 00:02:14 Getting out of NAMM 00:03:10 Have a good PR guy! Christopher Buttner 00:04:15 Hey, NAMM: How high can I go? 00:06:09 Can you afford NOT to hire a manager? Or a PR person? Our Mistakes are Our Tuition – Business Brain 00:08:04 COVID Vaccines lead to Card Chords Mike was a (very successful) ​Certified Ethical Hacker & CTO on Wall Street 00:11:09 Dad – come up with an idea to teach people how to play guitar “That’s a stupid idea” – Ignore, and move on. Bought a Cricut machine, built the prototype and tested it on hundreds of guitars at Guitar Center Came out on December 21st, and became Amazon’s #1 Musical Accessories item within 30 days Also includes an eBook to teach out Beatles, Bon Jovi, Guns and Roses songs WITH Card Chords 00:16:35 Born of Necessity! 00:18:39 The birth of Tone Picks Story time: I didn’t bring a 12-string to Electric Lady Studios at 3am Taped two picks together to simulate a 12-string sound. 00:21:41 How did you get on the list of Electric Lady Studios session players? Mike was a shredder after Steve Vai, Joe Satriani, etc 00:22:27 Recording in Jimi Hendrix’s old bedroom at Electric Lady Studios! Say yes the first time! Sponsors 00:25:39 SPONSOR: Factor, America’s #1 Ready-To-Eat Meal Kit, can help you fuel up fast with flavorful and nutritious ready-to-eat meals delivered straight to your door. Visit FactorMeals.com/giggab50off and use code giggab50off for 50% off! 00:27:22 SPONSOR: Gusto. Get three months free when you run your first payroll when you start at https://gusto.com/giggab 00:28:51 Mike uses Gusto for his Music Schools! 00:30:33 Running music schools Mike’s Book: From Teacher to Coach: (And why you would NEVER want to be a Teacher) Taught private lessons, then students wanted more, so… Mike started The Staten Island School of Rock 00:33:37 Mike’s coaching methods are different Learning hands-on Getting students hooked on the songs you want to play THEN turn them around 00:34:42 You gotta be juiced about playing the songs Gig Gab 500 with Skylar and the drum coaching story 00:37:16 You need to have a mission statement Mike’s: “We build the confidence and self-esteem through music lessons” You need a Unique Selling Proposition! 00:39:30 Mike’s Unique Selling Proposition Never answer the question… ask the potential customer for the answer! 00:41:48 A teacher focuses on the curriculum, a coach focuses on the student 00:42:44 Mary Fanaro’s Rwanda Rocks Rwanda’s Minister of Education: The children of Rwanda don’t need teachers, they need coaches. 00:48:08 When you know you’re right, embrace it. 00:49:45 Always Be Performing…ALWAYS! 00:53:18 An audience wants to be treated 00:55:23 We’re always wearing 00:57:54 The Chinese stole Mike’s IP for Card Chords Mike’s got a new product that is in the running for Shark Tank Mike’s offer to Shark Tank will be: 20% of his company for $1 01:03:23 Gig Gab 525 Outtro Follow Michael Grande CardChords.com Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post From Wall Street Hacker to Music Mogul: Michael Grande’s Journey – Gig Gab 525 appeared first on Gig Gab.
