Gig Gab - The Working Musician's Podcast

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  When Your Worlds Collide...and the Drummer Becomes the Sound Guy 27.07.2026 1год 27хв

  Daniel East is back for a no-agenda episode that turns into Gig Gab therapy. You’ll hear about Brit Drozda’s fifth record in pre-production, unannounced pop-up gigs built from cajon, guitar, and keys, and the Rayvel grand opening on Florida’s Space Coast, where a rocket went up over the stage during Starman. Then Daniel gets into those moments of bliss you can’t fish for…the ones that arrive because you prepared enough to stop thinking. If you’re feeling it, they’re feeling it. And when a piece of the puzzle is missing, that’s your cue to admit a gig isn’t the right fit for you and be willing to walk. Then Dave takes the couch: three gigs in a row where he became the accidental sound savior. A theater where nobody knew how Dante was routed. An outdoor stage hard-panned left with monitors EQ’d to the disco smile. A club that handed him the iPad at line check. Daniel’s prescription: an expectations agreement when you don’t have a contract, an audio tech who also speaks IT, and permission to say no. Always Be Performing is real, but you set a standard, you don’t meet one. Plus: find your clock first, and Gear Gab on Earthworks drum mics, the Kompakt 421, and why a high-pass filter beats deep EQ cuts every time. 00:00:00 Gig Gab 544 – Monday, July 27th, 2026 July 27th: Barbie-in-a-Blender Guest co-host: Daniel East 00:03:53 Brit Drozda’s new record 00:04:46 Pop-up gigs! Cajon, Guitar, Keys Stage Ninja Cables 00:06:58 Chad Ely Productions Rayvel – Joe Ciaudelli’s involved Rocket launching during a performance of Starman Dan Lawson Chowtoberfest VII September 12th, 2026, Fence Road Farm Brewery in Warwick, NY. Benefits To Write Love On Her Arms and Memorial Sloan Kettering. Bo Bice on the lineup 00:12:46 Those moments of bliss on stage 00:16:21 If you’re feeling it, they’re feeling it Find the groove Preparation helps Shoutout to Paul Kent! 00:22:16 Recognizing when a gig is not the right fit for YOU 00:24:46 Nobody’s Perfect 00:25:11 SPONSOR: Warby Parker – Our listeners can buy one pair of glasses and get 20% off any additional pairs at https://WarbyParker.com/GIGGAB — and using our link helps support the show. #WarbyParker #ad 00:27:21 Dave’s Had Three Gigs…and needs therapy Allen Heath SQ7 00:40:12 Were there contracts? 00:41:59 Option A: Bring your own audio tech with you to every gig And your audio tech also needs to be versed in IT @groovepocket80 – Joe Cabrera 00:46:33 Finding the people who are skilled AND humble Jason Banta, FOH engineer Marty Garcia, new Future Sonics IEMs 00:51:12 Back to the solution A contract or expectations agreement Find help, have help, learn how to find help Have the venue/gig hire someone professionally trained 00:53:04 Pave the path to enforce my Dave Bang Drum ethos Don’t be afraid to walk away You set a standard, you don’t meet a standard – be the example of what 00:59:33 Diagnosing Dante FIND YOUR CLOCK FIRST 01:04:30 Solving Dante issues in the future Move fast, break things 01:11:11 Gear Gab: Sennheiser MK4 SSL 2 MkII Interface Earthworks Drum Mics SR20 Gen2 overheads DM17 Snare Drum & Tom Mic DM20 G2 – great for toms! Kompakt 421 01:20:16 Sound summarization! Minimal EQ, but don’t forget about your high pass filters De-Feedback on Gig Gab And Time Alignment is important 01:24:23 Gig Gab 544 Outtro Follow Daniel East DanielEast.net @eastd and @themixdoctor Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post When Your Worlds Collide…and the Drummer Becomes the Sound Guy – Gig Gab 544 with Dan East appeared first on Gig Gab.
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  The Wrong Audience Is Still an Audience: Freddy Vinehill-Cliffe on the Gigging Life 20.07.2026 1год 9хв

  Episode 543 lands on National Fortune Cookie Day, and guest co-host Freddy Vinehill-Cliffe of NUGEN Audio opens by demystifying how your masters actually translate across streaming. You learn that MasterCheck lets you audition one master against every platform before release day blindsides you, because you should still submit a single master everywhere, not a separate file per service. From there you dig into possible reasons why Spotify felt so flat for so long, the crucial difference between data compression and dynamic compression as a way to tame your audio, and how compression ratios shape the result. Then Freddy flips to the gigging life: guitar and vocals in Thank, bass in the gleefully unappealing Solderer, touring Europe and the UK on DIY tours he’s been booking since 2014. You’ll chew on his theory that drummers can fake their way through a set more easily than anyone else, the cover-band mentality (Tommy Igoe’s gospel: he’ll teach you to play other people’s music, not your originals), and playing for the nerds who clock every groove (like the white-knuckle eleven-beat break in Steely Dan’s Josie). The throughline is reading the room, even when it’s the wrong room: sometimes the crowd’s on mushrooms, sometimes you just throw them a party regardless, and either way you Always Be Performing. 00:00:00 Gig Gab 543 – Monday, July 20th, 2026 July 20th: National Fortune Cookie Day Guest co-host: Freddy Vinehill-Cliffe of NUGEN Audio 00:01:56 NUGEN’s MasterCheck plugin Still submit one master to all platforms, but MasterCheck helps you ensure that your one master sounds good everywhere 00:05:04 Why did Spotify sound so flat for so long? Spotify is normalized to -14 LUFS 00:07:24 Data compression vs. Dynamic compression Dynamic compression is a way of taming the audio Auphonic Waves NS1 00:15:14 Compression Ratios 00:18:44 SPONSOR: Claude.ai – Ready to tackle bigger problems? Sign up for Claude today, which includes access to Claude Cowork, too, when you visit https://Claude.ai/giggab 00:20:17 Freddy, the gigging musicians Guitarist and vocalist in a band called, Thank Plays Bass in Solderer, deliberately unappealing Touring regularly throughout Europe & UK 00:24:17 DIY Booking of Tours Freddy has been booking DIY tours since 2014 00:27:45 Dave’s gigging schedule 00:31:15 Freddy’s theory about drummers Drummers can fake it more easily! 00:36:30 Wedding bands … that aren’t wedding bands 00:37:31 Cover band mentality Tommy Igoe: I’m not going to teach you how to play in your original band, I’m going to teach you how to play other people’s thing Playing for nerds The 11-beat break in Josie 00:47:35 Unexpected grooves and parts 00:50:52 Realizing the audience is the wrong audience Mushrooms help the audience! 00:59:44 Special offer from NUGEN – 30% off of a bunch of plugins for the next few weeks! Stereoizer Stereoplacer Monofilter Paragon ST 01:06:43 Gig Gab 543 Outtro <https://giggabpodcast.com/> Follow NUGEN @nugenaudio Follow Freddy Vinehill-Cliffe: @loudnesswardraftdodger @fsvc____ @thankleeds Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post The Wrong Audience Is Still an Audience: Freddy Vinehill-Cliffe on the Gigging Life – Gig Gab 543 appeared first on Gig Gab.
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  Growing Up Statler: Wilson Fairchild on Harmony, Hustle, and the Working Musician's Life 13.07.2026 1год 8хв

  This week Wil and Langdon Reid of Wilson Fairchild pull up a chair beside Dave to show you what a life in music actually looks like from the inside. These guys grew up on a tour bus in the ’70s and ’80s watching their dads, Don and Harold Reid, play eight years with Johnny Cash before becoming The Statler Brothers, a side-stage masterclass we all wish we had. You’ll hear the advice that shaped them: nobody can put you in the music business and nobody can take you out, so you’d better love the life and want it bad. You’ll get the manager horror stories (let’s just call him Peter), the reminder that every musician is an entrepreneur, and the hard, useful stuff most players dodge: build a P&L, diversify, manage cash flow first, and when it rains, fill up your buckets. Treat every gig like it matters, because you never know who’s in the room: never punish the people who showed up, and don’t play to the empty seats. Then you’ll dig into the craft that made the family famous: blood harmonies. Learn every part, let the piano teach you how the notes relate, and practice early in the morning just to find your pitch. You’ll discover why four voices were an act nobody wanted to follow, why going from two parts to four is an exponential lift, and where the modulation earns its keep. Through all of it runs one thread: be believable. Whether it’s a vanity song that tells your audience exactly who you are or a closer like It’s Amazing What a Hug Can Do, you sell it because you mean it. That’s the whole game: Always Be Performing, every seat, every song, every night. 00:00:00 Gig Gab 542 – Monday, July 13th, 2026 July 13th: National Barbershop Music Appreciation Day Guest co-hosts: Wil Reid and Langdon Reid of Wilson Fairchild 00:02:19 Post-gig snacks Nachos Chocolate Milk Twinkies Exempt from the food pyramid 00:05:17 Growing up on a tour bus in the 1970s and 1980s A Masterclass in performance art Their Dads, Don and Harold Ried played with Johnny Cash for 8 years before going out on their own as The Statler Brothers Watching from side stage 00:07:25 At 16 and 14, Wil and Langdon started band practice and gigging 00:08:07 Advice from Their Dads “Nobody can put you in the music business, and nobody can take you out” You gotta love the life. You gotta want it really bad. 00:09:24 Learning what to do…and what not to do 00:09:37 Manager stories! The manager who hangs on to you, waiting for something to happen, instead of doing work to make it happen for you. A tuition moment: “Let’s just call him Peter” 00:13:20 Our dads were businessmen Managing and building a retirement as a musician Business Brain – Every musician is an entrepreneur Coming from nothing, sharing a bedroom, make enough to live check-to-check When it rains, fill up your buckets! 00:18:37 The dreamers are the ones generating the income 00:20:24 Build a P&L for your music business 00:23:10 Diversify yourself, produce yourself, protect yourself CD Baby Concert Pay Manage cash flow first 00:24:36 Every gig has an opportunity for you You never know exactly who is in the audience “Never punish the people who showed up” – Parthenon Huxley “Don’t play to the empty seats” – Charlie Daniels 00:28:35 Singing “blood harmonies” together Tip 1: learn to sing every part Tip 2: playing piano will teach you how the notes work and relate together Statler Brothers were “Country lyrics with southern gospel harmonies” Tip 3: practice singing early in the morning just to learn your notes 00:34:30 Learning to blend with other people “Bach says no!” 00:36:00 Always think about the piano for harmonies Their dads, The Statler Brothers, were the first group in country music. Four voices were an act to follow! 00:39:30 Their sons, Jack and Davis Reid…the next generation Four part harmonies with their boys! 00:40:22 And now…harmony blend Going from two parts to four parts is an exponential lift! Dallas Corbin on Gig Gab – Rock is how high can you go? Country is how low can you go? Where is Skid Row of 2026? 00:50:00 The value of the modulation 00:54:17 American Songbook: Country Classics and Gospel Favorites on Gaither Music 00:58:10 Always be believable 01:01:00 The value of vanity songs in your set Show your audience who you are 01:04:00 It’s Amazing What a Hug Can Do 01:06:00 Gig Gab 542 Outtro Follow Wilson Fairchild @wilsonfairchild on IG Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post Growing Up Statler: Wilson Fairchild on Harmony, Hustle, and the Working Musician’s Life – Gig Gab 542 appeared first on Gig Gab.
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  Ryan Goldbacher on Touring with Tom Keifer, Mixing FOH (and Monitors), and AI 06.07.2026 1год 10хв

  This week front-of-house engineer Ryan Goldbacher calls in from the road with Tom Keifer, and you’ll quickly learn that landing the next gig comes down to two things: competence, and not being miserable to be around. Word of mouth is the real currency of touring life, so Always Be Performing applies long after you step off stage: when the tour bus is smaller than your bedroom and there are twelve people on it, how you treat the room matters. You’ll pick up honest strategies for protecting your sanity on the road, from taking a walk to renting a car and disappearing into the mountains, plus why testing your limits only works if you actually know where they are. Then you and Ryan get deep into the craft. You’ll hear why the way FOH mixes your band one night can shape how it sounds for gigs to come, why you’ve got about thirty seconds to describe your band to a house engineer at load-in, and the EQ lessons Ryan learned the hard way dialing in loud rock guitars and high-passing the bass. Stop calling a kick a bass drum, leave some air in it, and don’t be afraid to turn the knobs until it sounds good. From the pressure-cooker of mixing monitors on Mr. Big’s final US tour to a frank take on AI mixing and building the next generation of engineers, this one’s loaded for anyone serious about live sound. 00:00:00 Gig Gab 541 – Monday, July 6th, 2026 July 6th: National Fried Chicken Day Guest co-hosts: Ryan Goldbacher 00:01:17 Ryan on tour with Tom Keifer 00:02:29 Word of mouth is the key Competence is key…that’s number one. Close number two: you’re not miserable to be around! 00:05:09 The tour bus is smaller than your bedroom, and there’s 12 people in it 00:07:19 Creating your own personal space Take a walk Rent a car and drive into the mountains 00:08:45 Week off between gigs Fly me to Spokane, then I’ll drive to Alaska Skagway, Alaska 00:11:11 FOH for Tom Keifer for Summer, 2026 You can’t spread yourself too thin If it won’t fit on your plate, get it off Having a dedicated monitor engineer makes a huge difference 00:13:50 Test your limits, but don’t be afraid to know where they are. 00:16:52 Always be communicating 00:18:46 This tour Ryan brings a FOH console House monitor engineer Band is all on wedges A&H Avantis Tom Keifer goes over the entire set with the house lighting designer 00:21:12 Tom Keifer helps Ryan with producing the show for the night The benefits of working with an artist who tells you how to make yourself more valuable to them 00:23:32 The FOH and Band relationship The way FOH mixes the band for one gig could affect the band for the future. Respect this! Communicate what your band sounds like to the engineer…early on as you’re loading in 00:29:42 Developing trust with your engineer first 00:31:03 Thirty seconds to describe your band 00:32:33 Making the next generation of engineers better 00:33:59 Engineers who are musicians / Musicians who are engineers ProTools…great software, dumb name! 00:38:18 Learning from mistakes 00:40:16 Stacking EQs on Rock Guitars by mistake…and then intentionally! Working with loud guitars on Stiff Little Fingers Steve Smith introduced Ryan to Stiff Little Fingers 00:41:21 SPONSOR: OneSkin. Born from over a decade of longevity research, OneSkin’s OS-01 Peptide is proven to target the visible signs of aging, helping you unlock your healthiest skin now and as you age. Get 15% off OneSkin with the code GigGab athttps://oneskin.co/GigGab  #oneskinpod #ad 00:43:30 Accidentally learning to drop guitar EQ between 2k-4k Adding a high-pass filter on the bass guitar in a rock band 00:48:21 Don’t call a kick drum a “bass” drum, otherwise you’ll mix it the wrong way. You want some air in that kick! 00:49:07 Don’t be afraid to turn the knobs until it sounds good 00:51:27 The pressure of mixing monitors makes you a great engineer Mixing monitors for Mr. Big’s final US tour 00:55:09 RTAs are great, but be able to do it by ear 00:58:29 Speaking of Toys…Let’s Talk AI Mixing Mentorship and apprentice programs 01:08:43 Show Logistics 01:10:03 Gig Gab 541 Outtro Follow Ryan Goldbacher @ryanthegoldbacher on IG Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post Ryan Goldbacher on Touring with Tom Keifer, Mixing FOH (and Monitors), and AI – Gig Gab 541 appeared first on Gig Gab.
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  Patrice Peris on Sync, Survival, and Why You Don't Need a Backup Plan 29.06.2026 52хв

  This week singer-songwriter Patrice Peris joins Dave to flip the script on building a music career. That question musicians always get – what’s your backup plan? – is a terrible one, because Plan A was never required to land where you first mapped it. Through COVID, a cancer diagnosis, and a bone-marrow transplant she now calls a rebirth, Patrice kept asking what each detour was teaching her and never stopped writing, landing sync placements on Netflix, HBO Max, and The Voice along the way. Want to break into sync licensing yourself? Get resourceful and bullheaded: take a class, build multiple streams of revenue, and gamify the grind: how many gigs can you find, how many music supervisors can you email? Every musician is an entrepreneur, and the numbers game rewards whoever keeps opening doors. Then Patrice gets practical, because gigging musicians are athletes. You get her playbook for protecting your voice across three-set nights: a real warmup, scale work, stretching, smart placement that pulls the sound out of your throat and into the mask, and the vocal rest you keep skipping. From there comes the band conversation nobody wants to have: in-ear monitors and the whole mix exist to serve the lead vocalist, so drop the ego and decide together what you actually want your band to sound like. Build a backup bench while you’re at it, because life happens and roles need filling. Patrice stepped back from the stage but never stopped creating, and that’s the whole point: keep writing, keep adapting, and Always Be Performing. 00:00:00 Gig Gab 540 – Monday, June 29th, 2026 June 29th: National Waffle Iron Day Guest co-hosts: Patrice Peris 00:02:36 Live has given me things in waves that weren’t what I wanted Welcoming the unexpected 00:05:20 “What’s your Plan B?” Is a terrible question And Plan A doesn’t have to go where you planned 00:07:55 COVID and Cancer…all a journey 00:09:10 Perspective… always be asking: what is this teaching me? 00:10:43 Always writing 00:11:40 How do you get started writing for sync? A nod to bullheaded persistence 00:15:10 Starting a Sync Business Always have multiple streams of revenue Take a class (or two) 00:19:44 Being resourceful is the key to bullheaded persistence Gamify it all! How many gigs can I find? How many people can I email? 00:22:57 Learn to be strategic and mindful Anytime you’re climbing the ladder, failure is inevitable Invest energy into the creative realm and also into the business realm 00:25:54 “No Plan” isn’t a plan Listen to your inner 16 year old…sometimes! 00:29:47 Coaching people to let go of the hat The 80% Rule 00:35:20 Growing your music business 00:35:38 Vocal blowout Learn to Sing Like the Pro’s with Patrice Peris Voice Studios Gigging musicians are athletes Good warmup Scale work Physically stretching Take some vocal rest 00:41:00 Listening for Placement Where is the voice going? 00:42:31 In Ear Monitors can make a big difference Bands need to understand the sound has to serve the lead vocalist 00:44:42 What do we want our band to sound like to people listening? Bands need to come together as a group Communicate and decide upon the goal for what the BAND is going to sound like 00:49:38 Get two of everything 00:50:56 Gig Gab 540 Outtro Follow Patrice Peris Patrice Peris Voice Studios Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post Patrice Peris on Sync, Survival, and Why You Don’t Need a Backup Plan – Gig Gab 540 appeared first on Gig Gab.
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  Sub Gigs, Mic Mutes & the Art of Mixing Live with Jesus Hernandez 22.06.2026 1год 38хв