• De-Feedback Plugin for Working Musicians: More Gain, Less Feedback with Devin Sheets 09.03.2026 1год 20хв

  You’re invited into a legacy family audio business that refused to accept “good enough” on feedback control and instead chased the impossible: a truly zero‑latency, AI‑driven way to push your PA louder without squeals. You follow Devin Sheets from growing up on sound gigs to roaming European stages, then back home to build De‑Feedback plugin for working musicians, a live sound feedback plugin and on‑the‑fly impulse‑response generator that listens like a seasoned engineer: separating human voice, room reverb, background noise, and feedback in real time so you can grab at least 6 dB more gain before things start to howl. Along the way you see how NAMM sparked the idea, how inverse impulse responses and probability math beat old EQ and gate tricks, and how “homebrew AI” meant sneaking into every empty church at 3 a.m. just to teach the model what real rooms actually sound like. You also learn how to think like a modern working musician: using social media to find the right AI programmers across the world, leaning on LLMs to translate, collaborate, and even rate contractor work so you can move faster without losing control. You come away knowing you can drop a dedicated De‑Feedback box or plugin into almost any rig, from churches to touring consoles to tiny clubs, take it with you even when someone else is behind the board, and quietly stack the deck in your favor. In the end, it’s a roadmap for how you run your own gigs and career: stay curious, embrace new tools, protect your sound, and Always Be Performing. 00:00:00 Gig Gab 524 – Monday, March 9th, 2026 March 9th: National Meatball Day Guest co-host: Devin Sheets from Alpha Labs 00:02:12 Let’s Grow this Legacy Family Business Grew up doing sound Also a musician Lived in Europe Then came back and said, “let’s grow this family business!” 00:03:44 We haven’t “just solved” this feedback problem Went to NAMM for the first time, and was inspired There are automated EQ-based or gate-based systems PSE plugin from Waves 5045 for feedback 00:04:57 Why isn’t there a “balanced audio”-type solution for Feedback Balanced Audio fixes hums and it just works. 00:08:24 NAMM is a great inspiration…and it inspired Devin and his team to seek a feedback plugin solution People get entrenched Inverse Impulse Response methodology 00:12:35 Training the AI to listen for three things: human voice, reverb, and feedback Created a de-reverb algorithm and went beyond that A probability calculation does the math 00:16:05 Truly zero latency for the plugin Workflow latency remains 00:19:32 I don’t have any coding or AI background, but I have a gut feeling AI will fix this feedback problem Others: It’s harder than you think Devin: I knew that it needed to happen 00:20:58 Finding an AI programmer who was interested in doing Experimented with some programmers, failed, learned some things! 00:21:09 Social Media to the rescue! Late 2023: Devin found a group of AI programmers who would be interested Sending large amounts of money to China…it’s a risk! 00:26:30 At 3am, a text message: I think I’ve done it. Devin immediately started testing it himself “It seemed to work.” 00:27:17 Installing De-Feedback in Churches Sponsors 00:30:57 SPONSOR: Claude.ai – Ready to tackle bigger problems? Sign up for Claude today, which includes access to Claude Cowork, too, when you visit Claude.ai/giggab 00:32:43 SPONSOR: Squarespace. Check out https://www.squarespace.com/GIGGAB to save 10% off your first purchase of a website or domain using code GIGGAB. 00:34:20 What is an impulse response? Impulse Response: An audio picture of how the room sounds Popping balloons in a room/environment and recording the sound is a common approach for creating impulse responses 00:38:33 De-Feedback is an on-the-fly IR generator …and analyzer that’s trained on the human voice, room reverb, background noise…and feedback 00:41:55 Finding the right programmers was the key …in addition to actually having the idea and the bullheaded persistence to make it happen. 00:44:46 Mind-melding was necessary And LLMs helped with translation! 00:48:39 Using AI to make it possible to collaborate with other humans 00:50:03 Using an LLM to rate the work of your contractors and employees 00:51:54 How do we get De-Feedback into the hands of working musicians US$499 for the De-Feedback plugin VST3 or AU plugin A higher-end Windows laptop can likely run it on its own Apple’s Core Audio tech makes it difficult, but they’re working on it. De-Feedback also sells a perfectly-tuned headless computer to do this Alpha Labs tried tons of interfaces that the Focusrite Scarlett keeps glitches out of the mix Waves SuperRack LiveBox 01:01:37 Where do we expand? Allen & Heath mixers? Midas/Behringer mixers? Paul Falcone, mixing Mariah Carey, wanted to use it! Robert Scovill talking Rock Hall on Gig Gab 01:05:18 Homebrew AI! Training EVERY room he could find “Can you let me into your empty church at 3am?” – To record IR to then train the data set for De-Feeback 01:07:25 Creating your own AI model 01:08:13 What’s the future look like? Acquisition? Demands for security? – Planning for it all 01:09:26 You can get this and bring it with you to gigs where someone else is doing sound De-Feedback Option 1 Allen & Heath Qu-5’s Feedback Eliminator De-Feedback gets at least as 6dB more gain before feedback 01:17:46 Gig Gab 524 Outtro Follow Devin Sheets And Alpha Labs Facebook and Instagram YouTube for Alpha Labs Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List   The post De-Feedback Plugin for Working Musicians: More Gain, Less Feedback – Gig Gab 524 with Devin Sheets appeared first on Gig Gab.
• From Festival Gigs to SXSW: Survival Tips for Musicians and Attendees 02.03.2026 1год 13хв

  You get dropped into a two-show day where you’re juggling festival chaos, a paramedic emergency during set change, and a mysteriously mudded-out bass that turns out to be a rogue low‑pass filter at 90 Hz, all while keeping the gig on the rails because you Always Be Performing. Then you pivot into first‑timer survival tactics for attending SXSW: locking in reservations weeks out, over‑planning so you can gleefully abandon those plans, and treating the whole thing as a marathon and a sprint while your calendar app becomes your best friend…and your worst enemy. Throughout it all, you’re thinking like a pro: dialing in efficient monitor setups for festival stages, dealing with sketchy solder joints on a microphone (or is that a mic cable issue?), staying sane amid SXSW security, and never underestimating the power of great brisket, BBQ, and a solid spot to reset your brain. You’ll also get the practical stuff no one tells you: what to wear, why you always keep your badge on you, and how finding a seasoned SXSW Sherpa can save your week (and your feet) before you ever hit your first line. ​From Festival Gigs to SXSW: Essential Survival Tips for Musicians and Attendees 00:00:00 Gig Gab 523 – Monday, March 2nd, 2026 March 2nd: International Rescue Cat Day Guest co-host: Lisa Hamilton 00:01:41 Two Show Day for Dave First gig, Bitter Pill – Festival And there was a paramedic Bitter Pill: It’s Rock and Roll… It’s Rockabilly… It’s Blues… I don’t know! 00:10:43 Second gig – somehow the bass got a low-pass filter set at 90hZ! Problem solved, gig a success! 00:18:23 SPONSOR: Gusto. Get three months free when you run your first payroll when you start at https://gusto.com/giggab 00:20:00 Attending SXSW for the first time 00:25:45 Learning how to manage SXSW 00:27:30 SXXpress passes become Reservations And now they’re 3-weeks out instead of 2 days! 00:33:21 Reserving things in advance 00:37:25 It’s all about planning in advance And then throwing away your plans and making a series of Sophie’s Choices 00:39:24 It’s a marathon…and a sprint 00:39:42 Managing the Calendar 00:43:39 With the App 00:48:43 Managing your monitor needs with efficiency at festival gigs 00:52:51 Security at SXSW 00:58:15 Luke Warm Solder Joint on the Microphone Heil PR-40 00:58:57 Eat good food! Brisket and BBQ Eastside Cafe in Austin 01:01:11 What should I wear? 01:06:36 Find a SXSW Sherpa! 01:07:58 Finding your badge? 01:08:59 Always have your badge with you 01:11:38 Gig Gab 523 Outtro Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List   The post From Festival Gigs to SXSW: Survival Tips for Musicians and Attendees — Gig Gab 523 with Lisa Hamilton appeared first on Gig Gab.
• From the Eric Church Tour to the Grammys: On the Bus with Cellist Kaitlyn Raitz 23.02.2026 50хв

  You’re riding along with Kaitlyn Raitz as she breaks down the real mechanics of touring at scale: staying human on a bus, finding tiny routines that keep you sane, and surviving the sleep math when you’re one of twelve buses on a massive run. Then it’s straight into the onstage reality of modern country arena production: 24 musicians, a full string quartet, choir, and horns, plus the challenge of making strings translate in a loud arena. You get the practical gear-and-tech layer too: DPA mics and pickups, dynamic EQ, managing cello loudness, and how tools like ToneDexter fit into keeping tone consistent when the room is working against you. You also get the career side, unfiltered: how the Eric Church gig happened through the Nashville relationship web, why being excellent and easy to be around matters, and why “Nashville is a ten-year town” if you want longevity. Kaitlyn’s stories span arranging and learning charts mid-tour from iPads, to the whiplash of getting a Grammy call with barely any runway, to recording in LA and wondering how anyone actually functions there. The episode closes with the mindset and performance skills that keep pros durable: protecting your brain and nervous system, flipping a stage persona on and off, and the practical win of transitioning to IEMs for a cellist when monitors are run well. Bottom line: this is how you keep your craft sharp, your head steady, and your show consistent night after night. Always Be Performing.