  This week you start things off digging into the craft that separates good gigs from great ones. You’ll get the playbook for prepping and surviving sub gigs, learn (again!) why a splitter snake earns its place in your rig, and sort through the real options when you need a mic mute switch that actually works. Then you wrestle with a question every working band faces today: are fan-posted videos helping your brand or hurting it? It’s the kind of practical, in-the-trenches breakdown that reminds you to Always Be Performing, whether the camera’s rolling or not. Then guest co-host Jesus Hernandez joins, and you trace his path from a Portastudio kid to the engineer bands trust with their sound, along with the philosophy he’s built along the way: you’re serving people’s ears, and the console is your instrument. You’ll hear why you should ask a band what they want to sound like before you touch a fader, why learning to mix yourself turns your engineer into a producer, and how routing a digital mixer keeps everything simple when the power flickers. He shares the gear that’s earned his trust, hard-won war stories from the road, his time subbing as a bass player in Nashville, and life on tour with a Phil Collins and Genesis tribute. By the end you’ll be listening to your own gigs with sharper ears and a hungrier inner critic. 00:00:00 Gig Gab 539 – Monday, June 22nd, 2026 June 22nd: National Chocolate Éclair Day Guest co-host: Jesus Hernandez 00:01:32 Prepping for and playing Sub Gigs Ultimate-Guitar’s Pro Charts…now with lyrics! 00:04:25 The benefits of splitter snake Listener Questions 00:09:55 Mark-What’s the best MD Mic Switch? D’Addario Mic Mute Infrared Mic Sensor Optogate Radial HotShot DM-1 or HotShot MD LILYP4D Mic Mute 00:20:25 Mark-Are fan-posted videos good or bad? 00:24:36 SPONSOR: OneSkin. Get 15% off OneSkin with the code GIGGAB at https://www.oneskin.co/GIGGAB  #oneskinpod 00:26:54 Guest Co-host: Jesus Hernandez 00:28:20 Lady and the Tramp Start taught him to record multi-track Then the Portastudio Tascam Multitrack Recorder Jesus became the go-to guy for recording bands and fixing sounds 00:34:27 A2 at a local theater Then the A1 went on vacation, and Jesus became the A1 00:35:38 Then a jazz club Sound reinforcement at the most basic level Ultimately what you’re trying to serve is people’s ears. Use your eyes to serve that purpose. 00:37:38 Recording was rough at first, but you learn! Making recordings with a live performance in mind Let it Be…Naked 00:41:24 Ask the band: what do you guys want to sound like on the recording? “Take a picture of the band, then paint on top of it!” 00:32:36 For live sound: how do you find out what the band sounds like? Before arriving: listen to the band’s records (or the band they’re covering) 00:47:26 When doing sound, consider yourself a band member “Playing the console” – The mixer is an instrument I’m controlling the arrangement 00:48:50 Singing the praises of bands that can set levels on stage 00:49:20 A band whose levels are ALL over the place So bad the band was sent home after the first set. You have to be your hardest critic 00:53:25 Learn to mix yourself, then your engineer can go from problem-solver to producer! 00:55:26 “If the power goes out at the mixer, you’ll still sound good” Fixing it at the source The night the power-flickered and factory reset the mixer! PreSonus StudioLive 01:00:19 Keeping it as simple as possible Soft-patching, routing, matrixes, oh my! Learn how to route a digital mixer 01:06:39 The downsides of strictly analog But you learn how to ring out frequencies Fix low-end feedback by popping in/out the polarity button Rick Carmona (From “No Peace At All”), the engineer who mentored Jesus Every business is in the customer service Davis Thurston on Gig Gab The engineer has multiple customers: the band, the audience, and the staff at the venue 01:13:38 Bands vs. Reunion Gigs 01:18:25 Bringing an analog mixer…and no snake! 01:24:50 Soca Music 01:26:00 Time for some war stories 01:31:46 Subbing in Nashville as a bass player 01:08:21 On the road with Face Value, Phil Collins & Genesis Tribute Band 01:37:24 Jesus Hernandez Home Studio 01:38:23 Gig Gab 539 Outtro Follow Jesus Hernandez IG: @jesusandthecomplaintdepartment Jesus is my Sound Guy Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post Sub Gigs, Mic Mutes & the Art of Mixing Live with Jesus Hernandez – Gig Gab 539 appeared first on Gig Gab.
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  Three Rush Fans and Rush's 2026 Comeback Tour: From the Room and From Afar 13.06.2026 1год 4хв

  Three Rush fans — a father, a son, and Spartacus — walk into a podcast. There’s no punchline, just the tape rolling on a conversation that was going to happen anyway, and you get to be the fly on the wall. Two of them just flew home from LA, where they stood in the room and watched Rush kick off the tour nobody was sure would ever come. The third has been taking it all in from a distance, which is its own peculiar thing when you once mixed front of house for the band for years. You’ll get the origin stories — a kite-flying contest in early-seventies St. Louis, an R40 playlist that turned a kid into a lifer — plus enough on the drummer question (yes, Anika Nilles) and show-count stats to earn the Rush-nerd badge none of them will quite cop to. Then it gets real. This is a band that fans and insiders alike once quietly accepted was finished, now back out there proving otherwise, and that turns the talk toward something bigger than setlists. You get to do this. Whether it’s thousands of people or a Tuesday night for a dozen, that gratitude is the whole game — the reason to Always Be Performing no matter how rough the bus ride was. Stick around for a ten-year-old’s perfectly timed gut check that still lands two decades later. Press play, and join Lucas Hamilton, Robert Scovill, and Dave Hamilton for a tour through the opening of Rush’s comeback — from inside the room, and from afar. 00:00:00 Gig Gab 538 – Monday, June 15th, 2026 June 15th: British Beer Day Guest co-hosts: Lucas Hamilton and Robert Scovill 00:02:46 Rush Stats All three co-hosts have seen Rush live with 2 drummers Lucas and Anika are tied for Rush shows… as of this recording 00:04:39 Robert Scovill was living in St. Louis when he saw Rush with Rutsey KC Kite Flying Contest 00:07:31 Lucas’s Rush origin story 00:08:31 About that whole live concert sound thing Spoiler: Rush always sounded good 00:11:02 Favorite Rush heirlooms 00:13:55 I want a Red Barchetta for my midlife crisis Rush 2026 Tour started with 12 dates 00:16:02 That opening song, that opening night Rick Beato’s Breakdown of Xanadu 00:23:40 Anika Nilles’ dropped stick recovery Getting the first mistake out of the way moments into the first song of Rush’s 2026 Reunion tour 00:27:21 Time Stand Still for those emotional moments 00:33:11 Lights and video for 2112 – in the cave! 00:34:00 Singing 2112: Presentation at the tops of our lungs 00:38:50 Moving Pictures to open night 3 set 2 00:40:13 Loren Gold’s keys and vocal harmonies And Geddy Lee’s voice, too! 00:44:29 The composition of YYZ Alex Lifeson is the most underrated guitarist in rock and roll 00:45:48 Anika Nilles is just a star 00:49:25 Anika grooving during A Passage to Bangkok 00:52:22 The physicality of playing Rush music The wisdom of days off in between shows for the entire Rush Fifty Something tour 00:57:41 You know what we get to do today? We get to go play music in front of thousands of people! This is the best job on earth 01:01:23 Who is Spartacus? 01:03:33 Gig Gab 538 Outtro Follow Lucas Hamilton On Instagram Follow Robert Scovill On Facebook On Instagram On LinkedIn RobertScovill.com (where you’ll find The Back Lounge) Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post Three Rush Fans and Rush’s 2026 Comeback Tour: From the Room and From Afar – Gig Gab 538 appeared first on Gig Gab.
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  Road Stories, Recording Secrets, and the Perfect Pop Song – with Rand Lempert from The Broken Rings 08.06.2026 1год 16хв

  This week on Gig Gab, Dave Hamilton sits down with guest co-host Rand Lempert of the Broken Rings, a two-piece recording project built on 15 years of musical kinship between Rand and guitarist Gio da Silva. You’ll hear how these two have crafted an intentional, travel-fueled recording process across cities, cutting live instruments and vocals together, passing files between New Orleans, Tampa, and now Denver, and why that friction and urgency is exactly the point. Rand makes a compelling case for keeping things analog as long as possible: real amps, minimal pedals, old-school mic placements like a modified Glyn Johns setup, and the conviction that nothing replaces the feeling of having a human being in the room when the tape (or hard drive) is rolling. The conversation ranges wide, from Rand’s vivid 9/11 tour story, stranded in St. John’s Newfoundland on one of the last planes to land before U.S. airspace shut down, to a deep dive into the art of the perfect pop song, with nominations for Tempted by Squeeze, Big Star’s Thirteen, Bryan Adams’ Cuts Like a Knife, and Fastball’s Out of My Head. Whether you’re a working drummer obsessing over beat placement, a songwriter who only writes when the muse actually shows up, or a road veteran who knows that idle days on tour are far worse than grueling ones, this episode has your number. Get out there, stay curious, and Always Be Performing. 00:00:00 Gig Gab 537 – Monday, June 8th, 2026 June 8th: Name Your Poison Day Guest co-host: Rand Lempert 00:01:38 The Broken Rings are a 2-man band Drums, guitar, vocals all handled by Rand Lempert and Gio da Silva, his bandmate They consider themselves musical kin: They agree on 95% of all music Met in Houston, played in bands, then moved to different corners of the USA 00:04:48 Songwriting duo starts with a long distance relationship Lutefish Stream 00:07:03 Recording remotely doesn’t have the muse of travel So many different avenues to approach recording Finding a way to record with technology in a less sterile way 00:15:08 Preserving analog recording to digital “tape” 00:17:07 The process of recording drums Don’t mess up the end of the track! 00:21:14 Country music 00:23:25 Drummer kinship: Tris Imboden saves the day! Learning by visual 00:31:41 SPONSOR: Claude.ai – Ready to tackle bigger problems? Sign up for Claude today, which includes access to Claude Cowork, too, when you visit https://Claude.ai/giggab 00:33:37 Surviving the road 00:34:45 Road story: hanging out in St. John’s Newfoundland for 5 days Sonny James and the Centers in Europe in 2001 “There’s nothing wrong with this airplane, but this plane is being diverted because of terrorist attacks in the United States.” Canadian authorities: “What do we do with these people? Bring them to a hockey arena!” Memorial University of Newfoundland 00:44:35 Opening up for Bo Diddley in 2004 In Beaumont, Texas Touring is a lot of driving, and you’re doing the driving It’s a lot of lugging equipment, and you’re doing the lugging You get a hotel room…for the entire band! 00:48:55 When touring, days off are worse than the grueling days on 00:51:02 It’s important to travel Touring is the way to do that for a lot of us musicians 00:51:25 Making touring maps as a kid is a good sign Rand needed to do this as a career 00:52:50 First concerts, sound nerding, and getting lost in the music for the first time Rand got lost at four years old! Nerd out about sound and recording First concerts! Weather Report for Dave Air Supply for Rand 00:58:05 The Best pop songs Gravitating towards the hook! Cuts Like a Knife – Bryan Adams Tempted – Squeeze Thirteen – Big Star Out of My Head – Fastball One Headlight – Wallflowers No Matter What – Badfinger 01:12:22 Gig Gab 537 Outtro Follow Rand Lempert The Broken Rings Sick in the city – The Broken Rings Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post Road Stories, Recording Secrets, and the Perfect Pop Song – Gig Gab 537 with Rand Lempert from The Broken Rings appeared first on Gig Gab.
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  AI and Music for Working Musicians: Tool, Threat, or Bandmate? 01.06.2026 1год 21хв

  This week Stu Dias joins Dave from a slightly different corner of Durham, New Hampshire, and after a quick detour through barefoot drumming, sweaty-hand fixes, and oversized triangle guitar picks, the conversation locks onto the question every working musician is wrestling with right now: what does AI mean for music? You’ll hear why Dave reframes it as Assistive Intelligence (and the best procrastination-killer and writer’s-block-buster going) even as you stare down the harder stuff: Suno-generated tracks, Jack Tempchin’s AI-assisted album, and the ouroboros of machines learning from the music we make. Should AI art be labeled? What happens when it conjures someone’s likeness? And does any of it move you the way a human in a room can? That last question is the heartbeat of the episode. Dave and Stu weigh AI music against the cover-band hustle, remember what COVID lockdowns taught us about humans craving real humans together, and get honest about whose jobs are actually on the line and where AI mixing fits in your workflow. The kicker for every gigging musician: if the machines are going to use your voice and your playing, take a long-term cut of the sales. It’s a sharp, funny, occasionally unsettling look at the line between tool and threat…and a reminder that however the tech shakes out, you Always Be Performing. Hit play for the full conversation. 00:00:00 Gig Gab 536 – Monday, June 1st, 2026 May 25th: National Barefoot Day Guest co-host: Stu Dias 00:00:56 Playing drums barefoot 00:02:34 Iontophoresis for sweaty feet and hands 00:05:05 We all have our own thing for ourselves Large guitar picks for Stu. Equilateral triangles! 00:07:03 AI and Music 00:12:40 AI is the best procrastination eliminator It helps with writer’s block AI Based Plugins and Compressors are fantastic For Dave, AI is Assistive Intelligence 00:13:59 AI Generated music like Suno 00:18:22 Should AI-generated art be labeled as such? 00:22:58 What about if AI generates the likeness of someone? De-Feedback on Gig Gab 00:24:53 Ouroborotic 00:27:31 Using AI to create music Business Brain theme music Jack Tempchin’s AI-assisted album Beck’s Song Reader Creating walk-on music for your band Bowling For Soup’s (non-AI-created) walk-on music for live shows 00:40:47 Comparing Human-Created Music vs. AI-Created music 00:45:11 AI Music vs. Cover Music 00:47:58 COVID Lockdowns taught us that we like to bring humans together 00:55:37 What’s AI going to make Dave say? 01:03:08 Jobs on the line Elvis impersonators and sax players from rock songs in the 80’s 01:05:42 AI Mixing Davis Thurston on Gig Gab 01:13:04 Do we have to Take a long-term cut of the sales, folks! 01:18:06 Gig Gab 536 Outtro Follow Stu Dias Diaspora-Radio.com Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post AI and Music for Working Musicians: Tool, Threat, or Bandmate? – Gig Gab 536 appeared first on Gig Gab.
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  Loaded Out, Rolling Home, Rolling Tape 25.05.2026 32хв

  Ride shotgun with Dave as he records GigGab on the drive home from a Casual Gravity gig, finally living out the show’s original mission. You’ll hear why packing your own mixer saves the night when the venue only wants a single feed from the band, what it’s like when an in-ear band plays its first fully sober gig, and why counting songs in to a click track changes everything once adrenaline stops driving your tempo. Then dig into relearning vocal harmonies for the Underground Band: using the Moises app to isolate vocals, pulling sheet music, and plunking out intervals on piano to lock stacks into your ear. Buddy Gibbons sparks a drumming debate on single strokes versus marching-style sticking through the Foreplay/Long Time triplets, and Dave gets honest about throat fatigue, Lyme disease aftermath, dust mite allergies, and the sublingual immunotherapy bringing his voice back. Listen to your body, learn the parts, and Always Be Performing. 00:00:00 Gig Gab 535 – Monday, May 25th, 2026 May 25th: National Tap Dance Day 00:00:10 Driving Home Experiment 00:01:42 Casino Gig Setup 00:06:38 Sober Show, Strong Set 00:08:19 Relearning Vocal Harmonies 00:18:15 Drumming Through Both Hands 00:21:47 Insurance And Smoke-Filled Gigs 00:26:42 Throat Troubles And Recovery Stuff Mentioned: Mackie DL32S Moises I Love a Piano MusicPro Equipment Insurance 00:31:24 Gig Gab 535 Outtro Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post Loaded Out, Rolling Home, Rolling Tape – Gig Gab 535 appeared first on Gig Gab.
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  What's Your Band's Definition of Success? 18.05.2026 1год 1хв

  OG co-host Paul Kent rejoins Dave Hamilton to talk about how The Houserockers have stayed booked into their 27th year, and what your band can steal from their playbook. You’ll dig into the social media reality of 2026 (Reels are currently king), why your mailing list is the asset you actually own, and how to grow to 10,000 followers without losing your soul. Paul makes the case that if you want gigs, your band has to be a business, which means alignment on mission, passion, and musical style with the partners or employees standing next to you on stage. There’s nothing wrong with playing for fun, but go in eyes wide open about what you’re chasing. From there you’ll dive into the value of scarcity, Kevin Kelly’s thousand true fans, and why mixing up your setlists is one way to keep audiences coming back. Paul breaks down the current Houserockers formula (civic concert series, experiential marketing, and ticketed off-season events) and why aging-up audiences mean you have to market harder and talk to fans like Springsteen does: a lifetime conversation, all with individuals. You’ll also get the real talk on finding bandmates (Craigslist included), the Gig Gab bookable-band checklist, and Paul’s (joking?) pitch for two new show segments. Whatever your lane, Always Be Performing, and start treating every touchpoint like the gig it is. 00:00:00 Gig Gab 534 – Monday, May 18th, 2026 May 18th: National Visit Your Relatives Day 00:01:27 Guest co-host: Paul Kent The Houserockers in their 27th year! 00:04:21 Did someone call you an old man?!? 00:08:46 The Gig Gab social media approach 00:10:29 Your band can get 10,000 followers Reels are it…today. 00:13:37 Gain a mailing list 00:16:41 It’s about the music business. Is your band willing to be in business? 00:19:00 There’s nothing wrong with doing what you want to do. Just go in eyes wide open. 00:20:49 Getting alignment within your band. You now have business partners or employees Be aligned with mission, passion, style of music … the alchemy of it. 00:26:48 The value of scarcity Does success equal quantity of gigs? Some people want to play five times per month 00:30:43 Finding Your Thousand True Fans 00:32:05 Mixing up your setlists is another way to keep people coming back 00:36:00 Marketing 101 – you have to have something to say Hopefully unique! And then deliver. 00:37:13 The Houserockers formula for today Civic Concert Series Experiential Marketing Ticketed Events in the off-season 00:39:13 Use your mailing list! 00:41:28 Ticketed events required more marketing this year Audiences are aging up 00:43:04 How do you talk to your audience? Springsteen: my career is a lifetime conversation with my audience It’s about you, your personality, and each individual audience member 00:50:11 Finding band members is an imperfect science Craigslist lets you find who is available THEN. The Gig Gab Band checklist 00:56:41 Paul’s show ideas for Dave Dave reads mean comments Dave reads band ads from Craigslist, et al 00:59:47 Gig Gab 534 Outtro Follow Paul Kent SVHouserockers.com Facebook Houserockers Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post What’s Your Band’s Definition of Success? — Gig Gab 534 with Paul Kent appeared first on Gig Gab.
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  Relentless Consistency and the Scarcity Premium with Mike Schulte from The Pork Tornadoes 11.05.2026 1год 1хв