​ 00:00:00 Gig Gab 522 – Monday, February 23rd, 2026 February 23rd: Curling Is Cool Day Guest co-host: Kaitlyn Raitz 00:01:55 Protein and Joy on the bus 00:02:14 Passing the time productively on the bus…and on the tour Swimming Swimply OR PlacesToSwim.com Thrifting 00:05:53 Sleeping on the bus! Twelve tour busses on this tour 00:07:26 24 Musicians on stage String Quartet 8-Person Choir Horn/Woodwind Quartet 00:09:45 Micing a string quartet in an arena DPA Mics AND pickups Dynamic EQ 00:14:47 Cellos and Loudness ToneDexter 00:18:50 Writing, arranging and learning charts mid-tour! Reading from iPads Eleanor Denning, String Lead and Arranger on the Eric Church Tour Bitter Pill has a cellist, too! 00:21:33 Getting the Eric Church gig Sub list for the Nashville Symphony Everything in Nashville is relationship-based Be good at what you do, and also be a pleasant person that people want to be around Nashville is a ten-year town 00:25:07 SPONSOR: Squarespace. Check out https://www.squarespace.com/GIGGAB to save 10% off your first purchase of a website or domain using code GIGGAB. 00:26:55 You played on the Grammy’s? Used to play with Brandy Clark, and occasionally gets a one-off gig call still. AND, a week-and-a-half before the Grammy’s, the call came in Do you want to play the Grammy’s with me? Kaitlyn has questions for LA-denizens: How do you live in LA? Do you see people that you know? Do you take public transportation? Recorded at Sunset Sounds in LA 00:33:05 Protecting your brain and nervous system Take on a persona “You are Kaitlyn Motherfucking Raitz” “We are bad bitches, we have earned this” Gary Cherone is the master of turning the stage persona on AND OFF Let the lights blind you 00:40:25 Transitioning to IEMs It’s great for a cellist! IEMs are better than having to use bone conduction Kaitlyn’s IEM mix – she hears the band It comes down to who’s running monitors Ultimate Ears UE7 Pros IEMs 00:47:06 Kaitlyn Raitz’s Music 00:48:52 Gig Gab 522 Outtro Follow Kaitlyn Raitz On Instagram On Facebook Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post From the Eric Church Tour to the Grammys: On the Bus with Cellist Kaitlyn Raitz – Gig Gab 522 appeared first on Gig Gab.
• Cover Band Confidential’s Dan Ray: Test the Market, Then Rehearse 16.02.2026 53хв

  You kick off this week with Dan Ray by reframing failure as a tool, not a verdict. Instead of obsessing over the “vanity listen” after a gig or rehearsal, you do the check-in listen and extract the lesson. You learn to fail fast the right way by making small bets that generate real data quickly, including testing demand before you invest rehearsal time. That mindset carries into band direction changes and the leadership realities that come with them: different people want different levels of ownership, and the job is to be a benevolent dictator who listens widely but decides cleanly. You also get practical about managing public perception and egos, taking cues from bands that protected the brand by being intentional about roles and visibility. Then you dig into Dan’s origin stories and the nuts-and-bolts that keep working musicians moving: starting a band young, landing monthly gigs, and learning obvious-in-hindsight lessons like not running a vocal mic through a guitar amp. You hear how scrappy tools like a Tascam 4-track can solve real problems, why running a PA from the stage demands discipline, and why the room you rehearse in changes what you think you’re hearing. From there it gets wonderfully nerdy with quick hits that matter in real life, like using low-pass filters aggressively and remembering that time alignment starts with where sound sources physically live. You close in the feels with theater life and the emotional punch of closing night, a reminder that the tech and the business serve the same goal: show up ready, stay present, and Always Be Performing. 00:00:00 Gig Gab 521 – Monday, February 16th, 2026 February 16th: National Rationalization Day 00:02:08 Guest co-host: Dan Ray Last visit: July 19, 2020 for GG 265 and CBC 100 00:03:23 Having a productive relationship with failure Failure can a lesson you lean into After gigs or rehearsals: the check-in listen vs. the vanity listen Fail fast the right way: “make a bet” by setting up something that you can quickly get data from 00:08:47 Transitioning a band’s direction Dan’s Big in the 80s band 00:10:10 Test your market before committing too much Book the gig before you rehearse the songs. Make sure there’s demand and interest. If not… move on! (You failed fast!) Cover Band Confidential 00:12:52 AI solves the blank page problem – use it often! 