  Guest co-host Mike Schulte joins Dave with 15 years of Pork Tornadoes social media wisdom, and the message is blunt: relentless consistency wins. You literally can’t post too much in 2026—nobody sees everything anymore, so repost that same flyer as a fresh post (not a share) and keep going. Give it 45 days before you judge results. Why invest? More fans mean more bodies at the gig, plus the social proof that signals to newcomers that other people already love you. And remember—you’re not competing with other bands, you’re competing with people’s couches. From there, Dave and Mike dig into the live-show craft. Build a sound check formula so it stops being a nightmare, then cook up a Suno-generated theme song to walk on to—Always Be Performing means the show starts before the first chord lands. Treat your setlist like art: the opener’s a throwaway, but song three is the most important slot of the night. Then think about your saturation—the Pork Tornadoes cap themselves at two ticketed gigs per year inside a 30-mile radius, and the minute they got scarce, their pay jumped tenfold. Simple, not easy. 00:00:00 Gig Gab 533 – Monday, May 11th, 2026 May 11th: National Eat What You Want Day (also Hostess CupCake Day!) Guest co-host: Mike Schulte 00:01:10 Did you ever watch Night Court Dave reminds Mike of Harry Confused Breakfast Shows that were so far ahead of their time: All In The Family Roseanne 00:05:06 Managing your band’s social media Relentless Consistency is the key (right now). “You can never post too much” – Mike Schulte, May 11, 2026 Mike has been running social media for Pork Tornadoes for 15 years Everyone doesn’t see every post (anymore) It’s money-driven Repost the same thing, the same flyer, the same idea (as a new post, not a “share”) 00:09:49 Getting “started” on social media in 2026 I tried to follow your model and nothing changed. In two weeks. You’ve gotta spend a month or more (Dave says 45 days) 00:14:05 What’s the benefit of investing in social media The more fans you have, there WILL be more people who come to your events Also: social proof. Showing people that other people like you. 00:18:55 Social Proof + Bullheaded Persistence = Success. 00:22:00 People don’t go out like they used to You’re not competing with other bands, you’re competing with people’s couches 00:24:39 A band retreat! If 2020 hadn’t happened, Pork Tornadoes would’ve probably gone full time 00:26:04 SPONSOR: Claude.ai – Ready to tackle bigger problems? Sign up for Claude today, which includes access to Claude Cowork, too, when you visit https://Claude.ai/giggab 00:27:42 Recent Gig(s) Gab Boston Cream Band at Seacoast Repertory Theater Pork Tornadoes is a 2-hours straight-thru band 00:34:19 Orchestrate your sound check Sound check used to be a nightmare, until we created a formula 00:38:27 Create a musical lead-in for your show For the wranglers in the Gig Gab audience Use Suno to create a theme song for your band 00:42:57 Writing a setlist is an art Your first song is a throwaway The third song is the FIRST most important song in the set (according to Dave) Develop business-like rituals for your band 00:48:32 What’s Your Band’s Saturation? Self-imposed proximity clauses Pork Tornadoes Proximity Clause: No more than 2 ticketed events in a 30-mile radius per year Plus one free-to-the-public festival gig to pull people in To the venues who don’t have proximity clauses: why do you not? The minute we started getting scarce, was the minute our pay increased 10-fold 01:00:12 The Pork Tornadoes formula: simple, not easy. Gig Gab 532 Outtro Follow Mike Schulte Confused Breakfast The Pork Tornadoes Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post Relentless Consistency and the Scarcity Premium with Mike Schulte from The Pork Tornadoes – Gig Gab 533 appeared first on Gig Gab.
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  From Wedges to In-Ears: A Monitor Engineer's Playbook with Paul Klimson 04.05.2026 1год 7хв

  Ready to make the leap from wedges to in-ear monitors? Or finally get the stage mix you’ve always wanted? Dave Hamilton welcomes back monitor engineer Paul Klimson, the man who mixed 32 stereo IEM feeds for Justin Timberlake, for a working musician’s deep dive on monitor world. You’ll learn how to build a default mix from scratch (start yourself at 0dB, your instrument at -5, everything else at -15), why drummers have an easier transition to in-ears than most assume, and how a split snake lets you take care of yourself when the gig demands it. Paul digs into hi-hat pitfalls, drum overheads as stage wash, and why bands who mix themselves on stage make life better for their FOH engineer, too. Then it gets practical. Paul walks you through IEM fittings (pain is always bad, the seal is everything, and yes, drop an AirTag in your case) plus the universal-versus-custom decision, vetting vendor customer service before you buy, and the repair costs nobody talks about until they need to. You’ll get honest talkback etiquette (keep the drama off-stage, give everyone a voice, remember that your monitor engineer is a short-order cook), the post-mortem habit every band should adopt, and a peek at SoulSeed.tv. Wherever you sit on stage, this is the episode that sharpens how you Always Be Performing. 00:00:00 Gig Gab 532 – Monday, May 4th, 2026 May 4th: Dave Brubeck Day Guest co-host: Paul Klimson 00:03:24 Start with headphones in your practice space Start with earplugs 00:05:09 Drums are a dynamic instrument, which may be why drummers have an easy transition to IEMs (usually) 00:08:33 What do you want in your wedge? What’s your reference? 00:09:11 The artist/engineer relationship 00:11:03 Building a default mix Start yourself at 0dB Instrument at -5dB Everything else at -15dB 00:12:58 Using a Split Snake When possible, take care of yourself 00:14:47 Timing of a mix Don’t forget about hi-hats Work with your engineer to dial-in your own mix 00:19:18 Drum overheads for stage wash effect 00:22:21 In-ears help you listen better Bands who mix themselves on stage makes your ears AND the FOH engineers job ears 00:23:54 Learn where you and your instrument fit into the mix of your band And change it if you don’t fit. You’re not the most important thing! 00:26:40 What’s going to make you stand out when someone comes to see you at clubs of any size? Do you hear the lyrics? Do you hear the intent of the story of the song? Watch your instagram videos and evaluate honestly 00:30:28 Knowing when the studio mix is done. 00:33:27 Fittings for IEMs Things to look for: Pain is bad Is the seal functioning correctly? Listen for sound leakage (including when you open your mouth and move around) Are the ports aimed down the canal wrong Do you hear high-end better when you rock the mold around? 00:37:36 Put an AirTag in your IEM case! 00:39:28 Figuring out which model to order Try universal fits first to learn the musical qualities 00:41:16 Test the customer service of vendors before you choose 00:42:55 The origin of IEMs 00:44:44 Find out repair costs Comply Foam Strips 00:48:20 Talkback Use Keep the drama off-stage Give everyone a voice Monitor engineers are like short-order cooks… be kind! 00:58:23 Always post-mortem the problems from the gig And also “what happens if?” conversations 01:03:22 Soulseed.TV 01:06:05 Gig Gab 532 Outtro Follow Paul Klimson SoulSeed.tv @TheRoadieClinic Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post From Wedges to In-Ears: A Monitor Engineer’s Playbook with Paul Klimson – Gig Gab 532 appeared first on Gig Gab.
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  Stop Guessing, Start Growing: Fix Your Band’s Biggest Pain Points (with Dan Chantrey) 27.04.2026 1год 1хв