00:14:28 Leading bands (and people) Be ready for people who want to engage with different levels of ownership Learning how to be a benevolent dictator… but also learn to be the leader, and the decision-maker, the ultimate arbiter. Don’t do it in a vacuum, but I’ll be the last word. The Pork Tornadoes are a democracy-ish. But decision-makers are pre-decided by a healthy division of labor. Learning to manage the public perception of your band (and your egos) like R.E.M. and RUSH did. 00:22:37 Do you name your band after yourself? My Thanks to Our Sponsors 00:25:09 SPONSOR: Claude.ai – Ready to tackle bigger problems? Sign up for Claude today and get 50% off Claude Pro, which includes access to Claude Cowork, too, when you visit Claude.ai/giggab 00:26:50 SPONSOR: Factor, America’s #1 Ready-To-Eat Meal Kit, can help you fuel up fast with flavorful and nutritious ready-to-eat meals delivered straight to your door. Visit FactorMeals.com/giggab50off and use code giggab50off for 50% off! 00:28:38 First kid in high school to start a band Grew out of the school-run rock band Decided to play some originals and covers at home, and got a gig! The school librarian booked them monthly! Lesson: don’t put a vocal mic through the guitar amp Tascam 4-Track cassette recorder to use as a mixer 00:33:27 Dan Manages the PA from the stage We rehearse in a 15×20 indoor, climate-controlled storage unit 00:36:32 Quick Tip: Use Low Pass Filters on everything 00:37:35 Time Alignment: A reminder that sound source locations matter Check out the 16-minute mark of this episode with Robert Scovill for more 00:40:36 Having theater kids Stagelights in Greensboro, NC 00:43:05 The emotions during closing night in musical theater 00:50:12 Gig Gab 522 Outtro Follow Dan Ray @DanRayMusician @CoverBandConfidential Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List   The post Cover Band Confidential’s Dan Ray: Test the Market, Then Rehearse – Gig Gab 521 appeared first on Gig Gab.
• Creating the Room You Want to Be In: Laura Whitmore and the She Rocks Story 09.02.2026 1год 14хв

  You jump into this episode balancing the reality of working gigs with the mindset that keeps musicians moving forward. From Dave’s recent experiences playing atypical rooms with Bitter Pill to cramming new material for Casual Gravity, you’re reminded that momentum matters even when the crowd is small. Always Be Performing is not about scale, it’s about consistency. That theme carries straight into the conversation with Laura Whitmore, whose career has been shaped by connecting people, creating opportunities, and knowing when to pull back just enough to build a sustainable life alongside the work. As Laura walks you through the birth and growth of the She Rocks Awards, you hear what it actually takes to build something lasting. It started small, grew through trust and partnerships, and evolved by treating the event like a show, with pacing, flow, and intention. You dig into what real visibility looks like, how to define success on your own terms, and why borrowed platforms are never enough to build a career. The takeaway is practical and clear: start with a big vision, set measurable goals, build community deliberately, and own your audience. This episode is a reminder that longevity comes from intention, preparation, and showing up with purpose, gig after gig. 00:00:00 Gig Gab 520 – Monday, February 9th, 2026 February 9th: National Pizza Day 00:01:00 Dave’s Gig Updates Playing atypical venues with Bitter Pill Learning new songs with Casual Gravity Always Be Performing…even for the small crowds! 00:17:10 SPONSOR: Squarespace. Check out https://www.squarespace.com/GIGGAB to save 10% off your first purchase of a website or domain using code GIGGAB. 00:18:34 Guest co-host: Laura Whitmore 00:22:20 The love of connecting people and making things happen 00:23:08 Pulling back a little…to have a life Backstory in partnership with Guitar World and Parade 00:26:28 The green room at The She Rocks Awards is the ultimate networking event! 00:29:33 The Birth of the She Rocks Awards Writing a women-in-music blog at Guitar World, realizing the women in music didn’t know each other… yet! Started as a breakfast (with sponsors…the cheapest meal of the day!). Orianthi performed, serendipitously. After two successful years, NAMM invited She Rocks into the event officially, and The Bangles performed. “You don’t really know what you’re capable of until you’re challenged and take that leap of faith.” – Laura Whitmore 2026 was the 14th year of She Rocks Awards. 