  You trace Dan Chantrey’s path from drummer dad influence to choosing music over football, and quickly see the real lesson: the game has flipped. You’re no longer playing gigs to sell music, you’re using music to sell gigs. From record deals fading to booking agents becoming the new gatekeepers, you learn why every band feels like it’s on the brink and how surviving means thinking beyond the stage. GIGNITE emerges as the modern answer, a virtual tour manager that helps you route tours, analyze audiences, and break into new markets with data instead of guesswork. If you want to grow, you stop hoping for “yes” and start building a system that makes it inevitable. You rethink what it means to be a working musician: your brand matters as much as your chops, your off-stage work is where the money lives, and yes, it’s okay to get paid for your art. From finding sponsors in your local pizza joint to solving real-world problems like parking the van and booking rooms, you’re shown how to remove friction and scale your gig life intelligently. The stories drive it home: don’t punish the audience that showed up, audition gigs still sting, and your toughest hometown show might teach you the most. The throughline is clear: treat this like a business, leverage the tools, and Always Be Performing. 00:00:00 Gig Gab 531 – Monday, April 27th, 2026 April 27th: Morse Code Day Guest co-host: Dan Chantrey from GIGNITE 00:03:36 Dan’s Dad was a drummer and a singer, started him off, then Dan started playing 00:03:58 Playing live vs. Playing in the studio 00:04:15 Choosing between (American) football and music 00:06:09 Getting signed to Frontier Records Things worked for a while “Every band is on the verge of breaking up at all times” 00:09:06 Things have turned: you used to do gigs to sell your music, now you do music to sell your gigs GIGNITE is a one-stop shop for artists to be able to tour Had an events business running pre-COVID BREXIT happened, so how can we make things easier to get artists move about through Europe 00:12:38 Booking agent deals are the new record deal 00:14:49 Tried to book a festival, booking agents said “no” even though bands said “yes” 00:16:00 GIGNITE is your virtual tour manager 00:17:10 Aggregating Audience Analytics is part of the platform, too 00:18:56 Heading to NAMM to learn what potential customers want NAMM is the meeting place of the music industry 00:20:33 Analytics aggregation for tribute acts and cover bands, too Does Dave’s fictitious band sound like Rage Against The Machine? Why not! Using analytics to decide which markets 00:22:55 GIGNITE is free for artists to join and use Freemium model allows artists to add additional features like press releases and such Primary monetization is from suppliers (aka venues) Venue ratings system! 00:24:22 Gig Unite links artists with sponsors Linking headline bands with opening acts (local and otherwise) Find sponsors for your local bands, folks: Pizza place Construction companies Cleaning services Chiropractor It might be easier to get sponsors for your band than gigs for it! 32:31 SPONSOR: Gusto. Get three months free when you run your first payroll when you start at https://gusto.com/giggab 00:33:57 GIGNITE takes the heavy lifting and headaches away Gives your band the power to look at and consider tours “How do you get a gig in a town that’s 200 miles away?” You can do it yourself, you can get a booking agent, or you can use a service like GIGNITE 00:36:00 It’s called the music BUSINESS for a reason The brand of your band is as important as your stagecraft 00:40:49 I don’t get paid to play shows, I get paid to do all the off-stage stuff Dave says: “It’s OK to get paid for our art” 00:43:41 Where are you going to park your van while you play? Where are you going to stay? GIGNITE answers these questions 00:47:44 Now it’s Gig Gab time Road stories, folks! Parthenon Huxley: Don’t punish the people who showed up! Audition Gigs… love ‘em and hate ‘em! (mostly hate ‘em!) 00:54:36 The hardest gig I ever played “We want to see you in your home town.” 00:58:00 Gig Gab 531 Outtro Follow Dan Chantrey GIGNITE.live Facebook & Instagram Dan_chantrey Dan Chan Show on Rock Rage Radio Dan Chan Show on YouTube Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post Stop Guessing, Start Growing: Fix Your Band’s Biggest Pain Points – Gig Gab 531 with Dan Chantrey appeared first on Gig Gab.
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  50 Years of Rush: Howard Ungerleider on Lighting the Lighted Stage 20.04.2026 1год 10хв

  Step inside five decades of rock history with lighting legend Howard Ungerleider, the man who’s been designing and directing Rush’s light shows since 1974. Hear how a $75-a-week mailroom gig at American Talent International — where he pulled off a rogue booking of Fleetwood Mac before he was even an agent — turned into a lifetime behind the console. Get the story of Howard landing in Toronto to babysit “a club band called Rush,” sleeping on the floor at the manager’s house with a St. Bernard, freezing his hand to a car door at -40 in Cochrane, Ontario, and later jamming with Neil Peart at his house to Genesis and Supertramp records. Howard also talks designing Roll The Bones (the one Rush tour he couldn’t operate), embedding at See Factor to build custom gear nobody else could get, and how Blue Öyster Cult first put him in front of a laser: the same craft he now brings to Foo Fighters, Tool, and Janet Jackson. Then the conversation turns to the upcoming Rush Fifty Something tour — a four-piece now with Anika Nilles on drums and Loren Gold on keys, freeing Geddy to focus on bass and vocals. Learn why Howard still “plays” the lighting console live with two boards and thousands of touch cues, how robotic spots are quietly changing the craft, and why he and Phish’s Chris Kuroda will be swapping rigs at Madison Square Garden. You’ll also hear the Paul McCartney moment in the Taylor Hawkins tribute dressing room that may have sparked the whole tour, and why Howard insists this is a rejuvenation, a celebration, and proof that no matter the rig, the room, or the era, you’ve gotta ALWAYS BE PERFORMING. Because it’s what we do. Press play and enjoy, folks. 00:00:00 Gig Gab 530 – Monday, April 20th, 2026 April 20th: Pizza Delivery Driver Appreciation Day Guest co-host: Howard Ungerleider 00:02:18 Walked into a NYC office to get a recording contract for his band “You need to learn about this industry before you come knocking on people’s doors.” Introduced him to Action Talent (which became American Talent International) 00:06:21 For $75/week delivering coffee and working in the mailroom After a year and a half he got booted from Monmouth University, then became the ATI gopher 00:08:17 Hey, do you want Fleetwood Mac to play here? 00:11:44 Booking agent 00:13:17 Can you fill in for a week as Blue Oyster Cult’s tour 00:14:51 Howard and Rush were surprised to have Howard working there “I need ten grand” – “no, you can sleep on the floor instead” 00:18:11 Howard had to show Geddy that New York pizza was better than Toronto pizza 00:19:01 Howard learns about Canadian cold Howard’s driving, Geddy’s riding shotgun, Neil’s reading, Alex is smoking a joint 00:20:42 Geddy says, “get out and take a breath of fresh air” 00:22:05 John Rutsey had opted out of touring, Howard moves to Toronto while they’re auditioning drummers “Eventually Neil [Peart] walked in…and that was it.” 00:23:32 Howard and Neil used to jam at Neil’s house Genesis and Supertramp 00:24:19 Road life’s not so bad 200 gigs a year on the road 00:26:09 Rush took a break, Howard did Queensryche and Tesla Howard designed Roll The Bones, but it’s the only tour he couldn’t operate 00:27:51 Howard tour-managed and lighting designed and operated every tour up through Presto, after which he dropped tour-managing 00:28:41 Dave realizes he met Howard on the Presto tour 00:31:43 Don’t put up with crap 00:32:03 Howard’s been doing Rush’s lights since 1974 00:33:05 Moving from clubs and theaters to arenas Howard embedded himself into See Factor, the lighting company. Lots of custom gear 00:34:54 SPONSOR: Warby Parker – Right now, buy one prescription pair and get 20% off any additional prescription pairs at https://WarbyParker.com/GIGGAB 00:36:40 SPONSOR: Claude.ai – Ready to tackle bigger problems? Sign up for Claude today, which includes access to Claude Cowork, too, when you visit https://Claude.ai/giggab 00:38:10 Howard first saw lasers with Blue Oyster Cult Dr. David Infante, Blue Oyster Cult’s laser operator Howard’s lasers on on the road with Foo Fighters, Tool, Janet Jackson and more 00:40:37 RUSH Fifty Something Something completely different than Howard has ever done Other dimensions 00:42:04 Mixing the Juno awards Howard says Neil would approve of Anika. 00:44:51 Hey Howard, surprise! RUSH is going to tour again 00:47:03 Howard did lights for RUSH at Taylor Hawkins tribute 00:48:46 Howard prefers mixing live He “plays” the lighting console live Remote spot locations 00:52:07 RUSH Fifty Something… it’s band of FOUR. Geddy is happy… playing less keyboards, more bass and vocal focus 00:54:42 Howard: “I create lighting choreography” This tour is (currently) 2.5 hours (things can change, folks!) “I try to enhance the show with lighting that can trigger your emotions. I approach it as an audience member.” Loren Gold’s harmonies sound great 00:58:28 Phish and Rush alternating at Madison Square Garden Chris Kuroda also mixes lights live 01:00:45 Howard’s going to 85 dates We’re here to create positivity, have a good time…and Neil Peart is smiling down 01:05:25 Brian Worthen on FOH 01:08:30 Gig Gab 530 Outtro <https://giggabpodcast.com/> Follow Howard Ungerleider Facebook Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post 50 Years of Rush: Howard Ungerleider on Lighting the Lighted Stage – Gig Gab 530 appeared first on Gig Gab.
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  The Crowd Is the Star: Piano Bar Secrets for Entertaining Any Room with Cliff & Susan Prowse 13.04.2026 1год 2хв

  You don’t need a traditional path to build a thriving music career! Just ask Cliff and Susan Prowse, who turned classical piano chops and play-by-ear instincts into a full-blown lifestyle business. Whether you learned to read music first or figured out theory after the fact, what matters is training your ear to hear intervals, stacking up reps, and putting in the practice until harmony feels like second nature. Use your DAW to sharpen your pitch, but don’t psych yourself or your bandmates out: true tone deafness is rare, and confidence is currency on stage. The bottom line: making a real living in music is absolutely possible when you treat your craft like a skill you never stop sharpening. Once you hit the stage, remember that the crowd is the star and you’re the emcee who just happens to sing and play. Take your audience on a journey: open at mid-energy, build it up, let it breathe, then hit them again. Mix genres, swap instruments, toss in some comedy, and never leave dead air between songs; keep every second purposeful. Think of your set like a video game where you’re always leveling up the room. Manage your breaks with music that matches the vibe so the party never stalls. Playing covers isn’t just a gig — it’s a masterclass in entertainment, and entertainment is its own art form. Always Be Performing. 00:00:00 Gig Gab 529 – Monday, April 13th, 2026 April 13th: National Silly Earring Day Guest co-hosts: Susan Erwin Prowse & Cliff Prowse 00:03:02 The Ultimate Lifestyle Business 00:03:33 Starting with a Pure Mathematics Degree to Piano Bars Classical Piano at the base of it all 00:05:04 Bumble Boogie piqued Susan’s ears Make sure your kids see that inspiration 00:07:16 Cliff started with music from the day he was born Always treated instruments delicately, even as a toddler Learned to play by ear, but never learned to read 00:09:44 Reading vs. hearing and Music Theory School band director thought he was reading music, when Cliff was just playing by ear and remembering what the band director Susan learned to hear intervals Cliff decided to learn theory after-the-fact 00:14:28 Learning to play before you learn WHY the notes work 00:18:18 Breaking down vocal harmonies Both Susan and Cliff picks out harmony by ear Singing harmonies with the mixolydian scale with the flat 7 Really, just practice. Repetition is the key to it all! 00:27:20 Using your DAW to help improve your singing Being actually tone deaf is rare Beware of shaking your bandmates’ confidence…or your own 00:33:21 Making a living in the music business is possible! 00:34:26 The science of the show: Piano Bar strategies Top 40, any genre, any decade Learning the skills of doing the singalong concept Susan and Cliff met on-stage at Willy D’s piano bar in Little Rock From piano bars in Little Rock to Los Angeles to Las Vegas and beyond 00:38:31 Taking the crowd on a journey When you’re there to entertain and throw the party The crowd is the star, you AREN’T You’re the emcee, the DJ, you just happen to know how to sing and play piano Keep it interesting by changing the genre, the groove, the style It’s like playing a video game! Mid energy, at first, then bring it up, then let it ease, then maybe repeat Add variety: different instruments, different singers, different styles Add a little comedy to give them a break from the music 00:45:44 Manage your breaks One school: NEVER stop playing Have good break music, make sure the energy matches 00:49:48 Managing your dead air Don’t allow breaks between songs. Always avoid dead air. “Purposeful Talking” 00:52:44 Entertainers Academy 5-Day Gig Amplifier Challenge Susan and Cliff love to teach! 00:56:44 Being in a cover band is a masterclass of learning entertainment skills Entertaining is an art in and of itself 01:00:17 Gig Gab 528 Outtro Follow Cliff & Susan Facebook & Instagram Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post The Crowd Is the Star: Piano Bar Secrets for Entertaining Any Room – Gig Gab Podcast 529 with Cliff & Susan Prowse appeared first on Gig Gab.
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  Monitoring the Artists' Monitors: IEM Wisdom from Kevin Glendinning 06.04.2026 1год 19хв

  In this episode of Gig Gab, you get the full story of how Kevin “KG” Glendinning cold-emailed his way from a Chicago suburb into a 25-year career mixing monitors for Alicia Keys, Maroon 5, Justin Timberlake, Miley Cyrus, Lorde, and more. You hear how a kid sweeping floors at dB Sound ended up on a Metallica tour bus with one piece of advice ringing in his ears: ask questions, stay late, and get a second job because you’re gonna need it. Kevin walks you through migrating artists to in-ear monitors, managing talkback culture for everyone from Eddie Vedder wanting baseball scores to Lorde’s tight production team, and what it takes to help reluctant guitar players finally ditch the wedges. If you’ve ever wondered what separates a good monitor engineer from a great one, this conversation lays it out. You also dive deep into the art and science of making IEMs sound right in every room, every night. Kevin shares his process of minimal reduction: fixing a bad mix by figuring out what to take away, not what to add, and explains why tuning for in-ears is just as critical as tuning a PA. You learn why he flies 4,700 miles for a single gig, why the best mixes sometimes come from a throw-and-go, and how setting up dummy channels lets you experiment without wrecking the artist’s mix. He and Dave talk hearing health, audiograms, the DPA capsule as the only open mic on the Lorde stage, and why knowing your own ears matters more than knowing your gear. Whether you’re mixing monitors at an arena or running sound at a club gig, this episode is packed with wisdom you can use tonight. Always Be Performing, folks! 00:00:00 Gig Gab 528 – Monday, April 6th, 2026 April 6th: National Siamese Cat Day Guest co-host: Kevin Glendinning 00:02:25 Hotmailing his way into a career Watched the credits of a Metallica documentary, realized DB Sound was near the house, emailed Harry… “Hi, I’m Kevin, and I’m interested in audio…” and the rest is history! 00:07:58 Got put on the road as an audio team assistant Trial by fire Advice from the team: Here’s what to do Here’s what not to do Ask questions, stay late, and get a second job because you’re gonna need it 00:11:22 Learning the personal touch parts of being on tour 00:12:52 Being the stage left PA tech, Kevin gravitated towards monitors 00:13:50 Talkback Culture Eddie Vedder wanted baseball scores in his talkback SOMBR for Coachella 2026 (Chris Rabold at FOH) 00:16:18 Managing multiple talkback channels 00:18:08 LORDE on Talkback Phil Harvey on FOH Sarah Parker is LD 00:19:00 Talkback stories Jaret Reddick’s use of talkback mics in Bowling For Soup 00:20:51 Migrating to in-ears IEMs can preserve your hearing, if done right Future Sonics uses dynamic drivers 00:25:09 Helping guitar players to IEMs Mike Dias on Gig Gab Sensaphonics 3MAX IEMs on LORDE tour 00:32:08 SPONSOR: Gusto. Get three months free when you run your first payroll when you start at https://gusto.com/giggab 00:33:44 Back to helping guitar players with IEMs Problem: when a vocal mic is downstage from a guitar amp Ian Beveridge with Foo Fighters Paul Simon prefers wedges Always be learning First: Learn the human being you’re going to be mixing for 00:41:27 The differences between mixing monitors for Miley Cyrus and Ella LORDE 00:42:48 Monitoring the Artists Monitors TX1 Wireless Transmitters REMI with Brad Madix on Gig Gab 00:47:50 Different rooms sound different on IEMs AFAS Live (formerly Heineken Music Hall) in Amsterdam sounds great Dave says Alamodome in San Antonio is one of the worst-sounding To fix IEMs in a bad-sounding room: what can we reduce to make it sound better? Last night it was a bongo mic that was making the drumset sound too washy in the IEM mix “The process of minimal reduction” Ella’s DPA capsule is the only open mic on-stage on the LORDE tour Tune for the IEMs, too: listen to something you know, and EQ it Tuning the podcast for JH Audio Laylas 01:04:06 Learn your own ears (not your IEMs, your human ears) first Take a hearing test with your phone if you can Kevin and Alicia Keys would go and get their hearing tested together, getting audiograms to compare 01:07:09 IEMs are the most personal audio interaction You have to be psychic! 01:09:46 Flying 4,700 miles to save the day Sometimes the throw-and-go results in the best mix because you’re not overthinking it Tip from Kevin: set up dummy channels to experiment without messing with the actual mix for the IEMs 01:15:57 Gig Gab 528 Outtro Follow Kevin Glendinning IG: @kev_chitown LinkedIn: Kevin ‘KG’ Glendinning Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List   The post Monitoring the Artists’ Monitors: IEM Wisdom from Kevin Glendinning – Gig Gab 528 appeared first on Gig Gab.
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  Stop Winging It: Dial In Your Show with Clicks, Setlists, Insurance, and Gig Prep 30.03.2026 58хв