170 She Rocks Awards have been presented in the last 14 years. 00:34:51 “Is this ever going to come together?” is scary Reframe it with “how is this ever going to come together?” It takes a village, folks! 00:38:12 Having good partners helps 00:38:59 Create the event for yourself as an audience member That way you’ve got a stake in how it “feels” to attend, which means the audience is represented 00:41:16 Assembling the featured women Nominations at TheWimn.com Crafting the arc of the night by slotting the right people at the right spot. It’s a show! 00:43:49 Managing the flow of the night She Rocks Awards YouTube Channel 00:46:58 People whose names became known after they were on She Rocks Queen Herby (as Amy Heidemann) Beaches PRS Guitars brings in the opening act, with a fantastic Artist Relations team 00:49:40 Defining valuable visibility What’s your end goal? What are your metrics? What defines success? For your band, those might be: Did I get contact information? Did I build on success that I had before? Did this exposure opportunity help me grow to a new place/level? Start with big vision, small goals 00:54:16 You don’t own social media platforms, so don’t leave your audience there. Facebook used to let you message all your followers. Used to! If your audience is a subset of Facebook’s audience, that’s not your audience. Give them a reason to give you their email address. Gather those email addresses. Keep those pieces of paper – scan them! Spam laws might require you to prove it! 01:00:18 Gear Gab! Laura Whitmore is Sr. VP of Marketing at Positive Grid Spark practice amps (with an app!) Project BIAS X – Standalone or Plugin 01:07:36 Designing high-quality technology for a market with a budget 01:13:02 Gig Gab 520 Outtro Follow Laura Whitmore Check out TheWIMN.com (sign up for the mailing list for free! On Instagram On LinkedIn Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post Creating the Room You Want to Be In: Laura Whitmore and the She Rocks Story – Gig Gab 520 appeared first on Gig Gab.
• Gear, Gimmicks, and the Good Stuff at NAMM 2026 02.02.2026 1год 2хв

  You walk into NAMM 2026 thinking you will just wander and see what grabs you. You leave reminded that wandering works best when paired with a plan and a willingness to torch a few sacred cows along the way. This episode is a fast-moving field report from the floor, where the real takeaway is not just gear but mindset. You hear why talking with people matters more than chasing booths, why listening beats pitching, and how staying flexible turns a chaotic show into a productive one. NAMM rewards curiosity, but only if you stay intentional and remember that Always Be Performing is not about being loud, it is about being present. From there, you get a tight rundown of what actually stood out. You hear about clever mic and monitoring solutions, portable PA ideas that punch above their weight, smart tools for managing stage volume and feedback, and electronic drums and keyboards that feel less like compromises and more like real instruments. There is a clear throughline here: gear is getting smaller, smarter, and more musician-centric, solving real problems instead of adding features for the spec sheet. By the end, you are not just caught up on what Dave saw at NAMM 2026, you are thinking differently about how to approach shows, stages, and decisions long after the badges come off. 00:00:00 Gig Gab 519 – Monday, February 2nd, 2026 February 2nd: National Tater Tot Day NAMM Coverage Sponsors Ultimate Ears Pro Earthworks Audio Rock-N-Roller Carts 00:02:23 NAMM Guidance Wandering is fun. But have a plan also. Be ready to abandon sacred cows Talk with people… share and listen 00:05:11 DPA Microphones on the Yamaha Stage 00:13:12 JBL BANDBOX Solo ($250) and BANDBOX Trio ($600) 00:18:37 D’Addario IR Mic Mute 00:21:05 Card Chords 00:24:55 UE 350 from Ultimate Ears 00:27:57 Sensaphonics IEM dB Check Pro 00:35:27 Efnote Electronic Drums Efnote 3 (with optical hi-hats) – $2,499 00:36:52 KickPort KickTone Pro microphone 00:40:12 Alpha Labs De-Feedback in action 00:43:57 Nord Electro 7 00:46:27 Allen & Heath Qu-5 00:49:49 iCON P1-M (on Amazon) 00:52:31 QSC CB10 00:55:21 Gig Gab 519 Outtro Thanks to Parthenon Huxley for today’s outro song. And thanks, Hux, for everything you gave us all while you were here on this earth! Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post Gear, Gimmicks, and the Good Stuff at NAMM 2026 – Gig Gab 519 appeared first on Gig Gab.