  You tighten your gig prep by treating every show like a pro mission: build rock-solid routines, line-check your gear and apps, and know your insurance, splitter snake, setlist, click, and IEM plan before you ever hit the stage. You walk into a wedding or club already covered with proper liability, routing, charts, and monitoring so you can stop worrying about logistics and start playing the room. Always Be Performing. Onstage, you think like a storyteller, not just a musician: you record full shows to review your banter and flow, you decide when the click helps and when to ditch it, and you refine what makes your band distinctive so people remember your name and feel the FOMO. Offstage, you act like a lab: you binge showcases at events like SXSW, steal the best ideas, use AI to critique rehearsals, and keep your gig bag dialed so every performance gets sharper, louder, and more undeniable. 00:00:00 Gig Gab 527 – Monday, March 30th, 2026 March 30th: Take a Walk in the Park Day 00:01:29 What is your gig prep process? 00:06:55 Skylar-How does a band get a certificate of insurance for a wedding gig? Insurance Canopy Special Event Insurance 00:11:15 n-Brian from Durham-Do we need a splitter snake? Mixing Station Proreck Splitter Snake 00:16:57 Bill-What Setlist App do you use? forScore 00:19:39 Dan-What click track do you use live? PolyNome 00:21:51 Dan-What about IEMs with ambient filters? Ultimate Ears Ambient Option 00:24:20 SPONSOR: Claude.ai – Ready to tackle bigger problems? Sign up for Claude today, which includes access to Claude Cowork, too, when you visit Claude.ai/giggab 00:27:05 I’m a band guy…how about you? 00:30:15 SXSW 2026 — bands seen and lessons learned: 38 showcases in 2026 Family Battenberg Thelma And James Timmy Skelly 00:39:43 Record yourself live, not just for the music, but for the whole show, including your banter. Lainey Wilson vs. John Popper and band 00:43:24 The stiffness of a click, vs not. Soultone vs. Lainey 00:45:56 PODCAST: Rock Talk Studio Podcast 00:47:29 Tell people who you are, and make it distinctive. Leverage FOMO 00:51:54 Olight OClip Pro in your Gig Bag 00:54:25 Moskowizard-Use AI to evaluate your rehearsals (critical listening) 00:57:00 Andy-CSF-Supertone Clear 00:58:16 Gig Gab 527 Outtro Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post Stop Winging It: Dial In Your Show with Clicks, Setlists, Insurance, and Gig Prep – Gig Gab 527 appeared first on Gig Gab.
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  Touring Brains: Boundaries, Burnout, and Being OK, with Courtney and Paul Klimson 23.03.2026 59хв

  You see how life on the road quietly rewires your brain, from grief and burnout to decision fatigue and STC (Sleepy, Tired, and Crabby), and how Courtney and Paul built The Roadie Clinic to give crews a place to tell their story and get real help. Through flights, heat‑canceled shows, and jumps from Fallon to Timberlake, John Legend, Drake, and beyond, you learn to Always Be Performing for your own mental health with boundaries, support systems, and even AI to protect your headspace. You’re handed concrete ways to care for yourself and your people: snow policies and “last chance to say no” moments, non‑negotiable laundry time, color‑coded calendars that lower stress, and simple communication habits that keep relationships from snapping under pressure. By the end, you’re invited to treat your brain like your most critical piece of touring gear—and to build a crew culture where dignity, respect, and mental health are baked into every gig.​ 00:00:00 Gig Gab 526 – Monday, March 23rd, 2026 March 23rd: National Puppy Day Guest co-hosts: Courtney Klimson and Paul Klimson 00:01:43 Choosing Niles, Michigan for The Roadie Clinic 2019: From living in NYC to “the middle of nowhere” Michigan (but it’s right near an airport) With lots of puppies! 00:04:05 The Roadie Clinic and the whole Human Experience After some family tragedies, Courtney joined Paul on a European leg of the Timberlake tour to support him through the grief 00:07:56 Hottest Day in Central Park doing a show for John Legend And Paul winds up with a sprained ankle but the show must go on…until it’s canceled for the heat! Then off to Sicily the next day… and Courtney joins again! 00:13:24 On the flights, Courtney 00:15:40 “The Show Must Go On” Institute a snow policy 00:17:40 And so exists The Roadie Clinic Remote assistance: tell me your story, how can I help? Works closely with MusiCares RoadieDocRx Decision Fatigue can sometimes be solved by AI 00:26:30 SPONSOR: Squarespace. Check out https://www.squarespace.com/GIGGAB to save 10% off your first purchase of a website or domain using code GIGGAB. 00:28:03 Where are you going today, Paul? John Legend to Timberlake to Drake Multi-colored calendars to save the marriage…and the business 00:30:18 From being the monitor/foldback engineer at Fallon to meeting lots of bands …and managers. “Protect the brand” worked to develop relationships 00:32:55 What Gets the Gig Done? What can I do best that serves the team? Scovill’s Back Lounge 00:37:02 The @ Rule of Texting STC = Sleepy Tired and Crabby 00:39:38 Is this the last opportunity I have to say “no”? 00:43:55 Laundry time matters! 00:45:26 Studying Roadie Brains A lot of Parkinsons, PTSD, Strokes From Fallon to Timberlake 00:47:15 Tricks of being efficient with engineers Step one: Communicate the Input List and Stage Plot 00:50:43 Paul Klimson’s Talkback System 00:54:00 We’re going to win because we’re efficient and we care about humans Dignity and Respect Superbowl Halftime Show – Minneapolis Jimmy Fallon Show … and SNL How are you using AI? 00:57:14 Gig Gab 526 Outtro Follow Paul and Courtney Klimson @TheRoadieClinic Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post Touring Brains: Boundaries, Burnout, and Being OK, with Courtney and Paul Klimson – Gig Gab 526 appeared first on Gig Gab.
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  From Wall Street Hacker to Music Mogul: Mike Grande’s Journey 16.03.2026 1год 4хв

  You get a front-row seat to how Michael Grande turned hard-won tech chops and late-night studio hacks into real music-business wins. From escaping NAMM chaos and leveraging smart PR and management, to transforming a throwaway “stupid idea” into Card Chords—an Amazon-topping guitar tool born from a Cricut, Guitar Center testing, and sheer persistence—you see how necessity, experimentation, and saying yes the first time landed him in Jimi Hendrix’s old bedroom at Electric Lady Studios, shredding in the lineage of Vai and Satriani, and inventing Tone Picks on the fly. Along the way, you’re reminded that when you know you’re right, you embrace it, protect your IP, and keep swinging big—whether that’s launching music schools, eyeing Shark Tank with a bold offer, or pivoting your career from Wall Street CTO and Certified Ethical Hacker to full-on guitar innovator. Then you’re pushed to rethink how you teach, lead, and build your own music brand. You learn why great schools and studios run on clear mission statements, strong unique selling propositions, and a coaching mindset that focuses on the student, not the curriculum—getting them hooked on the songs they actually want to play, then turning them toward what they need. You see how asking potential customers for their own answers, treating every audience like they matter, and showing up like a coach instead of a teacher all point to one core operating principle: you’re never off-duty, because you Always Be Performing—ALWAYS. 00:00:00 Gig Gab 525 – Monday, March 16th, 2026 March 16th: Freedom of Information Day Guest co-host: Michael Grande from Card Chords and more 00:02:14 Getting out of NAMM 00:03:10 Have a good PR guy! Christopher Buttner 00:04:15 Hey, NAMM: How high can I go? 00:06:09 Can you afford NOT to hire a manager? Or a PR person? Our Mistakes are Our Tuition – Business Brain 00:08:04 COVID Vaccines lead to Card Chords Mike was a (very successful) ​Certified Ethical Hacker & CTO on Wall Street 00:11:09 Dad – come up with an idea to teach people how to play guitar “That’s a stupid idea” – Ignore, and move on. Bought a Cricut machine, built the prototype and tested it on hundreds of guitars at Guitar Center Came out on December 21st, and became Amazon’s #1 Musical Accessories item within 30 days Also includes an eBook to teach out Beatles, Bon Jovi, Guns and Roses songs WITH Card Chords 00:16:35 Born of Necessity! 00:18:39 The birth of Tone Picks Story time: I didn’t bring a 12-string to Electric Lady Studios at 3am Taped two picks together to simulate a 12-string sound. 00:21:41 How did you get on the list of Electric Lady Studios session players? Mike was a shredder after Steve Vai, Joe Satriani, etc 00:22:27 Recording in Jimi Hendrix’s old bedroom at Electric Lady Studios! Say yes the first time! Sponsors 00:25:39 SPONSOR: Factor, America’s #1 Ready-To-Eat Meal Kit, can help you fuel up fast with flavorful and nutritious ready-to-eat meals delivered straight to your door. Visit FactorMeals.com/giggab50off and use code giggab50off for 50% off! 00:27:22 SPONSOR: Gusto. Get three months free when you run your first payroll when you start at https://gusto.com/giggab 00:28:51 Mike uses Gusto for his Music Schools! 00:30:33 Running music schools Mike’s Book: From Teacher to Coach: (And why you would NEVER want to be a Teacher) Taught private lessons, then students wanted more, so… Mike started The Staten Island School of Rock 00:33:37 Mike’s coaching methods are different Learning hands-on Getting students hooked on the songs you want to play THEN turn them around 00:34:42 You gotta be juiced about playing the songs Gig Gab 500 with Skylar and the drum coaching story 00:37:16 You need to have a mission statement Mike’s: “We build the confidence and self-esteem through music lessons” You need a Unique Selling Proposition! 00:39:30 Mike’s Unique Selling Proposition Never answer the question… ask the potential customer for the answer! 00:41:48 A teacher focuses on the curriculum, a coach focuses on the student 00:42:44 Mary Fanaro’s Rwanda Rocks Rwanda’s Minister of Education: The children of Rwanda don’t need teachers, they need coaches. 00:48:08 When you know you’re right, embrace it. 00:49:45 Always Be Performing…ALWAYS! 00:53:18 An audience wants to be treated 00:55:23 We’re always wearing 00:57:54 The Chinese stole Mike’s IP for Card Chords Mike’s got a new product that is in the running for Shark Tank Mike’s offer to Shark Tank will be: 20% of his company for $1 01:03:23 Gig Gab 525 Outtro Follow Michael Grande CardChords.com Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post From Wall Street Hacker to Music Mogul: Michael Grande’s Journey – Gig Gab 525 appeared first on Gig Gab.